Socrates’ use of performative contradiction against sophistic theories is a recurrent motif in Pl... more Socrates’ use of performative contradiction against sophistic theories is a recurrent motif in Plato’s dialogues. In the case of Plato’s Theaetetus and Gorgias, Socrates attempts to show that Protagoras’ homo mensura doctrine and Gorgias’ doctrine of the power of logos are each performatively contradicted by the underlying activity of philosophical dialogue. In the case of the Theaetetus, Socrates’ strategy of performative contradiction hinges on Protagoras’ failure to perform in the way that he theorized the sophist performing—namely, being able to change appearances through logoi (Theaetetus 166d–167d). In parallel fashion, Gorgias’ account of the power of rhetoric is performatively contradicted by the orator’s inability to prevail over Socrates, instead resorting to insincere responses to Socrates’ questions in order to save face—a dialogical “performance” that ties directly to Socrates’ portrait of Gorgianic rhetoric as a matter of pandering to the audience (Gorgias 460a–465a). ...
While it may be controversial to categorize Plato's Theatetetus as "epistemological, " given what... more While it may be controversial to categorize Plato's Theatetetus as "epistemological, " given what is implied by this term, the dialogue does offer a discourse on knowledge, at least in the minimal sense of questioning knowledge. But more than that, the dialogue "situates" its questioning, and its critical examination of attempted definitions of knowledge, in two ways that are particularly illuminating: first, its dramatization of Socrates coming-to-know Theaetetus through philosophical dialogue; second, its taking for granted a whole array of epistemic practices and keeping them in view, peripherally, throughout the discussion. The most interesting example of the latter is found in the famous Digression of the Theaetetus, where the difference between philosophy and rhetoric is understood in terms of the knowledge/lack-of-knowledge belonging to each.
This article brings Cormac McCarthy's novels into discussion with Dewey's thinking, particularly ... more This article brings Cormac McCarthy's novels into discussion with Dewey's thinking, particularly with an eye to the distinction, made famous from A Common Faith, between religion and "the religious." In this work Dewey argues for emancipating what is genuinely religious from all that is adventitious to it-above all, anything wedded to ideas of the supernatural-so that "the religious aspect of experience will be free to develop freely on its own account." He concludes by highlighting the need to make explicit and militant "the common faith of mankind"-which lies in the recog
This paper addresses the philosophical problems posed by shame-consciousness, specifically with r... more This paper addresses the philosophical problems posed by shame-consciousness, specifically with respect to the question as to whether the feelings of shame signify an apprehension of truth. After reviewing several methodological problems posed by shame-consciousness, the paper takes up the theoretical treatment of shame in Freud, Scheler, Sartre, and Merleau-Ponty, in order to show how shame illuminates the constitution of subjectivity by power relations in society. This psychoanalytic and phenomenological account of shame is shown to be confirmed by material drawn from cultural studies of shame, and by contemporary feminist critique.
Socrates’ use of performative contradiction against sophistic theories is a recurrent motif in Pl... more Socrates’ use of performative contradiction against sophistic theories is a recurrent motif in Plato’s dialogues. In the case of Plato’s Theaetetus and Gorgias, Socrates attempts to show that Protagoras’ homo mensura doctrine and Gorgias’ doctrine of the power of logos are each performatively contradicted by the underlying activity of philosophical dialogue. In the case of the Theaetetus, Socrates’ strategy of performative contradiction hinges on Protagoras’ failure to perform in the way that he theorized the sophist performing—namely, being able to change appearances through logoi (Theaetetus 166d–167d). In parallel fashion, Gorgias’ account of the power of rhetoric is performatively contradicted by the orator’s inability to prevail over Socrates, instead resorting to insincere responses to Socrates’ questions in order to save face—a dialogical “performance” that ties directly to Socrates’ portrait of Gorgianic rhetoric as a matter of pandering to the audience (Gorgias 460a–465a). ...
While it may be controversial to categorize Plato's Theatetetus as "epistemological, " given what... more While it may be controversial to categorize Plato's Theatetetus as "epistemological, " given what is implied by this term, the dialogue does offer a discourse on knowledge, at least in the minimal sense of questioning knowledge. But more than that, the dialogue "situates" its questioning, and its critical examination of attempted definitions of knowledge, in two ways that are particularly illuminating: first, its dramatization of Socrates coming-to-know Theaetetus through philosophical dialogue; second, its taking for granted a whole array of epistemic practices and keeping them in view, peripherally, throughout the discussion. The most interesting example of the latter is found in the famous Digression of the Theaetetus, where the difference between philosophy and rhetoric is understood in terms of the knowledge/lack-of-knowledge belonging to each.
This article brings Cormac McCarthy's novels into discussion with Dewey's thinking, particularly ... more This article brings Cormac McCarthy's novels into discussion with Dewey's thinking, particularly with an eye to the distinction, made famous from A Common Faith, between religion and "the religious." In this work Dewey argues for emancipating what is genuinely religious from all that is adventitious to it-above all, anything wedded to ideas of the supernatural-so that "the religious aspect of experience will be free to develop freely on its own account." He concludes by highlighting the need to make explicit and militant "the common faith of mankind"-which lies in the recog
This paper addresses the philosophical problems posed by shame-consciousness, specifically with r... more This paper addresses the philosophical problems posed by shame-consciousness, specifically with respect to the question as to whether the feelings of shame signify an apprehension of truth. After reviewing several methodological problems posed by shame-consciousness, the paper takes up the theoretical treatment of shame in Freud, Scheler, Sartre, and Merleau-Ponty, in order to show how shame illuminates the constitution of subjectivity by power relations in society. This psychoanalytic and phenomenological account of shame is shown to be confirmed by material drawn from cultural studies of shame, and by contemporary feminist critique.
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