Books by Daniele Rivoletti
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This book is the result of a research programme launched by the Anne-de-Beaujeu Museum, and focus... more This book is the result of a research programme launched by the Anne-de-Beaujeu Museum, and focuses on its collection of European art works from the Middle Ages to the Renaissance. Seventy works have been selected: paintings from the Italian, German, Flemish and French schools, sculptures, decorative arts, arms and armor from all over Europe and created between the 12th and the early 17th century. The catalogue of works is completed by two articles looking at the history of the collection and the MNR (Musées Nationaux Récupération – works sent back to France from Germany after the Second World War), which include five paintings in the Anne-de-Beaujeu Museum.
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Papers by Daniele Rivoletti
Mitteilungen des Kunsthistorischen Institutes in Florenz, 2023
This paper investigates the diffusion in Siena of a particular composite type of altarpiece, name... more This paper investigates the diffusion in Siena of a particular composite type of altarpiece, namely painted altarpieces in whose central compartment a sculpture took the place of the panel painting. These works were somewhat at odds with the dominant model of the entirely painted polyptych, of which Siena had been a centre of development and export. The article therefore investigates the reasons why the composite typology spread precisely in Siena. Thanks also to new archival documents, it first shows that more than ten examples were produced in Siena between the beginning of the fifteenth and the second decade of the sixteenth century. The key to understanding the success of the typology lies in the analysis of the patrons and contexts of destination, i.e. the functions of these works. While in an early phase (ca. 1400–1450) the choice of composite altarpieces corresponded above all with the desire for social self-promotion of the guilds and confraternities, later on (ca. 1450–1510) they were exploited especially by the mendicant orders for the promotion of the cult of saints, in particular those recently canonised, such as Bernardino, Catherine of Siena, Nicholas of Tolentino, or Vincent Ferrer. In these cases, the statue of the titular saint to a certain extent also compensated for the absence of his bodily relics.
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« Le fragment d’un nouveau portrait princier, vestige de la Sainte-Chapelle de Bourbon-l’Archambault ? », dans G. Longo, A. David-Chapy (dir.), Anne de France (1522-2022). Femme de pouvoir, princesse des arts, cat. expo., Moulins/Dijon, Musée Anne-de-Beaujeu/Faton, 2022, p. 140-147
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"Quale "padre della storia dell'arte"? Letture dei Commentarii di Ghiberti nel primo Novecento, da Schlosser a Longhi", Fabian Jonietz, Wolf-Dietrich Löhr, Alessandro Nova (dir.), Ghiberti teorico. Natura, arte e coscienza storica nel Quattrocento, Milano, Officina Libraria, 2019, p. 231-238. Ghiberti teorico. Natura, arte e coscienza storica nel Quattrocento, 2019
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Histoire de l'art, 2019
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Autour du Calvaire de Romans, 2018
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ArtItalies. Bulletin de l’Association des historiens de l’art italien, 2013
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Forme del legno. Intagli e tarsie fra Gotico e Rinascimento, atti del convegno (Pisa, Scuola Normale Superiore, 30-31 ottobre 2009), a cura di Gabriele Donati e Valeria E. Genovese, 2013
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Saggi di letteratura architettonica: da Vitruvio a Winckelmann, a cura di Francesco Paolo Di Teodoro, 2009
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Books by Daniele Rivoletti
Papers by Daniele Rivoletti