Trial
| Title | Duration | Price | |
|---|---|---|---|
| DISC 1 | |||
|
1
|
Rhapsody -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 07:06 | N/A |
|
2
|
Quartettino: I. Andante - Allegro molto e con fuoco -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 05:58 | N/A |
|
3
|
Quartettino: II. Poco adagio ma con moto -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 06:26 | N/A |
|
4
|
Quartettino: III. Allegro molto vivace -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 03:05 | N/A |
|
5
|
Elegy for Viola -- Garfield Jackson aac: 16bit/44.1kHz (320kbps ABR) | 07:25 | N/A |
|
6
|
String Quartet in D Major: I. Allegro maestoso -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 08:17 | N/A |
|
7
|
String Quartet in D Major: II. Lento ed espressivo -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 06:51 | N/A |
|
8
|
String Quartet in D Major: III. Allegro giocoso -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 04:39 | N/A |
|
9
|
Phantasy for String Quintet in F Minor -- Nicholas Logie/Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 10:59 | N/A |
|
1
|
Phantasy Quartet, Op. 2 -- Douglas Boyd/Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 13:17 | N/A |
|
2
|
3 Divertimenti: No. 1, March -- Endellion String Quartet/Andrew Keener aac: 16bit/44.1kHz (320kbps ABR) | 03:45 | N/A |
|
3
|
3 Divertimenti: No. 2, Waltz -- Endellion String Quartet/Andrew Keener aac: 16bit/44.1kHz (320kbps ABR) | 02:45 | N/A |
|
4
|
3 Divertimenti: No. 3, Burlesque -- Endellion String Quartet/Andrew Keener aac: 16bit/44.1kHz (320kbps ABR) | 03:21 | N/A |
|
5
|
Alla marcia -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 03:23 | N/A |
|
6
|
String Quartet No. 1 in D Major, Op. 25: I. Andante sostenuto - Allegro vivo -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 08:39 | N/A |
|
7
|
String Quartet No. 1 in D Major, Op. 25: II. Allegro con slancio -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 03:00 | N/A |
|
8
|
String Quartet No. 1 in D Major, Op. 25: III. Andante calmo -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 11:28 | N/A |
|
9
|
String Quartet No. 1 in D Major, Op. 25: IV. Molto vivace -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 03:50 | N/A |
| DISC 2 | |||
|
1
|
Holiday Diary, Op. 5: I. Early Morning Bathe -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 02:07 | N/A |
|
1
|
String Quartet No. 2 in C Major, Op. 36: I. Allegro calmo senza rigore -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 07:51 | N/A |
|
2
|
String Quartet No. 2 in C Major, Op. 36: II. Vivace -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 03:40 | N/A |
|
2
|
Holiday Diary, Op. 5: II. Sailing -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 05:14 | N/A |
|
3
|
String Quartet No. 2 in C Major, Op. 36: III. Chacony -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 17:45 | N/A |
|
3
|
Holiday Diary, Op. 5: III. Funfair -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 02:39 | N/A |
|
4
|
String Quartet No. 3 in G Major, Op. 94: I. Duets -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 05:24 | N/A |
|
4
|
Holiday Diary, Op. 5: IV. Night -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 06:58 | N/A |
|
5
|
String Quartet No. 3 in G Major, Op. 94: II. Ostinato -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 03:01 | N/A |
|
5
|
3 Character Pieces: No. 1, John -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 01:57 | N/A |
|
6
|
String Quartet No. 3 in G Major, Op. 94: III. Solo -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 05:30 | N/A |
|
6
|
3 Character Pieces: No. 2, Daphne -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 02:07 | N/A |
|
7
|
3 Character Pieces: No. 3, Michael -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 03:00 | N/A |
|
7
|
String Quartet No. 3 in G Major, Op. 94: IV. Burlesque -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 02:16 | N/A |
|
8
|
String Quartet No. 3 in G Major, Op. 94: V. Recitative and Passacaglia -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 09:49 | N/A |
|
8
|
Night Piece "Notturno" -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 05:23 | N/A |
|
9
|
Sonata romantica "Moderato and Nocturne": I. Moderato -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 04:39 | N/A |
|
10
|
Sonata romantica "Moderato and Nocturne": II. Nocturne -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 02:53 | N/A |
|
11
|
12 Variations for Piano -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 08:41 | N/A |
|
12
|
5 Waltzes: No. 1, Rather Fast and Nervous -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 01:07 | N/A |
|
13
|
5 Waltzes: No. 2, Quick, with Wit -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 01:39 | N/A |
|
14
|
5 Waltzes: No. 3, Dramatic -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 01:41 | N/A |
|
15
|
5 Waltzes: No. 4, Rhythmic, Not Fast -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 03:30 | N/A |
|
16
|
5 Waltzes: No. 5, Variations. Quiet and Simple -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 02:58 | N/A |
|
17
|
2 Lullabies for Two Pianos: No. 1 -- Stephen HoughRonan O'Hora aac: 16bit/44.1kHz (320kbps ABR) | 03:19 | N/A |
|
18
|
2 Lullabies for Two Pianos: No. 2, Lullaby for a Retired Colonel -- Stephen HoughRonan O'Hora aac: 16bit/44.1kHz (320kbps ABR) | 02:22 | N/A |
|
19
|
Mazurka elegiaca for Two Pianos, Op. 23 No. 2 -- Stephen HoughRonan O'Hora aac: 16bit/44.1kHz (320kbps ABR) | 08:24 | N/A |
|
20
|
Introduction and Rondo alla burlesca for Two Pianos, Op. 23 No. 1: Introduction - -- Stephen HoughRonan O'Hora aac: 16bit/44.1kHz (320kbps ABR) | 03:21 | N/A |
|
21
|
Introduction and Rondo alla burlesca for Two Pianos, Op. 23 No. 1: Rondo alla burlesca -- Stephen HoughRonan O'Hora aac: 16bit/44.1kHz (320kbps ABR) | 05:43 | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato) -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A |
|
|
Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A |
|
|
Suite No. 2 in D for Solo Cello Op.80: IV Andante lento -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A |
|
|
Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne -- Truls Mørk (320kbps ABR) | - | N/A |
| DISC 3 | |||
|
1
|
Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley aac: 16bit/44.1kHz (320kbps ABR) | 00:43 | N/A |
|
1
|
Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 02:21 | N/A |
|
2
|
Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley aac: 16bit/44.1kHz (320kbps ABR) | 02:54 | N/A |
|
2
|
Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 03:59 | N/A |
|
3
|
Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 03:08 | N/A |
|
3
|
Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley aac: 16bit/44.1kHz (320kbps ABR) | 03:12 | N/A |
|
4
|
Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley aac: 16bit/44.1kHz (320kbps ABR) | 04:39 | N/A |
|
4
|
Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 01:11 | N/A |
|
5
|
Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley aac: 16bit/44.1kHz (320kbps ABR) | 04:30 | N/A |
|
5
|
Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato) -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 02:13 | N/A |
|
6
|
Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan aac: 16bit/44.1kHz (320kbps ABR) | 07:53 | N/A |
|
6
|
Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 03:31 | N/A |
|
7
|
Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 02:28 | N/A |
|
8
|
Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 03:04 | N/A |
|
8
|
Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan aac: 16bit/44.1kHz (320kbps ABR) | 06:46 | N/A |
|
9
|
Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 03:32 | N/A |
|
9
|
Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan aac: 16bit/44.1kHz (320kbps ABR) | 02:18 | N/A |
|
10
|
Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan aac: 16bit/44.1kHz (320kbps ABR) | 02:50 | N/A |
|
10
|
Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 04:30 | N/A |
|
11
|
Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter aac: 16bit/44.1kHz (320kbps ABR) | 02:27 | N/A |
|
11
|
Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante -- Truls Mørk/Arne Akselberg aac: 16bit/44.1kHz (320kbps ABR) | 04:43 | N/A |
|
12
|
Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto -- Truls Mørk/Arne Akselberg aac: 16bit/44.1kHz (320kbps ABR) | 02:00 | N/A |
|
13
|
Suite No. 2 in D for Solo Cello Op.80: IV Andante lento -- Truls Mørk/Arne Akselberg aac: 16bit/44.1kHz (320kbps ABR) | 05:36 | N/A |
|
13
|
Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter aac: 16bit/44.1kHz (320kbps ABR) | 02:50 | N/A |
|
14
|
Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro -- Truls Mørk/Arne Akselberg aac: 16bit/44.1kHz (320kbps ABR) | 07:14 | N/A |
|
14
|
Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter aac: 16bit/44.1kHz (320kbps ABR) | 01:52 | N/A |
|
15
|
Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 02:35 | N/A |
|
15
|
Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter aac: 16bit/44.1kHz (320kbps ABR) | 03:14 | N/A |
|
16
|
Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 01:46 | N/A |
|
16
|
Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter aac: 16bit/44.1kHz (320kbps ABR) | 02:33 | N/A |
|
17
|
Nocturnal after John Dowland, Op. 70: I. Musingly (Meditation) (Meditation) -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 02:16 | N/A |
|
17
|
Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 01:21 | N/A |
|
18
|
Nocturnal after John Dowland, Op. 70: II. Very Agitated -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 00:55 | N/A |
|
18
|
Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 01:23 | N/A |
|
19
|
Nocturnal after John Dowland, Op. 70: III. Restless -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 02:00 | N/A |
|
19
|
Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 01:43 | N/A |
|
20
|
Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 02:36 | N/A |
|
20
|
Nocturnal after John Dowland, Op. 70: IV. Uneasy -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 01:32 | N/A |
|
21
|
Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 01:17 | N/A |
|
21
|
Nocturnal after John Dowland, Op. 70: V. March-Like -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 01:36 | N/A |
|
22
|
Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 00:58 | N/A |
|
22
|
Nocturnal after John Dowland, Op. 70: VI. Dreaming -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 01:54 | N/A |
|
23
|
Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 09:45 | N/A |
|
23
|
Nocturnal after John Dowland, Op. 70: VII. Gently Rocking -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 00:56 | N/A |
|
24
|
Nocturnal after John Dowland, Op. 70: VIII. Passacaglia (Misurato) -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 04:50 | N/A |
|
25
|
Nocturnal after John Dowland, Op. 70: IX. Slow and Quiet -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 02:29 | N/A |
|
|
Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | - | N/A |
|
|
Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | - | N/A |
| DISC 4 | |||
|
1
|
Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente -- Truls Mørk (320kbps ABR) | 02:18 | N/A |
|
2
|
Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato -- Truls Mørk (320kbps ABR) | 04:00 | N/A |
|
3
|
Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato -- Truls Mørk (320kbps ABR) | 03:08 | N/A |
|
4
|
Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto -- Truls Mørk (320kbps ABR) | 01:11 | N/A |
|
5
|
Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato) -- Truls Mørk (320kbps ABR) | 02:13 | N/A |
|
6
|
Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato -- Truls Mørk (320kbps ABR) | 03:32 | N/A |
|
7
|
Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto -- Truls Mørk (320kbps ABR) | 02:28 | N/A |
|
7
|
Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan aac: 16bit/44.1kHz (320kbps ABR) | 02:34 | N/A |
|
8
|
Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo -- Truls Mørk (320kbps ABR) | 03:06 | N/A |
|
9
|
Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto -- Truls Mørk (320kbps ABR) | 03:21 | N/A |
|
10
|
Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo -- Truls Mørk (320kbps ABR) | 04:30 | N/A |
|
11
|
Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante -- Truls Mørk/Arne Akselberg (320kbps ABR) | 04:43 | N/A |
|
12
|
Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter aac: 16bit/44.1kHz (320kbps ABR) | 01:24 | N/A |
|
12
|
Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto -- Truls Mørk/Arne Akselberg (320kbps ABR) | 02:01 | N/A |
|
13
|
Suite No. 2 in D for Solo Cello Op.80: IV Andante lento -- Truls Mørk/Arne Akselberg (320kbps ABR) | 05:36 | N/A |
|
14
|
Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro -- Truls Mørk/Arne Akselberg (320kbps ABR) | 07:03 | N/A |
|
15
|
Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento -- Truls Mørk (320kbps ABR) | 02:35 | N/A |
|
16
|
Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro -- Truls Mørk (320kbps ABR) | 01:47 | N/A |
|
17
|
Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto -- Truls Mørk (320kbps ABR) | 01:22 | N/A |
|
18
|
Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento -- Truls Mørk (320kbps ABR) | 01:24 | N/A |
|
19
|
Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto -- Truls Mørk (320kbps ABR) | 01:43 | N/A |
|
20
|
Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo -- Truls Mørk (320kbps ABR) | 02:35 | N/A |
|
21
|
Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico -- Truls Mørk (320kbps ABR) | 01:18 | N/A |
|
22
|
Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto -- Truls Mørk (320kbps ABR) | 00:58 | N/A |
|
23
|
Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne -- Truls Mørk (320kbps ABR) | 09:50 | N/A |
|
|
Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A |
|
|
Suite No. 2 in D for Solo Cello Op.80: IV Andante lento -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A |
|
|
Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A |
|
|
Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A |
|
|
Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato) -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | - | N/A |
|
|
Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | - | N/A |
|
|
Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | - | N/A |
|
|
Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | - | N/A |
|
|
Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | - | N/A |
|
|
Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | - | N/A |
|
|
Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | - | N/A |
|
|
Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | - | N/A |
|
|
Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter (320kbps ABR) | - | N/A |
|
|
Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | - | N/A |
|
|
Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | - | N/A |
|
|
Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | - | N/A |
|
|
Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | - | N/A |
|
|
Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | - | N/A |
|
|
Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto -- Truls Mørk (320kbps ABR) | - | N/A |
|
|
Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne -- Truls Mørk (320kbps ABR) | - | N/A |
| DISC 5 | |||
|
1
|
Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | 00:43 | N/A |
|
2
|
Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | 02:54 | N/A |
|
3
|
Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | 03:12 | N/A |
|
4
|
Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:39 | N/A |
|
5
|
Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:30 | N/A |
|
6
|
Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | 07:53 | N/A |
|
7
|
Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A |
|
8
|
Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | 06:46 | N/A |
|
9
|
Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:18 | N/A |
|
10
|
Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:50 | N/A |
|
11
|
Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter (320kbps ABR) | 02:27 | N/A |
|
12
|
Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A |
|
13
|
Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | 02:50 | N/A |
|
14
|
Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | 01:52 | N/A |
|
15
|
Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | 03:14 | N/A |
|
16
|
Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | 02:33 | N/A |
|
17
|
Nocturnal after John Dowland, Op. 70: I. Musingly (Meditation) (Meditation) -- Julian Bream (320kbps ABR) | 02:13 | N/A |
|
24
|
Nocturnal after John Dowland, Op. 70: VIII. Passacaglia (Misurato) -- Julian Bream (320kbps ABR) | 04:50 | N/A |
| DISC 6 | |||
|
1
|
Cello Suite No. 1, Op. 72: I. Canto primo -- Truls Mørk (320kbps ABR) | 02:21 | N/A |
|
2
|
Cello Suite No. 1, Op. 72: II. Fuga -- Truls Mørk (320kbps ABR) | 03:59 | N/A |
|
3
|
Cello Suite No. 1, Op. 72: III. Lamento -- Truls Mørk (320kbps ABR) | 03:08 | N/A |
|
4
|
Cello Suite No. 1, Op. 72: IV. Canto secondo -- Truls Mørk (320kbps ABR) | 01:11 | N/A |
|
5
|
Cello Suite No. 1, Op. 72: V. Serenata -- Truls Mørk (320kbps ABR) | 02:13 | N/A |
|
6
|
Cello Suite No. 1, Op. 72: VI. Marcia -- Truls Mørk (320kbps ABR) | 03:31 | N/A |
|
7
|
Cello Suite No. 1, Op. 72: VII. Canto terzo -- Truls Mørk (320kbps ABR) | 02:28 | N/A |
|
8
|
Cello Suite No. 1, Op. 72: VIII. Bordone -- Truls Mørk (320kbps ABR) | 03:04 | N/A |
|
9
|
Cello Suite No. 1, Op. 72: IX. Moto perpetuo e canto quatro -- Truls Mørk (320kbps ABR) | 03:32 | N/A |
|
10
|
Cello Suite No. 2, Op. 80: I. Declamato -- Truls Mørk (320kbps ABR) | 04:30 | N/A |
|
11
|
Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante -- Truls Mørk/Arne Akselberg (320kbps ABR) | 04:43 | N/A |
|
12
|
Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto -- Truls Mørk/Arne Akselberg (320kbps ABR) | 02:00 | N/A |
|
13
|
Suite No. 2 in D for Solo Cello Op.80: IV Andante lento -- Truls Mørk/Arne Akselberg (320kbps ABR) | 05:36 | N/A |
|
14
|
Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro -- Truls Mørk/Arne Akselberg (320kbps ABR) | 07:14 | N/A |
|
15
|
Cello Suite No. 3, Op. 87: I. Introduzione (Lento) -- Truls Mørk (320kbps ABR) | 02:35 | N/A |
|
16
|
Cello Suite No. 3, Op. 87: II. Marcia (Allegro) -- Truls Mørk (320kbps ABR) | 01:46 | N/A |
|
17
|
Cello Suite No. 3, Op. 87: III. Canto (Con moto) -- Truls Mørk (320kbps ABR) | 01:21 | N/A |
|
18
|
Cello Suite No. 3, Op. 87: IV. Barcarolla (Lento) -- Truls Mørk (320kbps ABR) | 01:23 | N/A |
|
19
|
Cello Suite No. 3, Op. 87: V. Dialogo (Allegretto) -- Truls Mørk (320kbps ABR) | 01:43 | N/A |
|
20
|
Cello Suite No. 3, Op. 87: VI. Fuga (Andante espressivo) -- Truls Mørk (320kbps ABR) | 02:36 | N/A |
|
21
|
Cello Suite No. 3, Op. 87: VII. Recitativo (Fantastico) -- Truls Mørk (320kbps ABR) | 01:17 | N/A |
|
22
|
Cello Suite No. 3, Op. 87: VIII. Moto perpetuo (Presto) -- Truls Mørk (320kbps ABR) | 00:58 | N/A |
|
23
|
Cello Suite No. 3, Op. 87: IX. Passacaglia (Lento solenne) -- Truls Mørk (320kbps ABR) | 09:45 | N/A |
| DISC 7 | |||
|
7
|
Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A |
|
12
|
Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A |
|
17
|
Nocturnal after John Dowland, Op. 70: I. Musingly -- Julian Bream (320kbps ABR) | 02:16 | N/A |
|
24
|
Nocturnal after John Dowland, Op. 70: VIII. Passacaglia -- Julian Bream (320kbps ABR) | 04:50 | N/A |
| DISC 8 | |||
|
1
|
Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | 00:43 | N/A |
|
2
|
Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | 02:54 | N/A |
|
3
|
Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | 03:12 | N/A |
|
4
|
Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:39 | N/A |
|
5
|
Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:30 | N/A |
|
6
|
Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | 07:53 | N/A |
|
7
|
Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A |
|
8
|
Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | 06:46 | N/A |
|
9
|
Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:18 | N/A |
|
10
|
Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:50 | N/A |
|
11
|
Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter (320kbps ABR) | 02:27 | N/A |
|
12
|
Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A |
|
13
|
Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | 02:50 | N/A |
|
14
|
Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | 01:52 | N/A |
|
15
|
Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | 03:14 | N/A |
|
16
|
Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | 02:33 | N/A |
| DISC 9 | |||
|
1
|
Cello Suite No. 1, Op. 72: I. Canto primo -- Truls Mørk (320kbps ABR) | 02:21 | N/A |
|
2
|
Cello Suite No. 1, Op. 72: II. Fuga -- Truls Mørk (320kbps ABR) | 03:59 | N/A |
|
3
|
Cello Suite No. 1, Op. 72: III. Lamento -- Truls Mørk (320kbps ABR) | 03:08 | N/A |
|
4
|
Cello Suite No. 1, Op. 72: IV. Canto secondo -- Truls Mørk (320kbps ABR) | 01:11 | N/A |
|
5
|
Cello Suite No. 1, Op. 72: V. Serenata -- Truls Mørk (320kbps ABR) | 02:13 | N/A |
|
6
|
Cello Suite No. 1, Op. 72: VI. Marcia -- Truls Mørk (320kbps ABR) | 03:31 | N/A |
|
7
|
Cello Suite No. 1, Op. 72: VII. Canto terzo -- Truls Mørk (320kbps ABR) | 02:28 | N/A |
|
8
|
Cello Suite No. 1, Op. 72: VIII. Bordone -- Truls Mørk (320kbps ABR) | 03:04 | N/A |
|
9
|
Cello Suite No. 1, Op. 72: IX. Moto perpetuo e canto quatro -- Truls Mørk (320kbps ABR) | 03:32 | N/A |
|
10
|
Cello Suite No. 2, Op. 80: I. Declamato -- Truls Mørk (320kbps ABR) | 04:30 | N/A |
|
11
|
Cello Suite No. 2, Op. 80: II. Fuga -- Truls Mørk/Arne Akselberg (320kbps ABR) | 04:43 | N/A |
|
12
|
Cello Suite No. 2, Op. 80: III. Scherzo -- Truls Mørk/Arne Akselberg (320kbps ABR) | 02:00 | N/A |
|
13
|
Cello Suite No. 2, Op. 80: IV. Andante lento -- Truls Mørk/Arne Akselberg (320kbps ABR) | 05:36 | N/A |
|
14
|
Cello Suite No. 2, Op. 80: V. Ciaccona -- Truls Mørk/Arne Akselberg (320kbps ABR) | 07:14 | N/A |
|
15
|
Cello Suite No. 3, Op. 87: I. Introduzione -- Truls Mørk (320kbps ABR) | 02:35 | N/A |
|
16
|
Cello Suite No. 3, Op. 87: II. Marcia -- Truls Mørk (320kbps ABR) | 01:46 | N/A |
|
17
|
Cello Suite No. 3, Op. 87: III. Canto -- Truls Mørk (320kbps ABR) | 01:21 | N/A |
|
18
|
Cello Suite No. 3, Op. 87: IV. Barcarolla -- Truls Mørk (320kbps ABR) | 01:23 | N/A |
|
19
|
Cello Suite No. 3, Op. 87: V. Dialogo -- Truls Mørk (320kbps ABR) | 01:43 | N/A |
|
20
|
Cello Suite No. 3, Op. 87: VI. Fuga -- Truls Mørk (320kbps ABR) | 02:36 | N/A |
|
21
|
Cello Suite No. 3, Op. 87: VII. Recitativo -- Truls Mørk (320kbps ABR) | 01:17 | N/A |
|
22
|
Cello Suite No. 3, Op. 87: VIII. Moto perpetuo -- Truls Mørk (320kbps ABR) | 00:58 | N/A |
|
23
|
Cello Suite No. 3, Op. 87: IX. Passacaglia -- Truls Mørk (320kbps ABR) | 09:45 | N/A |
| DISC 10 | |||
|
1
|
Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | 00:43 | N/A |
|
2
|
Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | 02:54 | N/A |
|
3
|
Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | 03:12 | N/A |
|
4
|
Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:39 | N/A |
|
5
|
Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:30 | N/A |
|
6
|
Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | 07:53 | N/A |
|
7
|
Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A |
|
8
|
Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | 06:46 | N/A |
|
9
|
Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:18 | N/A |
|
10
|
Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:50 | N/A |
|
11
|
Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter (320kbps ABR) | 02:27 | N/A |
|
12
|
Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A |
|
13
|
Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | 02:50 | N/A |
|
14
|
Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | 01:52 | N/A |
|
15
|
Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | 03:14 | N/A |
|
16
|
Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | 02:33 | N/A |
|
17
|
Nocturnal after John Dowland, Op. 70: I. Musingly -- Julian Bream (320kbps ABR) | 02:16 | N/A |
|
24
|
Nocturnal after John Dowland, Op. 70: VIII. Passacaglia -- Julian Bream (320kbps ABR) | 04:50 | N/A |
| DISC 11 | |||
|
1
|
Cello Suite No. 1, Op. 72: I. Canto primo -- Truls Mørk (320kbps ABR) | 02:21 | N/A |
|
2
|
Cello Suite No. 1, Op. 72: II. Fuga -- Truls Mørk (320kbps ABR) | 03:59 | N/A |
|
3
|
Cello Suite No. 1, Op. 72: III. Lamento -- Truls Mørk (320kbps ABR) | 03:08 | N/A |
|
4
|
Cello Suite No. 1, Op. 72: IV. Canto secondo -- Truls Mørk (320kbps ABR) | 01:11 | N/A |
|
5
|
Cello Suite No. 1, Op. 72: V. Serenata -- Truls Mørk (320kbps ABR) | 02:13 | N/A |
|
6
|
Cello Suite No. 1, Op. 72: VI. Marcia -- Truls Mørk (320kbps ABR) | 03:31 | N/A |
|
7
|
Cello Suite No. 1, Op. 72: VII. Canto terzo -- Truls Mørk (320kbps ABR) | 02:28 | N/A |
|
8
|
Cello Suite No. 1, Op. 72: VIII. Bordone -- Truls Mørk (320kbps ABR) | 03:04 | N/A |
|
9
|
Cello Suite No. 1, Op. 72: IX. Moto perpetuo e canto quatro -- Truls Mørk (320kbps ABR) | 03:32 | N/A |
|
10
|
Cello Suite No. 2, Op. 80: I. Declamato -- Truls Mørk (320kbps ABR) | 04:30 | N/A |
|
11
|
Cello Suite No. 2, Op. 80: II. Fuga -- Truls Mørk (320kbps ABR) | 04:43 | N/A |
|
12
|
Cello Suite No. 2, Op. 80: III. Scherzo -- Truls Mørk (320kbps ABR) | 02:00 | N/A |
|
13
|
Cello Suite No. 2, Op. 80: IV. Andante lento -- Truls Mørk (320kbps ABR) | 05:36 | N/A |
|
14
|
Cello Suite No. 2, Op. 80: V. Ciaccona -- Truls Mørk (320kbps ABR) | 07:14 | N/A |
|
15
|
Cello Suite No. 3, Op. 87: I. Introduzione -- Truls Mørk (320kbps ABR) | 02:35 | N/A |
|
16
|
Cello Suite No. 3, Op. 87: II. Marcia -- Truls Mørk (320kbps ABR) | 01:46 | N/A |
|
17
|
Cello Suite No. 3, Op. 87: III. Canto -- Truls Mørk (320kbps ABR) | 01:21 | N/A |
|
18
|
Cello Suite No. 3, Op. 87: IV. Barcarolla -- Truls Mørk (320kbps ABR) | 01:23 | N/A |
|
19
|
Cello Suite No. 3, Op. 87: V. Dialogo -- Truls Mørk (320kbps ABR) | 01:43 | N/A |
|
20
|
Cello Suite No. 3, Op. 87: VI. Fuga -- Truls Mørk (320kbps ABR) | 02:36 | N/A |
|
21
|
Cello Suite No. 3, Op. 87: VII. Recitativo -- Truls Mørk (320kbps ABR) | 01:17 | N/A |
|
22
|
Cello Suite No. 3, Op. 87: VIII. Moto perpetuo -- Truls Mørk (320kbps ABR) | 00:58 | N/A |
|
23
|
Cello Suite No. 3, Op. 87: IX. Passacaglia -- Truls Mørk (320kbps ABR) | 09:45 | N/A |
| DISC 12 | |||
|
1
|
Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | 00:43 | N/A |
|
2
|
Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | 02:54 | N/A |
|
3
|
Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | 03:12 | N/A |
|
4
|
Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:39 | N/A |
|
5
|
Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:30 | N/A |
|
6
|
Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | 07:53 | N/A |
|
7
|
Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A |
|
8
|
Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | 06:46 | N/A |
|
9
|
Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:18 | N/A |
|
10
|
Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:50 | N/A |
|
11
|
Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter (320kbps ABR) | 02:27 | N/A |
|
12
|
Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A |
|
13
|
Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | 02:50 | N/A |
|
14
|
Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | 01:52 | N/A |
|
15
|
Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | 03:14 | N/A |
|
16
|
Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | 02:33 | N/A |
|
17
|
Nocturnal after John Dowland, Op. 70: I. Musingly -- Julian Bream (320kbps ABR) | 02:16 | N/A |
|
24
|
Nocturnal after John Dowland, Op. 70: VIII. Passacaglia -- Julian Bream (320kbps ABR) | 04:50 | N/A |
| DISC 13 | |||
|
1
|
Cello Suite No. 1, Op. 72: I. Canto primo -- Truls Mørk (320kbps ABR) | 02:21 | N/A |
|
2
|
Cello Suite No. 1, Op. 72: II. Fuga -- Truls Mørk (320kbps ABR) | 03:59 | N/A |
|
3
|
Cello Suite No. 1, Op. 72: III. Lamento -- Truls Mørk (320kbps ABR) | 03:08 | N/A |
|
4
|
Cello Suite No. 1, Op. 72: IV. Canto secondo -- Truls Mørk (320kbps ABR) | 01:11 | N/A |
|
5
|
Cello Suite No. 1, Op. 72: V. Serenata -- Truls Mørk (320kbps ABR) | 02:13 | N/A |
|
6
|
Cello Suite No. 1, Op. 72: VI. Marcia -- Truls Mørk (320kbps ABR) | 03:31 | N/A |
|
7
|
Cello Suite No. 1, Op. 72: VII. Canto terzo -- Truls Mørk (320kbps ABR) | 02:28 | N/A |
|
8
|
Cello Suite No. 1, Op. 72: VIII. Bordone -- Truls Mørk (320kbps ABR) | 03:04 | N/A |
|
9
|
Cello Suite No. 1, Op. 72: IX. Moto perpetuo e canto quatro -- Truls Mørk (320kbps ABR) | 03:32 | N/A |
|
10
|
Cello Suite No. 2, Op. 80: I. Declamato -- Truls Mørk (320kbps ABR) | 04:30 | N/A |
|
11
|
Cello Suite No. 2, Op. 80: II. Fuga -- Truls Mørk (320kbps ABR) | 04:43 | N/A |
|
12
|
Cello Suite No. 2, Op. 80: III. Scherzo -- Truls Mørk (320kbps ABR) | 02:00 | N/A |
|
13
|
Cello Suite No. 2, Op. 80: IV. Andante lento -- Truls Mørk (320kbps ABR) | 05:36 | N/A |
|
14
|
Cello Suite No. 2, Op. 80: V. Ciaccona -- Truls Mørk (320kbps ABR) | 07:14 | N/A |
|
15
|
Cello Suite No. 3, Op. 87: I. Introduzione -- Truls Mørk (320kbps ABR) | 02:35 | N/A |
|
16
|
Cello Suite No. 3, Op. 87: II. Marcia -- Truls Mørk (320kbps ABR) | 01:46 | N/A |
|
17
|
Cello Suite No. 3, Op. 87: III. Canto -- Truls Mørk (320kbps ABR) | 01:21 | N/A |
|
18
|
Cello Suite No. 3, Op. 87: IV. Barcarolla -- Truls Mørk (320kbps ABR) | 01:23 | N/A |
|
19
|
Cello Suite No. 3, Op. 87: V. Dialogo -- Truls Mørk (320kbps ABR) | 01:43 | N/A |
|
20
|
Cello Suite No. 3, Op. 87: VI. Fuga -- Truls Mørk (320kbps ABR) | 02:36 | N/A |
|
21
|
Cello Suite No. 3, Op. 87: VII. Recitativo -- Truls Mørk (320kbps ABR) | 01:17 | N/A |
|
22
|
Cello Suite No. 3, Op. 87: VIII. Moto perpetuo -- Truls Mørk (320kbps ABR) | 00:58 | N/A |
|
23
|
Cello Suite No. 3, Op. 87: IX. Passacaglia -- Truls Mørk (320kbps ABR) | 09:45 | N/A |
| DISC 14 | |||
|
17
|
Nocturnal after John Dowland, Op. 70: I. Musingly -- Julian Bream (320kbps ABR) | 02:16 | N/A |
|
24
|
Nocturnal after John Dowland, Op. 70: VIII. Passacaglia -- Julian Bream (320kbps ABR) | 04:50 | N/A |
| DISC 15 | |||
|
1
|
Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | 00:43 | N/A |
|
2
|
Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | 02:54 | N/A |
|
3
|
Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | 03:12 | N/A |
|
4
|
Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:39 | N/A |
|
5
|
Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:30 | N/A |
|
6
|
Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | 07:53 | N/A |
|
7
|
Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A |
|
8
|
Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | 06:46 | N/A |
|
9
|
Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:18 | N/A |
|
10
|
Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:50 | N/A |
|
11
|
Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter (320kbps ABR) | 02:27 | N/A |
|
12
|
Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A |
|
13
|
Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | 02:50 | N/A |
|
14
|
Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | 01:52 | N/A |
|
15
|
Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | 03:14 | N/A |
|
16
|
Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | 02:33 | N/A |
|
17
|
Nocturnal After John Dowland, Op. 70: I. Musingly -- Julian Bream (320kbps ABR) | 02:16 | N/A |
|
24
|
Nocturnal after John Dowland, Op. 70: VIII. Passacaglia -- Julian Bream (320kbps ABR) | 04:50 | N/A |
Discography
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