in Petrarca in musica, atti del convegno internazionale di studi, Arezzo, 18-20 marzo 2004, a cur... more in Petrarca in musica, atti del convegno internazionale di studi, Arezzo, 18-20 marzo 2004, a cura di Andrea Chegai e Cecilia Luzzi, Lucca, LIM, 2005, pp. 247-292.
Meetings Music in 16th and 17th century Venice: sources, methods and historiographical prospects ... more Meetings Music in 16th and 17th century Venice: sources, methods and historiographical prospects Venice, Island of San Giorgio Maggiore Designed for students and young researchers, the Seminar has a dual purpose: to orient research into topics of Venetian musicology by presenting some of the musical and documentary collections conserved in the city's principal archives and libraries; and to foster methodological reflection on the potential of these sources and on the new research prospects they offer. Lasting five days, the seminar will feature theoretical lessons and practical workshops. The numerous teaching staff, with scholars from various disciplines, will give lessons ranging from general historical and methodological topics to specific aspects of Venetian music, paying particular attention to the features and potential of local sources. In addition they will provide a practical orientation and preparation in view of the workshops, to take place in the city's principle archives.
in Petrarca in musica, atti del convegno internazionale di studi, Arezzo, 18-20 marzo 2004, a cur... more in Petrarca in musica, atti del convegno internazionale di studi, Arezzo, 18-20 marzo 2004, a cura di Andrea Chegai e Cecilia Luzzi, Lucca, LIM, 2005, pp. 247-292.
Meetings Music in 16th and 17th century Venice: sources, methods and historiographical prospects ... more Meetings Music in 16th and 17th century Venice: sources, methods and historiographical prospects Venice, Island of San Giorgio Maggiore Designed for students and young researchers, the Seminar has a dual purpose: to orient research into topics of Venetian musicology by presenting some of the musical and documentary collections conserved in the city's principal archives and libraries; and to foster methodological reflection on the potential of these sources and on the new research prospects they offer. Lasting five days, the seminar will feature theoretical lessons and practical workshops. The numerous teaching staff, with scholars from various disciplines, will give lessons ranging from general historical and methodological topics to specific aspects of Venetian music, paying particular attention to the features and potential of local sources. In addition they will provide a practical orientation and preparation in view of the workshops, to take place in the city's principle archives.
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