Call for papers by Duygu Tarkan
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Conference Presentations by Duygu Tarkan
Out of the dark - The dawn of potters craftsmanship
by Ingmar Franz
In this session we want to d... more Out of the dark - The dawn of potters craftsmanship
by Ingmar Franz
In this session we want to discuss the technological and social setups of the processes which led during the early phase of pottery technology to the emergence of potters craftsmanship. Assuming that analogue developments of "Neolithic" pottery technology can be observed in different regions of the Near East and Europe, the session addresses all researchers who deal with pottery in the pre- and early craftsmanship stage. The session will discuss changes and the persistence in pottery technology (used raw materials and applied manufacturing techniques), in style (morphology and decoration), in quantity, and in usage of pottery in a pan-European and Near Eastern framework ranging from ca. 7,000-4,000 cal BC. It will scrutinize the different stages of pottery craftsmanship from the experimental phase in the beginning to the development of specialized craftsmanship and mass production. Concepts of and approaches to study ‘innovation’ and ‘imitation’ as well ‘import’ and ‘knowledge transfer’ will be discussed and illustrated with case studies from across the Near East and Europe in order to better understand the impetus, process and meaning of the pottery production in early farming societies.
Istanbul, September 2014
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Papers by Duygu Tarkan
The Oxford Handbook of Museum Archaeology
This chapter presents a series of digital and interactive interpretation methods in an exhibition... more This chapter presents a series of digital and interactive interpretation methods in an exhibition with an exclusive focus on the archaeological processes. The exhibition, entitled ‘The Curious Case of Çatalhöyük’, opened at the ANAMED Gallery in Istanbul in 2017. The interdisciplinary approach of the excavation project was reflected in exhibition displays with 3D printed replicas of selected finds, laser-scanned digital reconstructions of the mounds, recreations of the site in Virtual Reality, and a contemporary art data sculpture developed by employing machine learning algorithms. This work poses new questions, including: What are effective ways to display archaeological practice in exhibitions? How can displays offer a more enjoyable and engaging experience for visitors while interpreting theoretical background and scientific methodologies? How are fieldnotes, databases, and photographic archives remediated in gallery displays?
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Call for papers by Duygu Tarkan
Conference Presentations by Duygu Tarkan
by Ingmar Franz
In this session we want to discuss the technological and social setups of the processes which led during the early phase of pottery technology to the emergence of potters craftsmanship. Assuming that analogue developments of "Neolithic" pottery technology can be observed in different regions of the Near East and Europe, the session addresses all researchers who deal with pottery in the pre- and early craftsmanship stage. The session will discuss changes and the persistence in pottery technology (used raw materials and applied manufacturing techniques), in style (morphology and decoration), in quantity, and in usage of pottery in a pan-European and Near Eastern framework ranging from ca. 7,000-4,000 cal BC. It will scrutinize the different stages of pottery craftsmanship from the experimental phase in the beginning to the development of specialized craftsmanship and mass production. Concepts of and approaches to study ‘innovation’ and ‘imitation’ as well ‘import’ and ‘knowledge transfer’ will be discussed and illustrated with case studies from across the Near East and Europe in order to better understand the impetus, process and meaning of the pottery production in early farming societies.
Istanbul, September 2014
Papers by Duygu Tarkan
by Ingmar Franz
In this session we want to discuss the technological and social setups of the processes which led during the early phase of pottery technology to the emergence of potters craftsmanship. Assuming that analogue developments of "Neolithic" pottery technology can be observed in different regions of the Near East and Europe, the session addresses all researchers who deal with pottery in the pre- and early craftsmanship stage. The session will discuss changes and the persistence in pottery technology (used raw materials and applied manufacturing techniques), in style (morphology and decoration), in quantity, and in usage of pottery in a pan-European and Near Eastern framework ranging from ca. 7,000-4,000 cal BC. It will scrutinize the different stages of pottery craftsmanship from the experimental phase in the beginning to the development of specialized craftsmanship and mass production. Concepts of and approaches to study ‘innovation’ and ‘imitation’ as well ‘import’ and ‘knowledge transfer’ will be discussed and illustrated with case studies from across the Near East and Europe in order to better understand the impetus, process and meaning of the pottery production in early farming societies.
Istanbul, September 2014