Tripwire’s 2nd pamphlet showcases nibia pastrana santiago‘s performance interventions at and around the Whitney Museum of American Art, in collaboration with Eduardo F. Rosario and Daniela Fabrizi, and with performance photos and scores... more
Tripwire’s 2nd pamphlet showcases nibia pastrana santiago‘s performance interventions at and around the Whitney Museum of American Art, in collaboration with Eduardo F. Rosario and Daniela Fabrizi, and with performance photos and scores as well as texts by Ren Ellis Neyra, Tung-Hui Hu, and guest curator Greta Hartenstein. pastrana’s practice explores choreography as a demarcation of space, an inherently territorial act. She understands the resulting relationships between choreographer, performer, and audience to be enmeshed in a complex power dynamic—one that, in her work, she relates to the colonial force enacted on Puerto Rico by the United States. Her ongoing practice investigates the history and physical characteristics of San Juan Bay; for the Whitney Biennial, she conducted a similar examination of the Hudson River and the New York waterfront, especially in the area around the Whitney.
La Asociación de Museos de Puerto Rico publicó esta único directorio de Museos de Puerto Rico afiliados a la organización. Ha sido la única publicación que se ha publicado en Puerto Rico. Lourdes Ramos Rivas, presidenta, AMPR Elizabeth... more
La Asociación de Museos de Puerto Rico publicó esta único directorio de Museos de Puerto Rico afiliados a la organización. Ha sido la única publicación que se ha publicado en Puerto Rico.
Lourdes Ramos Rivas, presidenta, AMPR Elizabeth Torres, Colaboradora y directora Museo de San Juan
