This article explores the digitalization of traditional funeral joss paper into digital commoditi... more This article explores the digitalization of traditional funeral joss paper into digital commodities through the case study of the Chinese online cemetery 00tang.com. Joss paper are paper replicas of everyday items such as money and objects that are ritually burned as a form of symbolic offering to the deceased in accordance with traditional Chinese practices of ancestor worship. Using both ethnographic interviews and discursive interface analysis, I look at how the remediation of spiritual joss paper into digital objects complicates perceived dichotomy between the gift and commodity that requires new ways of thinking about the acts of social reciprocity, indebtedness, and obligation. Drawing on established literature relating to gift and digital economies, I argue 00tang's digitization of joss paper on internet cemeteries is reflexive of the biopolitical means by which the state and market forces work to subsume traditional ancestor worship into controllable and commodifiable labor of mourning. Here, the subversive wastefulness of the gift is replaced by its accumulation and preservation online. Digitization in this regard highlights the process by which objects take on different materiality, values, aesthetics, and productive labor practices, all of which fundamentally alters the symbolic regimes of death and the ritual gift economy in China.
This project explores the recent censorship of two Chinese artificial intelligence (AI) chatbots ... more This project explores the recent censorship of two Chinese artificial intelligence (AI) chatbots on Tencent’s popular WeChat messaging platform. Specifically, I am advancing a technographic approach in ways that give agency to bots as not just computing units but as interlocutors and informants. I seek to understand these chatbots through their intended design—by chatting with them. I argue that this methodological inquiry of chatbots can potentially points to fissures and deficiencies within the Chinese censorship machine that allows for spaces of subversion. AI chatbot development China presents a rich site of study because it embodies the extremes of surveillance and censorship. This is all the more important as China have elevated disruptive technologies like AI and big data as critical part of state security and a key component to fulfilling the “Chinese Dream of National Rejuvenation.” Whether it is the implementation of a national “social credit” system or the ubiquitous use ...
The traditional configuration of content on top and comments on the bottom on most websites often... more The traditional configuration of content on top and comments on the bottom on most websites often dismiss comments as of secondary importance to content. This article looks at how comment culture(s) in China operate outside of the top-bottom dichotomy where comments are increasingly supplanting content as the main form of consumable media. Through case studies of two types of Chinese comment cultures— gailou culture and danmu culture—I explore how user-generated comments can work to subvert established hierarchies in a highly visible and public manner. I invoke traditional Chinese aesthetic perspectives to visualize the multiple layers of interactions that enable the reconfiguration of the temporal/spatial order contesting the unitary narrative. In doing so, I seek to shed light on not only these distinct modes of commenting practices but also the creation of a new aesthetic of consumption that is inseparable from the formation of the Chinese postmodern subjectivity.
This article explores the digitalization of traditional funeral joss paper into digital commoditi... more This article explores the digitalization of traditional funeral joss paper into digital commodities through the case study of the Chinese online cemetery 00tang.com. Joss paper are paper replicas of everyday items such as money and objects that are ritually burned as a form of symbolic offering to the deceased in accordance with traditional Chinese practices of ancestor worship. Using both ethnographic interviews and discursive interface analysis, I look at how the remediation of spiritual joss paper into digital objects complicates perceived dichotomy between the gift and commodity that requires new ways of thinking about the acts of social reciprocity, indebtedness, and obligation. Drawing on established literature relating to gift and digital economies, I argue 00tang's digitization of joss paper on internet cemeteries is reflexive of the biopolitical means by which the state and market forces work to subsume traditional ancestor worship into controllable and commodifiable labor of mourning. Here, the subversive wastefulness of the gift is replaced by its accumulation and preservation online. Digitization in this regard highlights the process by which objects take on different materiality, values, aesthetics, and productive labor practices, all of which fundamentally alters the symbolic regimes of death and the ritual gift economy in China.
This project explores the recent censorship of two Chinese artificial intelligence (AI) chatbots ... more This project explores the recent censorship of two Chinese artificial intelligence (AI) chatbots on Tencent’s popular WeChat messaging platform. Specifically, I am advancing a technographic approach in ways that give agency to bots as not just computing units but as interlocutors and informants. I seek to understand these chatbots through their intended design—by chatting with them. I argue that this methodological inquiry of chatbots can potentially points to fissures and deficiencies within the Chinese censorship machine that allows for spaces of subversion. AI chatbot development China presents a rich site of study because it embodies the extremes of surveillance and censorship. This is all the more important as China have elevated disruptive technologies like AI and big data as critical part of state security and a key component to fulfilling the “Chinese Dream of National Rejuvenation.” Whether it is the implementation of a national “social credit” system or the ubiquitous use facial recognition systems, much of Western fears about data security and state control have been already realized in China. Yet, this also implies China is at the frontlines of potential points of resistance and fissures against the party–state–corporate machine. In doing so, I not only seek to raise questions dealing with the limits of our humanity in the light of our AI-driven futures but also present methodological concerns related to human–machine interfacing in conceptualizing new modes of resistance.
This article explores the digitalization of traditional funeral joss paper into digital commoditi... more This article explores the digitalization of traditional funeral joss paper into digital commodities through the case study of the Chinese online cemetery 00tang.com. Joss paper are paper replicas of everyday items such as money and objects that are ritually burned as a form of symbolic offering to the deceased in accordance with traditional Chinese practices of ancestor worship. Using both ethnographic interviews and discursive interface analysis, I look at how the remediation of spiritual joss paper into digital objects complicates perceived dichotomy between the gift and commodity that requires new ways of thinking about the acts of social reciprocity, indebtedness, and obligation. Drawing on established literature relating to gift and digital economies, I argue 00tang's digitization of joss paper on internet cemeteries is reflexive of the biopolitical means by which the state and market forces work to subsume traditional ancestor worship into controllable and commodifiable labor of mourning. Here, the subversive wastefulness of the gift is replaced by its accumulation and preservation online. Digitization in this regard highlights the process by which objects take on different materiality, values, aesthetics, and productive labor practices, all of which fundamentally alters the symbolic regimes of death and the ritual gift economy in China.
This project explores the recent censorship of two Chinese artificial intelligence (AI) chatbots ... more This project explores the recent censorship of two Chinese artificial intelligence (AI) chatbots on Tencent’s popular WeChat messaging platform. Specifically, I am advancing a technographic approach in ways that give agency to bots as not just computing units but as interlocutors and informants. I seek to understand these chatbots through their intended design—by chatting with them. I argue that this methodological inquiry of chatbots can potentially points to fissures and deficiencies within the Chinese censorship machine that allows for spaces of subversion. AI chatbot development China presents a rich site of study because it embodies the extremes of surveillance and censorship. This is all the more important as China have elevated disruptive technologies like AI and big data as critical part of state security and a key component to fulfilling the “Chinese Dream of National Rejuvenation.” Whether it is the implementation of a national “social credit” system or the ubiquitous use ...
The traditional configuration of content on top and comments on the bottom on most websites often... more The traditional configuration of content on top and comments on the bottom on most websites often dismiss comments as of secondary importance to content. This article looks at how comment culture(s) in China operate outside of the top-bottom dichotomy where comments are increasingly supplanting content as the main form of consumable media. Through case studies of two types of Chinese comment cultures— gailou culture and danmu culture—I explore how user-generated comments can work to subvert established hierarchies in a highly visible and public manner. I invoke traditional Chinese aesthetic perspectives to visualize the multiple layers of interactions that enable the reconfiguration of the temporal/spatial order contesting the unitary narrative. In doing so, I seek to shed light on not only these distinct modes of commenting practices but also the creation of a new aesthetic of consumption that is inseparable from the formation of the Chinese postmodern subjectivity.
This article explores the digitalization of traditional funeral joss paper into digital commoditi... more This article explores the digitalization of traditional funeral joss paper into digital commodities through the case study of the Chinese online cemetery 00tang.com. Joss paper are paper replicas of everyday items such as money and objects that are ritually burned as a form of symbolic offering to the deceased in accordance with traditional Chinese practices of ancestor worship. Using both ethnographic interviews and discursive interface analysis, I look at how the remediation of spiritual joss paper into digital objects complicates perceived dichotomy between the gift and commodity that requires new ways of thinking about the acts of social reciprocity, indebtedness, and obligation. Drawing on established literature relating to gift and digital economies, I argue 00tang's digitization of joss paper on internet cemeteries is reflexive of the biopolitical means by which the state and market forces work to subsume traditional ancestor worship into controllable and commodifiable labor of mourning. Here, the subversive wastefulness of the gift is replaced by its accumulation and preservation online. Digitization in this regard highlights the process by which objects take on different materiality, values, aesthetics, and productive labor practices, all of which fundamentally alters the symbolic regimes of death and the ritual gift economy in China.
This project explores the recent censorship of two Chinese artificial intelligence (AI) chatbots ... more This project explores the recent censorship of two Chinese artificial intelligence (AI) chatbots on Tencent’s popular WeChat messaging platform. Specifically, I am advancing a technographic approach in ways that give agency to bots as not just computing units but as interlocutors and informants. I seek to understand these chatbots through their intended design—by chatting with them. I argue that this methodological inquiry of chatbots can potentially points to fissures and deficiencies within the Chinese censorship machine that allows for spaces of subversion. AI chatbot development China presents a rich site of study because it embodies the extremes of surveillance and censorship. This is all the more important as China have elevated disruptive technologies like AI and big data as critical part of state security and a key component to fulfilling the “Chinese Dream of National Rejuvenation.” Whether it is the implementation of a national “social credit” system or the ubiquitous use facial recognition systems, much of Western fears about data security and state control have been already realized in China. Yet, this also implies China is at the frontlines of potential points of resistance and fissures against the party–state–corporate machine. In doing so, I not only seek to raise questions dealing with the limits of our humanity in the light of our AI-driven futures but also present methodological concerns related to human–machine interfacing in conceptualizing new modes of resistance.
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