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Proceedings of the National Academy of Sciences, 2011
Microstructural, δ(13)C isotope and C/N ratio investigations were conducted on excavated material from the black Younger Dryas boundary in Lommel, Belgium, aiming for a characterisation of the carbon content and structures. Cubic diamond nanoparticles are found in large numbers. The larger ones with diameters around or above 10 nm often exhibit single or multiple twins. The smaller ones around 5 nm in diameter are mostly defect-free. Also larger flake-like particles, around 100 nm in lateral dimension, with a cubic diamond structure are observed as well as large carbon onion structures. The combination of these characteristics does not yield unique evidence for an exogenic impact related to the investigated layer.
The Journal of Geology, 2014
2023
EGYPTOMANIA. For the 200th Anniversary of the Decipherment of Egyptian Hieroglyphs by Jean-François Champollion. EXHIBITION CATALOGUE. Ed. by Andrey Bolshakov & Andrey Nilkolaev. 664 pp. St. Petersburg, 2023. The year 2022 marks the two hundredth anniversary of Egyptology, which was born on 14 September 1822, the day when Jean-François Champollion found a clue to the decipherment of Egyptian hieroglyphs. The State Hermitage Museum celebrates this jubilee with an exhibition paying tribute to Egyptomania and the dawn of Egyptology. Egyptomania is commonly described as the use of Egyptian elements in arts, a phenomenon akin to an abundance of numerous examples of historicism, but definitely broader and more profound. Already considered to be ancient as early as the lifetime of Herodotus, Egyptian culture never stopped amazing the Greeks, sparking a myth about its mysterious sapience. This was what actually gave rise to beliefs about Hermes Trismegistus, which paved the way for Hermeticism and left their mark on the philosophy of Neoplatonism. With Egypt’s incorporation, the Roman Empire saw the spread of Egyptian cults in its territory, the inflow of Egyptian antiquities to Rome and creation of monuments in Egyptian style. For a long time, Europe had very little understanding of what Egypt had actually been like. It was for that reason that any respective representations of Egypt would show the few known typical attributes, such as pyramids, obelisks or sphinxes. All of this is discussed in the first section of this catalogue. The following part features works in which Egyptian heritage is reinterpreted by Western European culture through the prism of Classical Antiquity. Also included are biblical episodes related to Egypt. When the Dark Ages gave way to the Renaissance, the discovery of classical texts as well as Egyptian and Egyptising artefacts in Rome brought Egyptomania to one of its peaks, in the realm of both arts and philosophy. That period was marked by endeavours to interpret hieroglyphs, still bound to fail as, not surprisingly for the symbolism-laden Renaissance epoch, they were seen as nothing but symbols. The age of Enlightenment engendered a scholar approach to Egypt, but it continued to be routinely viewed as a source of exotic motifs. The way Egypt was interpreted by the art of the Renaissance and early modern period until the late eighteenth century is showcased by yet another section of the exhibition. Napoleon Bonaparte’s Egyptian campaign in 17981801 became Europe’s first discovery of Egypt due to the efforts of the scholars involved in his expedition, who copied and then published a whole host of ancient monuments. One of them was the legendary Rosetta Stone with bilingual text in Egyptian and Greek, which predetermined the eventual decipherment of hieroglyphs. A corresponding part of the exhibition shows materials associated with both military and scholarly aspects of this campaign. Inviting new research, inscriptions that were now available and the Rosetta Stone in particular spawned a number of attempts to crack the Egyptian writing in the first quarter of the nineteenth century. A clear triumph was the undertaking of Jean-François Champollion, who did not only manage to unveil the phonetic nature of this script, but also created the first Egyptian grammar, pioneering Egyptology as a whole. The fascinating story of this decipherment, with its failures and advances, is narrated by one of the central sections, which comprises a diversity of materials from the publication of a treatise by Horapollo, who was active in the fifth century AD and tried to explain the meaning of many hieroglyphs, to attempts to read the text on the Rosetta Stone and Champollion’s letters and books. Champollion’s breakthrough and the rise of Egyptology took the study of Egypt and reflections upon it in divergent directions. Starting from the mid-nineteenth century Egypt became accessible to a plenitude of European artists, who produced realistic visualisations of its monuments, albeit with an exotic touch and emphasised Oriental qualities. This distinctive Orientalism, not a case of Egyptomania per se, is displayed too. The largest sections are devoted to Egyptomania in applied arts, covering a span of the late eighteenth, entire nineteenth and early twentieth centuries. Among the highlights is the monumental Egyptian service produced by the Sèvres Porcelain Manufactory and presented by Napoleon to Alexander I. Its design draws upon the materials published by the members of Napoleon’s expedition to Egypt. In the second half of the nineteenth century, Egypt took centre stage in theatre performances, including drama, opera and ballet. The display puts on view a whole panoply of sketches of costumes and sets, librettos, photographs of actors and scenes as well as various stage accessories. The exhibition is brought to a close by a selection of contemporary photographs illustrating Egyptian motifs in the architecture of St Petersburg.
Türk Dili Araştırmaları Yıllığı - Belleten, 2024
Integration von Migranten - Theorie und Praxis: Das Konzept pluraler Identität von Hannah Arendt als Grundlage für eine humanitäre Integrationspolitik in Deutschland, 2010
Journal of Pharmacognosy and Phytochemistry, 2020
Kufa Journal of Engineering
Journal of Magnetism and Magnetic Materials, 2007
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Journal of the American Society of Echocardiography, 2011