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University of California, San Diego

Visual Arts

Chinese Posters - The IISH-Landsberger Collections
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      Visual propaganda, Propaganda, Art & Propaganda, Chinese Propaganda Art
“The Japanese Impact on the Republican Art World: The Construction of Chinese Art History as a Modern Field,” Twentieth Century China, vol. 32, no. 1 (November, 2006), pp. 4-35.
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      Historiography, Republican China
The Shanghai-Japan Connection in the Late Nineteenth and Beginning of the Twentieth Century
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      Art History, History of Science, Sino-Japanese relations, modern Japanese art history
Concept to Context: The Theoretical Transformation of Ink Painting into China's National Art in the 1920s and 1930s
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      Art History, History of Art
Wang Yiting in the Social Networks of 1920s and 1930s Shanghai
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      Art History, Social Networks, Modern Chinese History, History of Art
A Modern Showcase: Shidai (Modern Miscellany) in 1930s Shanghai
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      Art History, History of Art, Modern Chinese Military History, Modern Chinese Literary and Cultural Studies
Lianhuanhua and Manhua--Picture Books and Comics in Old Shanghai
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      Art History, Comics Studies, History of Art, Manga
“Traditionalism as a Modern Stance: The Chinese Women’s Calligraphy and Painting Society of 1930s Shanghai,” Modern Chinese Literature and Culture, vol. 11, no. 1 (spring, 1999), pp. 1-29.
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      Gender Studies, Modern Chinese Art, Republican China
"Scholar, Official, and Artist, Ye Gongchuo" in The Elegant Gathering: The Yeh Family Collection. San Francisco: Asian Art Museum, 2006, pp. 21-33
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    • Sino-Japanese relations
"Propaganda Posters in China" in Chinese Posters, co-authored with Stefan Landsberger, and Marien Can Der Heijden. Munich, London, New York: Prestel Publishing, 2009. pp.8-20
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    • Chinese contemporary art
“Patronage and the Beginning of a Modern Art World,” in Visual Culture in Shanghai, 1850-1930, edited by Jason C. Kuo, Washington D.C.: New Academia Publishing, 2007. pp. 13-27.
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    • Chinese art history
“Cubism in the Paris of the East,” in Cubism in Asia: Unbounded Dialogues. Tokyo: The Japan Foundation, 2006, (Japanese translation) pp. 45-53, (English) pp. 217-225.
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      Sino-Japanese relations, Modern Chinese Art, Modern Chinese Art History
“The Traditionalist Response to Modernity: The Chinese Painting Society of Shanghai,” co-authored with Julia Andrews, in Visual Culture in Shanghai, 1850-1930, ed. Jason C. Kuo, Washington D.C.: New Academia Publishing, 2007. pp.79-93.
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    • Chinese Art
The Japanese Impact on the Construction of Chinese Art History as a Modern Field--A Case Study of Teng Gu and Fu Baoshi
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      Chinese art history, Chinese Modern Art History
The Modernist Woodcut Movement in 1930s China
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    • Chinese Woodblock Prints
Wu Changshuo: The Last Scholar-Official Painter
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Light Before Dawn Unofficial Chinese Art
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    • Modern and Contemporary Art
The Lure of the West: Impressionism in China
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Local as Nation The Jiangnan Epigraphic Style as a Rsponse to Chinese Modernity
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      Chinese Art - Calligraphy & Ink Painting, Chinese epigraphy, Modern Chinese Art
Viewer as Performer A Cognitive Journey from Xu Bing's Tianshu to Dishu
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      Asian Studies, Contemporary Art, Visual Culture, Contemporary Chinese Art