Papers by Cinzia Pieruccini
Cracow Indological Studies Vol. XXV, No. 1 (2023)
Cracow Indological Studies, Vol. XXVI, No. 2 (2024)
Ubi homo, ibi lingua. Studi in onore di Maria Patrizia Bologna, a cura di Laura Biondi, Francesco Dedè, Andrea Scala (con la collaborazione di Chiara Meluzzi e Massimo Vai), Edizioni dell'Orso, Alessandria 2022, pp. 941-952
East & West, N.S. 3 (62) 2, Dec. 2022. pp. 211-228
Resisting and Justifying changes II. Testifying and Legitimizing Innovation in Indian and Ancient Greek Culture, ed. by E. Poddighe, T. Pontillo, Nuova Biblioteca di Studi Classici e Orientali, Supplementi alla rivista Studi Classici e Orientali, 7, Pisa University Press, Pisa 2023, pp. 205-222.
According to classical Indian aesthetic theory, adbhuta, the 'marvellous', is one of the ... more According to classical Indian aesthetic theory, adbhuta, the 'marvellous', is one of the nine canonical rasas, 'moods', that can be aroused in the audience by a theatrical or literary work, and Sanskrit epics largely resonate with adbhuta features. An episode of the Rāmāyaṇa (Rāmāyaṇa [Critical Edition], IV 49-52) recounts how, during their search for Sītā, a handful of monkeys led by Hanumān find themselves entering and remaining for some time almost imprisoned in a cave created by Maya, the great architect of the Asuras. The description of this cave is steeped in the imagery that connotes, in the Sanskrit epics and Buddhist literature of the early centuries CE, paradises and remote, fabulous places. Recurring elements of these places include vegetation made of gold and jewels and the presence of birds, and brilliance is a constant attribute.
Bellezza in fiore. Colori e parole nell'estetica asiatica, ed. by Kuniko Tanaka, Biblioteca Ambrosiana, pp. 207-219, Milano, 2020
Forme di una passione. La rappresentazione dell’ira tra letteratura, teatro e filosofia, a cura di Laura Neri, Carocci, Roma 2020, pp. 85-104.
‘Verità e bellezza’. Essays in Honour of Raffaele Torella, Vol. II, ed. by Francesco Sferra and Vincenzo Vergiani, Unior Press, Napoli 2022, pp. 913-928. ISBN 978-88-6719-209-0
Indologica Taurinensia 2017-18 - XLIII-XLIV, pp. 285-303. Downloadable at http://www.asiainstitutetorino.it/indologica_vol_50_41.html
Journeys and Travellers in Indian Literature and Art, ed. by Danuta Stasik, Anna Trynkowska, 2 vols., Elipsa, Warsaw, 2018, vol. I, pp. 62-77.
Cultura come cibo, ed. by B. Barbiellini Amidei and M, Marazzi, Consonanze 10, Dipartimento di Studi letterari, filologici e linguistici, Università degli Studi di Milano–Ledizioni, Milano 2017, pp. 97-110.
Proceedings of the Meeting of the Italian Association of Sanskrit Studies (Bologna 27-28 March 2015), ed. by Raffaele Torella et alii, Supplemento n. 2 a RSO, Nuova serie, vol. LXXXIX, 2016, pp. 107-118.
A World of Nourishment. Reflections on Food in Indian Culture, ed. by Cinzia Pieruccini e Paola M. Rossi, Consonanze 3, Dipartimento di Studi letterari, filologici e linguistici, Università degli Studi di Milano – Ledizioni, Milano 2016, pp. 121-132.
Pandanus '15. Nature in Literature, Art, Myth and Ritual, Vol. 9, no 1, 2015, pp. 9-18.
Le arti nella storia e nella società dell'Asia. Arts in Asian History and Society, a cura di Clara Bulfoni, Filippo Fasulo e Chiara Piccinini, Biblioteca Ambrosiana - Bulzoni Editore, Milano - Roma 2015, pp. 75-84.
Pandanus '14. Nature in Literature, Art, Myth and Ritual, Vol. 8, no 1, 2014, pp. 7-29.
Governare la paura. Journal of interdisciplinary studies. 2014: Special Issue: India and Fear: Anatomy of an Emotion, ed. by Cinzia Pieruccini, Alessandro Vescovi, Federica Zullo, pp. 68-97 (http://governarelapaura.unibo.it/index).
Marilia Albanese, Renzo Freschi, Adriano Màdaro, eds., Magie dell'India. Dal tempio alla corte, capolavori d'arte indiana - The Magic of India. From the Temple to the Court, Masterpieces of Indian Art, Treviso, Casa dei Carraresi, 26 October 2013 - 31 May 2014. Edizioni Sigillum, 2013, pp. 14-24.
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Papers by Cinzia Pieruccini