Arcia Tecun
Arcia Tecun is the pen name of Daniel Hernandez, which is after his grandmothers. Tecun’s research and teaching interests are in global Indigeneities, kava, diaspora, gender, race, food, popular culture/music, eco justice, religion, metaphysic, relational ethics, Tāvāism, Mana/Tapu/Noa-Ngofua, Cosmovisión Maya, modernity/coloniality/decoloniality, global Mormon studies, critical Latinx Indigeneities, ethnography, social-cultural anthropology, and ethnomusicology. Tecun is an alumni of Rose Park Elementary, West High School, Salt Lake Community College, and the University of Utah. Tecun graduated from the ethnomusicology programme in the anthropology department at Waipapa Taumata Rau (University of Auckland), where he also taught anthropology courses for five years and held a Pouako (Lecturer) title while in Aotearoa-New Zealand. They later accepted the inaugural position of director of culture for Tracy Aviary and the Nature Center at Pia Okwai in Soonkahni (Salt Lake Valley, Utah). Tecun has also worked as an adjunct instructor at the University of Utah, and was the fall 2023 community practitioner in residence in the environmental humanities programme. Tecun is currently an assistant professor in the anthropology programme at Utah Valley University in the Timpanogos territory.
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Peer Reviewed Publications by Arcia Tecun
Open access: https://www.mdpi.com/2313-5778/8/3/121
See: https://www.tandfonline.com/eprint/A5HD2HR2KWJCRU8DKUZC/full?target=10.1080/13688790.2022.2162353
Arcia Tecun confronts the global and local mobility of race by interrogating lived experience along material and metaphysical lines of power. Tecun uses the idea of the ‘undercommons’, put forward by Moten and Harney in 2013, to explore possible relationships that confront race yet move through and towards ... 'Knew World Undercurrents' that can be found in subversive Oceanic relational ethics.
Link to access the article: https://scholarlypublishingcollective.org/uip/msr/article/doi/10.5406/21568030.9.1.01/294016/Pedro-and-Pita-Built-Peter-Priesthood-s-Mansion
Citation: Tecun , A., & Petelo, T. (2021). Seleka’s profane potency: Kava artists and rebellious music in Tonga. Perfect Beat, 20(2), 134–154.
Open access: https://boap.uib.no/index.php/jaf/article/view/2844
Open access: https://www.mdpi.com/2077-1444/12/4/280
Tecun, A., & Siu'ulua, S. A. (2020). Mormon masculinity, family, and kava in the Pacific. In Petrey, E.D., & Hoyt, A. (Eds.), The Routledge Handbook of Mormonism and Gender (pp. 449-463). Abingdon, United Kingdom: Routledge.
Open access: https://www.mdpi.com/2313-5778/8/3/121
See: https://www.tandfonline.com/eprint/A5HD2HR2KWJCRU8DKUZC/full?target=10.1080/13688790.2022.2162353
Arcia Tecun confronts the global and local mobility of race by interrogating lived experience along material and metaphysical lines of power. Tecun uses the idea of the ‘undercommons’, put forward by Moten and Harney in 2013, to explore possible relationships that confront race yet move through and towards ... 'Knew World Undercurrents' that can be found in subversive Oceanic relational ethics.
Link to access the article: https://scholarlypublishingcollective.org/uip/msr/article/doi/10.5406/21568030.9.1.01/294016/Pedro-and-Pita-Built-Peter-Priesthood-s-Mansion
Citation: Tecun , A., & Petelo, T. (2021). Seleka’s profane potency: Kava artists and rebellious music in Tonga. Perfect Beat, 20(2), 134–154.
Open access: https://boap.uib.no/index.php/jaf/article/view/2844
Open access: https://www.mdpi.com/2077-1444/12/4/280
Tecun, A., & Siu'ulua, S. A. (2020). Mormon masculinity, family, and kava in the Pacific. In Petrey, E.D., & Hoyt, A. (Eds.), The Routledge Handbook of Mormonism and Gender (pp. 449-463). Abingdon, United Kingdom: Routledge.
By 'bringing what is unspoken into focus', Towards a Grammar of Race seeks to articulate and confront ideas of race in Aotearoa New Zealand – an exploration that includes racial capitalism, colonialism, white supremacy, and anti-Blackness. A recurring theme across the book is the inescapable entanglement of local and global manifestations of race.
Each of the contributors brings their own experiences and insights to the complexities of life in a racialised society, and together their words make an important contribution to our shared and future lives on these shores.
Contributors to this book: Pounamu Jade Aikman, Faisal Al-Asaad, Mahdis Azarmandi, Simon Barber, Garrick Cooper, Morgan Godfery, Kassie Hartendorp, Guled Mire, Tze Ming Mok, Adele Norris, Nathan Rew, Vera Seyra, Beth Teklezgi, Selome Teklezgi and Patrick Thomsen.
Each of the contributors brings their own experiences and insights to the complexities of life in a racialised society, and include: Pounamu Jade Aikman, Faisal Al-Asaad, Mahdis Azarmandi, Simon Barber, Garrick Cooper, Morgan Godfery, Kassie Hartendorp, Guled Mire, Tze Ming Mok, Adele Norris, Nathan Rew, Vera Seyra, Beth Teklezgi, Selome Teklezgi and Patrick Thomsen.
BWB link: https://www.bwb.co.nz/books/grammar-of-race/
https://podcasts.apple.com/us/podcast/the-intersection-of-eco-food-justice/id1576894007?i=1000629444887
https://www.youtube.com/watch?v=3KkTljFhNh4
https://www.westviewslc.org/articles/pia-okwai-jordan-river-memories-possibilities
Co-edited anthology with Lana Lopesi and Anisha Sankar
https://newbooksnetwork.com/arcia-tecun-et-al-towards-a-grammar-of-race-in-aotearoa-new-zealand-bridget-williams-books-2022
Link: https://arciatecun.podbean.com/
Also available on apple podcasts, spotify, etc.
https://www.asaanz.org/blog/2019/10/31/a-dark-perspective-of-anthropology-by-arcia-tecun
https://www.pantograph-punch.com/post/thoughts-from-within-seven-caves
Tuesday, October 16, 2018
Last week, when we focused on cultural appropriation for Worry Week, Mary-Margaret wanted to look into the modern uses of kava, and ask an expert about the monetisation of it and the problems that may arise from that. Daniel Hernandez is an anthropology lecturer here at Auckland uni, and a lot of his research has centred around kava. He started by telling Mary-Margaret about the history of the plant.
https://youtu.be/eyhZ2ndhfDc
https://youtu.be/IseYzgKGexY
https://youtu.be/yPfbdwz5ovo
https://youtu.be/RAq0hPT8ifQ
I conducted this research under the supervision of Dr. Adrian Bell at the University of Utah 2012-2013
I would now challenge the notion of food desert, which I mention in this film, but think about differently now. After presenting in the same session with Dr. Devon Peña at NACCS 2014 he suggested that 'Food Junkyard' is a more appropriate designation than 'desert'. He invited me and those in the session to remember that all environments including deserts, swamps, and more that have been or are still inhabited by indigenous peoples, are/were embraced environmental centers, that provide the resources for the people. Thinking of desert as barren and empty may marginalize local knowledge and culture that thrived in that environment, these notions I believe may come from perceptions of being 'somewhere' (metropoles, "civilization") vs. in the middle of 'nowhere' (rural, "wilderness"). If you're from there, than it's the place to be.
This became the first of a few amateur films I made or worked on collaboratively to attempt to share what too often remains isolated in classrooms, seminar dialogue's, or hidden in wordy inaccessible language. Further, important critical conversations I was beginning to become a part of seemed detached from my lived experiences and community, remaining in "academic" silos of journals, books, and libraries. The hope with this and other projects was fulfilling my responsibility to my communities that I often leave to spend time time in books or physically at an institution; they show up to my graduation, teach me, support me, and inspire me, but are at times left unaware of what I've actually been doing in the Western institution, learning about, or reading. It is one way that I can be accountable to them of my work in western academia and sharing it in a more accessible manner than handing them my paper.
https://youtu.be/zvvfdX_UePk?si=ZRnhGjQarWVkfN2Y
http://www.communityresearch.org.nz/identity-and-its-role-in-cross-cultural-communication/