ORIGINAL ARTICLE
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Undiagnosing St Joan
She Does Not Need a Medical or Psychiatric Diagnosis
James Phillips, MD,* Brian Fallon, MD,† Salman Majeed, MD,‡ Keith Meador, MD,§
Joseph Merlino, MD,|| Hunter Neely, MD,¶ Jenifer Nields, MD,*
David Saunders, MD, PhD,† and Michael Norko, MD*
Abstract: This article traces the history of Joan of Arc through her brief life that
includes leading an army in defense of France at the age of 17 and ending with
her death at the stake at the age of 19. In her activities, St Joan reported that
she was guided by voices and visions in which she communicated with venerated
spiritual figures such as St Michael and St Margaret. Questions have arisen about
the nature of these experiences, and various medical and psychiatric diagnoses
have been offered by contemporary experts. In our effort to evaluate the diagnostic proposals, we have examined the incidence of voices and visions in the Middle
Ages, and we have followed that with a review of nonpathologic voice-hearing in
our own era. We then move on to an analysis of some proposed medical and psychiatric diagnoses, all of which we find unconvincing. With this background, we
argue that St Joan does not warrant a medical or psychiatric diagnosis. Such a
conclusion, however, leaves us with another issue, that of Joan's achievements.
How do we understand an adolescent being able to lead an army? Addressing this
question proves more difficult than deciding whether St Joan warrants a diagnosis. In addition to her achievements in the war against Britain, Joan of Arc stands
out as both the most documented person in Western civilization up until her era,
and as the only person who has been both condemned and canonized by the
Catholic Church.
Key Words: Psychiatry, Joan of Arc, diagnosis, history, medieval, voices
(J Nerv Ment Dis 2023;211: 559–565)
METHODS
The principal source of information about St Joan's life is the voluminous documentation of her trials: the Trial of Condemnation in
1431 and the Trial of Rehabilitation in 1456, all found in the archives
of France. Our narrative of her life and experiences is based on information from the two trials. For this article, we have relied mainly on three
documents: the trial reports themselves, found in T. Douglas Murray,
Jeanne D’Arc, Maid of Orléans, Deliverer of France (1902); the Web
site, www.Jeanne-darc.info, founded in 1997 by Søren Bie as a free
Web site containing all available information about St Joan; and, finally,
Regine Pernoud and Marie-Veronique Clin, Joan of Arc: Her Story
(1998). In France Pernoud was considered the grande dame of Medieval and St Joan–related history.
The official Latin text of the trials was discovered in the official
archives of France and brought to light and translated into modern
French by Jules Quicherat in the 1840s. The work was translated into
English and edited by T. Douglas Murray in 1902.
*Yale University School of Medicine, New Haven, Connecticut; †Columbia University
School of Medicine, New York, New York; ‡Penn State Hershey Medical Center,
Hershey, Pennsylvania; §Vanderbilt University, Nashville, Tennessee; ||Downstate
College of Medicine, Brooklyn, New York; and ¶UC Davis Medical Center,
Sacramento, California.
Send reprint requests to James Phillips, MD, Yale University School of Medicine; 88
Noble Avenue, Milford, CT 06460. E‐mail: james.phillips@yale.edu.
Copyright © 2023 Wolters Kluwer Health, Inc. All rights reserved.
ISSN: 0022-3018/23/21108–0559
DOI: 10.1097/NMD.0000000000001654
Finally, we have benefited from Mark Twain's Joan of Arc
(Twain, 1896), for which he did extensive research in France and which
he considered the best of his books and the one that afforded him the
most satisfaction.
Introduction
Let us begin by turning this introduction over to Mark Twain,
who offers us a stark description of St Joan's beginning:
In Joan of Arc at the age of sixteen there was no promise of romance. She lived in a dull little village on the frontiers of civilization: she had been nowhere and had seen nothing; she knew none
but simple shepherd folk; she had never seen a person of note; she
hardly knew what a soldier looked like; she had never ridden a
horse, nor had a warlike weapon in her hand; she could neither
read nor write; she could spin and sew; she knew her catechism
and her prayers and the fabulous histories of the saints, and this
was all her learning. That was Joan at sixteen (pp 441–442).
How St Joan of Arc emerged from this modest beginning we will
leave for further consideration. We begin this essay on St Joan by placing her in the historical context in which her extraordinary experiences
occurred. They were both like and unlike other Medieval, mystical phenomena, and correspondingly, her fellow countrymen and her Church
both praised her and condemned her. Among her other achievements,
she stands as both the most documented person in Western civilization
up until her era, and as the only person who has been both condemned
and canonized by the Catholic Church.
Historical Background
Joan of Arc's (Jeanne d'Arc's) story took place in the context of
the Hundred Years War, dated somewhat arbitrarily between 1337 and
1453 and consisting of a series of conflicts and wars between the Plantagenet rulers of England and the Valois rulers of France. Beginning
with the Norman conquest of England by William the Conqueror in
1066, France and England disputed the role of each in France over
the ensuing centuries, involving both property and titles. During this period, France itself was a loose confederation of principalities, often with
unclear boundaries.
In the early 15th century, after a period of minimal wartime activity, Henry V of England won important victories at Agincourt (1415)
and Normandy (1417–1418). Those victories awarded him as his wife,
Catherine, daughter of the French Charles VI. He declared that their son
would become Henry VI and would be king of the dual monarchy, England and France. That gesture disinherited Catherine's brother Charles,
the dauphin, who was to become Charles VII of France.
After the English victories, they occupied almost all of northern
France, including Paris. Directly south of Paris, on the Loire River, the
city of Orléans was the last stronghold between England and southern
France. The conquest of Orléans was Henry V's next goal. It was at
the English siege of Orléans that Joan's story begins.
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Joan of Arc, who was always referred to as the Maid (la Pucelle),
was born in Domremy, in the province of Lorraine, in 1412. Although
Lorraine was technically not part of France, Domremy considered itself
part of the French kingdom and strongly on the side of the Dauphin
(Charles, heir to the throne) and the national party. Joan's parents owned
about 50 acres of land, which her father farmed along with raising animals. Joan spent her early life tending to household affairs, caring for
the family animals, and mastering her skills as a seamstress.
At the age of 13, she began experiencing mystical visions urging
her to piety, and then more specific visions of St Michael and St Catherine designating her as the savior of France. As the English were at this
time laying siege to Orléans, the saints encouraged her to seek an audience with the Dauphin to request that he allow her to raise the siege of
Orléans, install him as the rightful king, and banish the English from
France. In 1428, at the age of 16, the visions instructed her to go to
Vaucouleurs and contact Robert de Baudricourt, the garrison commander and a supporter of Charles, the Dauphin. He would be able to
lead her to Chinon, southwest of Orléans, where the Dauphin was residing. She arrived in Vaucouleurs on May 13, 1428. Baudricourt found
her program ridiculous and refused her request. She returned to her
home in Domremy but returned 2 months later to Vaucouleurs with
her parents, little sister, and three brothers. After her parents returned
home, Joan took up residence in Vaucouleurs, trying to meet again with
Baudricourt. In the following year, at the time of Lent, she met with
him, and he again rejected her request for passage to Chinon. When a
squire in the household of Baudricourt teased and questioned her, she
responded:
I came here to the king's chamber [that is, into royal territory] to
speak to Robert de Baudricourt so that he would either bring me
or have me brought to the king, but he pays no attention to me
or to my words; nevertheless, it is important that I be at the king's
side before mid-Lent arrives, even if it means I have to walk until
my feet are worn down to my knees; there is in fact no one else,
neither a king nor a duke nor the daughter of the king of Scotland,
nor any other who can recover the kingdom of France, and he will
have no help, if not through me, even though I would prefer to stay
home and spin wool with my poor mother, for this is not my station, but I must do it, because my Lord wills that I do so
(Pernoud, 1955, p 19).
When asked by the squire, “but who is your Lord?” the maid answered, “God.” And he continued, “And so I promised the Maid, by
placing my hands in hers as a sign of good faith, that I would with God's
aid lead her to the king; and I begged her to tell me when she wanted to
leave; and she said, ‘Better today than tomorrow, better tomorrow than
later’” (p 19).
In the meantime, the people of Vaucouleurs were becoming increasingly sympathetic with Joan's cause, and Baudricourt, encouraged
by the squire and the people of Vaucouleurs, finally relented to get her
to Chinon, the site of Charles' court. He gave her a horse and an escort
of several soldiers. She cropped her hair and dressed in men's clothes
for the 11-day journey across enemy territory to Chinon. They traveled
mostly at night to avoid highwaymen, the English, or Burgundians (the
French of Burgundy, who sided with the English). Her male fellow travelers reported that Joan slept next to them, but tightly bound, so that
there was no issue of “carnal impulse.” They found her “without fault
or weakness, exemplary in piety and charity, inflexible in resolve”
(Pernoud and Clin, 1998, p 21).
At first, Charles was not certain what to make of this peasant girl
who asked for an audience and professed she could save France.
Charles was himself only 26 years old and had never lived in Paris, as
it was occupied by the English. He was full of doubt about himself
and his role in the royal structure, and he did not understand why he
had not been anointed king. Joan, however, won him over when she correctly identified him, dressed incognito, in a crowd of members of his
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court. The two had a private conversation during which it is said that
Joan revealed details of a solemn prayer Charles had made to God to
save France. He remained uncertain; some of his counselors were
impressed by Joan, others considered her mad. Joan had already demonstrated to him her skills in wielding a lance and riding a horse. In
his uncertainty and not wanting to be made a fool of, Charles sent her
and her entourage to Poitiers, a center of theological learning, for an intensive, 3-week evaluation. Poitiers was only day's journey (35 miles)
from Chinon. Here is an example of her evaluation by the theologians
of Poitiers—a clear instance of the 17-year-old's wit in the face of her
inquisitors.
I asked her what language her voice spoke. She answered, “Better
than yours.” Me, I spoke the dialect of Limoges; and then I asked
her if she believed in God; she answered, “yes, better than you.”
And I then said to her that God wouldn't want us to believe in
her unless something made us think that we should do so. I could
not advise the king simply on her assertion that he should entrust
men-at-arms to her so that she might lead them into peril, unless
she could at least tell him something further. And she answered,
“In God's name, I did not come to Poiters to produce signs. But
lead me to Orléans, and I will show you the sign for which I was
sent” (p 29).
Joan was also subjected to a physical examination in which it
was determined that she was “a woman, a virgin, and a maid.” The clergymen and theologians reported they found nothing improper with
Joan, only piety, chastity, and humility. They recommended to the Dauphin that he accept her aid and send her to Orléans.
Charles then relented and gave the 17-year-old Joan of Arc armor and a horse and allowed her to accompany the army to Orléans,
the site of the English siege. Word had traveled fast, and by the time
she reached Orléans, she was already heralded as the Maid who would
raise the siege. She traveled with John, Count of Orléans, also called the
Bastard of Orléans, who was technically the Commander of the French
forces. Joan had brought a separate French force, and the two individuals were frequently in conflict, the Bastard preferring to lie back and
wait, while Joan argued for directly confronting the English. Here is a
sample of their conversation:
“Is it you who said that I was to come on this side [of the river] and
that I should not go direct to the other side where Talbot and the
English are?” “Yes, and those more wise than I are of the same
opinion, for our greater success and safety?” “In God's name,”
she then said, “the counsel of my Lord is safer and wiser than yours.
You thought to deceive me, and it is yourselves who are deceived,
for I bring you better succor than has ever come to any general or
town whatsoever – the succor of the King of Heaven. The succor
comes not from me but from God Himself ” (Murray, 1902, p 234).
This statement is a superb example of Joan's style: a firm conviction that she speaks for God, and that anyone who disagrees must bow
to the voice of God. Some took relief in her certainty, and others
questioned the authority of this 17-year-old girl. In view of this article's
question as to whether Joan warrants a medical or psychiatric diagnosis,
this statement and the events that ensued demonstrate a degree of intelligence and competence that speak against attributing her behavior to
either form of pathology.
Joan's commanding style motivated the hesitant troops to move
aggressively forward, and in a series of battles between May 4 and
May 7, 1429, the French troops took control of the English fortifications. Joan was wounded but later returned to the front to encourage a
final assault. By mid-June, the French had routed the English and, in
doing so, crushed their perceived invincibility as well.
Although it seemed that Charles had accepted Joan's mission, he
did not display full trust in her judgment or advice. After the victory at
Orléans, she kept encouraging him to hurry to Reims to be crowned
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king, but he and his advisors were more cautious. In the meantime, the
English were regrouping in Patay, not far from Orléans. As the two
forces were drawing near to one another in an open field, the Bastard
of Orléans, along with the Duke of Alecon, both leaders of the French,
questioned Joan, and she responded that everyone should have “good
spurs.” Asked if that meant that they were running away from the battle,
Joan responded that they needed the spurs to chase after the fleeing English. She was right, the English took flight and 4000 of them were
taken prisoners. The Battle of Patay on June 18, 1429, is considered
Joan's greatest victory.
After the battle and a little more dithering, the Dauphin agreed to
go to Reims for his coronation. They left on June 29, 1429, on what was
technically a foolhardy mission, as Reims was far away in northern
France and in Burgundian territory. On July 17 they entered Reims,
and on the following day, the Dauphin was crowned Charles VII. Joan
was at his side, occupying a visible place at the ceremonies.
In the aftermath of the coronation, Joan the Maid began her
downhill course. This began with resentment among the other leaders
that they had not been put on equal footing with Joan at the coronation.
Only she stood with the King, and only she brought her banner to the
ceremony.
There was, however, a larger issue at play in Joan's fate.
Northern France and Paris were already occupied by the English
and the England-supporting Burgundians, and they had no interest
in giving up their possessions. This put them in dramatic disagreement with Joan's goal to liberate France from the English. Simply
put, they wanted Joan out of the way. Charles, as always, weak, evasive, and suspicious, sided with Joan's enemies. Wanting to make
peace with the English and the Burgundians, he gave up the goal
of banishing the English from France and ordered Joan to abandon
her efforts to take Paris.
He gave Joan only minor assignments and, in that context, ordered her in the spring of 1430 to proceed to the small town of
Compiègne to confront the Burgundians. During the battle, she
was thrown off her horse and left outside the town's gates. The
Burgundians took her captive and held her for several months, negotiating with the English, who saw her as a valuable propaganda prize.
Finally, the Burgundians exchanged Joan for 10,000 francs. Charles
VII was unsure what to do. Still not convinced of Joan's divine inspiration, he distanced himself and made no attempt to have her released. The English occupation army turned her over to church officials, who insisted that she be tried as a heretic. She was charged
with 70 counts, including witchcraft, heresy, and dressing like a
man. Initially, the trial was held in public, but it went private when
Joan bettered her accusers. Between February 21 and March 24,
1431, she was interrogated nearly a dozen times by a tribunal, always
keeping her humility and steadfast claim of innocence. Instead of
being held in a church prison with nuns as guards, she was held in
a military prison, where she was threatened with rape and torture, although there is no record that either actually occurred. She protected
herself by tying her soldiers' clothes tightly together with a number
of cords. Frustrated that they could not break her, the tribunal eventually used her military dress against her, charging that she dressed
like a man.
Her trial is recorded in voluminous court records, considered authentic because the registrar recording the proceedings was not under
the authority of the tribunal. The trial record reported Joan's description
of her voices, such as this: “It instructed me to be good and to go often
to Church; it told me it was necessary for me to come into France…. It
said to me: ‘Go, raise the siege which is being made before the City of
Orléans. Go!’” (Murray, 1902, pp 10–11).
In the trial, Joan's behavior was remarkable. Constantly pressured by
the vicious inquisitors of the tribunal, the illiterate 19-year-old responded with the calm assertiveness and intelligence we have already
recognized in her. Here are samples from the beginning of the trial:
Undiagnosing St Joan
Asked to place her hand on the bible and swear to tell the truth to
all questions asked of her: To which she did reply:
“I know not upon what you wish to question me: perhaps you may
ask me of which I ought not to tell you.”
“Swear,’ we did say to her, to speak truth on the things which shall
be asked you concerning the Faith, and of which you know.”
“Of my father and my mother and of what I did after taking the
road to France, willingly will I swear; but of the revelations which
have come to me from God, to no one will I speak or reveal them,
save only to Charles my King; and to you I will not reveal them,
even if it cost me my head; because I have received them in visions
and by secret counsel, and am forbidden to reveal them. Before
eight days are gone, I shall know if I may reveal them to you”
(Pernoud and Clin, 1998, p 109).
On May 29, 1431, the tribunal announced that Joan the Maid was guilty
of heresy. On the morning of May 30, she was taken to the marketplace
in Rouen and burned at the stake before an estimated crowd of 10,000
people. She was 19 years old. One legend surrounding the event tells of
how her heart survived the fire unaffected. Her ashes were gathered and
scattered in the Seine.
After Joan's death, there quickly developed a negative reaction to
what had taken place in Rouen. In a mood of defensive anxiety, Bishop
Pierre Cauchon, who had directed the trial, ordered all those involved in
the case to issue statements accusing Joan of heresy, thus affirming her
guilt and relieving the state and Church of responsibility.
The Hundred Years War continued for another 22 years. France
slowly began recapturing more of the land occupied by the English, including all of Normandy, of which Rouen was the capital. At the same
time, sympathy for Joan was growing. Charles had been crowned king
and was feeling more secure in his position. When he learned that the
townspeople of Rouen were attempting to retake the city, he marched
there quickly on November 10, 1449, to lead the French forces to victory over the English. When he heard the people of Rouen describe
the execution of Joan in 1431, he had the records of the trial and execution brought to him and on February 15, ordered the following letter to
be distributed to the country:
As heretofore Joan the Maid was taken and seized by our ancient
enemies and brought to the city of Rouen, against whom they
caused to take place a certain trial by certain persons who had been
chosen and given this task by them, in the process of which they
made and committed many falsifications and abuses, so much
that, by means of this trial and the great hatred our enemies have
against her, they caused her death iniquitously and against reason,
very cruelly indeed; for this reason we wish to know the truth of
the aforesaid trial, and the manner according to which it was carried out. We command you, instruct you, and expressly enjoin
you to inquire and inform yourself well and diligently on what
was said; and that you bring before us and the men of our council
the information that you will have gathered on this event under a
closed seal…for we give you power, commission, and special instruction by these presents to carry this out. Given at Rouen, the
15th day of February, the Year of Grace 1449 [[2], p 149].
A very active inquest followed this letter. It was decided that,
since Joan's first trial had been conducted by the Church, with a final
conviction for heresy, any further inquest or trial should also be conducted by the Church. As a first gesture, the papal delegates developed
a list of 27 articles, the first 12 of which corresponded to the 12 articles
on which Joan had been condemned. The formal trial, called the nullification trial, took place during 1455 and 1456. A total of 115 individuals were interrogated, some of whom had been witnesses in the earlier
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inquest, and most having been involved in the abuses carried out on
Joan. All were given immunity.
Another group of delegates were sent to Joan's hometown,
Domremy, to inquire about her childhood. These witnesses provided a
picture of Joan as young girl like any other in the village: a friendly
child who enjoyed playing with the other children, who helped with
family chores such as tending the animals, helping around the house,
developing her skills as a seamstress, and quite observant in church services. The stark question posed by these reports of her childhood, and
probably never to be answered, is, how did this ordinary young girl become Joan of Arc?
The result of the nullification trial was that Joan was found innocent of all charges and designated as a martyr. She was canonized as a
saint on May 16, 1920, and is the patron saint of France.
Voices and Visions in the Middle Ages
With this historical background, we can wonder about Joan's
voices and visions and place them in their historical context. In the first
trial, the prosecutors pressed Joan repeatedly about her experiences.
She refused many of their questions about details of the voices but
did offer some description of them, including this statement that ends
in the words quoted earlier.
I was thirteen when I had a Voice from God for my help and guidance. The first time I heard this Voice, I was very much frightened;
it was mid-day, in the summer, in my father's garden. I had not
fasted the day before. I heard the Voice to my right, toward the
Church; rarely do I hear it without its being accompanied also
by a light. This light comes from the same side as the Voice. Generally it is a great light. Since I came into France I have often heard
this Voice…. I believe it was sent me from God. When I heard it
for the third time, I recognized that it was the Voice of an Angel.
This voice has always guarded me well, and I have always understood it; it instructed me to be good and to go often to Church; it
told me it was necessary for me to come into France. You ask
me under what form this Voice appeared to me? You will hear
no more of it from me this time. It said to me two or three times
a week: ‘You must go into France.’ My father knew nothing of
my going. The Voice said to me: ‘Go into France!’ I could stay
no longer. It said to me: ‘Go, raise the siege which is being made
before the City of Orléans’ (Murray, 1902, pp 10–11).
Such experiences were very likely more common in Joan's era
than in the modern world, although we will question that in the following section.
Corinne Saunders has summarized Medieval experiences in a
comprehensive manner. She writes: “The medieval period is of special
interest because its thought-world takes for granted the possibility of
the supernatural and its theories of medicine and psychology offer powerful
explanatory modes for hallucinatory experience. Some of the greatest religious writing in the period is inspired by hearing voices, while its fictions also play creatively with voice-hearing” (Saunders, 2016, p 2136).
Regarding the latter, Saunders invokes Geoffrey Chaucer, writing in the late 14th century, for whom the emotion exciting such experiences is often love. He “depicts the physiology of love with precise detail. In his Knight's Tale, the lover Arcite, struck in the heart by love, is
transformed both physically, becoming pale, cold, and hollow-eyed, and
mentally, so that his ‘cell fantastic’, his imagination, obsessively brings
forth the images of his lady” (p 2136). In addition, in his epic romance
Troilus and Criseyde, Troilus, “the archetypal betrayed lover, is literally
unmade by love, his illness so extreme that he wastes away to a type of
melancholy - emaciated, swooning, withdrawn, suffering from nightmares. His memory repeatedly circles back to images but also to the
voice of his beloved, whose melodious singing he seems to hear ‘in
his soul’” (p 2136).
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Addressing the religious context, Saunders calls on the 11th century abbess and theologian, Hildegard of Bingen, as well as two English
mystics, Julian of Norwich, an anchorite, and Margery Kempe, a married mother of 12, to illustrate the medieval, mystical practice of voices
and visions. As Saunders describes these women, each in her own way,
they enjoyed lives that were peopled by voices and conversations.
Margery, for instance, vividly describes her conversations with God
and with Jesus. Dame Julian's Revelations of Divine Love is the first
book written in English by a woman and is the oldest book in English
written by a mystic.
Hearing Voices in Contemporary Times
How does our contemporary world compare with the Middle
Ages in the manner of voices and visions? They are not part of our
commonplace world, as they were in Joan's, but there is in fact a large
literature asserting that hearing voices is a rather common experience
that does not necessarily imply medical illness or psychopathology.
One main witness to this reality is the Hearing Voices Network
(HVN) and its associated Hearing Voices Movement, both located at
Durham University in the United Kingdom. The Hearing Voices Movement is a vast, peer-support undertaking that gathers voice hearers of all
sorts, some with psychiatric disorders, others not. The experiences are
as varied and different as the individuals reporting them. As Angela
Woods, of the Hearing the Voice project at Durham University, Durham, UK, puts it: “…people hear voices in a wide range of circumstances: for some it is an unremarkable feature of everyday experience,
for others it is part of religious and spiritual devotion, an aspect of bereavement, or a source of intense creativity. Studies have shown that
voice-hearing in the general population is more common than is usually
thought and that up to 13% of people will hear voices at some point during their adult lives” (Woods, 2015, p. 2386).
In a thorough review of the literature of voice-hearing, Beavan
and colleagues report that in studies of voice-hearing, the prevalence
in the general population ranged from 0.6% to 84%, with an interquartile range of 3.2% to 19.5%. They suggest at the end of the article that
we can think of the prevalence as 3% to 15%. The differences among
studies are due to definitions and methodologies, as well as variations
in sex, ethnicity, and environmental factors (Beavan et al., 2011; see
also Fernyhough, 2014, and Hartigan et al., 2014).
A number of studies have emerged from researchers working
within the HVN. In one of them, Corstens and colleagues reviewed
the history of HVN and recommend the involvement of voice hearers
in research, as well as a greater use of narrative and qualitative approaches (Corstens et al., 2014).
Among the HVN-related studies, several involve the benefits of
self-help groups. Dillon and Homsteir (2013) found that self-help
groups can be more effective than conventional treatment. In interviews
of self-help group participants, Oakland and Berry (2015) found that
the feeling of hope was an important, common experience. Longden
et al. (2018) describe the benefits of self-help groups as “the opportunities to meet other voice hearers, provision of support that was unavailable elsewhere, and confidential place to discuss difficult issues.”
Daalman et al. (2011) compared a group of individuals with psychotic diagnoses with another group of individuals with no psychotic
history. They found that “The perceived location of voices (inside/
outside the head), the number of voices, loudness, and personification
did not differentiate between psychotic and healthy individuals.” Features that did differentiate the groups were emotional valence of the
content, frequency of AVHs, degree of control over the AHVs, and
younger age of many nonpsychotics. “In our sample, the negative emotional valence of the content of AVHs could accurately predict the presence of a psychotic disorder in 88% of the participants.” The latter point
may be important in judging the putative pathology of St Joan's voices.
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Outside the HVN, Powers 3rd et al. (2017) found the hallucinatory experiences of psychiatric voice hearers to be very similar to those
of patients with psychiatric diagnoses (see also Pierre 2010).
In this section we have reviewed various analyses of differences
(and lack of differences) between those voice hearers who carry a psychiatric (psychotic) diagnosis and those who do not. What we have not
heard enough about is contemporary experiences like those of Joan—
voices that are positive, inspiring, and effective. Angela Woods, from
the Hearing the Voice movement in Durham, UK, quoted above in a different article, addresses this phenomenon:
If we listen, really listen, the statement “I am a voice-hearer” issues
a twofold invitation: it asks that we bracket any assumptions about
the nature of auditory verbal hallucinations and their status as
symptom, and it opens up a space for conversation, a space in
which it is not only possible but important to ask about who or
what the voices are, what they say, and what meaning they have
in the context of a person's sense of self and world (Woods
et al., 2015).
Finally, St. Joan and contemporary voice hearers have both had
to contend with the possibility of negative outcomes. For Joan, the risk
was being declared a witch and being put to death; for latter-day voice
hearers, the risk is being subjected to a psychiatric diagnosis. Regarding
the latter, we do not how many women hide their voice-hearing or mystical experiences for fear of being labeled psychotic or crazy.
Proposed Medical and Psychiatric Diagnoses
In attempting to understand Joan's visions, psychiatrists and
others have offered a variety of diagnostic possibilities. We will review
a few of the prominent ones.
The most frequent medical explanation of Joan's voices has been
some form of epilepsy. A study by Foote-Smith and Bayne (1991)
reflected the effort to understand the voices as an aura of an epileptic
seizure. A more recent study by d'Orsi and Tinuper (2006a) challenges
earlier explanations of the voices as auras, and, recognizing that Joan
lacks the standard signs of epilepsy, propose a newer diagnostic entity
called Idiopathic Partial Epilepsy with Auditory Features (IPEAF).
They make this diagnosis through a semiotic analysis of Joan's statements, focusing on symptoms and possible trigger factors, and for this,
they rely on the extensive documentation of Joan's trials. In a further letter to the editor, they write:
Joan's spells were characterized by a constant auditory component,
complex, spontaneous, or evoked by sudden auditory stimuli, that
could be associated with an inconstant visual component, sometimes simple and, more often, complex, and verbal disturbance.
These spells differ from ecstatic epilepsy with respect to clinical
features and involvement of cerebral regions. The negative family
history, the ictal semiology, and the possibility that the spells were
triggered by acoustic stimuli suggest IPEAF, and the search for the
epitempin/LGI1 gene or other new gene mutations on a hair of the
Maid of Orléans may enhance our knowledge about her presumed
epilepsy (d'Orsi and Tinuper, 2006b, p 281).
As Joan was illiterate, her written documents were dictated. All
her statements in the trials were reported by the court clerks. Any semiotic (or semantic) analysis of her vocal statements would be an analysis
of dictated statements, and these would be of questionable value. As for
her actual voice, we of course do not have a recording. Even if we did,
since she spoke a French dialect, evaluating it would require knowledge
of the dialect—or again, the use of a translation. We consider the suggestion of IPEAF as a serious explanation for her visions and behavior
to be of interest but hard to support with the current evidence, given that
these documents do not offer much material for a semiotic analysis.
Undiagnosing St Joan
Another popular diagnosis has been that of some form of tuberculosis. Ratnasuriya (1986) argues of Joan that “[m]any of these facts
can be explained by the hypothesis that Joan of Arc suffered from tuberculosis with a temporal lobe tuberculoma and tuberculous pericarditis”
(p 234). As she was involved in tending her father's cattle, Ratnasuriya
speculates that Joan had a bovine form of the tuberculous condition,
which he argues was prevalent in Joan's era.
The tubercular hypothesis presents a different kind of challenge to
the imagination of the reader than the epileptic hypothesis. Although the
epileptic proposal provided no evidence of epileptic behavior, the tubercular hypothesis offers a plethora of such behavior, but with no evidence
for asserting such symptoms. He describes cachectic appearance, amenorrhea, psychotic disturbances with audio and visual hallucinations, and
disturbances of sexual function. Aside from lack of evidence for the putative symptoms, the symptoms do not seem to fit Joan very well. Regarding cachexia, did Joan have a cachectic appearance while battling
troops in full armor? We have no way of knowing whether she was amenorrheic, but if she was, would that be surprising in her circumstances?
Suggesting psychosis is a little odd, given that the only evidence for that
is the voices that are in question? Disturbances of sexual function? What
sexual function? The facts that she cut her hair and dressed like a man
were in fact very protective when wearing armor and in protecting herself
from rape.
It is not difficult to dismiss the epileptic and tubercular hypotheses. We now need to examine the psychiatric alternatives. We will focus
on the effort of Henker (1984) to sort out where Joan fits in the Diagnostic and Statistical Manual of Mental Disorders, 3rd Edition (DSM-III)
classificatory structure. Will the DSM certify her with a diagnosis?
Henker recognizes the very unusual nature of this young woman and suggests three general diagnostic categories: psychoses, psychosexual disorders, and personality disorders.
In the area of psychoses, Henker (1984) considers the diagnostic
criteria for schizophrenia and bipolar mania, and he finds that in each
case, Joan's thought and behavior do not meet the criteria. He then takes
up psychosexual disorders and writes:
We come now to psychosexual disorders, a group much more
broadly covered in the current than in the previous classifications.
Cross-dressing and adoption of the masculine military role suggest some problem. She was examined twice and found to be indisputably female. For a transsexual classification, the DSM-III
criteria require a sense of discomfort and inappropriateness about
one's anatomic sex and a wish to be rid of one's own genitals and to
live as a member of the other sex. There is no record of Joan's
complaining about her sex; rather, she proudly referred to herself
as “the maid.” Transvestism might be considered, except that
DSM-III presents it entirely as a masculine disorder. Thus, we find
no firm basis for a diagnosis of psychosexual disorder. Joan
seemed to transcend physical sexuality, being zealously devoted
to her mission (p 1489).
Finally, Henker addresses personality disorders. This is a very interesting discussion because Joan is such an unusual person. Henker
breaks down personality disorders into the three clusters. He recognizes
that she does not belong in the odd, eccentric cluster of paranoid, schizoid, and schizoptypal disorders. “She attracted the loyalty of an army,
and she easily met others – even royalty.” She also does not fit the fearful, anxious, avoidant group. “Joan was too outwardly aggressive, confident, and secure for any of these.” It is finally the dramatic, emotional,
or erratic group of histrionic, narcissistic, antisocial, and borderline disorders that captures Henker's attention. He focuses on histrionic and
narcissistic disorders, finding that none of them really applies to Joan.
And he concludes:
In conclusion, we are left with a spectacularly different individual
who approximates but does not meet completely the diagnostic
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criteria set forth in DSM III for any of the psychiatric entities.
Joan's behavior was likely the product of a messianic identification produced by intense religious indoctrination coupled with repeated exposures to the frustrations and cruelty of military actions
upon a highly suggestible and somewhat obsessive adolescent.
The voices and visions were likewise influenced by the religious
pattern of her time and would in current terms be attributed to eidetic imagery. It is most unfortunate that Joan's life was terminated
before more of it could have been followed and recorded for a
more complete study (Henker, 1984, p 1490).
The last sentence is a little chilling, regretting Joan's execution
because it deprived us of the time needed to complete the diagnostic
evaluation! (Using DSM-5 rather than DSM-III would not alter Henker's
discussion, with one exception: DSM-5 includes a diagnosis of gender
dysphoria. St Joan, however, no more qualifies for this diagnosis than
for the other psychosexual disorders.)
Diagnosing St Joan
In this article, we have reviewed St Joan's personal history in the
context of 15th century France. We have examined the phenomenon of
voice-hearing in both Medieval life and contemporary times. We have
taken up well-known medical and psychiatric speculations regarding
what disease entities might have caused the voices. It is now time to
draw conclusions about her diagnosis.
In pursuing the diagnostic trajectory of Joan, we should bear in
mind that what we see in the account of her brief life is an astonishing
degree of character strength, fortitude, leadership, courage, loyalty, tolerance of suffering—even torture—and faith. All this in a 17-year-old
adolescent, an adolescent who spends much of her waking life in a conversation with her God. What are we to make of this? It does not, prima
facie, seem to be the picture of a mentally afflicted adolescent who
“hears” voices. Any effort to diagnose her will have to face this obstacle
of her apparent lack of mental affliction.
Indeed, when viewed in the light of these well-documented character strengths, the diagnostic proposals reviewed above seem rather
unlikely. When Henker (1984), for instance, writes that “Joan's behavior was likely the product of a messianic identification… upon a highly
suggestible and somewhat obsessive adolescent” (p 1490), this does not
seem to fit the Joan we have gotten to know from her history.
In view of Joan's obvious character strengths, the frequency of
nonpathologic voice-hearing and visions in Medieval Europe, and the
implausibility of proposed medical and psychiatric diagnoses, we take
the position in this article that Joan's voices and visions do not warrant
a diagnosis.
This conclusion, of course, flies in the face of the medical literature insisting on a medical or psychiatric diagnosis. It is, in fact, striking that none of the medical experts who have studied Joan have argued
for absence of diagnosis. We could locate no study contending that Joan
does not require a diagnosis. Henker takes a step in that direction in stating that she does not fit into the DSM-III diagnostic grid, but in the end,
he seems to feel a need to offer some kind of diagnosis.
If the voices were not the product of disease, what then were
they? Our answer is that they were, tout court, Medieval experiences
—the voices and visions of an extraordinary adolescent in a context
where such experiences were not unusual.
If the conclusion of no diagnosis is correct, we can wonder why
the medical field been so insistent that Joan had a medical or mental disease? Part of the answer to this question is the great reluctance of the
medical professionals to consider voices and visions as nonpathologic
behavior. Such reluctance must involve a failure to acknowledge both
the common experience of voices and visions in the Middle Ages, as well
as the frequency of voice-hearing in our own time. It also reflects a hesitancy to think beyond the DSM and biomedical model.
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Dismissing the diagnostic issue, however, does not relieve us of
the burden of explaining St Joan. We are, in fact, left with another question. Joan's voices and visions may have been a typical Medieval experience, but that does not explain her achievements—how an adolescent
could have led an army. Other Medieval mystics have not demonstrated
such achievements, especially as adolescents.
We can now recognize that Joan presents us two big questions rather
than one. The first of course is the diagnostic question—does she need
a diagnosis? The second is the achievement question—how could an illiterate adolescent lead an army? We have stated our conclusion regarding the first—that she does not warrant a diagnosis. However, we now
have to address the second.
In attempting to answer the achievement question, we end up with
a surprise conclusion—we do not have an answer. Although it has not
been difficult to dismiss the medical and psychiatric diagnostic claims,
the achievement question has left us with empty hands. All efforts to find
an explanation have failed.
This conclusion may add another dimension to the doctors' insistence on diagnosing Joan. They may share our own mystification at the
notion of an adolescent leading an army. How much easier, then, say, to
write it off as the psychotic behavior of a deranged adolescent.
Rather than accept this as a defeat, we invoke philosophers like
Karl Jaspers, Søren Kierkegaard, John Dewey, and others who assert that
there is an unknown dimension to any human being—a dimension that
defeats all efforts to “explain” it. Does this mean that Joan with her accomplishments remains something of a mystery? Yes, as with all of us.
CONCLUSION
In this article, we have argued that St Joan's voices and visions
do not require a medical or psychiatric diagnosis, but that her extraordinary behavior calls for an explanation that we do not have. We can associate this conclusion with two other current cultural phenomena.
On the one hand, DSM-5 has been accused of diagnostic expansion and a tendency to impose a diagnosis on any unusual behavior.
This certainly puts the DSM system on the side of intolerance toward
difference and divergence. In addition, in that way, we might understand
the DSM-oriented doctors' tendency to pathologize St Joan's behavior.
On the other hand, popular culture has been moving toward more
acceptance of difference and divergence, easily exemplified by the acceptance of the LGBTQ community. In more general terms, we often
see in younger people a tolerance of difference that exceeds that of
their elders.
We are, of course, treating St Joan's divergence as a behavior that
cannot be explained but should not be pathologized.
We began this article by inviting Mark Twain to join in the
Introduction. It is perhaps fitting that we invite him to join us in
the Conclusion.
The evidence furnished at the Trials and Rehabilitation sets forth
Joan of Arc's strange and beautiful history in clear and minute detail…It gives us a vivid picture of a career and a personality of so
extraordinary a character that we are helped to accept them as actualities by the very fact that both are beyond the inventive reach of
fiction. The public part of the career occupied only a mere breath
of time – it covered but two years; but what a career it was! The
personality which made it possible is one to be reverently studied,
loved, and marveled at, but not to be wholly understood and
accounted for by even the most searching analysis…Taking into
account, as I have suggested before, all the circumstances – her origin, youth, sex, illiteracy, early environment, and the obstructing
conditions under which she exploited her high gifts and made
her conquests in the field and before the courts that tried her for
her life – she is easily and by far the most extraordinary person
the human race has ever produced (Twain, 1896, p. 452).
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DISCLOSURES
Ethical considerations: There are no human participants in this study.
Author contributions: The primary author of this article is James
Phillips. The authorship includes the Religion and Psychiatry Committee of GAP (Group for the Advancement of Psychiatry), whose names
are listed above. All members participated in the composition of this article, reading through several drafts, suggesting changes (e.g., Jenifer
Nields suggested changing the title from “Diagnosing St Joan” to
“Undiagnosing St Joan”) and corrections. Michael Norko, chair of the
committee, orchestrated communications with the GAP Publications
Committee, in addition to making his own suggestions and managing
other administrative tasks.
There authors declare no conflict of interest.
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