It had nothing to do with trying to find new sounds...
Concerned with the control of “musical ti... more It had nothing to do with trying to find new sounds...
Concerned with the control of “musical time,” and the realization that we could hear so much more. A sentiment that would culminate serial composer, Milton Babbitt influenced a variety of other Experimental Music Composers and premier electronic music genres. He dreamt of an era where we could differentiate so much more and discriminate exponentially more than we could expect performers or ensemble to accommodate. “The hand is seldom faster than the ear.” – Milton Babbitt, April 2000
THE EVOLUTION OF MUSIC FROM VYNL TO DIGITAL...
Present day musicians have matured with a somewha... more THE EVOLUTION OF MUSIC FROM VYNL TO DIGITAL...
Present day musicians have matured with a somewhat subconsciously entitled perspective; subsequently, witnessing this metamorphosis at a time period in history when “electronic automation is demonstrating an unfettered scope of boundless new potential capabilities” – (College Music Society, 1995). For better or for worse, changes in society reflect the changes of music: precisely, and without deviation....
It had nothing to do with trying to find new sounds...
Concerned with the control of “musical ti... more It had nothing to do with trying to find new sounds...
Concerned with the control of “musical time,” and the realization that we could hear so much more. A sentiment that would culminate serial composer, Milton Babbitt influenced a variety of other Experimental Music Composers and premier electronic music genres. He dreamt of an era where we could differentiate so much more and discriminate exponentially more than we could expect performers or ensemble to accommodate. “The hand is seldom faster than the ear.” – Milton Babbitt, April 2000
THE EVOLUTION OF MUSIC FROM VYNL TO DIGITAL...
Present day musicians have matured with a somewha... more THE EVOLUTION OF MUSIC FROM VYNL TO DIGITAL...
Present day musicians have matured with a somewhat subconsciously entitled perspective; subsequently, witnessing this metamorphosis at a time period in history when “electronic automation is demonstrating an unfettered scope of boundless new potential capabilities” – (College Music Society, 1995). For better or for worse, changes in society reflect the changes of music: precisely, and without deviation....
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Concerned with the control of “musical time,” and the realization that we could hear so much more. A sentiment that would culminate serial composer, Milton Babbitt influenced a variety of other Experimental Music Composers and premier electronic music genres. He dreamt of an era where we could differentiate so much more and discriminate exponentially more than we could expect performers or ensemble to accommodate. “The hand is seldom faster than the ear.” – Milton Babbitt, April 2000
Present day musicians have matured with a somewhat subconsciously entitled perspective; subsequently, witnessing this metamorphosis at a time period in history when “electronic automation is demonstrating an unfettered scope of boundless new potential capabilities” – (College Music Society, 1995). For better or for worse, changes in society reflect the changes of music: precisely, and without deviation....
Concerned with the control of “musical time,” and the realization that we could hear so much more. A sentiment that would culminate serial composer, Milton Babbitt influenced a variety of other Experimental Music Composers and premier electronic music genres. He dreamt of an era where we could differentiate so much more and discriminate exponentially more than we could expect performers or ensemble to accommodate. “The hand is seldom faster than the ear.” – Milton Babbitt, April 2000
Present day musicians have matured with a somewhat subconsciously entitled perspective; subsequently, witnessing this metamorphosis at a time period in history when “electronic automation is demonstrating an unfettered scope of boundless new potential capabilities” – (College Music Society, 1995). For better or for worse, changes in society reflect the changes of music: precisely, and without deviation....