The importance of the media in the Portuguese 1974 Revolution is recognized by the military, poli... more The importance of the media in the Portuguese 1974 Revolution is recognized by the military, politicians, and journalists. In this context, the major role of the radio broadcast in the course of events is undisputable. In the dawn of April 25, a popular Portuguese song was the start signal for the military coup and other counter signals followed, sounds that became symbols of the Revolution. Radio was the medium chosen by the Armed Forces Movement (MFA or Movimento das Forças Armadas in the original) to communicate with the parties involved in the coup and it was also used to inform the population of the goals and progress of the military operations. The following manoeuvres eventually transformed Radio Clube Português, one of the radio stations, in the commanding post of all the operations and the Portuguese people became aware of the MFA goals and victories by the bulletins that were broadcasted by the military on the radio. In a country with high illiteracy, radio played a crucial role in terms of information, which confirms its unquestionable centrality in the course of the April Revolution (also known as the Carnations Revolution). This study aims to explain how this process was achieved and it is based on the recollection of documents, archives, and other information. The recovery of testimonies and reconstruction of events allow us to explore the way military interacted with radio personnel and how radio logics prevailed and helped the military to successfully achieve their goals.
Radio Evolution: Conference Proceedings, Sep 11, 2012
Abstract: This study investigates how Portuguese radio journalists evaluate the changes that have... more Abstract: This study investigates how Portuguese radio journalists evaluate the changes that have occurred in the profession since the Internet has been integrated in newsrooms. The main purpose is to understand how these professional perceive the influence of the Internet on journalism practices, roles and ethics. In order to achieve this purpose, it was carried out a survey of 30 journalists working at the four main Portuguese radio stations newsrooms. Results confirm that Internet is considered a positive influence on journalism. The global ...
A história recente da rádio em Portugal está praticamente por fazer. Mais de 25 anos sobre a publ... more A história recente da rádio em Portugal está praticamente por fazer. Mais de 25 anos sobre a publicação da Lei da Rádio, em 1988, e do processo de atribuição das frequências locais, em 1989, é tempo de olhar em perspetiva para o setor das rádios locais. É indiscutível o papel destas emissoras na vida das suas comunidades, unidas pelo conceito de proximidade que vai além-fronteiras. No seu conjunto são ainda um espaço de expressão sonora multifacetado onde se reconhecem linguagens e sotaques próprios, a informação local, a música popular e regional, as vozes conhecidas de quem ali vive ou emigrou e que encontra na rádio um lugar de (re) encontros e afetos. A rádio local assume aqui uma das suas funções primordiais, a função social, a de ser o elo aglutinador de uma comunidade que usa a rádio como meio para comunicar entre si – não raras vezes a única oportunidade no seu dia para falar com outra voz e ser escutado.Fundação para a Ciência e a Tecnologia (FCT
Nos últimos anos tem-se registado um aumento significativo no consumo de podcasts, numa tendência... more Nos últimos anos tem-se registado um aumento significativo no consumo de podcasts, numa tendência que parece já não ser exclusivamente internacional. Em Portugal, durante o confinamento provocado pela pandemia da COVID-19, seguiu-se essa tendência. Dirigido tanto para as grandes audiências, como para pequenos nichos hiperespecializados, o podcast tem vindo a ser utilizado não apenas pelos meios de comunicação, mas também nas mais diferentes áreas: da política às relações públicas, do ensino à comunicação organizacional, da cultura ao desporto. Este número da Revista Comunicação Pública, sob o tema "Os novos territórios do Podcast", tem por objetivo explorar esse carácter multifacetado e transversal do podcast.
Os anos 80 representam uma nova fase no panorama mediático português e, em concreto, na rádio. É ... more Os anos 80 representam uma nova fase no panorama mediático português e, em concreto, na rádio. É a década do boom das piratas ou rádios livres. Para uma geração de jornalistas, as piratas foram uma inspiração, mas foram sobretudo uma 'escola' em que descobriram ou consolidaram vocacões. Os que se iniciaram nas ondas ilegais aprenderam com os mais velhos vindos das emissoras nacionais e das antigas colónias, ciosos de implementarem a 'rádio que sonhavam' e aquilo em que acreditavam ser o 'verdadeiro' jornalismo: isento, fora da agenda institucional ou partidária, que ouvia tudo e todos, que era feito sobretudo na rua e em direto. A rádio do 'aqui e agora' e 'mais próxima', diferente da que existia. Os anos 80 marcaram também a formação quer profissional quer académica dos jornalistas. Depois da criação do primeiro curso universitário, surgem os centros de formação de jornalistas e organizam-se cursos também para o meio rádio. Este estudo preten...
Fake news, pos-verdade, clickbait, conteudos patrocinados, fim da neutralidade da Internet, desin... more Fake news, pos-verdade, clickbait, conteudos patrocinados, fim da neutralidade da Internet, desinformacao, imediatismo, publicacao sem verificacao, infotainment, sensacionalismo, conteudos virais, manipulacao, enviesamento, descontextualizacao, autoedicao, publicacao amadora, anonimato, sedentarismo, producao multitarefa, desinvestimento, desintermediacao, desregulacao, precariedade, redes sociais, motores de busca, agregadores, rapinagem de conteudos, trafico de dados pessoais, publicidade intrusiva, ad blockers, automatizacao, robos... Sao muitas as ameacas ao ciberjornalismo.Neste VI Congresso Internacional de Ciberjornalismo (#6COBCIBER), em que assinalamos os 10 anos do Observatorio do Ciberjornalismo (ObCiber), queremos fazer um diagnostico global, perceber causas, contextos e efeitos, e procurar solucoes para fazer face as ameacas a producao na e para a Internet de um jornalismo de qualidade. (...)
The importance of the media in the Portuguese 1974 Revolution is recognized by the military, poli... more The importance of the media in the Portuguese 1974 Revolution is recognized by the military, politicians, and journalists. In this context, the major role of the radio broadcast in the course of events is undisputable. In the dawn of April 25, a popular Portuguese song was the start signal for the military coup and other counter signals followed, sounds that became symbols of the Revolution. Radio was the medium chosen by the Armed Forces Movement (MFA or Movimento das Forças Armadas in the original) to communicate with the parties involved in the coup and it was also used to inform the population of the goals and progress of the military operations. The following manoeuvres eventually transformed Radio Clube Português, one of the radio stations, in the commanding post of all the operations and the Portuguese people became aware of the MFA goals and victories by the bulletins that were broadcasted by the military on the radio. In a country with high illiteracy, radio played a crucial role in terms of information, which confirms its unquestionable centrality in the course of the April Revolution (also known as the Carnations Revolution). This study aims to explain how this process was achieved and it is based on the recollection of documents, archives, and other information. The recovery of testimonies and reconstruction of events allow us to explore the way military interacted with radio personnel and how radio logics prevailed and helped the military to successfully achieve their goals.
Radio Evolution: Conference Proceedings, Sep 11, 2012
Abstract: This study investigates how Portuguese radio journalists evaluate the changes that have... more Abstract: This study investigates how Portuguese radio journalists evaluate the changes that have occurred in the profession since the Internet has been integrated in newsrooms. The main purpose is to understand how these professional perceive the influence of the Internet on journalism practices, roles and ethics. In order to achieve this purpose, it was carried out a survey of 30 journalists working at the four main Portuguese radio stations newsrooms. Results confirm that Internet is considered a positive influence on journalism. The global ...
A história recente da rádio em Portugal está praticamente por fazer. Mais de 25 anos sobre a publ... more A história recente da rádio em Portugal está praticamente por fazer. Mais de 25 anos sobre a publicação da Lei da Rádio, em 1988, e do processo de atribuição das frequências locais, em 1989, é tempo de olhar em perspetiva para o setor das rádios locais. É indiscutível o papel destas emissoras na vida das suas comunidades, unidas pelo conceito de proximidade que vai além-fronteiras. No seu conjunto são ainda um espaço de expressão sonora multifacetado onde se reconhecem linguagens e sotaques próprios, a informação local, a música popular e regional, as vozes conhecidas de quem ali vive ou emigrou e que encontra na rádio um lugar de (re) encontros e afetos. A rádio local assume aqui uma das suas funções primordiais, a função social, a de ser o elo aglutinador de uma comunidade que usa a rádio como meio para comunicar entre si – não raras vezes a única oportunidade no seu dia para falar com outra voz e ser escutado.Fundação para a Ciência e a Tecnologia (FCT
Nos últimos anos tem-se registado um aumento significativo no consumo de podcasts, numa tendência... more Nos últimos anos tem-se registado um aumento significativo no consumo de podcasts, numa tendência que parece já não ser exclusivamente internacional. Em Portugal, durante o confinamento provocado pela pandemia da COVID-19, seguiu-se essa tendência. Dirigido tanto para as grandes audiências, como para pequenos nichos hiperespecializados, o podcast tem vindo a ser utilizado não apenas pelos meios de comunicação, mas também nas mais diferentes áreas: da política às relações públicas, do ensino à comunicação organizacional, da cultura ao desporto. Este número da Revista Comunicação Pública, sob o tema "Os novos territórios do Podcast", tem por objetivo explorar esse carácter multifacetado e transversal do podcast.
Os anos 80 representam uma nova fase no panorama mediático português e, em concreto, na rádio. É ... more Os anos 80 representam uma nova fase no panorama mediático português e, em concreto, na rádio. É a década do boom das piratas ou rádios livres. Para uma geração de jornalistas, as piratas foram uma inspiração, mas foram sobretudo uma 'escola' em que descobriram ou consolidaram vocacões. Os que se iniciaram nas ondas ilegais aprenderam com os mais velhos vindos das emissoras nacionais e das antigas colónias, ciosos de implementarem a 'rádio que sonhavam' e aquilo em que acreditavam ser o 'verdadeiro' jornalismo: isento, fora da agenda institucional ou partidária, que ouvia tudo e todos, que era feito sobretudo na rua e em direto. A rádio do 'aqui e agora' e 'mais próxima', diferente da que existia. Os anos 80 marcaram também a formação quer profissional quer académica dos jornalistas. Depois da criação do primeiro curso universitário, surgem os centros de formação de jornalistas e organizam-se cursos também para o meio rádio. Este estudo preten...
Fake news, pos-verdade, clickbait, conteudos patrocinados, fim da neutralidade da Internet, desin... more Fake news, pos-verdade, clickbait, conteudos patrocinados, fim da neutralidade da Internet, desinformacao, imediatismo, publicacao sem verificacao, infotainment, sensacionalismo, conteudos virais, manipulacao, enviesamento, descontextualizacao, autoedicao, publicacao amadora, anonimato, sedentarismo, producao multitarefa, desinvestimento, desintermediacao, desregulacao, precariedade, redes sociais, motores de busca, agregadores, rapinagem de conteudos, trafico de dados pessoais, publicidade intrusiva, ad blockers, automatizacao, robos... Sao muitas as ameacas ao ciberjornalismo.Neste VI Congresso Internacional de Ciberjornalismo (#6COBCIBER), em que assinalamos os 10 anos do Observatorio do Ciberjornalismo (ObCiber), queremos fazer um diagnostico global, perceber causas, contextos e efeitos, e procurar solucoes para fazer face as ameacas a producao na e para a Internet de um jornalismo de qualidade. (...)
Taking advantage of new technological features which allowed broadcasters to post audio in the on... more Taking advantage of new technological features which allowed broadcasters to post audio in the online scope, Portuguese radios launched their websites in the end of the 1990s. From basic websites which simply supported the traditional FM broadcasting to the most updated strategies, a superficial overlook towards online radios may suggest different policies to communicate with audiences, towards interactivity, participation and podcast (Portela, 2006; Reis, 2011; Ribeiro, 2013). As digital imperatives have conducted radio to improved conditions of recording, editing and content distribution, Internet has also been integrated as a new professional culture within newsrooms, in what David Hendy (2004) has defined as "the second industrial revolution". In more recent debates, researchers have been keen to evaluate how radio is actually promoting its migration into online domains, from websites, social networks and mobile devices, a media ecosystem which recalls Starkey and Crisell's (2009) paradigm of "the convergence of calculated previously separate medium'. Notwithstanding greater possibilities of broadcasting inspired by Internet and online devices, researchers continue to argue that sound should be the main identifier of an online radio station. However, it has been widely reported that sound is just an option and websites tend to implement graphical and visual features rather than particular spaces for online sound productions (Reis, 2011). In this framework, users are most likely to read and watch in the online radio station and listening may very well be a second option. In the Portuguese context, the migration of traditional FM broadcasting to the online domains was slow, though. During the last 10 years, new features were introduced as well as multimedia content, into new reshaped websites and design. In the particular case of mobile apps, it seems that radio is still neglecting the whole potential of such platforms, as small efforts are implemented to engage with audiences (Bastos, et al. 2012). Sound is also sidelined in these digital environments. Taking into account some features of this e-paradigm, this communication intends to explore an actual debility of radio research studies, concerning the lack of guidelines to observe and analyse the general grasp of the communicative policies within radio’s websites. Hence aiming to contribute for the discussion of "radio and parallel visual and textual content", as quoted in this conference call, this communication explores this actual shifting in radio, thus studying websites as radio extensions of their daily activities. In this regard, a particular focus will be drawn into the exclusively informative/journalistic broadcasters, throughout a content analysis of several Portuguese radio websites such as Antena 1, TSF, Renascença, thus conducting a comparative approach, according to the following parameters: access to audio content; multimedia productions displayed; graphical features; functionality; navigability; personalization and interactivity with users. The outcome of this communication is part of the research project “NET Station: shaping radio for web environment”, that was held in the Communication & Society Research Centre, (CSRC), in the University of Minho, in Braga (Portugal), from 2012 to 2015, funded by the Portuguese Foundation for the Science and Technology (FCT).
Refletir sobre a 'nova' rádio que se constrói a partir (e na) Internet tem vindo a ocupar um luga... more Refletir sobre a 'nova' rádio que se constrói a partir (e na) Internet tem vindo a ocupar um lugar cimeiro nos estudos que caracterizam e analisam a produção das rádios para a web (Balsebre, 2000; Cordeiro, 2004; Prata, 2006; Herreros, 2009) assim como a implicação dos ouvintes em formatos de opinião (Reis & Lima, 2011; Ribeiro, 2013; Bonixe, 2012). As rádios têm revelado uma progressiva, embora lenta, evolução no sentido de deixar de transpor as notícias do éter para o site produzindo cada vez mais conteúdos noticiosos para a web sem que estes sejam escutados na emissão hertziana. Neste campo, existirá ainda, provavelmente, terreno para refletir sobre os novos formatos, géneros, linguagens e narrativas conforme forem surgindo, desenvolvendo e definindo. A presença das rádios na Internet não se restringe aos sites, prolonga-se pelas redes sociais cuja importância se tornou incontornável nas estratégias de contacto com o público e na divulgação dos conteúdos das rádios quer seja no éter quer seja nos sites. E neste ponto novas questões surgem: que notícias as redações selecionam para o online? a emissão hertziana continua a ter prioridade sobre os sites e as redes sociais? E nas redes sociais mais populares que notícias são destacadas? Existe algum critério editorial definido? O alinhamento dos noticiários é feito segundo um critério editorial de pirâmide invertida: da notícia mais importante para a menos importante. No online, os destaques da página principal seguem o mesmo princípio surgindo as notícias em primeiro, segundo ou terceiro lugar dando um segundo alinhamento às notícias que já foram ou vão ser emitidas. Nas redes sociais as rádios destacam sem ordem cronológica aparente algumas das notícias da emissão ou do site, o que se certa forma pode ser encarado como um terceiro alinhamento paralelo ou feito sobre o da rádio e o do site. Nesse eventual novo alinhamento que opções são conferidas à participação dos ouvintes? Qual o lugar da opinião e do comentário dos ouvintes, neste contexto? No quadro de mutações importantes no ecossistema mediático, e em particular do panorama radiofónico na web, e tendo em conta a crescente importância das redes sociais para os media, será porventura interessante aferir como as rádios com elas se relacionam. Nesse sentido, pretendemos aferir como as três rádios de âmbito nacional apresentam os conteúdos noticiosos no Facebook e quais os critérios editoriais que presidem à seleção das notícias. Para tal, é também analisada a forma como a Antena 1, a Rádio Renascença e a TSF destacam as notícias na sua página do Facebook e a relação estabelecida quer com a emissão hertziana quer com o site. Além dos conteúdos jornalísticos este estudo incide também nos comentários que as notícias suscitam por parte do público. A presente comunicação faz parte do projeto de investigação 'Net Station: moldar a rádio para ambiente web' em curso no Centro de Estudos de Comunicação e Sociedade (CECS) da Universidade do Minho, financiado pela Fundação para a Ciência e a Tecnologia com referência PTDC/CCI-COM/122384/2010.
JornalismoPortoNet is the news online platform launched in 2004 and it is the solely project that... more JornalismoPortoNet is the news online platform launched in 2004 and it is the solely project that, since then, has been functioning full time and without intermissions. This is a journalistic project and at the same time it remains a laboratorial experience for the journalism teaching within the academic logics. JPN relies on the experience of different laboratorial units and also it comes as a synergetic project of the four faculties that founded the initial grade in journalism and communication studies. It is a semi-professional organization that sustains the permanent feed of news; it has an editorial status; it has a defined editorial style and a legal registration as a periodical publication; professors and editors have a certified professional journalist card. JPN’s internal organization is similar to other professional news newsrooms as well as journalistic routines and it is bound to the ethic and deontological principles of journalism.
JornalismoPortoNet has a strong link to professional environment through the participation of renowned journalists that are usually invited to be the “editor for a day”. This experience is very effective for the labour market to know the students skills and has very good result in terms of the credibility of the University of Porto Communication Sciences degree. On the other hand, students tend to regard this opportunity with great enthusiasm since they realize the importance of this practice. The University of Porto Communication Sciences degree has been trying, since its launch in 2000, to comprehend two main trends in journalism studies, the theoretical frame and laboratorial skills. The degree has a very inter disciplinary approach, which is achieved through a study plan divided between four faculties. Therefore, it has the classical humanities subjects, but also a large number of laboratorial hours, not only on journalism technics but also on informatics and design. This perspective puts this grade on the “innovative” mode that teaches students by doing, rather than opting for the classical model (Deuze, 2006). The classical approach tends to establish a feeble link between universities and the journalistic field, the studies remaining disconnected from the realities of the labour market (Adam, 2001). Accordingly, JPN is the synthesis of the three year grade in journalism specialization and it has a very positive evaluation by the students, the professors and theprofessional community. Since the first graduation in 2004, students’ reports enhance JPN as a solid formation platform, which is also recognized by media companies. In the final reports, students consider that it creates a “dialogue” between practitioners and newsrooms (Zamith et al, 2004).
Our study presents the characterization of our laboratorial experience: the teaching results; the validation in terms of learning outcomes from the student’s point of view, according to the final reports, the perspective of the “editors for a day”; the balance of senior students, all in all, a type of SWOT evaluation of JPN.
JornalismoPortoNet is the news online platform launched in 2004 and it is the solely project that... more JornalismoPortoNet is the news online platform launched in 2004 and it is the solely project that, since then, has been working in full time and without intermissions. This is a journalistic project and at the same time it remains a laboratorial experience for the journalism teaching within the academic logics. JPN relies on the experience of different laboratorial units and also it comes as a synergetic project of the four faculties that founded the initial grade in journalism and communication studies. It is a semi-professional organization that sustains the permanent feed of news; it has an editorial status; it has a defined editorial style and a legal registration as a periodical publication; professors and editors have a certified professional journalist card. JPN’s internal organization is similar to other professional news newsrooms as well as journalistic routines and it is bound to the ethic and deontological principles of journalism.
JornalismoPortoNet has a strong link to professional environment through the participation of renowned journalists that are usually invited to be the “editor for a day”. This experience is very effective for the working market to know the students skills and has very y good result in terms of the credibility of the University f Porto Communication Sciences degree. By the other hand, students tend to regard this opportunity as with great enthusiasm since they realize the importance of these practices. The University of Porto Communication Sciences degree has been trying, since the launch in 2000, to comprehend two main trends in journalism studies, the theoretical frame and laboratorial skills. The degree has a very inter disciplinary approach which is achieved by a study plan divided by the four faculties. Therefore, it has the classical humanities subjects, but also a large number of laboratorial hours, not only on journalism technics but also on informatics and design. This perspective puts this grade on the “innovative” mode that teaches students by doing, rather than opting for the classical model (Deuze, 2006). The classical approach tends to establish a feeble link between universities and the journalistic field, remaining the studies disconnected from the realities of the working market (Adam, 2001). Accordingly, JPN is the synthesis of the three year grade in journalism specialization and it has a very positive evaluation by students and, professors and working market. Since the first graduation, year in 2004, students’ reports enhance JPN as a solid formation platform which is also recognized by media companies. In the final reports, students consider that it creates a “dialogue” between practitioners and newsrooms (Zamith et al, 2004).
Our study presents the characterization of our laboratorial experience, the teaching results, and the validation in terms of learning from the student’s point of view, according to the final reports, the perspective of the “editors for a day”, the balance of senior students, all in all, a type of swat evaluation of JPN.
JornalismoPortoNet is the news online platform launched in 2004 and it is the solely project that... more JornalismoPortoNet is the news online platform launched in 2004 and it is the solely project that, since then, has been working in full time and without intermissions. This is a journalistic project and at the same time it remains a laboratorial experience for the journalism teaching within the academic logics. JPN relies on the experience of different laboratorial units and also it comes as a synergetic project of the four faculties that founded the initial grade in journalism and communication studies. It is a semi-professional organization that sustains the permanent feed of news; it has an editorial status; it has a defined editorial style and a legal registration as a periodical publication; professors and editors have a certified professional journalist card. JPN’s internal organization is similar to other professional news newsrooms as well as journalistic routines and it is bound to the ethic and deontological principles of journalism.
Ameaças ao Ciberjornalismo: Atas do VI Congresso Internacional de Ciberjornalismo, 2019
O trabalho tem como proposta analisar a incidência de "clickbait" no jornalismo online português ... more O trabalho tem como proposta analisar a incidência de "clickbait" no jornalismo online português e brasileiro. Faz parte de uma atividade realizada em conjunto por pesquisadores brasileiros e portugueses, em que cada grupo efetuou a verificação em 18 veículos de informação geral do seu país com abrangência nacional, com produção própria e atualizada frequentemente, tanto nas páginas Web, assim como no Facebook. Este artigo traz os resultados encontrados na amostra brasileira que apontam um alto índice de "clickbait" ao se verificar os dados gerais, com 54,4% da amostra com ocorrência desta prática. Ao mesmo tempo, os valores se reduzem ao olharmos os 32 indicadores individualmente, em que apenas três tiveram índices superiores a 10%.
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Papers by Ana Isabel Reis
Notwithstanding greater possibilities of broadcasting inspired by Internet and online devices, researchers continue to argue that sound should be the main identifier of an online radio station. However, it has been widely reported that sound is just an option and websites tend to implement graphical and visual features rather than particular spaces for online sound productions (Reis, 2011). In this framework, users are most likely to read and watch in the online radio station and listening may very well be a second option.
In the Portuguese context, the migration of traditional FM broadcasting to the online domains was slow, though. During the last 10 years, new features were introduced as well as multimedia content, into new reshaped websites and design. In the particular case of mobile apps, it seems that radio is still neglecting the whole potential of such platforms, as small efforts are implemented to engage with audiences (Bastos, et al. 2012). Sound is also sidelined in these digital environments.
Taking into account some features of this e-paradigm, this communication intends to explore an actual debility of radio research studies, concerning the lack of guidelines to observe and analyse the general grasp of the communicative policies within radio’s websites. Hence aiming to contribute for the discussion of "radio and parallel visual and textual content", as quoted in this conference call, this communication explores this actual shifting in radio, thus studying websites as radio extensions of their daily activities. In this regard, a particular focus will be drawn into the exclusively informative/journalistic broadcasters, throughout a content analysis of several Portuguese radio websites such as Antena 1, TSF, Renascença, thus conducting a comparative approach, according to the following parameters: access to audio content; multimedia productions displayed; graphical features; functionality; navigability; personalization and interactivity with users.
The outcome of this communication is part of the research project “NET Station: shaping radio for web environment”, that was held in the Communication & Society Research Centre, (CSRC), in the University of Minho, in Braga (Portugal), from 2012 to 2015, funded by the Portuguese Foundation for the Science and Technology (FCT).
A presença das rádios na Internet não se restringe aos sites, prolonga-se pelas redes sociais cuja importância se tornou incontornável nas estratégias de contacto com o público e na divulgação dos conteúdos das rádios quer seja no éter quer seja nos sites. E neste ponto novas questões surgem: que notícias as redações selecionam para o online? a emissão hertziana continua a ter prioridade sobre os sites e as redes sociais? E nas redes sociais mais populares que notícias são destacadas? Existe algum critério editorial definido?
O alinhamento dos noticiários é feito segundo um critério editorial de pirâmide invertida: da notícia mais importante para a menos importante. No online, os destaques da página principal seguem o mesmo princípio surgindo as notícias em primeiro, segundo ou terceiro lugar dando um segundo alinhamento às notícias que já foram ou vão ser emitidas. Nas redes sociais as rádios destacam sem ordem cronológica aparente algumas das notícias da emissão ou do site, o que se certa forma pode ser encarado como um terceiro alinhamento paralelo ou feito sobre o da rádio e o do site. Nesse eventual novo alinhamento que opções são conferidas à participação dos ouvintes? Qual o lugar da opinião e do comentário dos ouvintes, neste contexto?
No quadro de mutações importantes no ecossistema mediático, e em particular do panorama radiofónico na web, e tendo em conta a crescente importância das redes sociais para os media, será porventura interessante aferir como as rádios com elas se relacionam.
Nesse sentido, pretendemos aferir como as três rádios de âmbito nacional apresentam os conteúdos noticiosos no Facebook e quais os critérios editoriais que presidem à seleção das notícias. Para tal, é também analisada a forma como a Antena 1, a Rádio Renascença e a TSF destacam as notícias na sua página do Facebook e a relação estabelecida quer com a emissão hertziana quer com o site. Além dos conteúdos jornalísticos este estudo incide também nos comentários que as notícias suscitam por parte do público.
A presente comunicação faz parte do projeto de investigação 'Net Station: moldar a rádio para ambiente web' em curso no Centro de Estudos de Comunicação e Sociedade (CECS) da Universidade do Minho, financiado pela Fundação para a Ciência e a Tecnologia com referência PTDC/CCI-COM/122384/2010.
JornalismoPortoNet has a strong link to professional environment through the participation of renowned journalists that are usually invited to be the “editor for a day”. This experience is very effective for the labour market to know the students skills and has very good result in terms of the credibility of the University of Porto Communication Sciences degree. On the other hand, students tend to regard this opportunity with great enthusiasm since they realize the importance of this practice. The University of Porto Communication Sciences degree has been trying, since its launch in 2000, to comprehend two main trends in journalism studies, the theoretical frame and laboratorial skills. The degree has a very inter disciplinary approach, which is achieved through a study plan divided between four faculties. Therefore, it has the classical humanities subjects, but also a large number of laboratorial hours, not only on journalism technics but also on informatics and design. This perspective puts this grade on the “innovative” mode that teaches students by doing, rather than opting for the classical model (Deuze, 2006). The classical approach tends to establish a feeble link between universities and the journalistic field, the studies remaining disconnected from the realities of the labour market (Adam, 2001). Accordingly, JPN is the synthesis of the three year grade in journalism specialization and it has a very positive evaluation by the students, the professors and theprofessional community. Since the first graduation in 2004, students’ reports enhance JPN as a solid formation platform, which is also recognized by media companies. In the final reports, students consider that it creates a “dialogue” between practitioners and newsrooms (Zamith et al, 2004).
Our study presents the characterization of our laboratorial experience: the teaching results; the validation in terms of learning outcomes from the student’s point of view, according to the final reports, the perspective of the “editors for a day”; the balance of senior students, all in all, a type of SWOT evaluation of JPN.
JornalismoPortoNet has a strong link to professional environment through the participation of renowned journalists that are usually invited to be the “editor for a day”. This experience is very effective for the working market to know the students skills and has very y good result in terms of the credibility of the University f Porto Communication Sciences degree. By the other hand, students tend to regard this opportunity as with great enthusiasm since they realize the importance of these practices. The University of Porto Communication Sciences degree has been trying, since the launch in 2000, to comprehend two main trends in journalism studies, the theoretical frame and laboratorial skills. The degree has a very inter disciplinary approach which is achieved by a study plan divided by the four faculties. Therefore, it has the classical humanities subjects, but also a large number of laboratorial hours, not only on journalism technics but also on informatics and design. This perspective puts this grade on the “innovative” mode that teaches students by doing, rather than opting for the classical model (Deuze, 2006). The classical approach tends to establish a feeble link between universities and the journalistic field, remaining the studies disconnected from the realities of the working market (Adam, 2001). Accordingly, JPN is the synthesis of the three year grade in journalism specialization and it has a very positive evaluation by students and, professors and working market. Since the first graduation, year in 2004, students’ reports enhance JPN as a solid formation platform which is also recognized by media companies. In the final reports, students consider that it creates a “dialogue” between practitioners and newsrooms (Zamith et al, 2004).
Our study presents the characterization of our laboratorial experience, the teaching results, and the validation in terms of learning from the student’s point of view, according to the final reports, the perspective of the “editors for a day”, the balance of senior students, all in all, a type of swat evaluation of JPN.