Beth Savage
Teesside University, Fine Art, Graduate Student
This issue of Antennae is part of a project informed by the exhibition 'Making Nature: How We See Animals' held at Wellcome Collection in London and, like the previous, is co-edited with Honor Beddard, who curated it. This installment,... more
This issue of Antennae is part of a project informed by the exhibition 'Making Nature: How We See Animals' held at Wellcome Collection in London and, like the previous, is co-edited with Honor Beddard, who curated it. This installment, Remaking Nature, focuses on the work of contemporary artists whose practice reveals the constructedness of nature as a concept to map and untangle important, and yet overlooked, junctions in our coevolutional histories with the rest of the natural world. This outlook should not be misinterpreted as an attempt to diminish the epistemic importance of natural history but as a desire to reach deeper into the discipline’s productive core and devise new multidisciplinarities of natural histories for the twenty-first century.
Many thanks to Honor Beddard, Wellcome Collection, all the contributors, and everyone involved in the making of this issue.
Many thanks to Honor Beddard, Wellcome Collection, all the contributors, and everyone involved in the making of this issue.
