The Journal Editors apologise for the late
appearance of the first part of this year’s
Historical Metallurgy. It is now being set, and
we hope to have it sent out to all members by
the end of August. Before then you will
receive a free copy of our Occasional
Publication, Metals and metalworking: a
research framework for archaeometallurgy,
which has been produced by the Society’s
Archaeology Committee.
HMS NEWS
Historical Metallurgy Society
69
Summer 2008
The first of the significant changes is the recent creation
of a new committee, the Archives and Collections
Committee. Their remit is to manage, curate and
develop the Society’s holdings of books, papers and
specimens, so that not only are they cared for to the
highest professional standards, but also will be more
easily accessed by researchers. Current challenges for
them include not only the previously existing holdings
of books and papers, but also the rapidly developing
National Slag Collection and the recently acquired
collection of specimens which had belonged to Ronnie
Tylecote. This committee is already “up and running”
and making great progress.
Letter from the Chairman
Tim Young
Since writing a note for the Newsletter this time last
year, there has been a great deal of activity in HMS.
The last year has seen some exceptionally exciting
meetings, with the Annual Conference in Dublin in
September and two excellent meetings organised by the
Archaeology Committee, that on “Changing
Technology in Medieval and Post-Medieval
Metalworking” in Bradford in November and “19thcentury Ferrous Metallurgy” in Sheffield in April. The
Archaeology Committee has now also completed its
important research framework for archaeometallurgy,
which should be published any day now.
The second big change is the Membership and
Promotions Committee. This unites coordination and
planning of all our activities in membership
development, in promotion and in our programme of
events and meetings. Their purpose is to develop a
coherent programme to appeal to the needs and wishes
of all the existing membership, but also to make the
Society and its activities as attractive for as many as
possible of those involved with historical metallurgy in
the broadest sense and ultimately to transform their
interest into becoming paid-up members. Although
some of the members of this committee will be ex
officious meeting convenors or as other relevant
Council Officers, it is important that the committee is
also representative of the broader Society membership.
In my note in the newsletter last year I commented on
some of the challenges which face the Society in terms
of membership, outreach and engagement with all those
of vastly different backgrounds and interests who make
up the broader community involved with historical
metallurgy. To address these concerns, various
structural changes are taking place within HMS to
ensure it is best placed to respond to demands and
possibilities, both old and new. Members will have seen
notice of the changes to Council put before, and
approved by, the recent Extraordinary and Annual
general meetings. These changes allow more flexibility
in the make-up of Council and for the immediate future
the main implications are the creation of four new
Officers of Council – the Membership Development
Officer (Eddie Birch), the Conservation Officer (Paul
Belford), the Newsletter Editor and the Website
Manager (both positions held by David Dungworth).
The posts are all significant because they relate, to a
greater or lesser extent, to the outward face of the
Society.
A new History and Recent Metals Committee is also
beginning to take shape. The Society has always had a
strong interest in the development of metallurgy and the
metallurgical industries over the century or so,
particularly through the background of many of our
members within those industries. There has not, until
now, been a specific place within our committee
structure where activities in this area can be developed
and fostered. By uniting this with the existing role of
the History Committee, with which there is much
common ground, it is hoped that these interests can
once again provide a vibrant part of the Societies
activities. The Society recently removed the longmoribund formal link between Council and the IOM3,
but I hope that the new committee will form the focus
Alongside the changes to Council there are also
revisions to the committee structure being implemented
this year. The Archaeology Committee has functioned
well over recent years and I hope that it will continue to
flourish. It provides a good model for how well
committees can function once they reach a critical size
and forward momentum.
1
of a new and more dynamic relationship between the
two organisations. The importance of this committee to
the future of the society is reflected by the importance
Council placed on nominating historians for council
vacancies this year.
Council News
The AGM and EGM between them have approved new
structure for Council and the committees. After the
various votes at the AGM the new Council comprises
the following:
The key to the success of the Archaeology Committee
over recent years has been an active membership drawn
broadly from the society’s membership and
representing various outside bodies and institutions as
well as comprising individuals with great personal
commitment to the development of archaeometallurgy.
We now need to tap into similar expertise to develop
the new committees. I am certain that there will be
many members of the society who have just those skills
and interests that we need to develop our new activities.
Committee membership typically lasts 2–4 years, with
rotation to ensure freshness and energy, so there are
always openings for new contributors. I would urge all
those who may feel they have something to offer and
who are prepared to involve themselves in 2–3
committee meetings per year, to make themselves
known to me.
President
David Crossley (President and Hon. Joint Editor)
Chairman
Tim Young
Hon General Secretary
David Cranstone
Hon Treasurer
Mike Cowell
Hon Joint Editors
Justine Bayley, David Crossley and Sam Murphy
Conservation Officer
Paul Belford
Tim.Young@geoarch.co.uk
Membership Development Officer
Eddie Birch
Comité pour la Sidérurgie Ancienne
(CPSA)
Archaeology Committee Chairman
David Cranstone
Union Internationale des Sciences Préhistoriques et
Protohistoriques (UISPP)
History & Recent Metals Committee Chairman
Eddie Birch
Janet Lang: Honorary Secretary, CPSA
With the support of Professor Thilo Rehren, Institute of
Archaeology, University College, London, a
refurbished CPSA website is being designed by Dr
Xander Veldhuijzen. It is hoped that the new website
will be up and running within the next few months. The
website will carry on the work of the Communications
produced with such success by Professor Radomir
Pleiner to act as an information source for those
interested in ferrous archaeometallurgy. The site will
contain a brief outline of the CPSA’s aims and
activities, abstracts and news of conferences,
excavations, exhibitions, courses and publications, with
a running bibliography and perhaps a glossary. It is
hoped to have a list of members with their e-mail
addresses. It would also be excellent to recruit new
corresponding members from around the world who
might periodically send news in about activities and
publications in their area. The effectiveness of the site
will depend upon the co-operation and participation of
ferrous archaeometallurgists world-wide.
Archives and Collections Committee Chairman
David Dungworth
Membership and Promotions Committee Chairman
Robert Smith
Publications Committee Chairman
Justine Bayley
Finance Committee Chairman
Michael Cowell
Newsletter Editor
David Dungworth
Website Manager
David Dungworth
Other Members of Council
Brian Read, Jonathan Aylen, Louise Bacon, Eleanor
Blakelock, Roger Doonan, Lynne Keys, Paul Cort,
Chris Evans, Colin Phillips, Duncan Hook.
If you would like your name to be added to the list
contact cpsa.uispp@gmail.com for further details.
2
a cool chamber and receiving vessel (Craddock et al
1998) (Figure 3), but the Chinese process, which
probably began as an industrial process around 500
years ago, has an internal receiver (Figure 4). This is
based on the principle of the much earlier Mongolian
still, used for the distillation of alcohol and aqueous
solutions (Needham 1980, 62–74). The retort would
have been filled with the smithsonite, zinc
hydroxycarbonate ore and cakes of sintered mineral
coal. The latter has a very low sulphur content and can
be used directly in contact with the ore. On this sat the
collecting dish, known as the birds’ nest, (Figure 5)
with a gap to allow the zinc vapour to rise into the
condensing chamber above. This was formed of the clay
collar with a loose lid. The retorts stood upright in the
furnace with their upper parts exposed and thus these
were much cooler. During the smelting operation the
zinc vapour rose into the upper chamber, condensed
against the relatively cool lid and dripped down into the
bird’s nest receiver below.
An Early Zinc-smelting Retort from
China
Paul Craddock
The British Museum has recently acquired a zincsmelting retort (Figure 1) from the excavations at
Yangliusi, a small settlement on the banks of the
Yangtze River in Fendu County, Chonqing (Liu
Haiwang et al 2007). Several other early zinc smelting
sites have recently been located and surveyed in that
region by Prof. Chen Jianli and his colleagues from the
Dept. of Archaeology and Museology, Peking
University and at the University of Science and
Technology, Beijing.
Figure 2. Zinc-smelting retorts from India and China,
almost certainly the first time that such retorts have
ever been together. Although contemporary the
processes are totally different; in the Indian process the
zinc vapour descends, in the Chinese process it rises.
(BM / T. Springett)
Figure 1. Zinc-smelting retort from Yangliusi, British
Museum Reg. 2008, 3006.1. (BM / T. Springett)
The retort was exchanged for an early Indian zincsmelting retort from Zawar in Rajasthan at the 6th
BUMA conference held in Beijing in Sept. 2006 (Figure
2).
The fate of the two traditional zinc-smelting industries
and their interaction with Western economies and
technology were also very different. The Indian
traditional industry, based solely at Zawar, boomed
during the 16th and 17th centuries, very probably with a
substantial proportion of the production going to Europe
in the vessels of the Portuguese, Dutch and British East
India Companies, but production was disrupted by the
chaotic conditions that prevailed in western India during
The retorts are both about 500 years old, but the two
distillation technologies could not be more different.
The Indian process, which probably began as an
industrial process about 1,000 years ago, is by
downward distillation with the zinc vapour passing into
3
encouragement of home production by any means
enabled the industry to survive. During the second half
of the 20th century the process evolved, a rare example
of a traditional technology developing instead of just
terminating in the face of modern processes (Xu Li
1998; Craddock and Zhou Weirong 2003). Production
still continued in the provinces of Guizhou, Yunnan and
Sichuan, sometimes operating rather incongruously
alongside huge state-run plants producing zinc
electrolytically. However, the fate of the traditional
process, which seemed precarious in the 1990s, is now
reported to have ceased due to belated environmental
pollution and health concerns.
Figure 3. Principal of the
Indian process. (B R
Craddock)
Brass, the alloy of copper and zinc, only became
popular in China from the 16th century, when it was
adopted for the cash coinage, and it is assumed that the
production of zinc on an industrial scale dates from that
period. The radio carbon dates from the Yangliusi site
range from the late 15th to early 17th century, and thus
support this dating. However, as Haiwang Liu and his
colleagues have pointed out, the furnaces excavated
belonged to a developed stage of an industry that could
be considerably older in origin. Their continuing
investigation of these sites promise to be exciting!
Figure 4. Principle of the
Chinese process (from Xu
Li 1998, redrawn B R
Craddock)
References
Craddock, P T 2007 ‘Perceptions and reality: The fall and
rise of the Indian mining and metal industry’, in SK
Sarangi (Ed) Proceedings of the 7th International Mining
History
Congress.
Bhubanesawar:
Society
of
Geoscientists and Allied Technologies, 47–62
Craddock, P T and Zhou Weirong 1998 ‘The survival of
traditional zinc production in China’, in Y. Imai (Ed)
Proceedings of the Fourth International Conference on
the Beginnings of Metals and Alloys (BUMA IV). Sendai:
Japan Institute of Metals, 85–96
Craddock, P T, Freestone, I C, Gurjar, L K, Middleton, A P
and Willies L 1998 ‘Zinc in India’, in PT Craddock (Ed)
2,000 Years of Zinc and Brass, 2nd ed. London: British
Museum, 27–72
Craddock, P T and Zhou Weirong 2003 ‘Traditional zinc
production in modern China; survival and evolution’, in
PT Craddock and J Lang (Eds) Mining and Metal
Production Through the Ages. London: BMP, 267–92
Liu Haiwang, Chen Jianli, Li Yanxiang, Bao Wenbo, Wu
Xiaohong, Han Rubin, Sun Shuyan and Yuan Dongshan
2007 ‘Preliminary multidisciplinary study of the
Miaobeihou zinc-smelting ruins at Yangliusi village,
Fengdu county, Chongqing’, in S La Niece, D Hook and P
Craddock (Eds) Metals and Mines. Archetype, London,
170–78
Needham, J 1980 Science and Civilisation in China V pt. 4,
CUP, Cambridge
Xu Li, 1998 ‘Traditional zinc-smelting technology at Magu,
Hezang county of Guizhou province’, in PT Craddock
(Ed) 2,000 Years of Zinc and Brass, 2nd ed. London:
British Museum, 115–32
Figure 5. Tiny ceramic ‘bird’s nest’ collecting tray
from the neck of the retort. (BM / T. Springett)
much of the 18th century, finally ceasing in 1812
(Craddock 2007). The Chinese industry must also have
benefited enormously from the European trade, such
that by the early 17th century Chinese zinc dominated
world markets, albeit traded and transported by the
Dutch. Thereafter the international trade declined but
the industry continued to supply zinc to the nearby main
Chinese mint producing brass coins until the early 20th
century. Through the 20th century the vagaries of
geopolitics meant that much of western China was cut
of from the rest of the world by the Sino-Japanese war
and then following the communist take over the
4
Another marvellous site was the Tang dynasty (AD724)
iron oxen at Pujin bridge excavated in 1994 (Figure 1).
Examinations were made and ideas discussed between
Chinese and French scientists about the conservation
states of the oxen that are now exposed to the air on a
platform that can be visited by the public. These
wonderful statues, that held the cables of a bridge
through a former arm of the Yellow River, are about
1.5m high and 2m long and are truly masterpieces of
iron casting of this period.
Iron and cast iron in China: report of a
mission
Philippe Dillmann and Ivan Guillot
The Cangzhou lion (Hebei province), which dates from
AD930, is said to be the largest iron casting in the
world (Figure 2) and has been documented by D.
Wagner in his recent book. This Lion has some serious
conservation problems, which are apparently more
linked with mechanical stresses than corrosion.
Scientists of CACH are now trying to design an adapted
stand to support the Lion in a proper way.
Figure 1. Cast iron oxen in Pujin bridge
Last April the Chinese Academy of Cultural Heritage
(CACH) invited Professor Ivan Guillot (University of
Paris XII) and Dr Philippe Dillmann (French CNRS) to
visit several sites with monumental cast iron sculptures
and guns from Han to Qing periods (2nd century BC to
19th century AD). The aim of this visit was to prepare a
future collaboration between CACH, CNRS and
University of Paris XII with particular focus on
corrosion studies and conservation of these beautiful
ferrous artefacts and monuments. In addition to these
visits and meetings, contact was also made with the
Institute of Historical Metallurgy and Materials
Research Centre for Science-Technology and
Civilisation in the Science and Technology University
of Beijing.
Figure 2. The Cangzhou lion
Guns dating from the Opium War period at Daguko
near Tianjin were also examined. Three Chinese pieces
are most interesting because of the “dual” structure of
their barrels which are made of an inner cylinder
probably in wrought iron (to be verified in further
studies) and an external cylinder of cast iron. Because
their burial environment was not far from the sea, the
corrosion product could contain high quantities of
chloride and adapted desalinisation treatments has to be
set up.
During the Chinese trip, Professor Qinglin Ma of the
CACH team of was our friendly and welcoming host
who guided us to the various sites with enthusiasm and
competence. Dr Shen Dawa, Dr Yong Xin Qun, Dr Li
Naisheng and Dr Zhiguo Zhang must be kindly
acknowledged for their assistance.
The first site to be visited was the Jinci temple located
25km southwest to Taiyuan (Shanxi province) and
known for its beautiful Zhou dynasty monuments and
painted terracotta statues. In the middle of the site are
four cast iron warrior statues. According to the
inscriptions on their chests, two of these are dated from
the Song dynasty (and cast around 1097), one from the
Ming and one from the Qing dynasty. All these statues
have remarkable “patinas” that will be studied in the
future. Also exhibited on this site are very nice cast iron
bells and lions statues from different periods (e.g. Ming
and Qing).
These 10 days spent in China were also dedicated to
fruitful discussions that will probably lead to Chinese
student visits in the French laboratories. We hope that
this first contact between CACH team and our
Laboratories will lead to significant and regular
collaborations in the next future.
philippe.dillmann@cea.fr
5
Iron-smelting in Kamalia, West Africa
‘… the owner and his workmen made no secret
about the manner of conducting the operation, and
readily allowed me to examine the furnace, and
assist them in breaking the ironstone. The furnace
was a circular tower of clay, about ten feet high and
three in diameter, surrounded in two places with
withes, to prevent the clay from cracking and falling
to pieces by the violence of the heat. Round the
lower part, on a level with the ground (but not so
low as the bottom of the furnace, which was
somewhat concave), were made seven openings into
every one of which were placed three tubes of clay,
and the openings again plastered up in such a
manner that no air could enter the furnace but
through the tubes, by the opening and shutting of
which they regulated the fire. These tubes were
formed by plastering a mixture of clay and grass
round a smooth roller of wood, which, as soon the
clay began to harden, was withdrawn, and the tube
left to dry in the sun. The ironstone which I saw was
very heavy, and of a dull red colour, with greyish
specks; it was broken into pieces about the size of a
hen’s egg. A bundle of dry wood was first put into
the furnace and covered with a considerable quantity
of charcoal, which was brought ready burnt from the
woods. Over this was laid a stratum of ironstone,
and then another of charcoal, and so on, until the
furnace was quite full. The fire was applied through
one of the tubes, and blown for some time with
bellows made of goats’ skins. The operation went on
very slowly at first, and it was some hours before the
flame appeared above the furnace; but after this it
burned with great violence all the first night, and the
people who attended put in at times more charcoal.
On the day following the fire was not so fierce, and
on the second night some of the tubes were
withdrawn, and the air allowed to have freer access
to the furnace; but the heat was still very great, and a
bluish flame rose some feet above the top of the
furnace. On the third day from the commencement
of the operation all the tubes were taken out, the
ends of many of them being vitrified with the heat;
but the metal was not removed until some days
afterwards, when the whole was perfectly cool. Part
of the furnace was then taken down, and the iron
appeared in the form of a large irregular mass, with
pieces of charcoal adhering to it. It was sonorous;
and when any portion was broken off, the fracture
exhibited a granulated appearance, like broken steel.
The owner informed me that many parts of this cake
were useless, but there was good iron enough to
repay him for his trouble. This iron, or rather steel, is
formed into various instruments, by being repeatedly
heated in a forge…’.
Robin Fox
Figure 1. Map of Mali and the river Niger
Figure 2. 1 A view of Kamalia in Mandingo country
(detail) from Park (1816)
In 1796, Mungo Park, a young Scottish
surgeon/botanist, returning from his first West African
journey to determine the course of the River Niger,
wrote:
6
It was in Kamalia (close to Bamako, the modern capital
of Mali, see Figure 1) that Mungo Park observed the
iron-smelting operation, and this passage is probably
the first such description by a European. The published
account (Park 1816) includes an etching of the scene,
based on his drawing (Figure 2). Ten years later he
made another expedition to Ségou, with the intention of
mapping the Niger to its mouth, but perished by
drowning. His diary of the journey to Ségou records a
halt at Jeningalla, where he examined and sketched
another smelting furnace, similar to that at Kamalia but
smaller at the top (Figure 3). In 1796 iron-smelting had
long since disappeared from the coastal region of West
Africa, where the industry had succumbed to cheap
imports of bar iron from Europe. In Kamalia, however,
Park tells us that
‘…the natives smelt this useful metal in such
quantities, as not only to supply themselves from it
with all necessary weapons and instruments, but
even to make it an article of commerce with some of
the neighbouring states.’
Iron smelting by various methods – high-shaft and lowshaft furnaces, bowl furnaces – survived in Africa well
into the last century.
When did the Iron Age begin in sub-Saharan Africa?
There is little doubt that smelting was under way from
early in the first millennium BC, and some
commentators make a case for its independent
discovery in Africa. Alternatively, the technologies may
have arrived by diffusion from the north - across the
Sahara and down the Nile Valley (Alpern 2005; Kense
1985). A more answerable question is whether, once
established in sub-Saharan Africa, bloomeries evolved
in specifically African ways. Here attention has focused
on three features identified in archaeological and other
work –the employment of long tuyères that might have
increased furnace efficiency by pre-heating air before it
reached the heart of the furnace (thus anticipating a
British patent of 1828); the production of steel; and the
use of high-shaft furnaces that functioned with natural
draught rather than bellows (Pole 1985) Two of these
features are illustrated by Park’s Kamalia furnace,
which required bellows only at the start of the smelt and
yielded a bloom containing steel. He does not tell us
whether the tuyères projected into the chamber.
Sceptics point out that the incidental production of
high-carbon iron in a bloomery is not remarkable, and
that the efficacy of pre-heating by the tuyère method
remains hypothetical. The tall natural-draught furnace is
a much stronger candidate for an ‘African’ technology,
since this method does not seem to have been used in
Mediterranean countries (Kense 1985)
Figure 2. Furnace sketched by Park at Jeningalla in
1805 from Park (1816)
References
Alpern, S B 2005 ‘Did they or didn’t they invent it?
Iron in sub-Saharan Africa’, History in Africa, 41–
94.
Kense, F J 1985 ‘The initial diffusion of iron to Africa’,
In: Shinnie P, Haaland R (Eds). African Iron
working, Ancient and Traditional. Bergen, 11–27.
Park, M 1816 Travels in the Interior Districts of Africa:
performed in the years 1795, 1796, and 1797: with
an account of a subsequent mission to that country
in 1805. London.
Pole, L M 1985 ‘Furnace design and the smelting
operation: a survey of written reports of iron
smelting in West Africa’, In: Shinnie P, Haaland R
(Eds) African Iron working, Ancient and Traditional.
Bergen. Bergen, 142–63.
robinmcdfox@aol.com
7
The most suitable artefacts to study for this purpose are
copper axes, as they are emblematic of this period and
region and provide a good sample size. Little consensus
exists regarding their function due to a lack of
experimentation and systematic analysis. They have
been subjected to a wide range of interpretations, as
tools, weapons, status symbols or ritual objects.
Unfortunately not a single mould fragment exists in the
archaeological record which makes it extremely
difficult to ascertain the production technique used for
these objects. Metallography can be used to try and
answer questions of production technique, but so far not
nearly enough axes have been analysed in a strategic
way. Although a number of the publications in table 1
include the analysis of microstructures, notably Pittioni
(1957), Coghlan (1961) and Mares (2002), the literature
does not provide conclusive evidence for the mould
material used. The same can be said about the actual
shape of the moulds, as moulds can potentially be onepart open moulds, or closed bi-valve moulds. The
debate on these issues is still ongoing. This diversity in
opinion regarding the production technique of these
axes seen in table 1, is of course partly due to the lack
of any mould finds in the archaeological record.
However a very careful experimental and more detailed
metallography should be able to narrow the possible
techniques considerably.
Report on actualistic casting preexperiments – The copper hammer and
adze-axes from the Carpathian Basin
Historical Metallurgy Society Coghlan Bequest
Julia Wiecken
The transition from the Neolithic to the Bronze Age in
Europe represents one of the most profound
technological changes in later prehistory. Significant
social transformations can be observed, with individual
status increasingly conspicuous during the Bronze Age.
As an entirely novel material, metal must have had a
major impact on society. How can we determine and
qualify this impact? In my own research I am trying to
investigate these issues through the experimental
exploration of early copper technology. In order to
apply the experimental results to the archaeological
record I think it important to carry them out as
actualistically as possible, meaning in this case using
materials and technologies which would have been
available in the Copper Age of South-Eastern Europe.
Source
Coghlan
1943, 52
Childe
1944, 9–10
Berciu
1939–1942
Garasin
1954, 71
Pittioni
1957
Coghlan
1961
Charles in
Renfrew
1969, 40–42
Vulpe 1975,
18
Patay 1984,
13
Mareş 2002
Production technique
Bi-valve, two part closed mould. He
dismisses the idea of the axes being
forged from solid metal.
Cold hammering of copper led to
creation of shaft-hole axes
Lost wax, although he thinks some
might have been completely forged
Notes hammer marks on most as well
as a casting seam on one of the Serbian
shafthole axes, but does not commit.
Cast in open moulds, shaft hole might
have been cored later, finished by
hammering. Native and smelted copper
was used. Notes diversity in production
techniques
After metallographic analysis and
reading Pittioni’s article, Coghlan
thinks some axes were cast in open
moulds, with the shaft having been
cored later
Simple shape cast with core in place,
forged into final stage
The complete lack of moulds for the copper axe-adzes
and indeed hammer-axes in the archaeological record
could be due to two reasons. The moulds have either not
yet been found, or they were cast into a material which
does not survive archaeologically. Having excavated in
Eastern Europe myself, I know that late Neolithic and
Copper Age pottery sherds are often simply thrown out
due to their sheer quantity. This is especially true for
undecorated sherds, the most likely pieces to have been
part of moulds. Archaeologically invisible moulds could
be made from sand, as various scholars have pointed
out recently. (Goldmann 1981; Ottaway and Seibel
1998) Moulds made from sand would simply
disintegrate, leaving nothing for the excavator to find.
Due to the considerations mentioned above I decided to
cast in clay and sand moulds. Both open and closed
moulds would be used as there is no consensus, which
shape was used to cast these axes. Casting both in open
and closed moulds makes it possible to compare the
microstructure of the experimentally produced axes to
the archaeological ones, and start a reference collection
for future use. The next problem concerned the actual
technique employed for melting the metal. Again not a
single casting site is known from the archaeological
record, although judging through my own experiments;
they could easily have been misinterpreted as hearths. A
trial run during my MA with a bowl furnace supplying
the air from below the crucible was not successful. In
Cast in one piece open mould, and
hammered into final shape while still
warm. Shafthole was made using clay
or stone peg.
Cast in one piece open mould due to
asymmetry of objects. Shafthole was
made by piercing the still liquid metal
with a pole or with core in place while
casting.
Lost wax, or two-part mould
8
September 2006, I worked with a Swiss group
‘Experiement A’. We cast bronze for 5 days using
different furnace designs and air supplies. The most
efficient model was based on a tuyère found at
Sanskimost, in Bosnia and Herzegovina (Fiala 1899,
90–91). Although the tuyère dates to the Bronze Age
and the copper axes are much earlier, I decided to use
this technique, as they must have melted the metal
somehow, and it would not influence my end result of
producing actualistic copper axes. It was for this project
that I applied successfully to the Coghlan bequest.
Furnace construction
A whole was dug into the ground and lined with the
same clay mixture as was used for the pipes, tuyères,
crucibles and moulds (Figure 1). The platform or flat
area by the side of the hole was made to scrape the
charcoal onto when placing the crucible inside the
furnace. This helps keep the charcoal soil free inside the
furnace. If too much soil gets into the furnace, the silica
content vitrifies, which lowers the temperature as it is
mixed with the charcoal, creating pockets were no
combustion takes place. A small fire was lit inside the
furnace to dry the clay slightly before adding the
charcoal.
Bellows
As can be expected, there are no surviving bellows from
the archaeological record. I therefore made similar
leather bag bellows to the ones used by ‘Experiment A’
as they were easy to use and made from entirely organic
materials. I used old leather coats from charity shops,
which is by far the cheapest way to buy leather. In order
to connect the two bellows to the one tuyère a pair of
leather ‘trousers’ were made (Figure1).
Casting session 1
Remembering the problems during the last casting
session, I only added a small amount of copper to the
crucible. This would not fill the mould but the first
session should simply test if the set up was working
properly. Once the furnace was full with glowing
charcoal, the charcoal was scraped onto the side
platform, and the crucible was placed directly
underneath the tuyère opening, with about 5–7cm
between the rims of the crucible and the tuyère. The
charcoal was then piled over the crucible and up to the
‘eyes’ of the tuyère. In order to test if the copper was
molten it was possible to insert a green willow shoot
into the crucible. Running the shoot along the bottom of
the crucible one could feel if there were any lumps left.
Once the copper had melted; it was also possible to feel
a slight ‘bubbling’ when inserting the shoot into the
crucible. It took two hours and 30 minutes to melt the
metal. This was mainly due to the bellows, as they were
not as efficient as anticipated. The leather of the finger
loops stretched which made it difficult to grip when
operating the bellows. The two students helping me
with the bellowing had never bellowed before, so that
the first hour or so was spent practicing and the air flow
was not always constant. This was a recurring problem,
as I had different students helping me each time. The
wooden tongs I used were simply made by splitting a
branch someway up and tying a little wedge between
the two sides. The mould was tied together using a
leather strap, and situated in a small trench. For the first
cast, the mould had not been pre-heated. The charcoal
was scraped aside, the tongs were used to grab the
crucible with one arm, and with my other arm I was
holding a stick onto the rim of the crucible in order to
stop the charcoal from blocking the pouring cup. The
process of pouring the copper worked surprisingly well
for the first trial. As anticipated it was only enough
copper to fill the bottom half of the mould (Figure 2).
The surface of the copper was fairly smooth but very
porous or spongy (Figure 3), quite unlike the
archaeological axes. It was interesting to observe the
complete vitrification of the ‘mouth’ of the tuyère
(Figure 4).
Pipes, tuyères, crucibles and moulds
The pipes connecting the bellows to the tuyère via the
leather ‘trousers’ as well as the tuyères, crucibles and
moulds were made using Devon earthenware clay
mixed with sand at a proportion of about 2:1. The
objects were then fired at 750º C in an electric kiln.
Figure 1. The finished furnace, tuyère, pipes and bellow
9
Figure 2. The partly filled mould after casting session 1
Fig. 5: Showing cast from session 2
Casting session 2
This time the process was repeated as above, but the
crucible was filled to its full capacity, and some
amendments to the bellows meant that they were
working more efficiently. The same two part clay
mould was used, as I had not yet managed to fill it,
although this time it was preheated next to the furnace.
Despite these alterations, it took two hours to melt the
metal. After pouring the metal, I noticed that I had not
managed to fill the mould again, although I had
weighed the amount of copper which could fit into the
crucible, and it was equal to the weight of the axe, the
mould had been made after. Again the surface was
porous although slightly more solid feeling (Figure 5).
Casting session 3
In order to finally fill the mould, I made a larger
crucible for the third casting session. This time it took
three and a half hours to melt the copper. When I
attempted to take out the crucible with one arm I
realised that it was too heavy and had to use both arms
to pour. This meant that I could not hold the charcoal
off, which blocked the pouring cup after having poured
only a little copper. I poured the rest of the copper onto
the clay surface next to the furnace and realised that
there was a ring around the crucible wall of un-melted
copper. As the crucible had been in the furnace for three
hours it could only mean that the diameter of the
crucible was too large for the tuyère opening. The axe
piece from the last cast was the most solid casting
without any obvious porosity (Figure 6).
Figure 6. The cast from session 3
Figure 3. The cast from session 1
After the third casting session my material had run out
and I realised that if I wanted to carry out statistically
meaningful experiments with a large enough sample
size, I would have to find an alternative way to melt and
cast copper. The three casts will be sampled and I fully
intend to carry out metallography, to compare the
microstructure to other experimentally cast axes as well
as archaeological ones. It is important to know for
example if the microstructure of actualistically cast axes
varies from axes cast in a modern furnace. I am now
about to start a series of experiments using a gas
furnace and the remaining copper. However the
actualistic experiments were very valuable indeed. It
made me realise and understand the processes which are
Figure 4. The partly vitrified tuyère
10
necessary to melt and cast these enigmatic and large
objects. It also illustrated how ephemeral these
activities can be, which might explain why not a single
casting site is known from archaeological contexts.
These early furnaces can easily be misinterpreted as
hearths. A further observation was the importance of
seeing metallurgy as a composite technology, with
many other technologies involved. We should study
metallurgy in a more organic way, taking into account
the invisible processes as well as the visible metallic
remains.
C O N F E R E N C E
R E V I E W
HMS Spring Meeting 2008
19th-century Ferrous Metallurgy
Sheffield, 18th April 2008
The spring workshop provided a forum to discuss recent
and ongoing investigations into 19th-century
ironmaking. The meeting was organised by Anna
Badcock in Sheffield and was well attended by field
archaeologists, historians and metallurgists.
I would like to thank the Historical Metallurgy Society
for helping me carry out my pre-experiments through
the Coghlan bequest, without which I would not have
been able to buy all the materials necessary. I would
also like to thank the group ‘Experiment A’ and A.
Young for helping me on the way to become a practical
metallurgist, and last but not least all my ‘bellower’s’,
Tine Schenck, Via Baker, Genevieve Hill and Sophie
Thorogood.
The recent redevelopment of brownfield sites (that is
ones which had previously had industrial uses) in many
of our city centres has provided archaeologists with
many opportunities to investigate iron and steelmaking
sites of the 19th century. At the spring meeting we
heard about recent excavations on the sites known to
have had blast furnaces, puddling furnaces, cementation
furnaces and foundries. Curatorial staff, archaeological
contractors and metallurgical specialists provided
informative and candid assessments of their
experiences.
References
Berciu, I 1939–42 ‘Topoare de cupru cu doua braţe opuse.
Tipologie şi origina’. Apulum I, 39–71
Childe, V G 1944 ‘Archaeological ages as technological
stages’. The Journal of the Royal Anthropological
Institute of Great Britain and Ireland 74, 7–24
Coghlan, H H 1943 ‘The evolution of the axe from
prehistoric to Roman times’. The Journal of the Royal
Anthropological Institute of Great Britain and Ireland 73,
27–56
Coghlan, H H 1961 ‘Some problems concerning the
manufacture of copper shaft-hole axes’. Archaeologia
Austriaca 29, 57–75
Fiala, F 1899 ‘Das Flachgräberfeld und die prähistorische
Ansiedlung
un
Sanskimost’.
Wissenschaftliche
Mitteilungen aus Bosnien und der Hercegovina 6, 62–94
Garasin, M V 1954 ‘Schaftlochäxte aus Kupfer in den
Sammlungen serbischer Museen’. Bericht der RömischGermanischen Kommission 34, 61–76
Goldmann, K (1981) ‘Guss in verlorener Sandform — Das
Hauptverfahren
Alteuropäischer
Bronze-giesser?’
Archäologisches Korrespondenzblatt 11, 109–116
Mareş, I 2002 Metalurgia aramei în neo-eneoliticul din
România. Suceava.
Ottaway, B S and Seibel, S 1998 ‘Dust in the wind:
experimental casting of bronze in sand moulds’, in FrereSautot, M C (Ed) Paleometallurgie de cuivres - Actes du
colloque de Bourg-en-Bresse et Beaune 1997. Montagnac,
Editions Monique Mergoil.
Patay, P 1984 Kupferzeitliche Meissel, Beile und Äxte in
Ungarn. Munich, C.H. Beck'sche Verlags-buchhandlung.
Pittioni, R 1957 ‘Urzeitlicher Bergbau auf Kupfererz und
Spurenanalyse — Beiträge zum Problem der Relation
Lagerstätte-Fertigobjekt’. Archaeologia Austriaca 1, 1–88
Renfrew, C 1969 ‘The autonomy of the south-east European
copper age’. Proceedings of the Prehistoric Society 35,
12–45
Vulpe, A 1975 Die Aexte und Beile in Rumaenien II. Munich,
C.H. Beck’sche Verlagsbuchhandlung.
Some people still question the need for any
archaeological research into such a recent period but
many speakers illustrated the ways in which
archaeology can enrich historical accounts. Christine
Ball’s excellent presentation went even further and
illustrated how the historical record could contain
errors; it was created by individuals who could be
biased, lazy or even malicious.
The archaeological investigation of many of these
brownfield sites is certainly a challenge for many of the
people involved. Helen Gomersall recalled how until
recently everyone thought the archaeology of 19thcentury ironworks was a lost cause and that most
archaeologists were not keen to excavate such sites
because of their nature and scale. These sites often
cover several hectares, may be covered in several
metres of rubble and could even be contaminated with
hazardous chemicals. Ben Reeves described how some
of his colleagues thought that his site “wasn’t real
archaeology” and his excavation team had virtually no
experience
of
19th-century
industrial
sites.
Nevertheless, many speakers illustrated how far the
archaeological excavation of such sites has progressed
in such a short period of time.
Due to a technical problem it was not possible to see
David Cranstone’s slides on the day, however, the
images and text are available to download from the
HMS website: http://www.hist-met.org/cranstone.pdf
11
C O N F E R E N C E
the Dogon tend to have different chemical
compositions. These differences are likely to be due to
different technological approaches to iron smelting.
The adoption of blast furnace technology and the
employment of different types of malleable iron in
France was reported by Maxime L’Héritier (see also his
paper in the Journal of Archaeological Science for
2006). The analysis of slag inclusions in structural iron
showed that the adoption of wrought iron (as in
decarburised cast iron from a blast furnace) in place of
bloomery iron lagged 50–150 years behind the
appearance of the blast furnace.
R E V I E W
37th International Symposium
Archaeometry
Sienna, Italy, 12–16th May 2008
on
David Dungworth
The 37th International Symposium on Archaeometry
was held his year in Sienna. As usual the symposium
included sessions on a wide variety of archaeological
science subjects, but there were at least 18 oral
presentations (and over 70 posters) which focussed on
metallurgy. The metals covered included gold, silver,
tin, copper alloys and ferrous alloys. The periods
included the earliest use of metals through to the postmedieval period and the areas of interest ranged across
the globe. Limitations of space and personal prejudice
preclude reviewing every paper and poster given at the
conference and what follows are the highlights for me.
Marcos Martinón-Torres gave a fascinating paper on the
examination of the remains of a 17th- to 18th-century
laboratory at Kapfenberg, Austria. The assemblage of
crucibles, cupels and other metallurgical vessels and
apparatus was discovered within a wall of the castle and
has been interpreted as the remains of an illicit
laboratory where ores stolen from nearby precious
metal mines were tested.
For me one of the most interesting papers was that
presented by Peter Bray on the British Bronze Age.
Peter is carrying out his research in Oxford where
intensive research into the metallurgy of the British
Bronze Age can be traced back to the 1950s. Peter
revealed that approximately 4,500 metal artefacts of this
period are known from the British Isles and over half of
these have been sampled for scientific examination or
analysis by earlier researchers. Existing research has
focussed on trace elements (such as arsenic and nickel)
as ways of determining the sources of the copper ores
smelted. The focus for Peter’s research has been the
behaviour of such trace elements during the fabrication
and recycling of copper, e.g. the loss of volatile
elements such as arsenic. It is hoped to re-examine
some of the samples taken by earlier researchers (e.g.
Coghlan) and apply more recent analytical techniques
(such as ICPMS).
Eleanor Blakelock gave an award-winning poster which
summarised her masters research into slag inclusions in
iron. Using several of Tim Young’s experimental iron
smelts (see HMS NEWS 59), Ellie compared the
composition of the smelting slags with the slag
inclusions in the blooms and worked iron. This showed
that compared with the tap slag, some elements in the
slag inclusions are depleted and some enriched during
the forging of the iron. The results of this research will
make a major contribution to attempts to provenance
iron artefacts through the examination of slag inclusions
(see also Sarah Paynter’s paper in Archaeometry 2006).
Bastian Asmus displayed an interesting poster on
medieval copper smelting in Germany. He reported on
the scientific examination of medieval copper smelting
slags recovered during recent archaeological
excavations near Goslar and the Rammelsberg
mountain. The results show interesting correlations with
the account of copper smelting given by Theophilus in
On Divers Arts. The translation of Theophilus by
Hawthorne and Smith includes comments that his
description of copper smelting is ‘confusing’ and
‘garbled’. Bastian’s research indicates that Theophilus’s
account may be far more accurate than we have
previously imagined.
Oliver Pryce gave a fascinating talk about his research
(as part of the Thailand Archaeometallurgical Project)
into early copper production in the Khao Wong Prachan
Valley. Excavations between 1986 and 1992 had
identified slag heaps covering many hectares at two
sites: Non Pa Wai (1500–700BC) and Nil Kham Haeng
(1100–300BC). Oliver’s scientific examination of
samples of slag was complemented by experimental
reconstructions of the possible smelting techniques. The
use of satellite images as a way of locating smelting
sites was impressive and formed a satisfying partner for
the microscopic investigation of slag.
The venue, close to the medieval heart of Sienna, was
delightful (an experience which was further heightened
by the filming of the next James Bond film while we
were there), and the conference as a whole was well
organised and very successful.
Vincent Serneels reported on his investigation of iron
smelting in the Dogon Country of Mali (15th to 19th
centuries). Although only a single ore source has been
identified, the iron smelting slags from different areas in
12
C O N F E R E N C E
technology be transferred incompletely due to local
conservatism or partially-ignorant informants, leading
to an archaeological picture that seems to suggest
indigenous development but is really local adoption and
innovation of foreign ideas? Can radiocarbon dating or
other absolute dating methods provide the necessary
evidence to support claims of indigenous development
of iron and/or copper metallurgy in Africa, India, and
central China? These and other questions are currently
unanswerable, but various ways were suggested to find
empirical evidence to support different positions, most
especially the use of thermoluminescence (TL) dating to
date slags and technical ceramics directly, and greater
emphasis on studying refractory ceramics (e.g.,
crucibles, moulds, furnaces).
R E V I E W
The 73rd Meeting of the Society for
American Archaeology
Christopher P. Thornton (University of Pennsylvania)
Aaron N. Shugar (Buffalo State University)
The 73rd annual meeting of the Society for American
Archaeology (SAA) was held in Vancouver (Canada)
over five days at the end of March 2008.
Archaeometallurgical research was very well
represented at this meeting, including three entire
sessions devoted to the subject and numerous individual
papers and poster presentations focusing on metals in
other thematically-based sessions. In total, we counted
roughly 35 paper or poster titles dealing with the
application of archaeometallurgical techniques, the
discussion of metal artifacts in their archaeological
contexts, or the importance of metallurgical research to
larger theoretical paradigms. Unfortunately, given the
high number of presentations at this conference, it was
impossible for the reviewers to attend them all.
However, we have attempted here to give a brief
overview of some of the highlights and readers are
encouraged to see the SAA website (www.saa.org) to
search through the final program for a more detailed list
of participants and their presentations.
The second point of some discussion at the Thursday
evening symposium was about the role of elites in the
development of metallurgy; or, put another way, about
the role of metals in the development of elites. For
example, in far distant areas such as North America,
Western Europe, and the Indus Valley, metallurgical
production seems to have played only a minimal role in
rising social complexity, while in areas such as
Southeast Asia, South America, and the Middle East,
metallurgy was intimately intertwined with the
development of complex societies and elites. By placing
the metals back into social contexts, these sorts of
archaeological questions can be answered through
archaeometallurgical investigation.
The first of the three main sessions dealing with
archaeometallurgy utilized a new format called an
‘electronic symposium’, in which scholars are invited
by the organizers to submit a publication-ready paper to
be circulated among the other participants (and the
audience) before the actual conference, at which time
there are simply two hours of discussion. The
symposium on Thursday evening was organized by Ben
Roberts and Chris Thornton and entitled: “Modelling
Early Metallurgy: Old and New World Perspectives.” In
this symposium, fourteen scholars were invited to
provide papers synthesizing the development of
metallurgy in their specialist regions, paying close
attention to the various theoretical and archaeological
paradigms at play that affect the collection and
interpretation of metallurgical data in their region. The
authors were also asked to note particular lacunae in our
understanding of early metallurgy in their region, and
suggest ways to improve the dataset in the future.
This theoretical discussion continued in Friday
morning’s
workshop
entitled
“Current
Archaeometallurgical Research in Mesoamerica: New
Approaches, Discoveries and Perspectives,” which was
organized by Aaron Shugar and Scott Simmons. The
workshop dealt with broader issues related to the varied
roles that metal objects played in the development and
maintenance of social and economic complexity in
Mesoamerican societies. For example, a consistent
theme in the workshop discussion was about how elites
gained and maintained control over the production of
metal artifacts, whether by primary smelting or
secondary re-melting and working. Furthermore, the
social significance that metal objects held for the people
who made and used them was also discussed.
In particular, new evidence was presented for the
smelting of copper in Honduras during the contact
period, while regions east of the known production
centres in western Mexico provided good indications
for the re-melting and casting of new objects. In West
Mexico, strong evidence was presented that supports
the idea of long distance acquisition of raw materials.
The role of investigating ethnographic materials was
discussed in detail with key examples shown for the
metallurgy of West Mexico. In addition, the use of non-
The papers for this session proved to be well-written
and stimulating fodder for the ensuing discussion. After
insightful comments from both Dorothy Hosler (in
absentia) and Vincent Pigott about the papers, the wellattended public discussion centred around two key
points. First, questions of independent invention vs.
migration/diffusion of early metallurgy need to be
qualified by more nuanced theories about the
mechanisms of cultural transfer. For example, can a
13
destructive analytical techniques (such as portable
XRF) was discussed in regard to its ability to acquire
compositional data that reflect social and economic
aspects of ancient Mesoamerican cultures as a whole.
The application of non-destructive analytical methods
has shown its efficacy in Old World metallurgy, but
seems to have a more limited role in the New World.
HMS Spring Meeting 2009
Urban Archaeometallurgy:
historical metallurgy in towns and cities
21st February 2009
David Dungworth
Information
A great number of archaeometallurgical remains are
found in urban contexts. These include, among others,
foundry remains, forges, goldsmith workshops, mints,
assay offices or just stray finds of crucibles, slag or
metal objects. Although these assemblages are
increasingly studied by specialists, many remain
unidentified or neglected in archaeological archives.
The third and final session devoted solely to
archaeometallurgical research was held on Saturday
afternoon and was comprised of nine papers focused on
presenting new laboratory and field data dealing with
ancient and historical metal technologies. The session,
entitled “The Minds behind the Metals: Accessing Past
Metallurgical Experience”, was organized by Claire
Cohen, Louise Iles, and Jane Humphris (all of the UCL
Institute of Archaeology) with Thilo Rehren as Chair
and Robert Tykot as discussant. The papers spanned an
incredibly broad range of areas (from the Andes to the
Caucasus and from England to Rwanda), an incredibly
broad range of topics (from ethnographic examples of
iron smelting in East Africa to visual analysis of AngloSaxon pewter brooches), and an even broader range of
time periods, including one of the earliest copper
smelting sites in Europe (ca. 5200BCE) up to Late
Medieval iron production. Needless to say, the
discussant had his work cut out for him.
Urban metallurgists used skills and techniques quite
different from those used by miners and smelters, and
played an important technological and economic role in
urban life. Their endeavours were closely related to
those of other crafts, and their products were directly
relevant to those living in the immediate vicinity. Thus,
the documentation and study of urban metallurgical
workshops and artefacts provides an interesting path to
the functioning of historical towns and cities, as well as
insights into relatively unexplored areas of historical
metallurgy.
This workshop aims to provide a forum for the
presentation of studies on metallurgical remains
excavated in urban contexts. To provide a balance for
the focus on ferrous metallurgy of previous HMS
workshops, we particularly encourage presentations of
research on non-ferrous and noble metals, and we
welcome studies of both metalworking debris and
finished artefacts. The chronological and geographical
remit is purposefully broad, but we hope to showcase
studies of materials recovered during rescue
excavations in historical cities. The underlying intention
is to provide examples of the use of such assemblages
for research purposes, maximising their informative
potential and saving them from neglect. By inviting
urban archaeologists and finds specialists as well as
archaeometallurgists, we also intend to create a network
for the development of future projects.
Although the papers were highly variable and, some
might say, unrelated, they demonstrated superbly the
vast range of techniques used by archaeometallurgists to
target early metallurgical practices. This included
highly technical approaches such as slag analysis and
metallographic analysis, as well as less direct methods
such as analyzing the strength of local wind patterns to
consider the possibility of draft-blown furnaces. There
was a strong representation of archaeological fieldwork,
ethnographic studies and oral histories, and even a
theoretical paper on the importance of ‘quality over
quantity’ in early European iron working – all of which
suggests that modern archaeometallurgical research is
committed to melding rigorous scientific practice with
nuanced
archaeological
(and
anthropological)
interpretation.
Given the content of these three sessions (and the
numerous other papers and posters) it is wonderful to
see the development of new ideas infiltrating the field
of archaeometallurgy. The application of theory, at one
point seen as incompatible with the finite analysis of
metals, has now allowed a new generation of
archaeometallurgists the chance to expand and explore
new horizons. It is a testament to the growth and future
of the field of archaeometallurgy that so many superb
presentations and posters were present at the meeting in
Vancouver, and we hope to see an even greater number
at the next SAA meeting in Atlanta in 2009.
Venue
The spring day meeting of the Historical Metallurgy
Society will be held at the Institute of Archaeology at
University College London.
Organiser
The Day Meeting is being organised by Marcos
Martinón-Torres. Email: Marcos Martinón-Torres.
Please send abstracts up to 250 words) for proposed
papers to Marcos Martinón-Torres.
14
archaeological and archaeometallurgical studies to
wider anthropological issues such as technological
style; technological variation, change and development;
technical and social adaptation; and the evolving
influences of iron on society and the physical
environment.
Fe09: Coalbrookdale 300
Footprints of Industry
3rd to 7th June 2009
Announcement and Call for Papers
The 300th anniversary of the first successful
commercial use of coke to smelt iron is an appropriate
moment to consider the impact of the industrial
revolution on the modern world.
This five day event is the first attempt to synthesise the
latest research being conducted on iron and steel around
the world, and to stimulate future research of the
highest level. It creates a globally comparative
perspective, integrating insights gained from established
and emerging analytical techniques, Anthropology of
Technology, and environmental history, highlighting
nuances often obscured by Eurocentric perspectives. By
bringing together established scholars and young
researchers from four key regions, namely Africa, East
Asia, the Indian Subcontinent, and Western and Central
Asia, it stimulates an international exchange of ideas
and experiences.
It will be 50 years since the iconic blast furnace at the
centre of the 'Birthplace of Industry' was rediscovered.
That last half century has seen a dramatic expansion of
research into historical industrialisation, coupled with
overwhelming public support for the conservation of its
material remains. The wide range of disciplines
involved – archaeology, history, metallurgy and
conservation – have themselves developed in response
to the challenges of understanding this often fragile
heritage. Big themes and issues arise which have
tremendous relevance to the world today:
environmental
change,
social
transformation,
technological progress, leisure as industry and industry
as leisure. This conference provides an exciting
opportunity for inter-disciplinary debate, discussion and
analysis, through which we can find ways to take
forward the study of these important processes and
bring our findings to bear on the reality of life today.
Sessions
The Regional Sessions bring together scholars and
research from four key regions around the world and
discuss the latest anthropological, archaeological and
metallurgical research in the context of region-specific
and wider anthropological themes and considerations:
• Africa
• East Asia
• Indian Subcontinent
• Western and Central Asia
Venue
The conference will be hosted by the Ironbridge Gorge
Museum Trust in Coalbrookdale, Shropshire with the
support of the Historical Metallurgy Society, the
Society for Post-Medieval Archaeology, the
Association for Industrial Archaeology and the
Newcomen Society.
The Themed Sessions incorporate the latest research
being carried out in all regions, including Europe, on
both theoretical, technological, and environmental
topics, to ensure maximum coverage of all major
anthropological considerations concerning the study of
iron production:
• Invention, Innovation and Inspiration
• Theoretical Approaches to Technology
• Scientific Approaches to Technology
• Analytical and Environmental Considerations
The Conference is being organised by Paul Belford.
Email: paul.belford@ironbridge.org.uk.
Further details on the HMS website
www.hist-met.org/conf2009.html
Abstracts
Abstracts should have a length of maximum 500 words.
They should contain a brief description of the paper’s
topic, how it relates to the core subjects of the
conference, a description of the research goals, the
techniques used and the results obtained so far, and its
core interpretations.
WORLD OF IRON
CONFERENCE 2009 (WIC)
London, 16–20 February 2009.
First circular – CALL FOR PAPERS
Scope of the conference
The ‘World of Iron’ conference sets out to explore and
celebrate the anthropological significance of the
inception, adoption, expansion, and impact of
prehistoric iron production outside Europe. Interlacing
regional and themed sessions, it will relate
Forms to submit your abstract and personal details will
be available from
http://www.ironsmelting.net/WIC2009/
15
Registration Fees
Before December 1st 2008:
£200 (Students £150, proof of student status is required)
On December 1st 2008 or later:
£250 (Students: £200)
Key Dates
Deadline for submission of abstracts: October 1st, 2008
Notification of acceptance or rejection: November 1st,
2008
Deadline for registration and payment of reduced
registration fee: December 1st, 2008
Organisers
Jane Humphris, Thilo Rehren, Xander Veldhuijzen,
WIC2009@ironsmelting.net
While submissions to the Newsletter are welcome at
any time, if you want to have something in a specific
issue of the newsletter then it needs to be with me by
the following deadlines.
1st March,
1st July
1st November
Contributions can be sent in any format (hand-written,
typed, email, floppy disk, CD-ROM, etc).
Newsletter Editor, David Dungworth,
English Heritage, Centre for Archaeology, Fort
Cumberland, Portsmouth, PO4 9LD. Tel 023 9285 6783
Email: david.dungworth@english-heritage.org.uk
Membership Secretary, Mrs Lesley Cowell,
“Little Gables” 17a Thorncote, Northill, Beds, SG18
9AQ. Email: lesley@mcowell.flyer.co.uk
The Historical Metallurgy Society Ltd. Registered address,
1 Carlton House Gardens, London, SW1 5DB. Registered in
Cardiff number 1442508. Registered Charity Number 279314
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