ChemInform Abstract: 11-Keto-9(E),12(E)-octadecadienoic Acid, a Novel Fatty Acid that Enhances Fibrinolytic Activity of Endothelial Cells

The Journal of Antibiotics, 1999

Acta Crystallographica Section E Structure Reports Online, 2010

MedChemComm, 2015

The synthesis and biological evaluation of the semisynthetic analogs of glycyrrhetic acid are described.

Acta Crystallographica Section E Structure Reports Online, 2005

Acta Crystallographica Section E Structure Reports Online, 2010

Acta Crystallographica Section E Structure Reports Online, 2013

Acta Crystallographica Section E Structure Reports Online, 2012

Acta Crystallographica Section E Structure Reports Online, 2006

This paper is basically about how Geometry is used in Islamic Architecture specifically in the region of Sub-Continent. So I would like to take a start from one can say that perfection encompasses both the beauty (Kamal) and majesty (Jalal) represented in Jamal (Perfection). Here, I will mention about the relationship of Scared Geometry and Islamic Architecture with the help of examples that how they merge to show the mightiness of Allah Almighty. Further I will relate the concept of oneness of Allah Almighty with the help of the Masters Work in Sub-Continent. The purpose of this paper is to identify theoretical spirations and practical tools in the making of and representation of Islamic architectural space. it also analyzes geometric principles and design features of traditional Islamic patterns, involving geometric proportion analysis. It also describes the syntheses of Islamic patterns from the perspectives of Islamic cosmology, philosophy, metaphysics, and mathematics.

Contending Representations II: Entangled Republican Spaces in Early Modern Venice, 2024

The volume addresses the issue of political celebration in early modern Venice. Dealing with processional orders and iconographic programs, historiographical narratives and urbanistic canons, stylistic features and diplomatic accounts, the interdisciplinary contributions gathered in these pages aim to question the performative effectiveness and the social consistency of the so called ‘myth’ of Venice: a system of symbols, beliefs and meanings offering a self-portrait of the ruling elite, the Venetian patriciate. In order to do so, the volume calls for a spatial turn in Venetian studies, blurring the boundaries between institutionalized and unofficial ceremonial spaces and considering their ongoing interaction in representing the rule of the Serenissima. The twelve chapters move from Palazzo Ducale to the Venetian streets and from the city of Venice to its dominions, thus widening considerably the range of social and political actors and audiences involved in the analysis. Such multifocal perspective allows us to challenge the very idea of a single ‘myth’ of Venice.