Edward Morgan Forster by Anna Kwiatkowska
Polish Journal of English Studies 7.2, 2021
Special issue of the PJES dedicated to E. M. Forster
List of Contents
“The Hotel Case”Queering th... more Special issue of the PJES dedicated to E. M. Forster
List of Contents
“The Hotel Case”Queering the Hotel in E. M. Forster’s “Arthur Snatchfold”
Athanasios Dimakis, National and Kapodistrian University of Athens . . . . . . . . . . . . . . . 7
“Where Is Your Home”? Spaces of Homoerotic Desire in E. M. Forster’s Fiction
Dominika Kotuła, University of Warmia and Mazury, Olsztyn 25
“Áh yoù sílly àss, góds lìve in woóds!” Queer appropriations
of Edwardian Classicism in Forster’s short fiction and Maurice
Claire Braunstein Barnes, University of Oxford 42
“Old things belonging to the nation”: Forster, Antiquities and the Queer Museum
Richard Bruce Parkinson, University of Oxford . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
Towards Forsterian Mobilities through Public Transport as Public Space
Jason Finch, Åbo Akademi University . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
Politics and Poetics of Mobility: Gender, Motion, and Stasis in E. M. Forster’s
Where Angels Fear to Tread
Hager Ben Driss, University of Tunis 90
Shaping the Culture of Tolerance:
A Study of Forster’s Humanism in Howard’s End and A Passage to India
Afrinul Haque Khan, Nirmala College, Ranchi University, Ranchi, India 106
Speaking through “the Wearisome Machine”:
E. M. Forster’s “The Machine Stops”
Elif Derya Şenduran, Independent Scholar 123
Forster and Adaptation: Across Time, Media and Methodologies
Claire Monk, De Montfort University, UK 139
Guilty Style: Lauren Oyler’s Fake Accounts and
E.M. Forster’s Legacy in the Age of Autofiction
Niklas Cyril Fischer, University of Fribourg, Switzerland 176
E. M. Forster: A Bibliography of Critical Studies
Krzysztof Fordoński, University of Warsaw 194
Michelle Fillion, 2010. Difficult Rhythm: Music and the Word in E. M. Forster
Iryna Nakonechna, University of Stirling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .314
Tsung-Han Tsai, 2021. E. M. Forster and Music
Parker T. Gordon, University of St Andrews . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Krzysztof Fordoński, Anna Kwiatkowska, Paweł Wojtas, Heiko Zimmermann
(eds.), 2020. Language and Literary Studies of Warsaw No. 10
Elif Derya Şenduran, Independent Scholar 321
Sara Sass, 2021. There Are Some Secrets.
Anna Kwiatkowska, University of Warmia and Mazury in Olsztyn . . . . . . . . . . . . . . . .327
José A. Lemos de Souza, José A. 2021. Sobre o Espaço em Howards End:
a Reescrita do romance de E.M.Forster no cinema.
Wendell Ramos Maia, University of Brasília 329
E. M. Forster – Shaping the Space of Culture. Conference Report
Anna Kwiatkowska, University of Warmia and Mazury, Olsztyn . . . . . . . . . . . . . . . . .334
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A new collection of essays about E. M. Forster published by Cambridge Scholars Publishing
Lis... more A new collection of essays about E. M. Forster published by Cambridge Scholars Publishing
List of Contents:
“Such is the working of the southern mind”: A Postcolonial Reading of E. M. Forster’s Italian Narratives - Francesca Pierini
Opposed but Inevitable: Forster’s Reaction against and Acceptance of “Cultural Selection” in A Passage to India - Tarik Ziyad Gulcu
“You mustn’t say anything against the Machine”: Power and Resistance in E. M. Forster’s “The Machine Stops” - Sławomir Kozioł
(Re)Visiting Two Adaptations of E. M. Forster’s Novel Where Angels Fear To Tread: A Transmedial Perspective - Mihaela Cel-Mare (Avram)
What’s Behind Their Umbrellas? Symbolic Consideration of Umbrella in E. M. Forster’s Howards End and Katherine Mansfield’s Selected Short Stories - Anna Kwiatkowska
Crippling Commitments: Charting the Ethics of Disability in Forster and Coetzee - Paweł Wojtas
E. M. Forster’s The Longest Journey and Alan Hollinghurst’s The Stranger’s Child: Continuation or Opposition? - Barbara Puschmann-Nalenz
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Language and Literary Studies of Warsaw, 2020
Special issue of the LLSW dedicated to the 50th anniversary of E. M. Forster's death.
Adaptation,... more Special issue of the LLSW dedicated to the 50th anniversary of E. M. Forster's death.
Adaptation, Inspiration, Dialogue: E.M. Forster and His Oeuvre in Contemporary Culture
Krzysztof Fordoński . 11
Biography
E.M. Forster in Africa
Evelyne Hanquart-Turner. 49
Reading Forster’s Will
Daniel Monk. 61
The Novels
“Facing the Sunshine”: Nature and (Social) Environment in E.M. Forster’s A Room with a View
Tatiana Prorokova-Konrad. 83
Posing as Pastoral: The Displacement of the “very poor” in Howards End
John Attridge. 97
O/other and the Creation of the Self in E.M. Forster’s Howards End
Elif Derya Şenduran. 119
Travel and Transformations: The Transcultural Predicament of Female Travellers in E.M. Forster’s A Passage to India (1924)
Nadia Butt . 141
Modern Hindu Reformers’ View of Hinduism Reflected in A Passage to India: “Caves” as a Symbol of the Universal Formless God, and “Temple” as Idolatry
Toshiyuki Nakamichi . 163
6 Contents
Short Stories
Hotel Melodrama in E.M. Forster’s “The Story of a Panic” and “The Story of the Siren”
Athanasios Dimakis. 189
“So Far No Other”: Alterity in Forster’s “The Other Boat”
Anastasia Logotheti . 213
Dystopian Space in E.M. Forster’s “The Machine Stops”
Marcin Tereszewski. 225
Encounters with Forster
E.M. Forster and the Legacy of Aestheticism: “Kipling’s Poems” (1909) and Forster’s Dialogue with Max Beerbohm
Margaret D. Stetz. 239
Forster, Kipling and India: Friendship in the Colony
Harish Trivedi . 259
The Mother-Child Relationship in E.M. Forster’s “The Machine Stops” and Aldous Huxley’s Brave New World
Hisashi Ozawa. 283
“Go West!” In Search of the “Greenwood” in Mike Parker’s On the Red Hill
Robert Kusek . 305
Conference Reports
Re-Orientating E.M. Forster: Texts, Contexts, Receptions. The Cambridge Forster Conference 2020
J.H.D. Scourfield. 323
“E.M. Forster’s Legacies Half a Century After His Death: Nostalgia, Heritage and Queer”. Conference Report
Kaoru Urano, Takahiro Mimura, Saeko Nagashima, Masayuki Iwasaki. 335
Contents 7
Reviews
Emma Sutton and Tsung-Han Tsai, 2020. Twenty-First-Century Readings of E.M. Forster’s Maurice. Liverpool: Liverpool University Press, pp. 281
Fraser Riddell. 339
Krzysztof Fordoński and Anna Kwiatkowska (eds.), 2021. The World of E.M. Forster – E.M. Forster and the World. Newcastle: Cambridge Scholars Press, pp. 167
Ewa Kujawska-Lis. 343
E.M. Forster. His Longest Journey, documentary, DVD, November 2020. Produced and directed by Adrian Munsey & Vance Goodwin. Narrated by James Wilby
Anna Kwiatkowska. 347
Heather Green and J.C. Green, 2020. Forster in 50. Dorking: The Cockerel Press, pp. 28.
Krzysztof Fordoński . 351
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Language and Literary Studies of Warsaw, 2020
This year we celebrate the 50th anniversary of E. M. Forster’s death. The International E. M. For... more This year we celebrate the 50th anniversary of E. M. Forster’s death. The International E. M. Forster Society has decided to offer its members and all other academics interested in the works of Forster an opportunity to commemorate the anniversary in a publication. We have joined our forces with the academic journal Language and Literary Studies of Warsaw which celebrates its 10th anniversary this year and together intend to produce a thematic issue dedicated to Forster. Our plan is to celebrate Forster by publishing a various collection of articles dealing with his work and life. Please, make sure to share this message with your friends and colleagues who might be interested in contributing to our project.
If you do not have an idea for an article but still would like to be a part of our undertaking, you may consider submitting reviews of Forster-related publications.
The schedule is moderately tight as we want to publish the issue in 2020. The deadline for submissions is July 15th, 2020. We will be extremely grateful if you could send in your submissions as soon as possible to allow for smooth processing. The plan is to review, select, and edit the articles during the summer and early autumn so as to be able to meet the intended publication date, at the very least online. The LLSW is an Open Access journal, it is available online, there are no processing or any other fees. All contributors will receive printed copies of the journal, copies will also be sent to several major academic libraries.
Submissions and technical inquiries should be sent to llsw@lingwistyka.edu.pl Notes for contributors are available at http://www.eng.lingwistyka.edu.pl/notes-for-contributors,19.html Any questions may also be sent directly to Prof. Krzysztof Fordoński at k.fordonski@uw.edu.pl
The Editorial Board
Krzysztof Fordoński
Anna Kwiatkowska
Heiko Zimmermann
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Papers on Language and Literature, 2019
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We would like to invite to the second scholarly conference organised by the International E.M. Fo... more We would like to invite to the second scholarly conference organised by the International E.M. Forster Society, intended as a celebration of E. M. Forster and an opportunity for all Forsterians to come together. Please, read and share the attached call for papers and join us in Ludwigsburg!
Current details always available at the Society's website - check the call for the address!
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One may as well begin with an invitation:
We would like to invite you to an international schola... more One may as well begin with an invitation:
We would like to invite you to an international scholarly conference on the life and works of E. M. Forster, the first conference to be organised by the International E. M. Forster Society and the second Forsterian conference in Poland. It is our aim to evaluate the presence and legacy of Forster in English literature and social history. The double title of our conference is meant to reflect the duality of our aims – on the one hand, we are interested in Forster’s own works, with a special stress on the less often approached texts. On the other hand, we would like to enquire in the position of Forster, his works, and the values he stood for within British and world culture(s) almost half a century after his demise.
Details in the attached file!
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Books by Anna Kwiatkowska
"Sztuka na miarę..." to szczegółowa analiza sztuki i rzeczywistości tak, jak jawi się ona w ogląd... more "Sztuka na miarę..." to szczegółowa analiza sztuki i rzeczywistości tak, jak jawi się ona w oglądzie postaci, a także konfrontacja perspektywy postaci z perspektywą narratora oraz ujawnianą pośrednio perspektywą autora implikowanego w powieściach E.M. Forstera (z wyłączeniem "Drogii do Indii"). Związki zachodzące pomiędzy bohaterami i szeroko pojętą sztuką, wpływ środowiska artystycznego, dzieł sztuki na życie duchowe i codzienne bohaterów rozpatrywane są pod kątem roli, jaką sztuka odgrywa lub nie odgrywa w ich życiu.
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Polish Journal of English Studies by Anna Kwiatkowska
Special Issue of the PJES dedicated to E.M. Forster
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Papers by Anna Kwiatkowska
Papers in Literature
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Acta Neophilologica, 2004
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The article discusses the correlation of ambience in Ray Bradbury’s science fiction short story Z... more The article discusses the correlation of ambience in Ray Bradbury’s science fiction short story Zero Hour and the paintings by a well-known Belgian Surrealist René Magritte. It specifies first the influences of Scuola Metaphysica on creating the specific poignant atmosphere visible in the works of the painter and then focuses on pointing out similar notions in the short story by Bradbury. Next, the article analyses the techniques, employed by both the artist and the writer, that help to create the above-mentioned mood. The focus is predominantly on Bradbury’s narrative where the linguistic level as well as the visual one are considered and then the analysis follows in relation to such mechanisms as contrast, juxtaposition, non sequitur or dépaysement.
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Polish Journal of English Studies, 2017
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Tekstualia
The goal of the paper is to demonstrate the influence of the Dutch masters on the representation ... more The goal of the paper is to demonstrate the influence of the Dutch masters on the representation of women in Mansfield’s short stories. The correspondences discernible between Mansfieldian women characters and the women figures from the Dutch Old Masters’ canvases as well as Dutch painters’ techniques dealing with perspective and Mansfield’s treatment of narration show a lot in common. When introducing her female protagonists, Mansfield seems to employ certain narrative strategies that are reminiscent of the techniques utilised by the Old Masters. The paper addresses, therefore, two issues. Firstly, it deals with a transmedial aspect of Mansfield’s stories and makes an inquiry into the question of how the writer endowed her female protagonists with the characteristics that echo the features of women painted by the seventeenth-century artists. And secondly, the paper tries to establish why Mansfield would resort to the Old Masters’ canvases while constructing her modern texts. Since ...
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Zagadnienia Rodzajów Literackich
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Acta Neophilologica, 2001
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Acta Neophilologica III, 2001
Pasja Życia amerykańskiego pisarza Irvinga Stone'a jest powieścią biograficzną opisującą życie i ... more Pasja Życia amerykańskiego pisarza Irvinga Stone'a jest powieścią biograficzną opisującą życie i twórczość znanego chyba wszystkim holenderskiego malarza Vincenta van Gogha. Naturalne zatem wydaje się założenie, iż narracja powieści będzie nie tylko koncentrowała się na życiu samego malarza, ale także, podobnie jak to ma miejsce w biografii nieliterackiej, zmierzać będzie do jak najbardziej obiektywnego przedstawienia świata. Założenie dotyczące obiektywizmu powieści wydaje się tym bardziej poprawne, gdy uświadomimy sobie, w jaki sposób autor powieści zdobywał informacje potrzebne mu do jej napisania. Nie polegało to jedynie na studio waniu opasłych tomów opisujących życie van Gogha i jego rodziny. Irving Stone poświęca kilka lat na żmudną pracę badawczą, aby zgromadzić najroz maitsze dane dotyczące życia malarza i w ten sposób zrekonstruować je, przez chwilę "stać się van Goghiem od stóp po czubek głowy", jak się był sam kiedyś wyraził. Stone wyjeżdża więc do Holandii, Belgii, Francji i Anglii, aby "zanurzyć się" w środowisku, które niegdyś było malarzowi bliskie.
W rzeczy samej, po tak wnikliwej analizie osobowości, która ma posłużyć za pierwowzór głównego bohatera powieści, oczekujemy od narracji pełnego obiektywizmu. Tymczasem, jeśli przyjrzeć się bliżej sposobowi jej prowadzenia, okazuje się, że jest zupełnie inaczej. Okazuje się, że wejście w sytuację Vincenta van Gogha prowadzi nie do obiektywizmu przekazu, ale do subiektywnego oglądu świata. Stone pokazuje świat postrzegany oczami malarza (a ten z kolei postrzegany jest oczami Stone’a). Prawda o świecie nie jest więc odtworzeniem zewnętrznych wyglądów z fotograficzną wiernością. Jest zawsze czyjąś prawdą, rekonstrukcją porządku rzeczywistości dokonaną przez konkretną osobę.
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New Aspects of E. M. Forster, 2010
The use of irony by E. M. Forster is so obvious that very often we do not stop to consider it mor... more The use of irony by E. M. Forster is so obvious that very often we do not stop to consider it more thoroughly. We seem to take it for granted that almost all, if not all, Forster’s works manifest quite an ironic perspective. When turning to his novels, quite ironically they are all openly dramatic (maybe except for A Room with a View). Death, murder, exile and loneliness as well as hypocrisy, violence and other human vices permeate the said works (this time A Room with a View with its happy ending being no exception). Thus a question appears: how come that we laugh while reading about all this nastiness? The answer has presented itself to me while rereading Henri Bergson’s “Le Rire. Essai sur la signification du comique” (“Laughter. An Essay on the Meaning of the Comic”) (1900). Reading Bergson’s essay with Forster’s approach to and his use of irony in mind leads to an overwhelming feeling that the two men must have been endowed with a very similar view on laughter and humour. The ideas one finds in the essay correspond with those found in the works by Forster. To be more precise, the fiction of Forster, both in terms of themes and plot on the one hand and narrative patterns on the other, serves as a practical manifestation, an illustration of the theoretical and philosophical disputes of Bergson.
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Old Masters in New Interpretations. Readings in Literature and Visual Culture. Cambridge Scholars Publishing , 2016
Modernism, being shrouded in art, left the writers of the epoch no choice but to surrender to the... more Modernism, being shrouded in art, left the writers of the epoch no choice but to surrender to the rich offer of artistic endeavours, both theoretical and practical. Many of them, poets and writers alike, would openly and quite willingly admit their debt to the findings and practices of visual arts. And Mansfield was no exception. However, what makes her different from her contemporary colleague writers, is the fact that her literary texts show her fascination not only with the Modernist artistic attempts and experiments but above all with the artistic and/or aesthetic ideas being wildly in circulation in the epoch which was at a close when she came to London for the first time in 1903, at the age of 15. These were: fin de siècle and French Symbolists, Aestheticism and the Pre-Raphaelite Brotherhood (PRB). And although Mansfield later on seems to have become ashamed of her adolescent artistic fascinations, in her mature literary works she comes back to her favourites of her teenage days. In the chapter the question of the pre-Raphaelite influence on Mansfield’s “Bank Holiday”, a short story from the collection entitled The Garden Party and Other Stories (1922), is addressed. The aim is thus to demonstrate how Mansfield translated and incorporated the style of the PRB by borrowing and accommodating some of its features on the one hand, and how she modified and personalized it on the other. The influence is sought and discussed on various levels, like construction of the text, descriptive mode or types of characters.
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Acta Neophilologica 6, 2004
W opowiadaniu “The Obelisk” E. M. Forster operując techniką niedopowiedzenia przekazuje czytelnik... more W opowiadaniu “The Obelisk” E. M. Forster operując techniką niedopowiedzenia przekazuje czytelnikowi sygnały konieczne do odszyfrowania pozornie ukrytego lub przemilczanego komunikatu. Sygnały skierowane do czytelnika pojawiają się na kilku poziomach: fabularnym, językowym, tekstowym (konstrukcja tekstu).
Niedopowiedzenie związane jest z dwoistym postrzeganiem świata. Ograniczona perspektywa postaci lub/ i narratora osobowego zostaje skontrastowana z sygnałami tekstowymi. W rezultacie czytelnik weryfikując perspektywę postaci, odtwarza „prawdziwą” wersje zdarzeń. Negacja pierwszego (podporządkowanego) punktu widzenia skutkuje odkryciem drugiego (nadrzędnego), należącego do autora implikowanego.
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Uploads
Edward Morgan Forster by Anna Kwiatkowska
List of Contents
“The Hotel Case”Queering the Hotel in E. M. Forster’s “Arthur Snatchfold”
Athanasios Dimakis, National and Kapodistrian University of Athens . . . . . . . . . . . . . . . 7
“Where Is Your Home”? Spaces of Homoerotic Desire in E. M. Forster’s Fiction
Dominika Kotuła, University of Warmia and Mazury, Olsztyn 25
“Áh yoù sílly àss, góds lìve in woóds!” Queer appropriations
of Edwardian Classicism in Forster’s short fiction and Maurice
Claire Braunstein Barnes, University of Oxford 42
“Old things belonging to the nation”: Forster, Antiquities and the Queer Museum
Richard Bruce Parkinson, University of Oxford . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
Towards Forsterian Mobilities through Public Transport as Public Space
Jason Finch, Åbo Akademi University . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
Politics and Poetics of Mobility: Gender, Motion, and Stasis in E. M. Forster’s
Where Angels Fear to Tread
Hager Ben Driss, University of Tunis 90
Shaping the Culture of Tolerance:
A Study of Forster’s Humanism in Howard’s End and A Passage to India
Afrinul Haque Khan, Nirmala College, Ranchi University, Ranchi, India 106
Speaking through “the Wearisome Machine”:
E. M. Forster’s “The Machine Stops”
Elif Derya Şenduran, Independent Scholar 123
Forster and Adaptation: Across Time, Media and Methodologies
Claire Monk, De Montfort University, UK 139
Guilty Style: Lauren Oyler’s Fake Accounts and
E.M. Forster’s Legacy in the Age of Autofiction
Niklas Cyril Fischer, University of Fribourg, Switzerland 176
E. M. Forster: A Bibliography of Critical Studies
Krzysztof Fordoński, University of Warsaw 194
Michelle Fillion, 2010. Difficult Rhythm: Music and the Word in E. M. Forster
Iryna Nakonechna, University of Stirling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .314
Tsung-Han Tsai, 2021. E. M. Forster and Music
Parker T. Gordon, University of St Andrews . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Krzysztof Fordoński, Anna Kwiatkowska, Paweł Wojtas, Heiko Zimmermann
(eds.), 2020. Language and Literary Studies of Warsaw No. 10
Elif Derya Şenduran, Independent Scholar 321
Sara Sass, 2021. There Are Some Secrets.
Anna Kwiatkowska, University of Warmia and Mazury in Olsztyn . . . . . . . . . . . . . . . .327
José A. Lemos de Souza, José A. 2021. Sobre o Espaço em Howards End:
a Reescrita do romance de E.M.Forster no cinema.
Wendell Ramos Maia, University of Brasília 329
E. M. Forster – Shaping the Space of Culture. Conference Report
Anna Kwiatkowska, University of Warmia and Mazury, Olsztyn . . . . . . . . . . . . . . . . .334
List of Contents:
“Such is the working of the southern mind”: A Postcolonial Reading of E. M. Forster’s Italian Narratives - Francesca Pierini
Opposed but Inevitable: Forster’s Reaction against and Acceptance of “Cultural Selection” in A Passage to India - Tarik Ziyad Gulcu
“You mustn’t say anything against the Machine”: Power and Resistance in E. M. Forster’s “The Machine Stops” - Sławomir Kozioł
(Re)Visiting Two Adaptations of E. M. Forster’s Novel Where Angels Fear To Tread: A Transmedial Perspective - Mihaela Cel-Mare (Avram)
What’s Behind Their Umbrellas? Symbolic Consideration of Umbrella in E. M. Forster’s Howards End and Katherine Mansfield’s Selected Short Stories - Anna Kwiatkowska
Crippling Commitments: Charting the Ethics of Disability in Forster and Coetzee - Paweł Wojtas
E. M. Forster’s The Longest Journey and Alan Hollinghurst’s The Stranger’s Child: Continuation or Opposition? - Barbara Puschmann-Nalenz
Adaptation, Inspiration, Dialogue: E.M. Forster and His Oeuvre in Contemporary Culture
Krzysztof Fordoński . 11
Biography
E.M. Forster in Africa
Evelyne Hanquart-Turner. 49
Reading Forster’s Will
Daniel Monk. 61
The Novels
“Facing the Sunshine”: Nature and (Social) Environment in E.M. Forster’s A Room with a View
Tatiana Prorokova-Konrad. 83
Posing as Pastoral: The Displacement of the “very poor” in Howards End
John Attridge. 97
O/other and the Creation of the Self in E.M. Forster’s Howards End
Elif Derya Şenduran. 119
Travel and Transformations: The Transcultural Predicament of Female Travellers in E.M. Forster’s A Passage to India (1924)
Nadia Butt . 141
Modern Hindu Reformers’ View of Hinduism Reflected in A Passage to India: “Caves” as a Symbol of the Universal Formless God, and “Temple” as Idolatry
Toshiyuki Nakamichi . 163
6 Contents
Short Stories
Hotel Melodrama in E.M. Forster’s “The Story of a Panic” and “The Story of the Siren”
Athanasios Dimakis. 189
“So Far No Other”: Alterity in Forster’s “The Other Boat”
Anastasia Logotheti . 213
Dystopian Space in E.M. Forster’s “The Machine Stops”
Marcin Tereszewski. 225
Encounters with Forster
E.M. Forster and the Legacy of Aestheticism: “Kipling’s Poems” (1909) and Forster’s Dialogue with Max Beerbohm
Margaret D. Stetz. 239
Forster, Kipling and India: Friendship in the Colony
Harish Trivedi . 259
The Mother-Child Relationship in E.M. Forster’s “The Machine Stops” and Aldous Huxley’s Brave New World
Hisashi Ozawa. 283
“Go West!” In Search of the “Greenwood” in Mike Parker’s On the Red Hill
Robert Kusek . 305
Conference Reports
Re-Orientating E.M. Forster: Texts, Contexts, Receptions. The Cambridge Forster Conference 2020
J.H.D. Scourfield. 323
“E.M. Forster’s Legacies Half a Century After His Death: Nostalgia, Heritage and Queer”. Conference Report
Kaoru Urano, Takahiro Mimura, Saeko Nagashima, Masayuki Iwasaki. 335
Contents 7
Reviews
Emma Sutton and Tsung-Han Tsai, 2020. Twenty-First-Century Readings of E.M. Forster’s Maurice. Liverpool: Liverpool University Press, pp. 281
Fraser Riddell. 339
Krzysztof Fordoński and Anna Kwiatkowska (eds.), 2021. The World of E.M. Forster – E.M. Forster and the World. Newcastle: Cambridge Scholars Press, pp. 167
Ewa Kujawska-Lis. 343
E.M. Forster. His Longest Journey, documentary, DVD, November 2020. Produced and directed by Adrian Munsey & Vance Goodwin. Narrated by James Wilby
Anna Kwiatkowska. 347
Heather Green and J.C. Green, 2020. Forster in 50. Dorking: The Cockerel Press, pp. 28.
Krzysztof Fordoński . 351
If you do not have an idea for an article but still would like to be a part of our undertaking, you may consider submitting reviews of Forster-related publications.
The schedule is moderately tight as we want to publish the issue in 2020. The deadline for submissions is July 15th, 2020. We will be extremely grateful if you could send in your submissions as soon as possible to allow for smooth processing. The plan is to review, select, and edit the articles during the summer and early autumn so as to be able to meet the intended publication date, at the very least online. The LLSW is an Open Access journal, it is available online, there are no processing or any other fees. All contributors will receive printed copies of the journal, copies will also be sent to several major academic libraries.
Submissions and technical inquiries should be sent to llsw@lingwistyka.edu.pl Notes for contributors are available at http://www.eng.lingwistyka.edu.pl/notes-for-contributors,19.html Any questions may also be sent directly to Prof. Krzysztof Fordoński at k.fordonski@uw.edu.pl
The Editorial Board
Krzysztof Fordoński
Anna Kwiatkowska
Heiko Zimmermann
Current details always available at the Society's website - check the call for the address!
We would like to invite you to an international scholarly conference on the life and works of E. M. Forster, the first conference to be organised by the International E. M. Forster Society and the second Forsterian conference in Poland. It is our aim to evaluate the presence and legacy of Forster in English literature and social history. The double title of our conference is meant to reflect the duality of our aims – on the one hand, we are interested in Forster’s own works, with a special stress on the less often approached texts. On the other hand, we would like to enquire in the position of Forster, his works, and the values he stood for within British and world culture(s) almost half a century after his demise.
Details in the attached file!
Books by Anna Kwiatkowska
Polish Journal of English Studies by Anna Kwiatkowska
Papers by Anna Kwiatkowska
W rzeczy samej, po tak wnikliwej analizie osobowości, która ma posłużyć za pierwowzór głównego bohatera powieści, oczekujemy od narracji pełnego obiektywizmu. Tymczasem, jeśli przyjrzeć się bliżej sposobowi jej prowadzenia, okazuje się, że jest zupełnie inaczej. Okazuje się, że wejście w sytuację Vincenta van Gogha prowadzi nie do obiektywizmu przekazu, ale do subiektywnego oglądu świata. Stone pokazuje świat postrzegany oczami malarza (a ten z kolei postrzegany jest oczami Stone’a). Prawda o świecie nie jest więc odtworzeniem zewnętrznych wyglądów z fotograficzną wiernością. Jest zawsze czyjąś prawdą, rekonstrukcją porządku rzeczywistości dokonaną przez konkretną osobę.
Niedopowiedzenie związane jest z dwoistym postrzeganiem świata. Ograniczona perspektywa postaci lub/ i narratora osobowego zostaje skontrastowana z sygnałami tekstowymi. W rezultacie czytelnik weryfikując perspektywę postaci, odtwarza „prawdziwą” wersje zdarzeń. Negacja pierwszego (podporządkowanego) punktu widzenia skutkuje odkryciem drugiego (nadrzędnego), należącego do autora implikowanego.
List of Contents
“The Hotel Case”Queering the Hotel in E. M. Forster’s “Arthur Snatchfold”
Athanasios Dimakis, National and Kapodistrian University of Athens . . . . . . . . . . . . . . . 7
“Where Is Your Home”? Spaces of Homoerotic Desire in E. M. Forster’s Fiction
Dominika Kotuła, University of Warmia and Mazury, Olsztyn 25
“Áh yoù sílly àss, góds lìve in woóds!” Queer appropriations
of Edwardian Classicism in Forster’s short fiction and Maurice
Claire Braunstein Barnes, University of Oxford 42
“Old things belonging to the nation”: Forster, Antiquities and the Queer Museum
Richard Bruce Parkinson, University of Oxford . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
Towards Forsterian Mobilities through Public Transport as Public Space
Jason Finch, Åbo Akademi University . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
Politics and Poetics of Mobility: Gender, Motion, and Stasis in E. M. Forster’s
Where Angels Fear to Tread
Hager Ben Driss, University of Tunis 90
Shaping the Culture of Tolerance:
A Study of Forster’s Humanism in Howard’s End and A Passage to India
Afrinul Haque Khan, Nirmala College, Ranchi University, Ranchi, India 106
Speaking through “the Wearisome Machine”:
E. M. Forster’s “The Machine Stops”
Elif Derya Şenduran, Independent Scholar 123
Forster and Adaptation: Across Time, Media and Methodologies
Claire Monk, De Montfort University, UK 139
Guilty Style: Lauren Oyler’s Fake Accounts and
E.M. Forster’s Legacy in the Age of Autofiction
Niklas Cyril Fischer, University of Fribourg, Switzerland 176
E. M. Forster: A Bibliography of Critical Studies
Krzysztof Fordoński, University of Warsaw 194
Michelle Fillion, 2010. Difficult Rhythm: Music and the Word in E. M. Forster
Iryna Nakonechna, University of Stirling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .314
Tsung-Han Tsai, 2021. E. M. Forster and Music
Parker T. Gordon, University of St Andrews . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Krzysztof Fordoński, Anna Kwiatkowska, Paweł Wojtas, Heiko Zimmermann
(eds.), 2020. Language and Literary Studies of Warsaw No. 10
Elif Derya Şenduran, Independent Scholar 321
Sara Sass, 2021. There Are Some Secrets.
Anna Kwiatkowska, University of Warmia and Mazury in Olsztyn . . . . . . . . . . . . . . . .327
José A. Lemos de Souza, José A. 2021. Sobre o Espaço em Howards End:
a Reescrita do romance de E.M.Forster no cinema.
Wendell Ramos Maia, University of Brasília 329
E. M. Forster – Shaping the Space of Culture. Conference Report
Anna Kwiatkowska, University of Warmia and Mazury, Olsztyn . . . . . . . . . . . . . . . . .334
List of Contents:
“Such is the working of the southern mind”: A Postcolonial Reading of E. M. Forster’s Italian Narratives - Francesca Pierini
Opposed but Inevitable: Forster’s Reaction against and Acceptance of “Cultural Selection” in A Passage to India - Tarik Ziyad Gulcu
“You mustn’t say anything against the Machine”: Power and Resistance in E. M. Forster’s “The Machine Stops” - Sławomir Kozioł
(Re)Visiting Two Adaptations of E. M. Forster’s Novel Where Angels Fear To Tread: A Transmedial Perspective - Mihaela Cel-Mare (Avram)
What’s Behind Their Umbrellas? Symbolic Consideration of Umbrella in E. M. Forster’s Howards End and Katherine Mansfield’s Selected Short Stories - Anna Kwiatkowska
Crippling Commitments: Charting the Ethics of Disability in Forster and Coetzee - Paweł Wojtas
E. M. Forster’s The Longest Journey and Alan Hollinghurst’s The Stranger’s Child: Continuation or Opposition? - Barbara Puschmann-Nalenz
Adaptation, Inspiration, Dialogue: E.M. Forster and His Oeuvre in Contemporary Culture
Krzysztof Fordoński . 11
Biography
E.M. Forster in Africa
Evelyne Hanquart-Turner. 49
Reading Forster’s Will
Daniel Monk. 61
The Novels
“Facing the Sunshine”: Nature and (Social) Environment in E.M. Forster’s A Room with a View
Tatiana Prorokova-Konrad. 83
Posing as Pastoral: The Displacement of the “very poor” in Howards End
John Attridge. 97
O/other and the Creation of the Self in E.M. Forster’s Howards End
Elif Derya Şenduran. 119
Travel and Transformations: The Transcultural Predicament of Female Travellers in E.M. Forster’s A Passage to India (1924)
Nadia Butt . 141
Modern Hindu Reformers’ View of Hinduism Reflected in A Passage to India: “Caves” as a Symbol of the Universal Formless God, and “Temple” as Idolatry
Toshiyuki Nakamichi . 163
6 Contents
Short Stories
Hotel Melodrama in E.M. Forster’s “The Story of a Panic” and “The Story of the Siren”
Athanasios Dimakis. 189
“So Far No Other”: Alterity in Forster’s “The Other Boat”
Anastasia Logotheti . 213
Dystopian Space in E.M. Forster’s “The Machine Stops”
Marcin Tereszewski. 225
Encounters with Forster
E.M. Forster and the Legacy of Aestheticism: “Kipling’s Poems” (1909) and Forster’s Dialogue with Max Beerbohm
Margaret D. Stetz. 239
Forster, Kipling and India: Friendship in the Colony
Harish Trivedi . 259
The Mother-Child Relationship in E.M. Forster’s “The Machine Stops” and Aldous Huxley’s Brave New World
Hisashi Ozawa. 283
“Go West!” In Search of the “Greenwood” in Mike Parker’s On the Red Hill
Robert Kusek . 305
Conference Reports
Re-Orientating E.M. Forster: Texts, Contexts, Receptions. The Cambridge Forster Conference 2020
J.H.D. Scourfield. 323
“E.M. Forster’s Legacies Half a Century After His Death: Nostalgia, Heritage and Queer”. Conference Report
Kaoru Urano, Takahiro Mimura, Saeko Nagashima, Masayuki Iwasaki. 335
Contents 7
Reviews
Emma Sutton and Tsung-Han Tsai, 2020. Twenty-First-Century Readings of E.M. Forster’s Maurice. Liverpool: Liverpool University Press, pp. 281
Fraser Riddell. 339
Krzysztof Fordoński and Anna Kwiatkowska (eds.), 2021. The World of E.M. Forster – E.M. Forster and the World. Newcastle: Cambridge Scholars Press, pp. 167
Ewa Kujawska-Lis. 343
E.M. Forster. His Longest Journey, documentary, DVD, November 2020. Produced and directed by Adrian Munsey & Vance Goodwin. Narrated by James Wilby
Anna Kwiatkowska. 347
Heather Green and J.C. Green, 2020. Forster in 50. Dorking: The Cockerel Press, pp. 28.
Krzysztof Fordoński . 351
If you do not have an idea for an article but still would like to be a part of our undertaking, you may consider submitting reviews of Forster-related publications.
The schedule is moderately tight as we want to publish the issue in 2020. The deadline for submissions is July 15th, 2020. We will be extremely grateful if you could send in your submissions as soon as possible to allow for smooth processing. The plan is to review, select, and edit the articles during the summer and early autumn so as to be able to meet the intended publication date, at the very least online. The LLSW is an Open Access journal, it is available online, there are no processing or any other fees. All contributors will receive printed copies of the journal, copies will also be sent to several major academic libraries.
Submissions and technical inquiries should be sent to llsw@lingwistyka.edu.pl Notes for contributors are available at http://www.eng.lingwistyka.edu.pl/notes-for-contributors,19.html Any questions may also be sent directly to Prof. Krzysztof Fordoński at k.fordonski@uw.edu.pl
The Editorial Board
Krzysztof Fordoński
Anna Kwiatkowska
Heiko Zimmermann
Current details always available at the Society's website - check the call for the address!
We would like to invite you to an international scholarly conference on the life and works of E. M. Forster, the first conference to be organised by the International E. M. Forster Society and the second Forsterian conference in Poland. It is our aim to evaluate the presence and legacy of Forster in English literature and social history. The double title of our conference is meant to reflect the duality of our aims – on the one hand, we are interested in Forster’s own works, with a special stress on the less often approached texts. On the other hand, we would like to enquire in the position of Forster, his works, and the values he stood for within British and world culture(s) almost half a century after his demise.
Details in the attached file!
W rzeczy samej, po tak wnikliwej analizie osobowości, która ma posłużyć za pierwowzór głównego bohatera powieści, oczekujemy od narracji pełnego obiektywizmu. Tymczasem, jeśli przyjrzeć się bliżej sposobowi jej prowadzenia, okazuje się, że jest zupełnie inaczej. Okazuje się, że wejście w sytuację Vincenta van Gogha prowadzi nie do obiektywizmu przekazu, ale do subiektywnego oglądu świata. Stone pokazuje świat postrzegany oczami malarza (a ten z kolei postrzegany jest oczami Stone’a). Prawda o świecie nie jest więc odtworzeniem zewnętrznych wyglądów z fotograficzną wiernością. Jest zawsze czyjąś prawdą, rekonstrukcją porządku rzeczywistości dokonaną przez konkretną osobę.
Niedopowiedzenie związane jest z dwoistym postrzeganiem świata. Ograniczona perspektywa postaci lub/ i narratora osobowego zostaje skontrastowana z sygnałami tekstowymi. W rezultacie czytelnik weryfikując perspektywę postaci, odtwarza „prawdziwą” wersje zdarzeń. Negacja pierwszego (podporządkowanego) punktu widzenia skutkuje odkryciem drugiego (nadrzędnego), należącego do autora implikowanego.