Giovanni Tarantino and Charles Zika, eds, Feeling Exclusion: Religious Conflict, Exile and Emotions in Early Modern Europe, Abingdon Oxon: Routledge, 2019
Giovanni Tarantino and Charles Zika, eds, Feeling Exclusion: Religious Conflict, Exile and Emotions in Early Modern Europe, Abingdon Oxon: Routledge, 2019
A Cultural History of the Emotions in the Late Medieval, Reformation, and Renaissance Age, ed. Andrew Lynch and Susan Broomhall, London: Bloomsbury, 2019
Debra Cashion, Ashley West, and Henry Luttikhuizen, eds, The Primacy of the Image in Northern European Art, 1400–1700: Essays in Honor of Larry Silver, Leiden: Brill, 2017
A Prayer Book owned by the Rothschilds, an Italian bronze casket by Antico, a lavishly illustrate... more A Prayer Book owned by the Rothschilds, an Italian bronze casket by Antico, a lavishly illustrated Carnival chronicle from sixteenth-century Germany, an altarpiece by Pieter Brueghel the Younger - much of the artwork in this book, held by Australian collections, is essentially unknown beyond the continent. The authors of these essays showcase these extraordinary objects to their full potential,revealing a wide range of contemporary art and historical research. This collection of essays will surprise even specialists.
Love, in the early modern era, was not so much a single emotion as an intricate constellation of ... more Love, in the early modern era, was not so much a single emotion as an intricate constellation of feelings, experienced and expressed by the individual as well as broader society. From romantic desire to religious devotion, from patriotism to narcissism to nostalgia, Love: Art of Emotion 1400–1800 explores notions of public display and private sentiment, ostentation and intimacy. Featuring texts by leading scholars and curators, this lavishly illustrated book considers the capacity of art and objects to materialise and model emotion, from Vivarini’s grand-scale, much-celebrated painting The Garden of Love to tiny pieces of jewellery worn against the body as love tokens or in memoriam. Here, love is manifested across a broad range of cultural forms, media and objects, from the intellectually or spiritually elevated to the popular and the practical. Drawing upon more than 200 works from the National Gallery of Victoria’s rich and diverse collection, Love: Art of Emotion 1400–1800 examines the many facets and expressions of this complex emotion in early modern Europe.
Antipodean Early Modern: European Art in Australian Collections, c. 1200-1600
Edited by Anne Dunl... more Antipodean Early Modern: European Art in Australian Collections, c. 1200-1600 Edited by Anne Dunlop
A Prayer Book owned by the Rothschilds, an Italian bronze casket by Antico, a lavishly illustrated Carnival chronicle from sixteenth-century Germany, an altarpiece by Pieter Brueghel the Younger - much of the artwork in this book, held by Australian collections, is essentially unknown beyond the continent. The authors of these essays showcase these extraordinary objects to their full potential, revealing a wide range of contemporary art and historical research. This collection of essays will surprise even specialists.
"Antipodean Early Modern focuses on underpublished works of art, as well as celebrated ones, giving them greater exposure to scholars and museum-goers. The variety of methodologies, aims and results points to the richness of interpretation inspired by the collections under consideration.” - Elizabeth J. Moodey, Vanderbilt University
“The innovation here is two-fold: bringing together a range of important manuscripts and artworks in Australian collections to an international audience to invite more scholarly attention and providing a wealth of current scholarly insights on these works … A timely, illuminating collection of essays, which combines readability and rigour for scholarly audiences as well as students.” - Erin Griffey, University of Auckland
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Books by Charles Zika
Journal Articles by Charles Zika
Edited by Anne Dunlop
A Prayer Book owned by the Rothschilds, an Italian
bronze casket by Antico, a lavishly illustrated Carnival
chronicle from sixteenth-century Germany, an
altarpiece by Pieter Brueghel the Younger - much of the
artwork in this book, held by Australian collections, is
essentially unknown beyond the continent. The authors
of these essays showcase these extraordinary objects to
their full potential, revealing a wide range of
contemporary art and historical research. This
collection of essays will surprise even specialists.
"Antipodean Early Modern focuses on underpublished
works of art, as well as celebrated ones, giving them
greater exposure to scholars and museum-goers. The
variety of methodologies, aims and results points to the
richness of interpretation inspired by the collections
under consideration.” - Elizabeth J. Moodey, Vanderbilt University
“The innovation here is two-fold: bringing together a
range of important manuscripts and artworks in
Australian collections to an international audience to
invite more scholarly attention and providing a wealth of
current scholarly insights on these works … A timely,
illuminating collection of essays, which combines
readability and rigour for scholarly audiences as well as
students.” - Erin Griffey, University of Auckland