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Daniel Quiles

School of the Art Institute of Chicago, Art History, Theory, and Criticism, Faculty Member

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Address: Department of Art History, Theory, and Criticism
School of the Art Institute of Chicago
112 S. Michigan Ave.
Chicago, IL 60601

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Chapters in Edited Volumes by Daniel Quiles

“From Sacrilegious Black to Chromatic System: The Argentinean Monochrome,” in New Geographies of Abstract Art in Postwar Latin America, eds. Mariola V. Alvarez and Ana M. Franco (New York and London: Routledge, 2018), 191-207.

New Geographies of Abstract Art in Postwar Latin America, 2019

“Double Binds: Technology in Argentine Art, 1965-1975,” in Sighting Technology in Modern and Contemporary Latin American Art, ed. María Fernández (Ithaca, NY: Institute for Comparative Modernities, 2018), 235-264.

Latin American Modernisms and Technology, 2018

Exhibition Catalogue Essays by Daniel Quiles

“Numbers and Dreams: Candida Alvarez, 1976-1988,” in HERE: A Survey, exh. cat. Chicago Cultural Center (Chicago: Green Lantern Press, 2020), 43-54.

Candida Alvarez: Here. A Visual Reader, 2020

“Black Box / Clear Box: Luis Benedit and Cybernetics,” in Luis Benedit, ed. Maria Torres (Buenos Aires: Fundación Espigas, 2020), 81-89.

Benedit: Works 1968-1978, 2020

“Scheherazade’s Stories: Politics and Delay in Lamelas’ L.A. Videos, 1976-1987,” in David Lamelas: A Life of Their Own, exh. cat. Long Beach Museum of Art (Los Angeles: Getty Museum, 2017), 94-115.

David Lamelas: A Life of Their Own, 2017

A discussion of Hildegarde Duane and David Lamelas's video collaborations from the late 1970s thr... more A discussion of Hildegarde Duane and David Lamelas's video collaborations from the late 1970s through the mid-1980s in light of both artists' solo work. Lamelas's preoccupation with time and media in his signature conceptualism and Duane's unique take on feminist art serve as key points of inquiry into this less-discussed body of work.

Puerto Rico en Mi Corazón: The Young Lords between the Street and the Imaginary.pdf

Leituras: Uma Comunidade Múltipla, 20º Festival de Arte Contemporânea Sesc_Videobrasil, 2018

A brief history of the Young Lords Organization and Young Lords Party in the context of contempor... more

“Mediate Media: Buenos Aires Conceptualism,” exhibition essay, Transmissions: Art in Eastern Europe and Latin America, 1960-1980, Museum of Modern Art, New York, 2015

“S(h)ifters: Overidentification in Latin America, 1966-1989,” in From Kapital to Capital: Neue Slowenische Kunst: An Event of the Final Decade of Yugoslavia, eds. Eda Čufer and Anthony Gardner, exh. cat. Moderna Galerija, Ljubljana (Cambridge: MIT Press, 2015), 426-435.

Outreach: Jaime Davidovich, 1974-1984, exh. cat. (Chicago: Threewalls: Contemporary Art Chicago, 2015).

Catalogue, exhibition materials and press coverage included.

“Deciding the Best of Given Choices,” in Carla Herrera-Prats: Prep Materials: Art in General New Commissions Program Vol. XIX, eds. Anne J. Barlow and Eva Díaz., exh. cat. (New York: Art in General, 2008), 21-37.

Papers by Daniel Quiles

“Conversations: The Television Interview in Jaime Davidovich and David Lamelas,” Revista Hispánica Moderna, Vol. 73 (December 2019): 183-208.

Revista Hispánica Moderna, 2019

“Dead Boars, Viruses, and Zombies: Roberto Jacoby’s Art History,” Art Journal (Winter 2015): 38-55.

"Between Organism and Sky: Oscar Bony, 1965-1976," Caiana 4 (primer semestre 2014)

“Exhibition as Network, Network as Curator: Canonizing Art from ‘Latin America,’” Artlas Bulletin, Vol. 3, No. 1 (Spring 2014): 62-78.

"My Reference is Prejudiced: David Lamelas' Publication," ARTMargins, Vol. 2, No. 3 (Fall 2013): 31-62.

"Trial and Error: Luis Benedit’s Laberinto invisible," Arara No. 10 (2011).

Books and Journals by Daniel Quiles

Daniel R. Quiles ed., Highways of the South Latin American Art Networks. ARTL@S Bulletin 3, no. 2 (Fall 2014): http://docs.lib.purdue.edu/artlas/vol3/iss2/

by Catherine Dossin and Daniel Quiles

Critical Essays by Daniel Quiles

"The Artist is Absent: Notes on Tania Bruguera," Arte al Día International 131 (Oct. 2010): 20-25.

Exhibition Reviews by Daniel Quiles

Daniel R. Quiles review of Making Art Concrete- Tarea 5 Oct 2018.pdf

Tarea, 2018

Review of Getty / Pacific Standard Time: LA/LA exhibition "Making Art Concrete: Works from Argent... more

Daniel R. Quiles review of Hélio Oiticica- To Organize Delirium.pdf

caa.reviews, 2018

Review of Carnegie Museum exhibition "Hélio Oiticica- To Organize Delirium."

“From Sacrilegious Black to Chromatic System: The Argentinean Monochrome,” in New Geographies of Abstract Art in Postwar Latin America, eds. Mariola V. Alvarez and Ana M. Franco (New York and London: Routledge, 2018), 191-207.

New Geographies of Abstract Art in Postwar Latin America, 2019

“Double Binds: Technology in Argentine Art, 1965-1975,” in Sighting Technology in Modern and Contemporary Latin American Art, ed. María Fernández (Ithaca, NY: Institute for Comparative Modernities, 2018), 235-264.

Latin American Modernisms and Technology, 2018

“Numbers and Dreams: Candida Alvarez, 1976-1988,” in HERE: A Survey, exh. cat. Chicago Cultural Center (Chicago: Green Lantern Press, 2020), 43-54.

Candida Alvarez: Here. A Visual Reader, 2020

“Black Box / Clear Box: Luis Benedit and Cybernetics,” in Luis Benedit, ed. Maria Torres (Buenos Aires: Fundación Espigas, 2020), 81-89.

Benedit: Works 1968-1978, 2020

“Scheherazade’s Stories: Politics and Delay in Lamelas’ L.A. Videos, 1976-1987,” in David Lamelas: A Life of Their Own, exh. cat. Long Beach Museum of Art (Los Angeles: Getty Museum, 2017), 94-115.

David Lamelas: A Life of Their Own, 2017

A discussion of Hildegarde Duane and David Lamelas's video collaborations from the late 1970s thr... more A discussion of Hildegarde Duane and David Lamelas's video collaborations from the late 1970s through the mid-1980s in light of both artists' solo work. Lamelas's preoccupation with time and media in his signature conceptualism and Duane's unique take on feminist art serve as key points of inquiry into this less-discussed body of work.

Puerto Rico en Mi Corazón: The Young Lords between the Street and the Imaginary.pdf

Leituras: Uma Comunidade Múltipla, 20º Festival de Arte Contemporânea Sesc_Videobrasil, 2018

A brief history of the Young Lords Organization and Young Lords Party in the context of contempor... more

“Mediate Media: Buenos Aires Conceptualism,” exhibition essay, Transmissions: Art in Eastern Europe and Latin America, 1960-1980, Museum of Modern Art, New York, 2015

“S(h)ifters: Overidentification in Latin America, 1966-1989,” in From Kapital to Capital: Neue Slowenische Kunst: An Event of the Final Decade of Yugoslavia, eds. Eda Čufer and Anthony Gardner, exh. cat. Moderna Galerija, Ljubljana (Cambridge: MIT Press, 2015), 426-435.

Outreach: Jaime Davidovich, 1974-1984, exh. cat. (Chicago: Threewalls: Contemporary Art Chicago, 2015).

Catalogue, exhibition materials and press coverage included.

“Deciding the Best of Given Choices,” in Carla Herrera-Prats: Prep Materials: Art in General New Commissions Program Vol. XIX, eds. Anne J. Barlow and Eva Díaz., exh. cat. (New York: Art in General, 2008), 21-37.

“Conversations: The Television Interview in Jaime Davidovich and David Lamelas,” Revista Hispánica Moderna, Vol. 73 (December 2019): 183-208.

Revista Hispánica Moderna, 2019

“Dead Boars, Viruses, and Zombies: Roberto Jacoby’s Art History,” Art Journal (Winter 2015): 38-55.

"Between Organism and Sky: Oscar Bony, 1965-1976," Caiana 4 (primer semestre 2014)

“Exhibition as Network, Network as Curator: Canonizing Art from ‘Latin America,’” Artlas Bulletin, Vol. 3, No. 1 (Spring 2014): 62-78.

"My Reference is Prejudiced: David Lamelas' Publication," ARTMargins, Vol. 2, No. 3 (Fall 2013): 31-62.

"Trial and Error: Luis Benedit’s Laberinto invisible," Arara No. 10 (2011).

Daniel R. Quiles ed., Highways of the South Latin American Art Networks. ARTL@S Bulletin 3, no. 2 (Fall 2014): http://docs.lib.purdue.edu/artlas/vol3/iss2/

by Catherine Dossin and Daniel Quiles

"The Artist is Absent: Notes on Tania Bruguera," Arte al Día International 131 (Oct. 2010): 20-25.

Daniel R. Quiles review of Making Art Concrete- Tarea 5 Oct 2018.pdf

Tarea, 2018

Review of Getty / Pacific Standard Time: LA/LA exhibition "Making Art Concrete: Works from Argent... more

Daniel R. Quiles review of Hélio Oiticica- To Organize Delirium.pdf

caa.reviews, 2018

Review of Carnegie Museum exhibition "Hélio Oiticica- To Organize Delirium."

Daniel R. Quiles- Art Systems review.pdf

Luso-Brazilian Review, 2017

Review of Elena Shtromberg's book "Art Systems: Brazil and the 1970s."

Daniel R. Quiles "The Vicissitudes of Conduct- Coco Fusco's Dangerous Moves, Performance and Politics in Cuba".pdf

Third Text, 2016

Book review of Coco Fusco, "Dangerous Moves: Politics and Performance in Cuba," Tate Publishing, ... more

“Review: October Files 6: Cindy Sherman,” Visual Resources (London), Vol. XXIV, No. 1 (March 2008): 88-94.

“Interview with Roberto Jacoby,” Americas Society Quarterly, Vol. 40, No. 2 (November 2007): 323-330.