Emine Fisek

Since the eruption of the Syrian civil war in 2011, the arrival of refugees in Turkey has been unprecedented in the country's history. Theatre practitioners have been slow to address this migratory moment, but an exception has been Istanbul-based Dostlar Tiyatrosu's 2017 production "Göçmenleeeer", a translation of Romanian-French playwright Matéi Visniec's "Migraaaants". Developed in the context of Europe's own migratory 'crisis', "Migraaaants" is composed of a series of vignettes that critique European refugee policy and the deadly economies that it has prompted in the continent's borderlands. What happens when "Migraaaants" is produced in a national context where the binary of European 'hosts' and non-European 'refugees' gives way to another set of political identities? How do we assess the emergence of a shared paradigm of 'crisis'? And finally, where does crisis stand in relation to our ability to imagine a transnational aesthetics of political resistance to anti-immigration policies?