Susana Januário, PhD in Sociology from the University of Porto - Faculty of Arts and Humanities. She has a degree in Sociology from the same faculty and a master's degree from the University of Coimbra (Faculty of Economics). Almost two decades' experience as a teacher and trainer in higher and secondary education. She teaches at the School of Education of the Polytechnic of Porto and at the School of Sport and Education of the Jean Piaget Polytechnic of the North. She directed the Jean Piaget School of Education in Vila Nova de Gaia/Porto and coordinated the higher courses in Social Education and Sociocultural Animation. Researcher in several research projects, being currently researcher at the Institute of Sociology of the University of Porto.
The third KISMIF International Conference “Keep It Simple, Make It Fast! (KISMIF) DIY Cultures, S... more The third KISMIF International Conference “Keep It Simple, Make It Fast! (KISMIF) DIY Cultures, Spaces and Places” was help in Porto, Portugal, between 18th July and 21st July 2016. This edition was once again focused on underground music, but directing its attention this time towards the analysis of DIY cultures’ relationship to space and places. Thus, we challenged students, junior and senior teachers/researchers, as well as artists and activists, to come to the KISMIF International Conference and present works which explore the potential of the theoretical and analytical development of the intersection of music scenes, DIY culture and space under a multidimensional and multifaceted vision. Our intention was to enrich the underground scenes and DIY cultures analysis by producing innovative social theory on various spheres and levels, as well as focusing on the role of DIY culture in late modernity. Indeed, the role of music and DIY cultures is once more an important question — taking place in a world of piecemealed yet ever-present change. The space, spaces, places, borders, zones of DIY music scenes are critical variables in approaching contemporary cultures, their sounds, their practices (artistic, cultural, economic and social), their actors and their contexts. From a postcolonial and glocalized perspective, it is important to consider the changes in artistic and musical practices with an underground and/or oppositional nature in order to draw symbolic boundaries between their operating modalities and those of advanced capitalism. Territorialization and deterritorialization are indelible marks of the artistic and musical scenes in the present; they are related to immediate cosmopolitanisms, to conflicting diasporas, new power relations, gender and ethnicity.
... POLÍTICAS SOCIAIS E EXCLUSÃO EM PORTUGAL 47 Ao longo dos onze anos em ... eqüivalerá à concre... more ... POLÍTICAS SOCIAIS E EXCLUSÃO EM PORTUGAL 47 Ao longo dos onze anos em ... eqüivalerá à concretização de uma resposta face às transformações e características da sociedade ... a este respeito, as seguintes medidas: a instituição do seguro social voluntário (DLn.° 40 ...
Este artigo apresenta uma abordagem das (novas) cancoes de protestode duas das mais emblematicas ... more Este artigo apresenta uma abordagem das (novas) cancoes de protestode duas das mais emblematicas bandas de pop rock portugues desde os anos de1980 ate a atualidade. Ao trabalho que aqui apresentamos esteve subjacente umafinalidade assente num principio heuristico primordial: o de demonstrar de queforma as manifestacoes artisticas neste caso em particular a musica pop rock constituem elas proprias materia e objeto de intervencao social, demarcando umespaco proprio, definido e especifico na denuncia e revelacao de problematicassociais e na contestacao, protesto e revolta perante a realidade social. Atraves daabordagem de 39 cancoes das bandas Mao Morta e a Xutos & Pontapes, estamosperante manifestacoes que nao procuram apenas denunciar, mas tambem intervir/agir, nas quais, por vezes, o incitamento remete para a acao, passando esta aser fundamental na demarcacao de um espaco proprio, produtor tematico enao apenas objeto contemplativo (espelho) da realidade social. Por isso, e queum esp...
The third KISMIF International Conference “Keep It Simple, Make It Fast! (KISMIF) DIY Cultures, S... more The third KISMIF International Conference “Keep It Simple, Make It Fast! (KISMIF) DIY Cultures, Spaces and Places” was help in Porto, Portugal, between 18th July and 21st July 2016. This edition was once again focused on underground music, but directing its attention this time towards the analysis of DIY cultures’ relationship to space and places. Thus, we challenged students, junior and senior teachers/researchers, as well as artists and activists, to come to the KISMIF International Conference and present works which explore the potential of the theoretical and analytical development of the intersection of music scenes, DIY culture and space under a multidimensional and multifaceted vision. Our intention was to enrich the underground scenes and DIY cultures analysis by producing innovative social theory on various spheres and levels, as well as focusing on the role of DIY culture in late modernity. Indeed, the role of music and DIY cultures is once more an important question — taking place in a world of piecemealed yet ever-present change. The space, spaces, places, borders, zones of DIY music scenes are critical variables in approaching contemporary cultures, their sounds, their practices (artistic, cultural, economic and social), their actors and their contexts. From a postcolonial and glocalized perspective, it is important to consider the changes in artistic and musical practices with an underground and/or oppositional nature in order to draw symbolic boundaries between their operating modalities and those of advanced capitalism. Territorialization and deterritorialization are indelible marks of the artistic and musical scenes in the present; they are related to immediate cosmopolitanisms, to conflicting diasporas, new power relations, gender and ethnicity.
... POLÍTICAS SOCIAIS E EXCLUSÃO EM PORTUGAL 47 Ao longo dos onze anos em ... eqüivalerá à concre... more ... POLÍTICAS SOCIAIS E EXCLUSÃO EM PORTUGAL 47 Ao longo dos onze anos em ... eqüivalerá à concretização de uma resposta face às transformações e características da sociedade ... a este respeito, as seguintes medidas: a instituição do seguro social voluntário (DLn.° 40 ...
Este artigo apresenta uma abordagem das (novas) cancoes de protestode duas das mais emblematicas ... more Este artigo apresenta uma abordagem das (novas) cancoes de protestode duas das mais emblematicas bandas de pop rock portugues desde os anos de1980 ate a atualidade. Ao trabalho que aqui apresentamos esteve subjacente umafinalidade assente num principio heuristico primordial: o de demonstrar de queforma as manifestacoes artisticas neste caso em particular a musica pop rock constituem elas proprias materia e objeto de intervencao social, demarcando umespaco proprio, definido e especifico na denuncia e revelacao de problematicassociais e na contestacao, protesto e revolta perante a realidade social. Atraves daabordagem de 39 cancoes das bandas Mao Morta e a Xutos & Pontapes, estamosperante manifestacoes que nao procuram apenas denunciar, mas tambem intervir/agir, nas quais, por vezes, o incitamento remete para a acao, passando esta aser fundamental na demarcacao de um espaco proprio, produtor tematico enao apenas objeto contemplativo (espelho) da realidade social. Por isso, e queum esp...
Uploads
Books by Susana Januário
Papers by Susana Januário