Disruption and creativity are the two ideas around which we challenge and contribute to dismantli... more Disruption and creativity are the two ideas around which we challenge and contribute to dismantling white, ‘western’, neoliberal hegemonic social narratives and ideologies in qualitative tourism methodologies. In tourism studies in general, and tourism geography in particular, the last decade has witnessed an emphasis on qualitative methodological research, both in terms of the topics addressed and the types of methodological tools. In many ways, this legitimisation of qualitative work mirrors developments in other areas such as human geography, sociology and anthropology. Explorations in this Special Issue contribute critical understandings of the responsibility of tourism research to be disruptive first before it can engender progress and transformation within and outside of our field. Authors debate in more depth how tourism studies can offer multidimensional, multilogical and multiemotional, methodological approaches to tourism research. This Special Issue contributors tackle the ways in which research methodologies can be creative and disruptive to the seemingly prevalent narratives within tourism studies. To further expand tourism methodologies, authors have engaged in debates about deep reflexivity, subjectivities, and dreams; messy emotions in auto-ethnographic accounts of fieldwork; ‘motherhood capital’ accessing Inuit communities; collective memory work in tourism research and pedagogy; ethnodrama and creative non-fiction; linguistic narrative analysis, and serious gaming, amongst others.
After the fall of the Iron Curtain and the end of the communist/socialist regimes many Eastern Eu... more After the fall of the Iron Curtain and the end of the communist/socialist regimes many Eastern Euro-pean countries sought to establish new separate, unique identities as part of the Western World and the European political and economic organizations. The old totalitarian identities, histories, and heritages have mostly been excluded from the desired and preferred representations about and of these countries and in many instances even silenced and suppressed. Tourism as major creator and mediator of knowledges and images about places, peoples, and pasts is an important factor in these processes of identity making, inclusion, and exclusion. In the case of Bulgaria, the communist/socialist heritage has been marginalized and silenced in the past 20 years as the country's new European identity has been made, established, mediated, and announced. However, in the past 5 or so years with the hardships of the transitional period still continuing and with an emerging sense of nostalgia towards the socialist/communist period, the totalitarian heritage has slowly started to become visible in the public discourse. Moreover, there has been registered desire by authoritative agents in the country to revisit that part of the Bulgarian history and include it through heritage sites in the exhibited and represented images of Bulgaria including through/in tourism. The proposed article offers an examination of these slow and contested processes of inclusion of the communist/socialist heritage and how this inclusion (or continued exclusion) is the interplay of power, identity, and tourism. These issues are examined within the context of a qualitative critical interpretive study of Bulgaria.
Creating shared value (CSV) involves connecting company success with social progress. This shared... more Creating shared value (CSV) involves connecting company success with social progress. This shared element of CSV resonates with the mandate of destination management organisations to be accountable to all stakeholders for the progress of the destination. This study tests the feasibility of a destination's stakeholders adopting a CSV approach and by doing so, to take responsibility for that destination's future. Semi-structured interviews gathered opinions from 16 members of the General Council, the Executive Committee, and the Steering Committee of the highly acclaimed Turisme de Barcelona (TdB), the official organisation for the promotion of tourism in Barcelona, Spain. The results show that the complexities of changing the organisation's mandate, in a public-private partnership where consensus is needed, would be extremely difficult to navigate. Even if possible, the outcomes would likely step on the toes of other institutions. The feasibility of integrating CSV into the mandate, in order to move destination marketing organisations towards destination management organisations is problematised as a 'wicked' problem using Foucault's notion of power in stakeholder relationships. The results show the inherent difficulties of introducing sustainability values into a multi-stakeholder, public-private partnership, and allow lessons to be drawn about how realistic CSV may be as a guiding philosophy.
Disruption and creativity are the two ideas around which we challenge and contribute to dismantli... more Disruption and creativity are the two ideas around which we challenge and contribute to dismantling white, ‘western’, neoliberal hegemonic social narratives and ideologies in qualitative tourism methodologies. In tourism studies in general, and tourism geography in particular, the last decade has witnessed an emphasis on qualitative methodological research, both in terms of the topics addressed and the types of methodological tools. In many ways, this legitimisation of qualitative work mirrors developments in other areas such as human geography, sociology and anthropology. Explorations in this Special Issue contribute critical understandings of the responsibility of tourism research to be disruptive first before it can engender progress and transformation within and outside of our field. Authors debate in more depth how tourism studies can offer multidimensional, multilogical and multiemotional, methodological approaches to tourism research. This Special Issue contributors tackle the ways in which research methodologies can be creative and disruptive to the seemingly prevalent narratives within tourism studies. To further expand tourism methodologies, authors have engaged in debates about deep reflexivity, subjectivities, and dreams; messy emotions in auto-ethnographic accounts of fieldwork; ‘motherhood capital’ accessing Inuit communities; collective memory work in tourism research and pedagogy; ethnodrama and creative non-fiction; linguistic narrative analysis, and serious gaming, amongst others.
After the fall of the Iron Curtain and the end of the communist/socialist regimes many Eastern Eu... more After the fall of the Iron Curtain and the end of the communist/socialist regimes many Eastern Euro-pean countries sought to establish new separate, unique identities as part of the Western World and the European political and economic organizations. The old totalitarian identities, histories, and heritages have mostly been excluded from the desired and preferred representations about and of these countries and in many instances even silenced and suppressed. Tourism as major creator and mediator of knowledges and images about places, peoples, and pasts is an important factor in these processes of identity making, inclusion, and exclusion. In the case of Bulgaria, the communist/socialist heritage has been marginalized and silenced in the past 20 years as the country's new European identity has been made, established, mediated, and announced. However, in the past 5 or so years with the hardships of the transitional period still continuing and with an emerging sense of nostalgia towards the socialist/communist period, the totalitarian heritage has slowly started to become visible in the public discourse. Moreover, there has been registered desire by authoritative agents in the country to revisit that part of the Bulgarian history and include it through heritage sites in the exhibited and represented images of Bulgaria including through/in tourism. The proposed article offers an examination of these slow and contested processes of inclusion of the communist/socialist heritage and how this inclusion (or continued exclusion) is the interplay of power, identity, and tourism. These issues are examined within the context of a qualitative critical interpretive study of Bulgaria.
Creating shared value (CSV) involves connecting company success with social progress. This shared... more Creating shared value (CSV) involves connecting company success with social progress. This shared element of CSV resonates with the mandate of destination management organisations to be accountable to all stakeholders for the progress of the destination. This study tests the feasibility of a destination's stakeholders adopting a CSV approach and by doing so, to take responsibility for that destination's future. Semi-structured interviews gathered opinions from 16 members of the General Council, the Executive Committee, and the Steering Committee of the highly acclaimed Turisme de Barcelona (TdB), the official organisation for the promotion of tourism in Barcelona, Spain. The results show that the complexities of changing the organisation's mandate, in a public-private partnership where consensus is needed, would be extremely difficult to navigate. Even if possible, the outcomes would likely step on the toes of other institutions. The feasibility of integrating CSV into the mandate, in order to move destination marketing organisations towards destination management organisations is problematised as a 'wicked' problem using Foucault's notion of power in stakeholder relationships. The results show the inherent difficulties of introducing sustainability values into a multi-stakeholder, public-private partnership, and allow lessons to be drawn about how realistic CSV may be as a guiding philosophy.
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Papers by Milka Ivanova