- Oral Traditions, Early Music, Italian Renaissance Art, Renaissance music, Ronsard, Guillaume de Machaut, and 30 moreManuscripts (Medieval Studies), Josquin des Prez, Guillaume Du Fay, Johannes Ockeghem, Polyphonic Mass Propers, Pléiade, Attic black-figured vases, Attic red-figure vases, Athenian Potters and Painters, Giovanni Battista Tiepolo, Paolo Veronese, Orazio Gentileschi, Medieval Music, Sixteenth Century Music, Historical Musicology, Ethnomusicology, Notation (Music), Music of Central Asia, Islam and Music, Uzbek Music, Uzbek Classical Music, Tajik Culture, Iraqi Maqam, Maqam Music, Noel Bauldeweyn, Petrus Wilhemi de Grudencz, Polyphony, Vocal Polyphony, 16th-Century Polyphony, and History of Sound Recordingedit
To accompany premiere recording of the ?Josquin mass on Quem dicunt homines. Brief review & summary of the literature for popular audience. [CD title "The Spirit like a Dove"] Available on Spotify, YouTube... more
To accompany premiere recording of the ?Josquin mass on Quem dicunt homines. Brief review & summary of the literature for popular audience. [CD title "The Spirit like a Dove"]
Available on Spotify, YouTube (https://www.youtube.com/playlist?list=OLAK5uy_k94-9Uq_PYN9qZQ5QvagabVBqkAlq05e4) etc
Available on Spotify, YouTube (https://www.youtube.com/playlist?list=OLAK5uy_k94-9Uq_PYN9qZQ5QvagabVBqkAlq05e4) etc
Research Interests:
An edition-in-progress of all the sixteenth-century settings of Ronsard's poetry which survive, complete or fragmentary.
Research Interests:
Research Interests:
Jehan de Maletty was one of a group of humanist gentleman-composers meeting in Lyon around 1580. He is one of the few who published collections of settings of Ronsard's "Amours"; but also featured the newer 'star' of Desportes. Later he... more
Jehan de Maletty was one of a group of humanist gentleman-composers meeting in Lyon around 1580. He is one of the few who published collections of settings of Ronsard's "Amours"; but also featured the newer 'star' of Desportes. Later he turned to religious music and a few of his Psalms survive complete. 40 other songs survive only in a fragmentary condition, and more have disappeared altogether. At least one of his tunes survived in a few Swiss MSS where it is re-used as the chorale theme in a Passion setting! This is (so far as I know) the only edition of the remaining material, collected together from the remaining partbooks in France, the UK and Germany.