Curt Germundson
Minnesota State University, Mankato, Department of Art, Faculty Member
... and the general evolutionary trend which grows through the succession of the culture^."^ Starting with the room of Babylonian and Egyptian art, whose rearrangement was completed by October 1939, we see that Dorner did NOT display... more
... and the general evolutionary trend which grows through the succession of the culture^."^ Starting with the room of Babylonian and Egyptian art, whose rearrangement was completed by October 1939, we see that Dorner did NOT display the fragment of the Ishtar gate within a ...
Research Interests:
... and Empathy, arguing instead that Worringer wanted to represent the Northern Gothic as asynthesis of naturalistic ... import-ant because it shows that Schwitters's collage work developed out of Worringer's confrontation... more
... and Empathy, arguing instead that Worringer wanted to represent the Northern Gothic as asynthesis of naturalistic ... import-ant because it shows that Schwitters's collage work developed out of Worringer's confrontation between empathy as naturalism ... These are my abstractions. ...
Research Interests: Art and Avant Garde
... and the general evolutionary trend which grows through the succession of the culture^."^ Starting with the room of Babylonian and Egyptian art, whose rearrangement was completed by October 1939, we see that Dorner did NOT display... more
... and the general evolutionary trend which grows through the succession of the culture^."^ Starting with the room of Babylonian and Egyptian art, whose rearrangement was completed by October 1939, we see that Dorner did NOT display the fragment of the Ishtar gate within a ...
Research Interests:
... and the general evolutionary trend which grows through the succession of the culture^."^ Starting with the room of Babylonian and Egyptian art, whose rearrangement was completed by October 1939, we see that Dorner did NOT display... more
... and the general evolutionary trend which grows through the succession of the culture^."^ Starting with the room of Babylonian and Egyptian art, whose rearrangement was completed by October 1939, we see that Dorner did NOT display the fragment of the Ishtar gate within a ...