Talks by Andrea Stultiens
Recently I was promoted into the status of Honorary Assistant Professor in Document Curation at E... more Recently I was promoted into the status of Honorary Assistant Professor in Document Curation at East African Polytechnic College Kyambogo. Three weeks earlier I did not know this college existed.
In this performative lecture I elaborate on why I nevertheless accepted the offer in a bid to expand the context I work from with additional and unfamiliar modes of questioning.
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At the Uganda Cancer Institute, lines often blur between past and present, sickness and health, l... more At the Uganda Cancer Institute, lines often blur between past and present, sickness and health, life and death. Founded in 1967 as a small chemotherapy clinical trials facility in Kampala, today the Institute’s 100+ beds serve a population catchment of over 40 million living in the Great Lakes region of Africa. The Institute houses the only continuous collection of patient records documenting cancer treatment and care on the African continent. This talk considers the temporal, methodological, and ethical challenges of preserving patient records at the Uganda Cancer Institute.
These images are courtesy of History in Progress Uganda, which is run by Andrea Stultiens and Rumanzi Canon, and are long time collaborators and colleagues. Rumanzi Canon made the Staying Alive poster. Andrea Stultiens made contemporary photographs of the UCI. You can find more about HIP Uganda here: http://www.hipuganda.org/
Dr. John Ziegler provided historical images. Please do not use these materials without acknowledgement.
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Papers by Andrea Stultiens
DESIGN ARTS CULTURE - CAPITALISM AND THE CAMERA, 2024
This contribution is positioned between what might be considered an artistic portfolio and a pape... more This contribution is positioned between what might be considered an artistic portfolio and a paper. It is perhaps best understood as a visual essay, in which a speculative correspondence with a prominent Ugandan chief and intellectual, the late Ham Mukasa (ca. 1870-1956), affords the activation of an ambiguous colonial legacy. It aims to complicate and question our relationship to-and understanding of archival materials and the web of privilege and precarity in which they were compiled and exist.
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Presentatie Arts Based Research. Hoe worden artistieke strategieen bij het doen van onderzoek ing... more Presentatie Arts Based Research. Hoe worden artistieke strategieen bij het doen van onderzoek ingezet? Welke onderzoeksmethodieken zijn nodig om ruimte te geven aan het niet-weten en het onverwachte? Hoe kunnen onderzoekers hun artistieke kwaliteiten inzetten en in welke fases van het onderzoeksproces? Andrea Stultiens, Nathalie Beekman en Pepijn van de Port presenteren artistiek onderzoek en interventies over uiteenlopende onderwerpen. Ze gaan daarbij in op de invloed van artistiek handelen en denken op onderzoeksmethodiek, data-analyse en verspreiding van resultaten. Dit symposium richt zich met name op kunstenaars, kunstdocenten en onderzoekers die hun artistieke en onderzoekende vermogens meer met elkaar willen verbinden.
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Filip De Boeck moderates a conversation with Andrea Stultiens and Canon Griffin around their exhi... more Filip De Boeck moderates a conversation with Andrea Stultiens and Canon Griffin around their exhibition 'Ebifananyi' at the Foto Museum in Antwerp. The noun Ebifananyi is derived from the verb Kufanana, which means “to resemble”. Ebifananyi is the Luganda word for drawings, paintings and photographs. In 2011, Andrea Stultiens (NL) and R. Canon Griffin (UG) founded the History in Progress Uganda platform. Under this name, they document historical Ugandan photography collections in their current state.Stultiens’ role alternates between documentalist and artist and curator. Both personal records and the work of Ugandan photographers, Western colonists and missionaries of the past are being amassed. Having chosen a multi-vocal approach, she invites contemporary artists to help activate the visual material. The results so far are presented in eight intimate publications entitled Ebifananyi and have been shown in numerous small exhibitions in Uganda and Northern Europe. The FOMU p...
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In November 2017, 'Artistic Research in the North' presented the exhibition 'Dwell, A... more In November 2017, 'Artistic Research in the North' presented the exhibition 'Dwell, Act, Transform' and the symposium 'Thought Things'. Researchers from Minerva Art Academy and the University of Groningen, together with international guests like Tim Ingold, approached artistic research as a form of research that interacts with the social, material and academic environments in which it occurs. Based on their shared perspectives, researchers collaborated across the boundaries of disciplines and institutions, searching for new research methods and ways of working.Artistic Research in the North is a coproduction of the Research Centre Art & Society (Minerva Art Academy, Hanze University of Applied Sciences) and the Department History of Art + Architecture (University of Groningen). My role was that of co-curator and producer of the exhibition with Anke Coumans
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Hoe worden artistieke strategieen bij het doen van onderzoek ingezet? Welke onderzoeksmethodieken... more Hoe worden artistieke strategieen bij het doen van onderzoek ingezet? Welke onderzoeksmethodieken zijn nodig om ruimte te geven aan het niet-weten en het onverwachte? Hoe kunnen onderzoekers hun artistieke kwaliteiten inzetten en in welke fases van het onderzoeksproces? Andrea Stultiens, Nathalie Beekman en Pepijn van de Port presenteren artistiek onderzoek en interventies over uiteenlopende onderwerpen. Ze gaan daarbij in op de invloed van artistiek handelen en denken op onderzoeksmethodiek, data-analyse en verspreiding van resultaten. Dit symposium richt zich met name op kunstenaars, kunstdocenten en onderzoekers die hun artistieke en onderzoekende vermogens meer met elkaar willen verbinden.
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Talks by Andrea Stultiens
In this performative lecture I elaborate on why I nevertheless accepted the offer in a bid to expand the context I work from with additional and unfamiliar modes of questioning.
These images are courtesy of History in Progress Uganda, which is run by Andrea Stultiens and Rumanzi Canon, and are long time collaborators and colleagues. Rumanzi Canon made the Staying Alive poster. Andrea Stultiens made contemporary photographs of the UCI. You can find more about HIP Uganda here: http://www.hipuganda.org/
Dr. John Ziegler provided historical images. Please do not use these materials without acknowledgement.
Papers by Andrea Stultiens
In this performative lecture I elaborate on why I nevertheless accepted the offer in a bid to expand the context I work from with additional and unfamiliar modes of questioning.
These images are courtesy of History in Progress Uganda, which is run by Andrea Stultiens and Rumanzi Canon, and are long time collaborators and colleagues. Rumanzi Canon made the Staying Alive poster. Andrea Stultiens made contemporary photographs of the UCI. You can find more about HIP Uganda here: http://www.hipuganda.org/
Dr. John Ziegler provided historical images. Please do not use these materials without acknowledgement.
The introductory text has the form of a letter to the reader and provides background to the project at large as well as methodological principles used for the archive activation as research method.