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    Robert Kpogo

    In Ghana, Kente or Kete weaving is known to be done predominantly in areas of Bonwire, Ashanti Region and Agotime, Volta Region however the art is gradually gaining prominence in other communities in the Volta Region. This paper... more
    In Ghana, Kente or Kete weaving is known to be done predominantly in areas of Bonwire, Ashanti Region and Agotime, Volta Region however the art is gradually gaining prominence in other communities in the Volta Region. This paper investigates and documents Kete weaving as a developing culture within the Akatsi District in the Volta Region of Ghana through a qualitative inquiry. The study focused on the history, production and marketing of the art using narrative and descriptive designs and thematic analysis approaches. Using the purposive sampling method, a total of 20 respondents constituting elders, weavers and cloth sellers participated in the study. The study found that the origin of Kete weaving has no roots in the Akatsi District however the art is fast growing as an occupation among the male youth in the district whereas the females, both young and old en.gage in trading the woven fabric and its accessories. Sadly, the future of this occupation is blurred as the ingenious weav...
    This article examined available facilities (tangible and intangible) in selected Ghanaian public Senior High Schools to find out if they possess what it takes to impact the needed skills in students to meet the demands of the 21st Century... more
    This article examined available facilities (tangible and intangible) in selected Ghanaian public Senior High Schools to find out if they possess what it takes to impact the needed skills in students to meet the demands of the 21st Century job market. Four schools were purposefully selected to fairly represent the various grades of senior high schools in the Central Region of Ghana. Data was collected through interviews and observations whereas analysis was done using the thematic approach. Findings indicate that facilities in schools were highly inadequate. Visual arts teachers were not motivated to teach while students lack basic learning resources thereby impacting negatively on performance outcomes of both teachers and students.The future of Visual Arts education in Ghanaian Senior High Schools is feared to remain sustainable as a practical programme as authorities continually fail to provide needed basic art facilities.