Introduction
INTRODUCTION
WHY TOURISTS ARE TARGETED BY TERRORISM?
Although the concept of mobility is hard to grasp, over decades it
gained further legitimacy within academic circles and popular
opinion. Nowadays, “Being Mobile” represents a sign of status for
“chosen peoples”, who situated themselves in opposition to others
who had not met such a right (Sassen, 1990; Sheller and Urry, 2006;
Cresswell, 2010). Associated to other words as progress, knowledge,
or advance, mobility as a neologism, no less true, has opened a new
debate as a conduit of globalization over recent decades. In this vein,
supporters of mobility explain that global societies are more open to
otherness (Mo, 2009; Evans, 2009; Kagan and Hahn, 2011; Florida,
2014) with possibilities to develop creative atmosphere of inclusion,
or platforms which are conducive to reduce ethnic violence (Pinker,
2011; Amar, 2011; Vannini, 2012). As Steven Pinker puts it (in his
book The Better Angels of our Nature), the mainstream values of
enlightenment as well as the cosmopolitan spirit fostered by travels
and the globalization has paved the ways for violence and conflict
plummeted. This decade (in the inception of XIXth century) seems to
be a most peaceful time in humanity’s existence. Two major
assumptions are of vital importance for us in this review. Firsts and
foremost, civilizations expand their hegemony by the impositions of
discourses. These narratives are aimed at silencing or embellishing
bloody past-time events in forms of heroic epics. Our heroes not only
were cruel persons who have killed thousands of other warriors, but
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Tourism and Terrorism
also struggled in appalling battlefront to impose their interests. This
is the first point of entry in this discussion because we tend to think
current times are more violent than earlier ones, but exactly historical
evidence suggests the opposite. Secondly, sometimes statistics are
analyzed following a much deeper emotional logic that distorts the
outcome. It is not far-fetched to confirm that XXth century was a
bloody century since two world wars have taken place but Pinker
adds, humankind has witnessed other genocides and slaughters in
earlier centuries. This begs a more than pungent question, why is
violence declining?
For Pinker, Hobbes was in the right direction at time of exploring
the roots of plunder. Peoples attack other by fear, pride or eagerness.
The goals for fighters are related not only to predation, but honor. In
middle age, plunder and conquests posed as the only manners of
upward mobility in societies where classes do not exist. In
perspective, in traditional societies where peasants and warlords
are attached to their lands, conflict is the only valid mechanism to
expropriate the others from their possessions. At the time, trade
was introduced as a form of negotiation among peoples and
officialdoms, violence plummeted. The use of money not only replaces
the needs of war but globalizing the exchange of goods resulted in
an efficient way of deterring predation. Over recent years, we have
found some civil conflicts in the world that leads readers to question
the idea of civil democratic peace. Is democracy effective to struggle
against terrorism?
Far from being a detractor of democracy, Pinker clarifies that
“decent governments” (p. 313) are reasonably democratic because
there are prone to trade and market-oriented. Being open to
globalized economy, foreign investment or liberal trade helps
reducing the conflicts or their severities for peoples. This means that
the liberality the system needs for financial investments seem not
to be direct with the free movement of peoples, which should be
considered an unalienable right. The main thesis of this titanic project
2
Introduction
is that the ideals of Enlightenment or the Kantian hopes in a
universal peace are possible if nation-states adopt democracy as their
primary form of government and endorse to the values of liberal
market. Following this axiom, US-led invasions to Middle East’s
nations as Iraq or Afghanistan would be considered legitimate
preventive acts for a democratic power against undemocratic
societies. This decline of violence is not eternal, and it has been
experienced in earlier times. The ebbs and flows of civilization far
from being unilineal reach different levels depending on the sociocultural conditions of societal order. The ten chapters that form this
fascinating book propose a liberal vision of the world which places
the belief of a more hostile society under the lens of scrutiny (Pinker,
2011). Although Pinker was widely criticized by his statistical sources
and the ways he interprets violence is declining (Epstein, 2011), it is
interesting to discuss the reasons why material asymmetries between
classes has enlarged. In sharp contrast with Pinker, this suggests
that while less violent, capitalist world still remains more unjust
than other times (Korstanje, 2016).
At a first glance, we agree this is an impressive work that compiles
methodologically vast ranges of studies and samples alternating
quantitative with qualitative approaches. We even share with Pinker,
violence is in decline. In order for monopolizing the means of
production, financial elite needs from peace, mobility, tourism,
democracy and commodity-exchanges. What violence decreased is
not good news simply because capitalism proved to be a machine to
create material asymmetries. As Bauman (2011a,b) puts it, the
problem of capitalism rests on the belief that few deserve much, while
the rest are on the ruin. Almost 2% of global population concentrates
90% of produced wealth. In a recent book, Maximiliano Korstanje
(2015) explained that this postmodern world can be compared to the
film Hunger Games, or the reality show Big Brother. In both settings,
participants are dominant of their conciseness because they remain
unfamiliar with the real probabilities to fail. These competences,
3
Tourism and Terrorism
like liberal market, are based on the premise of social Darwinism
that claims for “the survival of strongest”, which means that the
glory of only one equals to the failure of the whole rest. Participants
not only over-valorize their own skills, but are confident of their
strongholds. The stimulation of competition in the labor market,
emulated by entertainment industry, resulted in two interesting
dynamics. On one hand, the industrial order faced what Robert Castel
dubbed “the rise of uncertainty”. The vulnerability of rank-and-file
workers associated to the decline of well-fare state facilitated the
capital-owners to increase their profits and wealth, at the time, risk
was adopted as a new value for modern workers. As Richard Sennett
(2011) observed, the idea of risk implies that workers are co-managing
their own fate, they not only are responsible by their decisions, but
it avoids elite from their responsibility to create the conditions for a
fairer wealth distribution. This gives capital further freedom to move
worldwide. Paradoxically, on another hand, we, in terms of realism,
are safer than other earlier cruel times, though audiences are
bombarded by abstract risks. In this context, democracy is the legal
and ideological platform that facilitates the expansion of latecapitalism. In ancient Greece, as Castoriadis (1996) widely
demonstrated, democracy was a legal resource (which comes from
demos) where lay-citizens can derogate a law if this was unjust or
affected the interest of someone. Modern democracy, far from
channeling rights in this direction, creates a gap between citizens
and officials. This gap is fulfilled by trade and businesses corporations
which support financially to potential candidates to presidency. The
original concerns exposed by Jean Baudrillard (2006) echo not only
on the thesis of simulacra, but to the possibilities of operating from
future to change present. At the time, some policies are politically
applied to solve some problems; their real reasons are covered to
protect the interests of status quo. Risks are phantoms that keep
workforce immobile. As example, Baudrillard (2006) brings into
question the legitimacy of democracy by introducing the figure of
precogs, (in the film Minority Report). These agents worked jointly
4
Introduction
to police to forecast the crime before it is committed. As a result of
this, police arrested to suspected criminal, not for what it has been
done, but for future crimes. This, to my end, is a brilliant and beauty
metaphor how modern world works; a point that Pinker and followers
would think twice. Violence has declined in view of what reality has
set the pace to pseudo-reality.
On another hand, detractors of mobilities alert that on risks
generated by the climate of “destructive creation”, stimulated by the
needs of change, or social upward, this discourse of mobility
engenders (Cusack, 2010; Virilio, 1989, 1997, 2005; Kaplan, 2006;
Bauman, 2011a,b; Sennett, 2011, 2015). While some first class
citizens can travel worldwide without any restriction, which suggests
the fact is that mobility is only a privilege right for few ones; the rest
of humankind is subject to immobility and territory. In this
introductory chapter, we will explore the legacy and contributions
to sociologists as John Urry who pivoted in the study of mobilities,
in a moment where this was an emergent issue. Following this, Urry
was convinced that modern industrial world not only exploits social
relations as subordinated to productive system, but accelerates
movement (as leisure travels) a state of hyper-consumption by the
introduction of mobilities as main value. The growth of travels
worldwide, Urry adds, are valid indicators of expansion for capitalist
system. This belief leads John Urry to proclaim overtly that we live
in a mobile world. What would be more than promising to discuss is
the connection of people with their institutions. A closer look reveals
that lay people is subject to immobility while only the surrounding
institutions are ongoing recreated to channel the personal drives.
Far from being mobile, we wonder to what an extent we really move
forward or backward. Rather, the current sense of mobility consists
in trends that generate turn-around displacements only.
In a more than interesting manuscript, published at Environment
and Planning, Caren Kaplan (2006) traces an historical dichotomy
in the attempts of US to monopolize air power, and 9/11 as a defiance
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Tourism and Terrorism
act to that hegemony. She argues convincingly that the allegories of
war, which are centred on views of airspace, intersects with
nationalist discourses in post 9/11 contexts. The metaphors of
mobilities as signs of Warfare were initiated by Paul Virilio in his
different texts. He understands that the concept of reality diluted
into a pseudo-spectacle produced by the media. The acceleration of
speed as well as the complex of communication created a gap, which,
resulted from the leisure time people have, is fulfilled by the media.
Over centuries, humans yielded the war against their neighbours
from the shelter of their cities. While globalization expanded to the
four corners of the globe, there was not safe place to hidden, at the
same time, terrorism surfaced as an internal manifestation of violence
(Virilio, 2005). Undoubtedly, Virilio was widely criticized by his
radicalism, he sheds light on the fact that war on terror, as a political
concept obscures more than it clarifies. Last but not least, Diken
and Lausten (2002) discuss to what extent terrorism accelerated the
passage from “disciplinary” societies to societies of control. In the
contemporary city, the already-existent conflict among citizens sets
the pace to a new all-encompassing discourse, terror which is
functional to the production of states of emergencies to impose a
unique rule. It is evident that we cannot understand terrorism placing
asunder “the meaning of mobilities” as well as the archetype of
“otherness”. As Howie (2010) claimed, one of the immediate effects
of terrorism consists in dividing the world in two, us and them. This
differentiation is vital to understand the roots of terrorism. The
question whether governments use “the discourse of terrorism”
tomark off “all enemies of democracy” remains open in right-wind
scholars who ignore that terrorists fit with nationalist expressions
of fascism which once ignited are very hard to stop. The culture of
witnessing, where West erected its hegemony, is now the same that
wreaks havoc mining the tenets of democracy.
“In the present wave of terror, they and then have invariably been
terms applied to Muslims, especially those living in diasporic
6
Introduction
communities. Sometimes, it has involved picking a side is the war on
terror as former president George Bush demonstrated when
immediately after 9/11, he said that you are “either with us, or you
are with the terrorist”. (Howie, 2010: 21).
In the following section, we will place the argument of Urry under
the lens of scrutiny, to reconstruct a fresh alternative that helps
readers to revisit the meaning of terrorism (as well as mobilities).
THE CONCEPT OF MOBILITY IN JOHN URRY
In consonance to medical discourse, the medical gaze discovers “the
truth” through the lens of pathology, which means a radical change
that separates normalcy from deviance. Once the pathology is found,
it is extirpated from the organism. In developed-societies, doctors
revise their patients oriented to find a problem, which should firstly
be diagnosed, secondly corrected. The medical eye (gazing) needs to
find a lack so that its proposition of cure to be widely accepted. Not
surprisingly, westerners, far from their aversion to death, have
developed an attachment to “gaze”, as a mechanism to control
“external objects”. The doctrine of “ocular-centrism” that was created
through capitalist logic has successfully achieved a higher life
expectancy over recent years. In doing so, the rise and advance of
epidemics or illness were radically controlled by physicians. In a
similar way, the world of mass consumption is based on the needs of
“gazing others”. While we travel to visit beautiful landscapes, natives
are controlled by our gaze, simply because we travel to gaze, and
what is gazed becomes in our possession. However, far from being
scattered or disorganized to individual subjectivity, these practices this seems to be likely the main contribution of Urry- are embedded
with a much deeper cultural matrix that precedes human will. For
fieldworkers who are obsessed to understand issues of society, there
is no opportunity to study social reality beyond these gazes (Urry,
2002). In Urry account, tourism and capitalism are inextricably
intertwined.
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Tourism and Terrorism
As previous backdrop, tourism not only depends on displacement
which draws the involving territory, but appeals to introduce a
rupture between routine and key-factor. This leads Urry to recognize
not only tourism is a postmodern activity, combining leisure and
labour, but helps expropriating others by excess of rationality. As a
commodity, people are valued and exchanged in function of a matrix,
which is reified through consumption. To put this in bluntly, Urry
understands that the current state of hyper-mobility opens the doors
for a paradoxical situation between have and have-not nations. With
the benefits of hindsight, he emphasizes on the ciphers of global
tourists which rises to 600 million or arrivals annually, whereas
this number was limited to 25 million in 1950; but the same reality
does not explain why 23 million of peoples are desperate migrants
escaping from poverty, oppression and other social ills (Urry, 2007).
One of the unresolved problems of exegetes of mobilities consists
in a dichotomy between two types of mobilities. While tourists coming
from developed countries are welcomed migrants are suspected to
be potential terrorists. Ones become in victims, the others in evildoers. Since the centre-periphery dependence has been strengthened,
no less true is that peripheral workers go to central economies in
quest of better opportunities. Here is where the problem of mobility
surfaces. Those governments in central nations that promote liberal
policies and free trade to periphery to better their condition of
production are unable to provide hospitality to their workforce. As
Korstanje observed, there is no detail as Pinker said, we live in a
less violent world, but what was clear is this world is more unjust
than other times (Korstanje, 2015). In view of that, tourist-experience
should be framed under the logic of escapement, where travellers
are in quest of something exceptional they are unable to find at home.
In this vein, Urry argues that tourism appeals to creativity to reform
the routing, commoditizing boredom into forms of entertainment
which are centred on aesthetics. As he noted in The Tourist Gaze,
behaviours and practices are not classified by other thing than the
8
Introduction
expectances created by the market about landscaped and visited
destinations. Neither tourists are conquerors of paradisiacal
periphery as post-Marxian scholars preclude, nor alienated peoples
travelling for feeling authenticity. Rather, tourists are citizens who
subjected to a much deeper matrix consume the others by the
introduction of gazing. Radically, Urry divorced from the thesis of
MacCannell, that tourism serves as a mechanism to alleviate the
effects of alienation in citizenry. This idea is better explained in a
co-authored book with Scott Lasch, The Economies of Sign and
Spaces, a sophisticated text urged by the needs of reinterpreting
modern economies and their intersection to tourist-gaze. Throughout
this book Lash and Urry acknowledge that mobilities should be
interpreted as a result of modernity, endorsing identity to nations.
To put this in other terms, multiculturalism engages cultures in view
of their capacity of consuming, not production. Since the current state
of economy is exhausted, we are not exchanging goods as in other
earlier times, but signs which are negotiated and consumed according
to above mentioned cultural-matrix. All the skills workers acquired
are associated to their capacity to move ahead to produce “a climate
of omnipotence” (Lash and Urry, 1993).
The trajectory (exchange) of goods and humans (by the commerce
or tourism) has created an empty space accelerating the decline of
trust and social bond among persons. They appeal to the maussian
development of gift’s theory to explain why trade affects seriously
the human reciprocity. Most certainly, the economy coupled to the
power of sign and image to blurs the geographical boundaries of space.
Taking its cue from Nietzchean influence, Lash and Urry admits
that the role of subjectivity is being changed to new institutions,
hierarchies, and orders, where top-down authority sets the pace to
more horizontal forms of power. The hegemony of allegory has
accelerated a fusion between hegemony and tradition. This created
a sentiment of conflict, between first and third world, where risks
operates as a mediator between consumers and their institutions.
9
Tourism and Terrorism
In the age of terror, tour-operators are the necessary agents that
people come to plan their holidays. This happens because risks posed
as a necessary platform where citizens interact (in view of the decline
of authority). The tension between “the nets of experts and lay-people”
is resolved in the “hegemony of experience”. During XIX and XXth
centuries, a new type of reflexibility has been established in capitalist
society, which suggests that citizens are equal in terms of the risks
they face. The possibilities for tourists not to be attacked in Middle
East depend on its capacity to be protected, or even avoid this
battleground area. Whatever the case may be, schedules of travels
are reproduced now to avoid the “presence of others”, to be simple
commodities to be gazed without limits and risks (Lash and Urry,
1993). Since the tourist-gaze is based on the coalescence of three
elements, the re-enchantment of consumption, time-space dimension,
and visual of performing arts. Therefore, travels re-symbolize spaces
at the time they are transformed in commodities. The potential
consumers, tourists are bombarded of image, advertising and visual
stimuli to interpret these landscapes in a specific way. The
decentralized control of space is accompanied with the needs to ask
for loans to international financial corporations. The neoliberal
policies consisted in deepening the financial dependency of economies
respecting to capital, deregulating the already-existent forms of
authority. As a result of this, capitalism leads towards a new stage
where not only past and future are merged, but people are
commoditized to “the dictatorship of gaze” (Lash and Urry, 1998).
Although, neither Urry nor Lash is interested in responding why
tourists are now targeted by terrorists, they left a fertile ground to
find new alternatives to respond this question definitively.
THE CONCEPT OF MOBILITY RECONSIDERED
For Oswin and Yeoh (2010), the sense of mobility seems to be
intersected to the scaffolding of nationhood. As explained in earlier
sections, the concept of mobility negotiates an existential
10
Introduction
configuration which is framed in a specific territory. The ways of
gazing not only depend on the degree of mobility, but the current
technology used for that. As Lash and Urry reminded, mobility should
be deemed as a cultural project which was politically manipulated
to enlarge between the gaps between have and have-nots, or between
rich and poor nations. In this token, Marc Auge envisioned that
aesthetics played a vital role by the excess of advertising, which was
prone to erode tradition (Augé, 1996). The events are interpreted
according to the way environment is perceived. The modernity creates
an immediate present where the other and its territory are
assimilated. Unlike other times, late-modernity attracts in the largest
cities many tourists because the other is sold as a spectacle (Auge,
1998). In a seminal work, Tzanelli (2014) describes how modernity
has commoditized “trauma”, towards the “theatre of disaster” in order
to give an ideological discourse to workers. The suffering of “others”
which is often recreated by traumatic events paves the ways for an
allegory of death, expressed in the growth of new segment of ThanaTourism. In lieu of doing a collective awakening respecting to
arbitrariness suffered during Colonialism, now dark tourism offers
a biased explanation why disasters happen. From Auschwitz, to
terrorism, dark tourism recycles from the liberal logic of market,
the pain, into a commoditized product other like to get. The inflation
of different risks which oscillates from natural disasters to terrorism,
evinces that the holiday-making and leisure practices as tourism
are next to disappear but paradoxically, dark tourism still revitalizing
the gift-exchange process that made capitalism feasible. In retrospect,
the instrument of surveillance orchestrated by capitalism appeal to
the metaphor of undesired guests where working-migrants are
stereotyped as zombies, monsters, terrorists or even viruses which
may very well threaten the current civilized social order. Since the
concept of risk which is theatricalized by the film-related industries
allows the imposition of allegories to see the capitalist ethos as one
of the best possible worlds, entrepreneurship surfaces as a vehicle
to invest first world citizens of an exceptional aura. Therefore, dark
11
Tourism and Terrorism
tourism as it is detailed in second chapter takes part of a communal
“memory-work” as a life lived in conditions that give others a pretext
to feel superior, in terms of Tzanelli a life lived in the periphery.
Dark tourism serves as the locus “of a polyphonic hermeneutics”
which is based on a multiple sense of places, anticipating the “end of
tourism”. Whether neoliberal programs pose in tourism a fertile
instrument to enhance the governability of nations, many questions
remain open to understand why genocides, political instability and
inter-ethnical wars are its immediate consequences. Additionally,
as Tzanelli puts it, imagination adjoins to the power of capital to
exert a considerable influence over citizens in molding hopes, fears
and desires of daily life. Slum and dark tourism are central places
where spectorship aesthetically enlarges the gap between have and
have-nots. Expiating their burdens to be part of a society which
exploited “Others”, dark tourists reify a commoditized version of
colonialism tailored for white and western subjectivities (Tzanelli,
2016).
THE MEMORIES OF DISASTERS
The obsession of tourists who often travel to spaces or sites where
death remains as main criterion of attractiveness has recently
baptized as “thana tourism” or dark tourism. These types of products
oscillate from spots whipped by terrorism towards post disaster
contexts (Strange and Kempa, 2003; Kang and Lee, 2011; Britton,
2014; Tzanelli, 2016). Some of these sites have been previously
determined by a traumatic experience which perpetuates through
the threshold of time. Citing Tumarkin, Luke Howie calls to these
experiences as “traumascapes”. Unlike other authoritative voices,
he understands terrorism operates from the symbolism of icons as
buildings, planes which are used for another purpose than originally
created. Planes were historically fabricated in order for transporting
passengers, though 9/11 gave another meaning to this, it transformed
a means of transport in a real weapon. Since it paves the ways for
12
Introduction
the formation of trauma-escape, by an absent, which is fulfilled by
the hegemony of the image, consumption is tilted at evoking
memories while the real reasons of disasters are hidden.
“Traumascape is a location, a geographically defined space, that
is infused with memories and histories of trauma. They are locations
that are known more for their violent and traumatic past than for the
prosperous present or hopeful future. Trauma escape is solemn,
emotional and regretful places” (Howie, 2010: 39).
This point contradicts the argument of Joy Sather-Wagstaff (2011)
who in a seminal book (Heritage that hurts), questioned the idea
around dark tourism as a site of indifference. The risks of forgetting
the real causes of disasters are not given by dark tourism as an issue
that makes humans more humans, but in the needs of political power
to change the content of the message to protect their interests. This
opens an interesting debate to what extent dark tourism should be
considered “as an act of empathy” with other’s pain, or a type of
exploration, or simply an “attitude” mainly associated to sadism.
This section will discuss in what way, disasters and the spectacle of
disasters are used by late-capitalism to disorganize the social ties
producing a gap which filled by the allegory of consumption.
Besides, one might speculate that recent terrorist attacks on Paris
as well on Mali shows two earlier assumptions. At a first glance,
targets of terrorism have selectively changed from important Police
Chief Officers or Officials to lay-people. Secondly, ISIS and other
terrorist cells, as Al-Alqaeda earlier than them, vulnerated site of
mass-consumption and tourism which are often characterized by little
presence of police and security forces. Since peoples make tourism
to relax or escape from their daily routines and daily rules, it is very
important the presence of state was minimal. At beaches or museums,
visitors or holiday makers feel mistrusts whether the strategies for
securitizing the zone are intrusive (Tarlow, 2014). In this respect, as
Korstanje puts it, tourism seems to be the perfect target for terrorists
13
Tourism and Terrorism
simply because it creates political instability. Not only neighbouring
states are affected because the tourist fluxes opt for other
destinations, but also the legitimacy of nation-state declines. At some
extent, Occident expanded worldwide according to a Eurocentric view
of security in which case, identity was woven in opposition to
Otherness. The concept of us, the good people is pitted against them,
the evildoers. The hobbesian logic of security, which is enrooted in
the concept of nation-hood, represents a fertile ground for terrorism
in many senses. Paradoxically, we feel free from terrorism living at
safe places, but nothing is known on unsafe sports. In recent years,
terrorism attacked the core of industrial nations, (New York, 2001 –
Madrid, 2004- London, 2005 – and now Paris 2015). Since the attacks
were perpetrated through periphery at luxurious tourist destinations,
popular opinion remained with certain indifference (Egypt, Buenos
Aires, Bali and so forth). The problem was that sooner or later, attacks
were replicated in the most industrial cities at North (Korstanje,
2015). As Gilbert Achcar (2002) noted, at the time the imperial centre
is under attack, the periphery feels a type of narcissist commiseration
that sympathizes deeply with victims. Far from being a genuine
sentiment, this allows peripheral nations to be emotionally closer to
imperial centre. In this token, mass-media plays a vital role drawing
an extreme attention to some attacks while others are left behind.
M. Eid (2014) has recently argued that mass-media and produced
information provides with the oxygen of terrorism.
“Meanwhile, in order for both to survive, terrorists seek to garner
public attention and the media seek to find top-stories to sell. In a
sense, both parties target wide-ranging audiences (although for
different purposes); hence, they interact in a highly toxic relationship
that involves a process of exchange necessary for their survival. The
exchanging process contributes to the survival of each party; acts of
terrorism provide media stories that result in more broadcasting
airwaves, press texts, and digital data bytes, while the media coverage
brings public attention to terrorists—the oxygen necessary for their
existent” (Eid, 2014, p. 24).
14
Introduction
Furthermore, after 9/11 and the construction of American
allegories respecting to terrorism, the current state of capitalist
production has certainly found a new segment for maximizing profits,
dark-tourism. From the commodities circulating in economy, death
and suffering are two that have no cost for producers. Far from
adjusting their production to save the planet, or reducing the emission
of gases to atmospheres, many central economies appealed to recycle
sites of disasters by introducing an “allegory”, as visit the place hit
by Katrina!, or any other traumatic event as Ground Zero in NY. In
this respect, dark tourism serves to revitalize communities
accelerating the times in recovery process, but never things are as
earlier the event. Many neighbours are pressed to live in new homes
situated in the periphery of the city, while the center is reserved for
big business or international capital investors. This process of
gentrification in post disaster contexts, far from solving the situation
of affected peoples, aggravates it. In some conditions, even states
are in compliance with the market fixing higher taxes peoples are
unable to pay. As a result of this, they are pushed to sell their
households to other richer groups. It is unfortunate, dark tourism is
functional to the logic of exploitation of liberal market in these types
of tragedies simply in days of Thana Capitalism, death presented as
a new more mobile commodity to exchange. Therefore, today new
forms of tourism associated to pain and suffering surfaced in post
Katrina contexts. One of the aspects that defined this site seems to
be the commoditization of history and racial class relationships.
African American culture is visually offered to thousands of bus tours
(Hartnell, 2009). The controversy triggers a further discussion to
what extent victims whose houses have been destroyed, have the
right to become in a commodity for witnessing. Nonetheless, tourism
may help to recover not only the material losses, but to forge a
common identity that surpasses the disaster pre levels of materiality
(Robbie, 2008). Some scholars argued that tourism showed to be a
resilient activity that mutiplicated the consuming demand after
small-run period of time (Mansfeld, 1999). Nonetheless, less attention
15
Tourism and Terrorism
is drawn on the fact that survivors who have adopted tourism to
symbolize their tragedies had fewer opportunities to learn from
disasters than others groups where tourism is rejected. This is the
case of Republica de Cromañon in Argentina, which was widely
discussed and explored by Maximiliano Korstanje and Geoffrey Skoll
in different ethnographies. In this made-man disaster where 194
youth lost their lives, survivors and victims` parents neglect tourism
because they feel it vulnerates the memory of their sons and
daughters. Though tourism is not the primary option for Cromañón
Sanctuary, no less true is that they have a clear message on the
reasons why their relatives died. Not only this happened simply
because officials were unable to introduce or manipulate the message
of this shrine, but also parents developed a much deeper rejection of
politicians (Korstanje and Skoll, 2015).
We are living through a new capitalism which not only ignores
the alerts of disasters (as global warming or the non-renewable
resources), but profits from disasters. Naomi Klein dubbed these
new trends as enmeshed into the shock doctrine, which was used by
officials in order for citizens to accept policies otherwise would be
neglected (Klein, 2007). For these critical voices, disasters and even
terrorism produced a great shock in society which unless recycled in
forms of spectacles or cultural consuming, would place the legitimacy
of elite in jeopardy. In view of that, dark tourism places offered a
good alternative for consumers to expand their current understanding
of reasons why disasters happened, but as Korstanje adds, the
message is based on a biased diagnosis on what the event happened.
This leads not only to an ethnocentric discourse because survivors
are over-valorized over witnesses, but society does not obtain a good
lesson from disasters. It represents the end of resilience paving the
ways for the next similar disasters appear (Korstanje, 2011a,b).
In this respect, dark tourism was originally conceived as a new
segment of tourism whose main attractiveness is death. Those visitors
who inspect these sites find spaces of mass-death, or extreme
16
Introduction
suffering such as spaces of obliteration post disasters, or sites that
suffered terrorist attacks (Stone and Sharpley, 2008). As P. Stone
pointed out, dark tourism should be considered a valid instrument
in order for lay people to connect with their own death by what
“Others” have experienced. This suggests that visitors of these sites
imagine death through the lens of others (Stone, 2006, 2014).
It is often said that dark tourism has woken up a hot debate in
recent years. While some experts have focused attention to the
phenomenon as a sign of cultural entertainment based on repressed
sadism (Bloom, 2000; Baudrillard, 1996; Koch, 2005), others
emphasized the mediated nature of tourism so that visitors may
understand their own death (Lennon and Folley, 2000). Beyond this
debate, Dark-tourism sites denote territories where mass-death or
suffering have determined the identity of a community but no less
true is that under some conditions these sites are commoditized to
sell the other´s death as a product (Chauhan and Khanna, 2009). In
this respect, Stone and Sharpley (2008) address the need of
distinguishing dark tourism form other similar issues. The curiosity
or fascination of death seems to be one of the aspects that define
thana-tourism, or dark tourism. But it is important not to lose sight
of how these experiences are framed under shared values that tighten
the social bond (Stone and Sharpley, 2008). From a conceptual
viewpoint, Dark tourism may be defined as a pilgrimage or an
experience but what seems to be important to remember is that it
can be an attempt to contemplate death of the self, by sightseeing
the other dead (Stone, 2012). Like heritage-seekers, dark-site visitors
like to expand their current understanding of history. The
epistemological limitations of research are given by the ignorance of
site-interpretation experienced by tourists or visitors. To study the
motivation of dark-seekers one might ask to reconstruct the subject
experience. At a closer look, dark tourism not only entails fascination
for death as a primary reason of attraction but a quest for authentic
experiences (Biran, Poria and Oren, 2011; Cohen, 2011; Sather17
Tourism and Terrorism
Wagstaff, 2011). However, a closer look reveals a hot debate in view
of how the message dark tourist sites offer, is constructed, designed
and disseminated through population. I, personally, am in doubt
visitors to ground-zero really understands the key factors that
determine terrorism, or even the responsibilities of America in
promoting some jihadists groups (Johnson, 2000). Is tourism a
mechanism towards resilience?
Though over recent decades, the concept of resilience, which was
originally a term coined by psychology, was widely applied to disaster
post recovery process (Haigh and Amaratunga, 2010), Dark tourism,
offers an inefficient instrument that obscures more than it clarifies.
Not only visitors of these sites have little knowledge of real reasons
that ushered to tragedy, but they ignore the allegory was politically
tergiversated by officialdom. How much would we know on effects
and reasons of Shoa (or any other genocide), only by visiting a
museum? This is a snapshot comparable by understanding The
Conquest of Americas taking a specialized book, but only reading
the introduction and conclusion.
One of the aspects that difficult the correct understanding of
disasters, is the role played by survivors during the first facet of the
event. After the landscape of obliteration or mass-destructions,
survivors develop psychological mechanism of defence to accept the
losses their suffered. As victims, the lives of friends, relatives or
even offspring have gone. This exhibits a great suffering which may
be reminded. However, after all, they feel not everything is lost, they
have survived. This second stage paves the pathways for the creation
of an ethnocentric discourse, where survivors think they have been
protected by fate, destiny or Gods. A midst of mass destruction, they
are enthralled as smarter, stronger and virtuous to give a message
to the world. Though this facet is necessary in order for the group to
enhance the self esteem, it should be duly regulated and limited in
timeframe; unless this occurs as noted, expressions of xenophobia,
message of hate against Otherness and chauvinism may very well
18
Introduction
emerge. A sense of supremacy monopolizes the collective soul of
affected community to the extent, their sense of reality is seriously
affected. Unless otherwise resolved, survivors believe they are special
and the only way of reaching happiness is by means of suffering.
Expressions of this nature were documented by Korstanje during
the Chile’s earthquake in the Triathlon Chile Ayuda a Chile.
Although interesting sums of investors devoted considerable financial
resources in order to help Chilean cities to recover, less attention
was given to bribes suspicions and proceedings against real-estate
businessmen who sold common skyscrapers and buildings as antiseismic. The spectacle of disasters sublimated the liabilities of some
actors were covered. The media, instead of focusing on the
responsibility of business corporations, opted to cover on the effects
of this disaster. A second issue centred on the nationalist discourse
echoed by Chileans during these festivals. They alluded to cultural
values associated with strongholds, virtue, and bravery to show the
witnessing world, they after all were on feet (Korstanje, 2014a,b).
May readers consider this as the end of resilience?
Following Klein, capitalism has been expanded in view of its
efficacy to disorganize social bondage. This disorganization produces
a gap which is fulfilled by a narcissist viewpoint of the world where
the “Other” should be subordinated to my desires (Lasch, 1991). The
culture of narcissism not only is useful to subordinate citizens to the
market, as Z. Bauman noted, but also undermines the existent levels
social trust (Bauman, 2013). The last stage consists in the
construction of an allegory, which confers a symbolism to disaster.
In this vein, it entices the visit of thousand of other peoples (tourists).
However, for the site to be consolidated as an attraction, the political
power should invest material and symbolic resources in order for
message not to cause social fragmentation, or the lack of their
legitimacy. Though necessary, it obscures the real reasons of tragedy,
cementing the possibility to prevent a similar disaster takes place
in a long run future. Capitalism has developed a great capacity to
19
Tourism and Terrorism
captivate audience even in context of disaster, but declining the
process of resilience that helps learning of such experiences. This
connotes a paradox which is stimulated by disaster cultural
consumption, in which case, the society had problems to understand
further on their disgraces. Otherwise, it presents a serious obstacle
for the process of resiliency in the times of fear, where tourism plays
a crucial role by engaging death and consumption. Anesthetization
of pain is conducive towards pseudo-resilience where the disaster is
a matter of time (Korstanje, 2014c,d).
(IN)MOBILITIES IN TIMES OF THANA CAPITALISM
In recent studies we coined the term, “thana capitalism” to denote a
new stage of capitalism where death plays a vital role as the
configurator of social order. Terrorism as many of other
representational of risks is “commodities” produced by Thana
Capitalism to endorse “Anglo-Saxons” an aura of exemplarity over
other cultures. Let us explain this concept with clarity in the next.
Recently, some specialists agree on the emergence of new tourist
destinations where death is “the star”. Those scholars interested in
dark tourism issues agree that visitors are aimed at experiencing
new sensation, or are in quest of novel experiences, where the “Death
of Others” serves to shed light on their own lives (Seaton, 1996; Stone,
2006; Stone and Sharpley, 2008, 2011; Cohen, 2011; Strange and
Kempa, 2003; Buda and McIntosh, 2013; Korstanje and George,
2015). In this respect, Seaton defines Thana tourism as the travel
dimension towards thanaptosis understood this as a trip to a site
wholly or partially motivated by the desire of meeting death (Seaton,
1996). Others of the authorative voices of this topic, P. Stone
addresses this meaning anew taking into consideration the wider
role of media, in covering not only spots of disaster as ground-zero or
New Orleans but other interesting sites as memorable prisons as
Alcatraz or Auschwitz. The complexity of this issue leads Stone to
20
Introduction
see Dark tourism under the lens of a spectrum which oscillates from
lightest to darkest dimensions. For Stone´s account, dark tourism
represents an anthropological need to anticipate the own death by
means of Others´ death. In retrospect, this deep-seated issue mediates
in ways of filter between life and death crystalizing a modern symbolic
platform so that the self to negotiate the ontological meanings of its
own mortality (Stone, 2012). Rather and Cohen (2011) dangled the
possibility dark tourism works as a mechanism of education that
learn to next generations further on those events that caused a great
trauma to society. In view of that, Cohen divides in populo site, which
signalled to those sites where disaster took hit, from, re-created sites
more oriented to exploit profits from a sad event. The concept of
authenticity delineates the borders of visitor´s experience to the
extent to generate different types of reactions. For Cohen, Dark
tourism epitomizes an instrument which very well can be used for
educative purposes.
From the outset, the specialized literature in dark tourism issues
was strongly influenced by the paradigm of education. Dark-site
consuming or slumming corresponded with individual attempts to
situate in the other´s world. Exegetes of dark tourism as a topic
embedded with heritage and education hold the thesis that the
allegories transmitted by monuments or dark shrines are individually
accepted or reject according to an earlier cognitive structure. This
suggests that dark-tourism consuming centres on individual
“experiences”, which bespeak from the biographies of subjects. Given
this, as Biran, Poria and Oren (2011) agreed, current literature in
dark tourism should explore the problem adopting tourist experience
as a key factor in the fieldwork. The relations of discourse, symbolic
meaning and experience are vital to expand the current
understanding of thana-tourism. With focus on Auschwitz-Birkenau,
researchers highlight that that involving visitors experience empathy
with the others` suffering as well as traumatic events. This begs a
more than interesting question, is Thana tourism a type of new
education for people to understand tragedies in the past?
21
Tourism and Terrorism
From a sharp viewpoint, we discuss the concept of Thana
Capitalism as a reified version of the society of risk which is
characterized by the obsession for others´ death. We realized that
the old pattern of holiday consumption started to change gradually
but over the recent decades the apollonian concept of beautiness has
been radically changed. Whether our parents and grand-parents
enjoyed their vacations in paradisiacal destinations or gazing
impressive landscapes, now consumers are strongly interested in
visit places of total obliteration, or mass-death. This tendency which
was baptized as “Thana or Dark Tourism”, was addressed by an
incipient number of scholars but disorganized to propose an allencompassing theory. Quite aside from this, the quest of witnessing
disasters or spaces of suffering is not only limited to tourism, it can
be found in Cultural Entertainment industries as TV, or Cinema.
Newspapers, TV programs, movies and Channel stations as
Assassination discovery cover scenarios where death is the main
player. Observations of this nature led me to coin a new term “ThanaCapitalism”, which is defined as a new facet of capitalism where
production and consumption has death as primary commodity. Of
course, in times of thana-capitalism education faces serious
disruptions which deserve to be discussed. This world rests on the
metaphor of life, but a condition only reserved for few souls. Most
likely in a climate of social Darwinism where Noah´s ark is one of
the most popular stories. The survival of the strongest entails the
destruction of the rest. At time of witnessing others´ death, through
TV programs, dark tourism or elsewhere, citizens feel they are living.
The death is gazed to enhance the ego, since after all it confers the
possibility to be in the game.
The term thana-capitalism as it was formulated in this book,
stems from “thanaptosis”, which was a term originally coined by
Willian Cullen Bryant (1948) to describe a state of nostalgia to see
life through the eyes of death. It signaled to the needs of recycling
life through death and vice-versa. In other terms, we are not born to
22
Introduction
live, because we are dying while growing. This neologism comes from
the word Thanatos (Greek) which means death.
In the psychological fields, one of the pioneers to discover the
force of Thanatos to sublimate our desires was Sigmund Freud. Across
over the psychological structure of individuals, two in-born drives
coexist: Life and death drives (German, tribes). The death drive can
be understood as a bodily instinct to return to a state earlier our
birth. Whether Eros was orientated to protect life through sexual
energy, Thanatos appealed to the (self) destruction (Freud, 1920).
In this token, modernity and death seems to be inextricably
intertwined. Phillipe Aries calls the attention to the fact that in
Middle Ages peasants were subject to countless dangers and real
death was just around the corner. With the expansion of life
expectancy, modern citizens expanded their hopes to live but
undomesticated the death producing a paradoxical situation. Effects
of disaster or mass-death will resonate in modern capitalist society
higher than in medieval times (Aries, 2013). In a world full of social
inequalities, not surprisingly, death corresponds with a criterion of
exclusion but what is more important; in the current times, deathseekers not only are moved by Thanatos or a death-drive, but are in
quest of reinforcing their ego by the Other´s death. Only in this way
they feel unique, exceptional or beyond the law. These cultural values
which are new for many social scientists, has revolutionized the
already existent notion of beautiness. As Auge put it, travellers over
past centuries were captivated by the reading of novels which engaged
the reader with the next trip. The role of imagination was a powerful
instrument to imagine “the other”, whereas modern tourism was
introduced to neglect and subordinate the position of the others. In
consequence, lay-people do not make the decision to travel elsewhere;
rather, the image of travels at dream destinations is imposed to
consumers (Auge, 1997). Nonetheless, the World described by Auge
is pretty different than this. Those landscapes, which some time ago,
inspired poems, writers and poets set the pace to the advance of
23
Tourism and Terrorism
news, or TV programs that tell us how “Others” die, or zones effaced
by natural disasters. This is one of others indicators that evinces we
are inevitably passing from risk capitalism to Thana-capitalism. To
understand the reason of their own life, death-seekers (within Thana
Capitalism) need to experience death through the eyes of “Others”.
To put this in bluntly, modern citizens need to gaze how others die
in order to have a meaningful live. In medieval age, peasants were
physically constricted to move freely but their imagination took often
them to places where others cannot easily go. Religion and the belief
in a better world hereafter configured a social ethos that makes
medieval man happier. In modern times, mobilities played a vital
role expanding the boundaries where geographically a citizen may
travel but its imagination declined to a small-world. In a realm, where
God has died, the consciousness resists to die accepting in terms of
Riesman an Other-directed view of life (Korstanje, 2015). In his
classic work, The Lonely Crowd Riesman was the first to note
economy and social organization are inevitably inter-linked. The
good-exchange delineates the cultural institutions to forge a common
“character. In Ancient times, tradition-directed character imposed
to an economy of subsistence, where tradition and lore plays
important positions as organizers of social life. With some economic
changes brought by mercantilism, the tradition oriented trait set
the pace to a new one, inner-directed development. In times of Reform,
puritanism appealed to the law-abiding and self-conformity. After
WWII, American society experienced the change to “other
directedness” where people are in quest of events that occur beyond
their immediate scopes. This other-directed personality not only
allowed a state of exchange and wealth accumulation but also paved
the ways for the advent of globalization. The interests for others
which can be expressed in modern tourism or even in journalism are
a direct effect of this trait. The problem of a society attached to
spectacle was originally addressed by Guy Debord in 1967, in his
masterful work The Society of Spectacle. Following Debord, one might
realize that daily life is being degraded by the imposition of
24
Introduction
representations, stereotypes, and images to the extent that “the
being” embraces merely appearing instead of other values. As
commodities, micro-social relations are emptied according to
representational landscapes that are dramatically exposed. Unless
otherwise reversed, the society of spectacle irremediably will usher
humankind in an atmosphere of inauthenticity, and fetishism
(Debord, 1967).
The epicenter of Thana Capitalism comes from the attacks to
World Trade Centre in charge of Al-Qaeda, an event occurred 11
September of 2001. This shocking blow represented a turning point
where Islam radicalism showed not only the weaknesses of West,
but also how the means of transport which were the badge of US,
were employed as mortal weapons directed towards civil targets.
Educated and trained in the best wester universities, jihadist showed
the dark side of the society of mass-consumption. Many of the steps
followed by Al-Qaeda were emulated from a Management guidebook.
All these discussed indicators set the pace to a more complex scenario,
where economy turns chaotic (unpredictable after financial stock and
market crisis in 2008) where the atomized demands become in a
competence of all against all (in the Hobbesian terms). The Darwinist
allegory of the survival of strongest can be found as the main culture
value of Thana-Capitalism in a way that is captivated by cultural
entertainment industries and cinema. Films as Hunger Games
portray an apocalyptic future where the elite govern with iron rule
different colonies. A wealthy capitol which is geographically situated
in Rocky Mountain serves as an exemplary centre, a hot-spot of
consumption and hedonism where the spectacle prevails. The
oppressed colonies are rushed to send their warriors who will struggle
with others to death, in a bloody game that keeps people exciting.
Although all participants work hard to enhance their skills, only
one will reach the glory. The same can be observed in realities as
Big Brother, where participants neglect the probabilities to fail simply
because they over-valorise their own strongholds. This exactly seems
25
Tourism and Terrorism
to be what engages citizens to compete with others to survive, to
show “they are worth of survive”. In sum, the sentiment of
exceptionality triggered by these types of ideological spectacles
disorganizes the social trust.
Last but not least, capitalism signals to the constructions of
allegories containing death prompting a radical rupture of self with
others. Whenever we see ourselves as special, put others of different
condition asunder. In a context of turbulences, the imposition of these
discourses is conducive to the weakening of the social fabric.
Thematising disasters by dark-tourism consumption patterns, entails
higher costs the disaster repeats in a near future. The political
intervention in these sites covers the real reasons behind the event,
which are radically altered to protect the interests of status quo. The
political and economic powers erect monuments to remember sudden
mass-death or trauma-spaces so that society reminds a lesson, which
allegory contains a biased or galvanized explanation of what happened.
Though at some extent, community needs to produces these allegories
to be kept in warning, the likelihoods the same disaster takes hit
again seems to be a question of time (Korstanje, 2014).
In this vein, Thana-Capitalism offers death (of others) as a
Spectacle not only revitalizes the daily frustrations, but enhances a
harmed ego. Visiting spaces of disasters during holidays, or watching
news on terrorist attacks at home, all represents part of the same
issue: The advent of new class death seekers.
Some philosophical concerns arise around the role played by
technology in this process. As Richard Hofstadter puts it, not only
did capitalism make use of profits, exploiting the workforce, but also
introduced successfully “social Darwinism”, which reinforced the
axiom of the survival of fittest as a new ethics. In other words, we
“play the game” because the opportunities to defeat our opponents
are exaggerated (Hofstadter, 1963). The competition fostered by the
ideology of capitalism offers the salvation for few ones, at the expense
26
Introduction
of the rest. To realise the dream of joining the “selected people”, we
accept the rules. Whenever one of our direct competitors fails, we
feel an insane happiness. I argue that a similar mechanism is
activated during our visit to dark tourism sites: We do not strive to
understand, we are just happy because we escaped death and have
more chances to win the game of life. In this respect, George H Mead,
one of the founders of symbolic interactionism, criticized that many
readers show an unpleasant experience at the time of reading bad
news in newspapers or magazine, but despite to of this, they were
unable to stop to do it. He assertively concludes that the self is
configured through its interaction with others. This social dialectic
introduces anticipation and interpretation as the two pillars of the
communicative process. The self feels happiness through the other’s
suffering - a rite necessary to avoid or think about one’s own potential
pain. Starting from the premise that the self is morally obliged to
assist the other to reinforce a sentiment of superiority, avoidance
preserves the ethical base of social relationships (Mead, 2009).
Nonetheless, this in-born drive has been manipulated beyond the
limits of a reasonable narcissism.
After all, Mead´s reflections could be applied to the act of visiting
dark tourism shrines. To understand this, we can revert to the myth
of Noah and its pivotal role in the salvation of the world in
Christianity. Slavoj Zizek agrees that Christianity needs from to
pose a message of self-destruction which is emulated by Christ to
become God. In the core of Christendom is enrooted a lesson that
encourages the betrayal as a guiding value (Zizek, 2003). Not
surprisingly, modern capitalism has expanded by the social
Darwinism old ideologies made possible. Whatever the case may be,
Noah´s ark situates as one of the most influencing myths over the
last decades. This legend tells us that God, annoyed by the corruption
of human beings, mandated to Noah to construct an ark. Noah’s
divine mission consisted of gathering and adding a pair per species
to his ark so as to achieve the preservation of natural life. The world
27
Tourism and Terrorism
was destroyed by the great flood, but life diversity survived. At first
glance, the myth’s moral message is based on the importance of
nature and the problem of sin and corruption. But when examined
more carefully, the myth poses the dilemma of competition: At any
“tournament” or game, there can be only one winner. In the
archetypical Christian myth, Noah and the selected species stand
as the only witnesses of everything and everyone else’s death. We
argue that the curiosity and fascination for death comes from this
founding myth, which is replicated in plays to date, stating that only
one can be crowned the winner. Even, the “Big Brother” show, which
was widely studied by sociologists and researchers of visual
technology, rests on this principle. Only few are the selected ones to
live forever on the screen, as is the case in religious myths such as
those of Protestantism and Catholicism (both based on doctrines of
salvation and understandings of death). In fact, the dark tourist
experience is conditioned by a similar premise: A reminder that we,
the survivors, are in the race and our sole purpose is to finish our
journey. Still, there is much discussion on the influence of religion
in capitalist ethos. In two must-read books as Consuming life and
Liquid Fear, Zygmunt Bauman reminds that life has not possibilities
to emancipate or gaining further meaning without the presence of
death. For him, the capitalist ethos has changed the mentality of
citizens, who do not even fulfil the function of production automata
any longer. As commodities, workers are today exploited to sustain
the principle of massive consumption, which is encouraged by
capitalism. The “Big Brother” is such an example of how people enter
competitions as commodities, to be selected and bought by others.
Participants in this reality show know that only one will win, and
the rest will “die”. “Big Brother”, for Bauman, emulates life in
capitalist societies; it does so by enhancing the lifestyle of the few by
“producing” pauperization for the rest. The modern state keeps in
pace with the liberal market to monopolize people’s sense of security.
This does not mean that states are unable to keep security, but that
the market is controlling consumption by the imposition of fear. If
28
Introduction
human disasters such as Katrina show the pervasive nature of
capitalism, which allows thousands of poor citizens to die, the “show
of disaster” releases it from the responsibilities of the event. The
sense of catastrophe, like death, serves to cover the inhuman nature
of capitalism (Bauman, 2007, 2008).
In retrospect, the current spectacularised society has only one
answer to crisis, when its economic system is at risk. The real causes
of the disaster are ignored thanks to the spectacle of death, which is
reproduced in the media and famous TV series. What do we really
know about the real causes of Auschwitz or 9/11? Could a museum
explain the complexity of human nature? Bauman would say it would
not. Any attempt to sacralise dying as a spectacle is the prelude of
its neglect. Dark tourism is not different from spectacles such as
those of the FIFA World Cup, and reality shows, such as “Big
Brother”. All of them proclaim ideologically that only one may be
crowned winner (Korstanje, Tzanelli and Clayton, 2014). Education
in times of thana-Capitalism goes in this direction… encouraging a
combination of narcissism and invidualism which places the net of
experts asunder an all-encompassing understanding of events. The
sense of reality as formulated by Enlightenment divided into many
worlds, where things are adjoined to stimulate the psychological
desire. It engages the civilized self with a much deeper matrix of
hyper consumption.
To cut the long story short, the idea of a Thana-Capitalism was
inspired in what Baudrillard dubbed as “The Spectacle of Disaster”,
as the main criterion of attraction. However, he did not five further
references respecting to the rise of a new capitalism. He only was
limited to explore the leading position of the media as a producer of
“pseudo-realities”. Rather, we go in another direction. At a closer
look, Disasters provides to Thana-Capitalism with the commodity
to disorganize the social ties among workers in order to introduce an
atmosphere of social Darwinism where all competes with all to
survive. This can be observed not only in cultural entertainment
29
Tourism and Terrorism
industries but in other institutions as well, as a new trend in tourism
to visit spaces of mass death and mourning. Far from being pursuing
educational aims, rather, these sites are aesthetically designed to
make feel visitors they are special. In a secular society where Gods
have gone forever, life is imagined as a long race where only few are
mythically empowered to win. The death of others represents a new
opportunity to feel one is still in the trace. This confers an aura of
superiority that leads individuals to narcissism. As a result of this,
mistrust paves the ways for the social tie decline. The psychological
effects of dark tourism, disaster-cinema, Newspapers covering tragic
events, local crime or even programs as Assassination Discovery or
Criminal Minds are not pretty different to what a survivor experience
in post-traumatic contexts. Secondly, witnessing death represents a
sentiment of narcissism that helps visitors to strengthen their own
ego. Death-seekers are not interested in heritage or in any other
stories of victims; instead, they need to feel their supremacy over
others who had not shared the same luck. If the sense of protection
marked the pace in the society of risk, now witnessing the Other´s
death (even Thana-Tourism) posed as the main cultural value of
Thana-Capitalism. This seems to be the main reason, despite the
cruelty of scenes covered the media in hot spots of terrorism; we do
not let consuming this tragic news. Although this book explores our
obsession for terrorism, it is not limited to such theme, but it opens
the discussion in many directions. At a closer look, what this
discussion on dark tourism sites as Ground-Zero, hints are that
terrorism and tourism seems to be inevitably entwined.
STRUCTURE OF THE BOOK
Unfortunately, a book which centres on terrorism focus (in rare
occasions) contains key information to prevent the next attack.
However, it should be aimed in shedding light on this deep-seated
issues in order for policy makers understand to what they are
30
Introduction
struggling. Howie (2012) in his work, Witnessing Terrorism reminds
the importance to study this matter beyond the hegemony of media,
escaping from the monopoly of screen, where many “pseudo-experts”
have fallen. It is a truism that those urban dwellers, who are not
involved in hot spots as Middle East, are prone to experience panic.
This suggests that fear stems from an absence, a symbolic absence
which should be rememorized. Following this argument, what is
important to discuss is not why us?, or why my Lord?, but crystalizing
our existential doubts more concrete question.
At a closer look, terrorists kill (even sacrificing their life) because
death turns out a frightening issue for capitalist societies, which
means at the time, secularized societies abandoned the sacred-law
of religion, hospitality started to be offered only to those who can
pay for that (Korstanje, 2015). Though readers who open the pages
of this book will read 7 independent chapters, the common thread
argument prevails, in the following axiom:
Since terrorism appeals to the instrumentalization of the weaker
other, its roots have not to be found in Middle East, but in the influence
of Western societies in Middle East. This does not mean that terrorists
are the “good boys”, but the impossibility for Capitalism to prevent
what at the bottom it should feed. Tourists are attacked not only
because they are ambassadors of their respective nations, but because
tourism represents a disciplined version of terrorism. Some
mainstream values as extortion, surprise-factor, and instrumentality
which are defined as significant aspects of progress and development,
are the same that determine the rise and unparalleled evolution of
terrorism worldwide.
Throughout the first chapter, we lay the foundations of terrorism
combining different angles, some of them even contrasting viewpoints
in order to provide the readers with an all-encompassing model of
what terrorism means. As Professor Luke Howie noted, one of the
31
Tourism and Terrorism
key factors of terrorism is a lot of people watching. This point suggests
that terrorism should not be defined as a “consequence” as media
did it, a consequence of hate against democracy, a consequence
against Whiteness, or even to sublimate a life subsumed in poverty.
Terrorism is a political instrument captivated by western rationality
but amplified by the needs of witnessing, which is enrooted in the
core of our civilization. This argument is critically discussed in an
analysis the recent combined attack in the night of Paris (2015). Far
from being an activity orchestrated in undemocratic nations,
terrorism is part of what Korstanje dubbed “the rationality of
extortion” which is founded on the core of capitalism. The third and
fourth chapters dissect the dilemma of terror to prevent the mobilities
of thousands of exiles, refugee and peoples who desperate needs from
movement not to die. Placing Derrida under the critical lens of
scrutiny, this chapter offers an interesting pungent discussion respect
to the role played by Western nations in preventing the entrance of
Syrian refugee after Aiylan`s case (a 3 years old boy found death at
the coast of Turkey). Although the enthusiasm of human rights
activists reached its zenith whenever Europe authorised further
quotas of migrants, this closed with the attacks on Paris nightclubs
and restaurants, where one of the suspected killers arrived to France
as refugee. This begs a more than interesting point, is terrorism
eroding the basis of hospitality as it was formulated in Ancient
Europe?.
To respond these questions, chapter fifth and sixth allude to the
growth of dark tourism as a new segment where visitors inspect
sites whipped by disasters or terrorism. Although some experts
showed their enthusiasm since it exhibits a great opportunity for
tourist destination to recover event after a terrorist blow, no less
true was that visitors are not interested in knowing further on the
suffering of victims, but in reinforcing “a sadist happiness”, which is
orchestrated by the rise and expansion of a new type of capitalism,
Thana Capitalism. At the time, tourism revitalizes sites where
32
Introduction
innocents were killed by terrorist cells, as Ground Zero, one might
speculate tourism and terrorism are inextricably intertwined. As the
previous argument given, it is important to explore the history of
anarchism in Modern Capitalism to understand that some of labour
acquisition as less worker hours, paid holidays, or even tourism
resulted from terrorism (in hands of anarcho-syndicalism). Modern
capitalism not only disciplined terrorism into inoculated forms, but
gave to workers their right to strike. If we pay heed to the
commonalities between terrorism and strikes we found three
interesting points of convergence, a) key factors, both are planned in
order to be suddenly implemented in order for causing political
instability, b) the instrumentality of “the other” to achieve the own
goals and c) a third part which often is weaker is posed in the middle
in order for union leaders or terrorist to negotiate with state. The
last chapter, the most polemic to our end, validates what Geoffrey
Skoll called “the culture of fear” of English speaking countries. Skoll
assertively suggests that terrorism is not new, but the problem comes
from a culture of fear, used by elite to indoctrinate the workforce.
This disciplinary mechanism which is conformed by fear, has
historically cemented in American culture from the colony to date.
Americans feel proud of their technological superiority, adjoined to
their respect for democracy in homeland, but it runs a serious risk
when they should abandon their home. The state of exception
endorsed on nationalist discourses that presents US as an up-hill
nation, which should rule over others, becomes in panic at the time
borderlands should be crossed. This chapter is based on a radical
criticism of a book authored by anthropologist Robert Temple (1961)
American Abroad. From our viewpoint, the point of entry in this
discussion lies in the fact that “the war on terror” does not instil
panic in American society, but it was hidden in society long time
before. At some extent, the sentiment of “being different” which leads
to narcissism, the climate of panic, the rise of death seekers as a
new emergent class and our incapacity to let witnessing terrorism
33
Tourism and Terrorism
(despite its negative effects on public opinion) are inextricably
intertwined. This book is brought into the fore by “an alien”, a SouthAmerican scholar, a stranger who precisely in his situation embraces
objectivity in his observations. This research does not represent an
attack to Americans, nor to their culture, but provides with cultural
theory to expand the current understanding of terrorism and its
connection to leisure, mobility and tourism.
34
Discussing Terrorism
1
DISCUSSING TERRORISM
INTRODUCTION
Over the recent decades, westerners witnessed how what they
considered distant threats, which ranged from undemocratic
countries to terrorist cells operating at the borderlands of states,
become in a real nightmare. C. Johnson (2000) envisaged terrorism
as the necessary “blowback” resulted from direct interventions
conducted by United States in Middle East, while Jean F Revel called
the attention to the antiimperialist discourse, which was historically
promoted by some European powers as France to blame others from
the proper internal policies and political frustrations (Revel, 2003).
Whatever the case may be, what was clear that after 9/11, terrorism
situated as the main threat for governments, policy makers and
experts specialized in international affairs (Keohane and Zeckhauser,
2003; Korstanje, 2015). The terms of geopolitics as they were
formulated by founding parents of neo-pragmatism which stipulated
the needs of disciplining the so called “rogue states” as a
precautionary principle to keep peace in the globe, sets the pace to a
new ideology where the sense of uncertainness prevailed. After 9/11
and the attacks to United States, what analysts understood was that
nobody will feel safe anytime and in any place (Biddle, 2005).
However, as Luke Howie (2012) puts it, terrorism not only showed
35
Tourism and Terrorism
the vulnerability of West to prevent attacks, despite its hightechnology, but paved the ways for the rise and expansion of a new
era of terror that changed our style of life as never before.
“Witnessing is far more than merely watching or seeing. Witnesses
are never passive. Witnessing is active, performed and embodied, even
when it occurs at a distance. Terrorism, and the so-called global war
on Terror depends on near and distant witnesses for its success as a
tactic of message sending and manipulation of target audiences”
(Howie, 2012: 155)
In this vein, Howie adds, terrorism is not oriented to obliterate
entire civilizations as journalism precludes, but at administering
terror in order for their claims to be unilaterally accepted. In the
post 9/11 contexts, witnessing terror was the main commodity in
western societies, which suggested an intersection of terrorism with
the mass media. This chapter explores the ebbs and flows of modern
terrorism as well as the current families of theories which thematise
on this much deep-seated issue. Basically, aside from the number of
books, conferences and Ph. Doctorate thesis after September 11,
which were originally published in English, there is a clear
misunderstanding of what terrorism is or the social background
necessary for its proliferation. In this book, though we move back in
many directions, the chapters share a common-thread argument.
Based on the instrumental needs of extortion, which is based on
Western rationale, terrorism has been inextricably interlinked to
“mobilities”. A couple of decades back, terrorist attacks were
perpetrated against celebrities, Chiefs of police, or top-ranked
politicians for example, in times of anarchism in US, William
McKinley former president was killed by an activist (1901). But now
things come from worse to worst, lay-people or mobile travellers as
businessmen, tourists, journalists are hosted and killed in order to
instil panic in their respective societies. Al Baghdadi and ISIs
declared their “jihad” against “modern tourism”, and the
international leisure consumption spots as luxurious hotels, beaches
36
Discussing Terrorism
or international tourist destinations (Korstanje and Clayton, 2012;
Tarlow, 2014). Asal et al. (2009) understand that tourists are
considered as “soft target” representing low risks and costs for
tourists; and of course, this was the reason behind the attacks to
hotels and mega resorts. The process of selection is carefully achieved
taking into consideration the rational evaluation of potential costs
as well as its impacts on social imaginary. Following the contributions
of W. Enders and T. Sandler (2011) who envisaged that terrorists
are not emotionally determined by hate or hatred-filled maniac
desires, but they are in quest of achieving their goals starting from a
rational paradigm, many of the already existent specialized literature
suggests that hurting lay people causes a panic-flight in society at
lower costs for perpetrators because of two main reasons. At a first
glance, citizens experience emotional neglects of risk probabilities,
where they feel a new blow can take hit in any place. Secondly, it
shows a vulnerable state which is hand-tied to protect its citizens.
As this backdrop, in the next section I will discuss the roots of
terrorism by the formation of a conceptual platform, framed into
many contrasting voices. This will help readers to forge an allencompassing model to what terrorism really means.
WHAT IS TERRORISM?
Although the number of terrorist attacks has decreased over the
recent years, the cruelty as well as the needs of captivating the
attention of audience has notably increased (Moten, 2010). Kenneth
David Strang (2015) published a valuable manuscript where he
retains concern on the fact that literature as well as pundits fail to
gather information enough to struggle against terrorism. Beyond its
reality, terrorism is a global threat which affects not only US but
many other countries too. Some regions that seem to be peaceful are
fertile grounds for potential attacks. However, specialists and
colleagues are prone to put the horse before the cart, confusing not
37
Tourism and Terrorism
only the conceptual elements but those methods distinguish Al-Qaeda
from IRA. Strang considers that not all terrorists are in pursuit of
killing innocent people. While some perpetrate attacks against
infrastructure such as oil tankers, banks, warehouse or technology,
others prefer to host celebrities and important persons. Although it
is almost impossible to sum up hundreds of studies and definitions
into some lines almost 3 families of theories prevail: Individual
(emotionally-driven), individual criminals (instrumental) and sociopolitical (ideologised activist). Some frustrating experiences occurred
in daily life may very well lead towards individual (emotionally
driven) subtype where the subject sublimates their pain through
the hostility against “others”. Rather, “instrumental criminals” are
motivated by criminal ends as the example of hostage-taking for
ransom or many other profit-oriented goals. Lastly, ideologised
terrorists move in groups in quest of abstracts claim which are very
hard to meet by governments.
It is not accident that tactics tend to be crueller depending on
the degree of insensitivity to attacks. While citizens accustomed to
consume news of terrorism through TV, it resulted in more violent
attempts in order for audience to be re-captivated (Zizek, 1996).
Undoubtedly, one of the paradoxes of terrorism seems to be its
dependency on mass media, which needs from terror to produce its
content. Interesting studies showed how the violence used by terrorist
attacks is directly proportional to “the indifference of audience”
respecting to what terrorists claim for, as well as the degree of terror
instilled for these claims to be heard (Altheide, 1987, 2007; Dowling,
1986; Eid, 2014). In this vein, Mythen and Walklate (2006) argue
convincingly that the ethical dilemma of democracies consists in how
news of terrorist attacks is communicated. The problem of censorship,
adjoined to the right of information, seem to be two alternatives which
culturally pave the pathways for the rise of terror. Based on the
conceptual platform of risk society (in Beck, 1992) and the
precautionary principle (Sunstein, 2003), they held the thesis that
38
Discussing Terrorism
“communication on the risk of terrorism” is embedded with a culture
of fear where media representations reinforce simplistic stereotypes
respecting to non-white (European) worlds (Mythen and Walklate,
2006).
In this respect, Jonatan Simon (2007) in his book Governing
through Crime, explain that one of the concerns of founding parents
of American democracy was the fact only few hands concentrate a
whole portion of power. To prevent a situation of this nature, they
carefully developed a conceptual model where branches and agencies
to be independent from the influence of other external institutions.
This real check-and-balance culture pivoted in sanitizing politics far
from corruption, but at higher costs. Since policy makers failed to
introduce their policies to prompt social change, government appealed
to use the tactic of fear of crime in order to subordinate those
institutions to conduct radical changes in the programs of social
health, security and international relations. As a result of this,
officials realized not only the power of fear, which oscillated from
communisms to modern terrorism, as a fertile ground for imposing
polices otherwise never would accepted by the system. By the role
played by prosecutors, government found the necessary allies to
conduct a plan of securitization to discipline the world (Simon, 2007).
Matt Grossman (2014) confirms that Americans should revisit their
conception of democracy, since many of programs for development,
or policy to make the life of people better, are rejected by status quo
justifying the decision on “the division and autonomy of branches”.
Despite Abraham Lincoln´s vision that our government is of the
people, by the people and for people, there is little evidence that the
most important outcomes of the policy process follow uniformly from
the opinion of American public of their expressions in elections.
Instead, these inputs matter for policymaking only alongside factors
like research and interest group lobbying, each under a limited set of
circumstances. Policymakers can and do collectively ignore public
opinion and the direction of elections result, sometimes by enacting
39
Tourism and Terrorism
contrary policy but most often by making no change at all.” (Grossman,
2014: 9).
Though this system evinced some limitations since it takes a
conservative spirit, Grossman said, the main goals of democracy was
oriented to prevent any person or party concentrates too much power
to subjugate the rest. This system, which paradoxically was based
to protect the interest of status quo, crystalized after 1945 with the
WWII end. The preliminary chapters of this book discuss the best
methodological options to study policy-makers as a net as well as
the necessary sources of information used in the research. Grossman
acknowledges that one of the conceptual limitations of the specialized
literature consists in a lack of understanding how policies are
formulated, negotiated and achieved. In so doing, he makes a
criticism over the four most-used theories in political science today
(agenda setting, Macro politics, Issue typologies and Actor Success
models). At a first glance, Agenda Setting seems to be oriented to
explore the role of media as meaning producers that sooner or later
determine the understanding of the citizenry. As noted, American
democracy was cemented on a complex multilayered system where
many agents exert counter-balanced pressure to avoid media
populism. Rather, the second family of theories, Macro Politics model
emphasizes on the ideological control of government to sanction laws
that protect their interests. From the intersection of election results,
ideologies and public opinion is a much wider agreement surfaces.
The third position aims to the role played by social change results
from the temporal consensus reached in some areas of politics while
others are left behind. Last but not least, the axiom of Actor Success
sets forward a conceptual corpus which understands that the
influence exerted by some actors depend on their probabilities of
success.
This represents a serious risk for democracy due to the following
reasons. At a first glance, this climate of preservation for elite paves
the ways for using fear as the only method to introduce fast changes.
40
Discussing Terrorism
Secondly, if this happens, governments are next to dictatorship
because it will feed from the doctrine of emergency over the world of
law. In one of the best books we have read, Cropf and Bagwell (2016)
edits a series of valuable chapters where they explore the conceptual
limitations, adjoined to some ethical issues around the notion of “the
state of emergency”. If the right of citizens is not dully regulated,
democracy cedes to fear, increasing the possibilities for the rise of a
dictatorship. The use of current digital technologies to monitor lay
persons or activists is one of the aspects that triggered a hot-debate
in Europe and US. After Snowden`s case, citizenry not only realized
the dark side of government, but how slowly democracy is dying.
Whether the security of citizens corresponds with some of the sacredduties of any government, but at the same time, privacy or private
life represents one of the rights that citizens who should be protected.
How both contrasting values can be organized in democracy?
Although this question is almost impossible to respond in these
terms, what is clear is that any “state of exemption”, regardless the
nation, allows some restrictive policies otherwise would be neglected
such as torture, e-surveillance, and other human rights violations
(Croft and Bagwell, 2016).
With the benefits of hindsight, 9/11 has exerted a strong influence
in published papers, which were based on terrorism as main focus,
up to the dark night of Paris. This recent attack reminded the
dangerous nature of hospitality, as well as posed ISIS in the tapestry.
Unlike 9/11, Paris reminds that Europe how dangerous the law of
hospitality may be. For some voices, Europe should carefully revise
its rational discourse of hospitality, hosting exiles coming from Middle
East humanitarian disasters. At the time Europe opened the doors
for thousands of migrants (thrilled by Aylan´s case, who was a Syrian
boy found dead at the coast of Turkey), IS jihadists announced a
secret infiltration of some of their members within waves of refugees.
International newspapers covered the news that French police
suspects on the participation of some Syrian-born refugees in the
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Tourism and Terrorism
bloody massacre hit Paris a couple of months back. This suggests
that the ancient concept of hospitality, as it was enrooted in
Europeanises, is in jeopardy. What the three events have in common
seems to be the intersection of terrorism with tourism. This chapter
is aimed at reviewing the ebbs and flows of tourism literature with
focus on terrorism according to new tactics, ideologies and
technologies adopted by international terrorist cells. Kidnapping sets
the pace to suicide bombs as well as other finely-ingrained tactics of
extortion. In next research-horizons, what would be more than
interesting to discuss is to what extent a much deeper process of
desensitization in audience calls for more appalling and cruel
methodologies in terrorist minds, in which case one might speculate
that modern hot-spots dedicated to entertainment, leisure,
consumption, relax and tourism are being selected to instil a much
deeper fear in the population. In this bookwe will explore the
evolution of specialized literature in regards to the intersection of
terrorism with tourism. Each generation as well as the authorative
voices focused on terrorism was influenced by a collective discourse
determined by a major event.
To cut the long story short, one might speculate that terrorism
inscribes in the fields of political violence taking into consideration
not all forms of violence represents “acts of terrorism” (Flynn, 2012).
Liberal scholar Michael Ignatieff (2013) reminds that violence is not
good nor bad, it should be legally limited into a conceptual frame
that prevents “the war of all against all”. Starting from the belief,
torture to terrorists is the lesser evil Ignatieff adheres to the doctrine
of imminent causes, legalized in the constitution, to divide what is
legal from illegal forms of violence. The function of state is oriented
to protect the lives of citizens, when this right is vulnerated, legal
torture would be an option, not preferably, to restore the peace, and
put the suspects of terrorism intro a just trial. Rather, Howie (2012)
adds, surmises, but it administers a whole portion of terror in order
for their claims to be unconditionally accepted. Although at some
42
Discussing Terrorism
extent, state struggle against subversive cells to keep the social order,
many human right violations surfaced. It has been discussed by
Korstanje in which case, he considers terrorism should be deemed
as dialectics of hate between separatist dissidents and nation-state
(Korstanje, 2015). The process of radicalization suffered by candidates
has been brilliantly examined by McCauley and Moskalenko (2008)
and Moskalenko and McCauley (2009). The key factor to form
terrorist consists in instilling a negative image of the world that is
reinforced by a physical isolation in small groups, which helps
reducing the ideological dissidence. This micro interactions, far from
what many people preclude, is based on emotional factors. Candidates
are not only in quest of self-esteem enhancement but also are
recruited following the initiatives of relatives, peer’s networks or
friends. This reminds the importance of group processes in the
formation and training of terrorists (Wilson, Bradford and Lemanski,
2013). Over recent decades, more radicalized cells adopted new tactics
to cause political instability. If IRA, Hezbollah or ETA planned to
vulnerated great targets selecting on celebrities, Chief Polices officers
or politicians today it set the pace to “innocent” civilians as tourists,
travellers, journalists and so forth. Last but not least, Korstanje,
Skoll and Timmermann argue that historically tourism and terrorism
have inextricably intertwined from the onset of industrialization.
The process of unionization which pressed capital owners to confer
working benefits resulted in the advance of technological
breakthrough and working enhancements. Not only mass-tourism
outpoured as an efficient mechanism to reduce social conflicts in the
core of industrialized societies, but the main cultural value of
terrorism was adopted by capitalism, extortion. Far from being a
religious problem of compatibility, terrorism is enrooted into the
politics of West (Korstanje, Timmermann and Skoll, 2015). As
discussed throughout this book, terrorism is defined as dialectics of
hate between a state unable to keep stability and a group of insurgent
that appeals to struggle and violence to impose their claims. At the
time, the government never knows where the next blow will take
43
Tourism and Terrorism
place,tortures (even the violation of human rights) plays a vital role
feeding up the flame of terrorism.
TERRORISM AND THE DIALECTICS OF SOCIAL
THOUGHT
What sociology is debating today relates to the influence of 9/11 to
the migration from neo radical conservatives towards Bush and
Obama´s administrations. Left and right-wing sociologists agree that
9/11 has changed the ways of politics inside US and abroad
(Korstanje, 2013). What detractors or adherents to “war against
terror” ignore is that perhaps “the spirit of terrorism”, as formulated
Baudrillard (2003), is not enrooted in the West, as formulated the
French philosopher, but in the value-laden concept of dialectics.
In this new book, Professor Geoffrey Skoll presents a fresh
innovative thesis respecting to the dialectics of agency and society.
No matter the status of two agents, or the value each one gains in
the market, the fact is that both are determined by the social
dialectics that precede them. Beyond the society, the agent has not
any significance, while the society loses its reason to exist without
human agency. What this book discusses is the functionality of both
elements to the extent to delineate their respective importance for
the system. Rich people need from the low-status workers as the
latter ones need from capital-owner. To overcome the conflicts the
dialectics wake up, Skoll suggests that the social order is based,
following Simmel, to a triadic nature. The process of negotiation
between two or more parts alludes to the existence of a third-leg
where the dialectical relationship is based by negotiations. The first
chapter, therefore, is fully reserved to discuss not only the legacy of
dialectic in social sciences, but to what an extent, social is enrooted
in the dialectic. Skoll proposes that the social “thought” as a text,
shed light on the world employing Hegel´s dialectic, simply because
the concept of social is dialectic by its nature. Two of the senior
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Discussing Terrorism
scholars who have realized on this were S. Freud and K. Marx who
have devoted considerable time and effort in elucidating the invisible
ties that keep united the society. From diverse views, both
acknowledged and accepted the “reification of reason” as the primary
goal of social scaffolding. Though in different times, whilst Freud
emphasized on the neurotic self-deception, Marx focused on the
mystification of political economy (third-object). As the society, the
constitution of self corresponds with a reflection between rules and
drives.
Most certainly, it is safe to say Ego is for Freud, what Capital for
Marx. What is the ghost machine of capitalism? At a closer look,
capital mediates between production and workers, at the same line;
ego corresponds with the interplay between repression and reason.
The main thesis of this brilliant work is that social diagnosis on the
problems of reproduction is biased by dialectics since it is social. At
time two individuals interact, this dynamic is impossible to be
studied. This begs a more than pungent question, how can society
being a unified object?Are human being social in nature?.
The sociology, over the years, attempted to respond these
questions alluding to the figure of a city as the recipient of human
relations. Any metropolis condensates the accumulation of human
resources, capital and production, and for that, it expresses the
dialectics of machine and its work-force. What Skoll explain is that,
the social as construal is based on the dialectic-thought from its
inception. With a great erudition, the radical development through
this book reveals two interesting concerns. First and foremost,
dialectics of triadic thought was applied for “social understanding”
in all social thinkers from pragmatism to nihilism. Secondly, this
modern social order based on the dialectics generated the monopoly
of meaning of capitalism juxtaposing two modes of thinking. At the
bottom, social sciences delineated the original adoption of capitalistview which exploits agency to an irreversible stage of collapse.
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Tourism and Terrorism
From deep criticism to Marx as it has been formulated by Skoll
in the preliminary sections, passes to the epistemological problems
in Hegel and Freud (third chapter). One of the aspects that
characterized the psychoanalysis was the belief that behaviour is
the expression from unknown spheres of humanity, unconsciousness.
Far from being subject, subject, that way, becomes in “object” to be
placed under the lens of expert´s scrutiny. The lay-person is educated
not to understand itself, lest through the mediation of therapists.
This type of commoditization –ossification- consists in getting away
the autonomy of agency in view of other much deeper forces. Similarly
to this, the reading of fourth chapter suggests that pragmatism
adopted the same argument by confirming that the world is a
simulacrum which rests on the interaction of actors. The fifth section
considers the dialectics situated between culture and society, as it
has been imagined by Simmel, Harvey and Debord. The inter-war
period paved the ways for the advent of Frankfurt school which
generated a real revolution in West. In perspective, this school
employed the dialectics of history to expand its understanding of
revolts and social breaks. Once again, the social scientists influenced
by post Marxian legacy questioned directly to the capitalist system
but adopting its primary epistemology. Last but not least, Skoll
recognizes that phenomenology, addressed in chapter 8 and 9, cannot
persist without the use of dialectics as it has been discussed in this
review. Precisely, this led to analysts to ignore three main social
problems, ecology, terrorism and economy. If the terrorism can be
understood as a “commoditization of fear”, the exhaustion of local
resources by capitalism creates the condition for the current condition
of crisis. As a third-escapement object, terrorism diverts the attention
of real problems produced by capitalism and its inevitable collapse.
As a concept which can be manipulated, fear may be commoditized
not only to break the law, but also exerts a disciplinary mechanism
for citizenry accepts policies otherwise would be neglected. These
abstractions can be drawn according to the interests of status quo.
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Discussing Terrorism
“Security and terrorism are bound together in a dialectical process
of mutually defining each other; they create each other in economic
and environmental turmoil. What the process produces is the national
security state, continual terrorist incidents, and an ever growing
market for security goods and services. Despite its apparent selfgenerating dynamic, the terrorism dynamic is part of a larger whole
with links to the economic process and the biophysical environment.
Terrorism, like anti-Communism and crime fighting are political faces
of larger social processes”. (p. 116)
The commoditization of communism (like many others) embedded
with the neo-conservatism in Reagan epoch. Unlike Bauman and
Lyon (2013) who envisage the decline of social bond and sociology as
academic discipline as the primary reason of current crisis, what
Skoll brilliantly explain is that this parlous state of disorder was
ideologically possible by the introduction of a triadic concept as it
has been created by the needs of social, this means by the introduction
of sociology as a producer of knowledge. Well, to here we have
described Skoll´s argument as objective as possible. His erudition
and penetrating sight makes of this book a seminal work which will
illustrate next generations. A more than an interesting masterful
guide is that which helps readers understanding the present.
TERRORISM AND THE MASS MEDIA
One of the concerns of modern sociology with focus on terrorism
appears to be “communication”. As Teresa Sabada puts it, while the
bombing in Atocha represented the end for a Government, 9/11 was
the onset for a new one. This means that framing and the ways news
are covered play a vital role in the ideology government needs to
construct. Understanding that 9/11 called the attention to the
barriers, borders and the vulnerability of capitalist societies, Sabada
presents an illustrative book where she eloquently observes that,
terrorism escaped the conceptual dichotomy of Cold War, where
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Tourism and Terrorism
countries were classified by their security. Some pour peripheral
nations were considered “unsecure” because they failed to develop
democratic institution to ensure the rights for all citizens. As a result,
these cultures were fraught of civil wars, political discontent, and
terrorist cells that operated to engender political instability against
government. Using poverty as a commodity, these governments
appealed to fear to dissuade the internal agent the current state of
injustice is the best of feasible worlds. Rather, 9/11 not only showed
there is a safe place in the world but “the jihadist” may escape to
any control planning an attack in the core of West. Although during
years, media built a pejorative image of Muslims, framing a sense of
reality that coincides with those beliefs of travellers in 19s century,
in regards to non-European cultures, no less true is that nowadays
it is necessary to reconsider to what extent news are covered and
framed according to interests of political status quo. The novels of
former centuries conditioned the eyes of travellers into a closed idea
of “otherness”, while modern journalism developed “staged” realities
to resonate in an international globalized audience. If we agree, media
exerts influence on the social imaginary, the impact depends on many
factors, which ranges from culture, history towards the tolerance of
uncertainty of each country. After 9/11 violence situated as a criterion
of attention causing a deep emotional impact on witnesses, at the
same time that Atocha triggered a hot debate respecting to the ethics
of government to manipulate news.
With this historical background in mind, Sabada examines the
arguments of Garfinkel, Goffman and Bateson precluding structural
psychology’s pretensions which has historically emphasized the idea
of a universal conscience. The main thesis of this insight project is
that the meaning of events is oriented to a cognitive structure-ofmind which allows people redirecting internally similarly-minded
events and discarding others; anyway, this is not lineal. To be honest,
classical hypodermic theory should be re-visited because purposes
in a communication process are manifold and Mass-audience seems
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Discussing Terrorism
not to be so-easily manipulated as popular wisdom imagined.
However, insofar Mass Media contributes to depict a false image of
reality in a Mass-audience seems to be a slippery matter. The
discussion is given by two contrasting sides. On one hand, some voices
consider that journalism tergiversate reality, selecting events as part
of the facts, people accept in a unidirectional way. On another, other
scholars believe that news is subjectively negotiated according to
individual desire to consume some news while others are simply
discarded. Following this diagnosis, she considers that the process
of framing consists in three stages,
A) Diagnosis
B) Forecasting
C) Motivation
Whenever the state of security is at stake, not surprisingly,
journalism is pressed to keep events in secrecy. Far from being part
of the solution, under some circumstances, journalism creates panicflights which are based on the neglect of risk probabilities. At a closer
look, the stage of diagnosis refers to the needs of explaining audience
why facts happen. During forecasting, media will ask pundits and
experts to present alternative solutions to be heard by politicians.
Lastly, motivation signals to the necessary synergy unfolded by media
to cause political commitment or activism. While some journalists
appeal to cover news without any intention to move people on the
streets, others news resonates heavily in popular opinion to the extent
it moves toward protest and civil disobedience. Underpinned in the
proposition that Mass media gained more acceptance and credibility
in popular wisdom than institutions of other nature, in moments of
instability its profession should be practiced with responsibility. For
further understanding, Sabada puts as an example the historical
reaction of people in Spain after the assassination of Miguel Angel
Blanco–National deputy of Popular Party- in 1977. Truthfully, not
only Blanco’s tragedy shocked whole Spain but also reinforced the
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Tourism and Terrorism
solidarity against a same enemy: Terrorism. Citizens, wherever the
parts of Spain come from, congregated to claim a radical solution for
Basque pro-independence supporter’s trouble. Inasmuch as a person
has not a direct experience with similar events, more likely its
dependence of journalism’s manipulation. For instance, in a
straightforward comparison between the coverage and Political
intervention of 11-Sept events in United States with the attack to
Atocha´s station dated on March-11, Sabada concludes that even if
Spaniard Mass media tended to perpetuate a mythical archetype
based on tragic facts of World Trade Center, social and political
contextualization in both countries varied on. In perspective, Madrid
had very hard to create a coherent-framing that monopolized the
figure of culprit on otherness whereas Washington not only
manipulated immediately journalism in the centralization of one
voice that American people hear but also generated a more degree of
legitimacy and cohesion against terrorism and Islamic World.
Otherwise, in Spain things appeared not to come out good as officials
expected; by blaming Basque guerrilla, Aznar´s efforts in
monopolizing the support of citizens in the on-going election process
were definitely spoiled. Once and once again throughout the book,
Sabada emphasizes on how difficult may be the application of what
intellectuals know as Agenda Setting theory as well as discrepancies
and contradictory point of views they show on the debate of this
issue (Sabada, 2007). This explain why while Atocha pressed Aznar
to be defeated in elections, George W. Bush achieved a re-election
thanks to “the war on terror”. The same event, two contrasting
reactions!
Doubtless, terrorism and media are inextricably intertwined.
Professor at University of Ottawa, Canada, Mahmoud Eid introduces
a neologism to understand the complex world of the media and its
connection to terror. He says that we need from a new term
“terroredia”, which express the intersection of journalism with
terrorism. Not only terrorists have fluency in English to disseminate
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Discussing Terrorism
a message to audiences (even many of them are English native
speakers which reveals a crisis in the modern world), but also they
are cognizant with the digital technologies as websites, Facebook
and other social networks. This type of coexistence not only is not
new, but has been expanded its influence over peoples at time the
new digital technologies were developed.
In this vein, the Eid dissects terrorism within other forms of
violence, which are not objectified by the needs of being public. Since
its outset, terrorism seems to be intended to media exposition. To
what extent terrorism and media are two sides of the same coin is
examined in this interesting section. Rather, section 2 focuses on
the changes of making wars and the targets of terrorists. The
discourse post 9/11 rests on a tendency to demonize the “Other” while
the human right violations are not denounced. This creates a
paradoxical situation since media, which are originally aimed to
report events to citizenship, is being manipulated to tell partial
truths. The third and fourth sections are oriented to study not only
the forms but the tactics of terrorism in a hyper-mediated world.
Starting from the premise that fear and risk perception vary on nation
and culture, depending on its linguistic affiliation, newspapers have
developed diverse strategies to cover the same event. This raises a
more than interesting question.
Is media technology an instrument to promote liberal democracy
in Middle East?, or simply a disciplinary mechanism of control?. In
what I consider the best chapter of the book, Samuel Winch observes,
“In terms of media coverage of protest movements, we could expect
ruling class interests to include maintaining the status quo, and
therefore, efforts to marginalize dissent and dissenters, attempts to
make them seem deviant and strange. Likewise, American Middle
East foreign policy has long been criticized for the tendency to support
corrupt autocratic dictators friendly to elite capitalists (particularly
oil companies)”. (p. 222)
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Tourism and Terrorism
The main outcome of this research reveals that in one decade,
photographers have faced new sensitive to the spectacle of drama.
Negative emotions as anger, violence and tragedy are valorised over
other cultural aspects of Arab Spring coverage. In the last section,
the problem of responsibility is placed under the lens of scrutiny.
Terrorism has become in a commodity which gives further legitimacy
to professional politicians. The war on terror, post 9/11, attempted
to confront with the needs of struggling against an invisible enemy.
As a result of this, terrorism engulfed as a part of postmodern politics.
The US obsession for terrorism, as well as its tactics in counterterrorism seems to feed back an unending atmosphere of fear. The
struggle against terrorism should embrace ethics as the main
flagship.
As the previous snapshot given, one of the merits of this book
consists in unveiling the sacralised image of media and journalism.
As Mahmoud Eid puts it, we are educated to imagine terrorism is a
criminal act while media are a positive phenomenon. Both sides are
being helped each other, simply because the treatment of media
facilitates the terrorist to achieve their goals, while the perpetration
of attacks gives substantial content and debate to journalism.
Understanding terrorism as a try of communicating a violent
message, this project exerts a considerable criticism to free-value
media. The medialization of terrorism corresponds with a tactic
further beneficial for terrorists than governments. The main thesis
in Eid‘s book is that terrorism and media’s swamp is explained by
the co-dependency to fabricate “oxygen”. Without terror, both parties
would be never benefited as now they are. In this vein, Editor writes,
“Meanwhile, in order for both to survive, terrorists seek to garner
public attention and the media seek to find top-stories to sell. In a
sense, both parties target wide-ranging audiences (although for
different purposes); hence, they interact in a highly toxic relationship
that involves a process of exchange necessary for their survival. The
exchanging process contributes to the survival of each party; acts of
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Discussing Terrorism
terrorism provide media stories that result in more broadcasting
airwaves, press texts, and digital data bytes, while the media coverage
brings public attention to terrorists—the oxygen necessary for their
existent” (p. 24).
In other terms, the question whether media plays a crucial role
in disseminating the fear that terrorism engenders, terroredia is
created by the dialectics of fear and violence. At time media covers
explanations on how terrorists plan their attacks, global audiences
devote considerable attention in this issue. Paradoxically, this
attention paves the ways for “terror-inspiring” messages (p. 25). To
my end, although an edited book, which often contains a lot of
arguments, chapters and authors, is very hard to follow into onesided argument, Exchanging Terrorism Oxygen for Media Airwaves
keeps a coherent view of the issue. Among its strengths, Mahmoud
Eid and his colleagues not only situates a neologism Terroredia as a
key point of discussion in these type of issues, but also it represents
one of the best attempts (I have read) to explain why we are obsessed
with terrorism. The co-dependency brilliantly discussed by Eid
reveals coherence with Korstanje`s argument respecting to the
connection between labour organization and terrorism. In earlier
works Korstanje argued that industrial revolution has expanded in
Europe first but in US later because of two relevant aspects, extortion
and the disciplined violence. While thousand European migrants
arrived to US, Capital-owners resisted the claims of unions to confer
further rights and benefits to work-force. In an atmosphere of tension,
some anarchist newcomers saw the opportunity to instil their
ideologies in this new world. The first anarchists not only perpetrated
violent attack against politicians and police, but also were labelled
as terrorists. Traced, exposed and even imprisoned by State, a wave
of anarchists appealed to organize the incipient worker unions,
abandoning the violent struggle. As a result of this, unionization
not only brought further benefits in the reduction of working hours,
leisure practices, tourism, a purchasing power enhancements, but
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pressed state to allow legally the right to strike. The force of
production, workers, and its counter-forces, tourists were inextricably
intertwined to terrorism from the outset. This concept was vital to
understand how capitalism adopted ideologically the roots of
anarchism while terrorism was repressed towards the contours. What
beyond the borderland was “terrorist attack”, homeland was dubbed
as “strike”. In the bottom, both shares similar conditions, which are
explained below:
At a closer look, strikes and terrorism need from surprise factors
to cause a substantial damage in the government or corporations. In
this token, both manipulates the “Others” to achieve the own goals.
Although the degree of violence is different, no less true is that strikes
(like terrorism) keeps insensible to the other suffering. The
disciplinary mechanism of states that repressed terrorism, adopted
its own ideology to be part of capitalist ethos (Korstanje and Skoll,
2013; Korstanje, 2015; Korstanje, Skoll and Timmermann, 2014).
This explain satisfactorily why global tourists are targeted by
international terrorism worldwide. What would be important to
discuss is to what extent, forms of imperialism engages with climate
of fear.
DANCERS AS DIPLOMATS
The roots of imperialism have historically debated by many social
disciplines ranging from philosophy to anthropology. While some
voices understand that empires expand by the economic needs of
indexing new territories, others prefer to explain this issue as a
cultural project based on an earlier sentiment of exemplarity,
uniqueness respecting to other cultures. However, little attention
has been paid to the role of danc and ballet companies, which are
often used in the configuration of ideologies that lately facilitate
imperialism.
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Discussing Terrorism
In this valuable book, Clare Croft introduces readers in the world
of cultural exchange as well as the history of American
choreographers, who were financially supported by US government
to travel worldwide. In the middle of mayhem that represented Cuba
Crisis, Cold War or even 9/11, America situated its dancers as real
diplomats who ideologically disseminated a political message in the
countries and cities they visited. This means that at the same time,
they performed on stage the mainstream values of capitalism, no
less true is that they exerted a radical criticism to policies of central
administrations. As autonomous agents, artists express their feelings
but keeping the ideology of the nation they represent. Paradoxically,
this explain how American politics work. In this respect, Croft argues
that dancers‘ recognition of cultural hybrids was originally associated
to constructand negotiated identities which leads towards a broader
understanding of other cultures. Their rhetoric obscured the real
policies their government was conducted abroad or even inside
against Black population. The message was clear respecting to the
fact though America was fraught of material asymmetries, freedom
and democracy granted free speech, even when executive branch were
targeted. The first chapter reserves to the experience of New York
City Ballet through Russia during Cuba missile crisis. Although
American ballet was influenced by Russians, which devoted a great
sentiment of admiration that nuanced the rivalry between American
and Soviets, tension divided culturally both countries beyond Atlantic
Ocean. The lack of fluency in Russian prevented the Martha Graham
Dance Company and other ballets to face panic while abroad. Most
certainly, language played a vital role configuring a symbolic barrier
in communicative process which immunized American Dancers in
Russia.
The second chapter explores the connection of Black dancers while
traveling abroad and their struggle to gain further rights and
recognitions in US. The paradox lies in the fact that Afro-community
was historically debarred in US, but this did not impede their dancers
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Tourism and Terrorism
to criticize the policies of American government. This happens simply
because dancing and dancers were carefully manipulated to vanish
the face of the country in foreign relations.
“The introduction of people, rather than art object, created an
even greater space in which diplomatic tours could simultaneously
support the government`s motives and challenges them. People, unlike
art objects, can (literarily) speak – speaking their minds and sometimes
changing others `minds (of their own” (Croft, 2015: p. 73).
As this argument given, it is interesting to discuss to what extent
dancers did the correct things in expanding the horizons of arts,
escaping to stereotypes and prejudices, but in so doing, they fall in
the fields of ideology, showing not only why America is the greatest
nation, but also why capitalism should be esteemed as the best of
possible worlds. The anathema of democracy as a cultural project to
be exported to the world was in fact, one of the aspects that
legitimized the hegemony of US over the last decades.
The labour of Martha Graham Company was widely recognized
in 1974, when secretary of state H Kissinger wrote a memo to
President Ford to award Martha Graham for her great political work,
in expanding the culture of self-determination and liberty to the rest
of the globe. Not only the solicitude was accepted but also this ballet
was foundational within the fields of American modern dance. The
intersection of red-scare with the free speech is adamantly addressed
in fourth chapter. The fifth and sixth chapters dissect the implication
of contemporary American dance in building international alliance
to defeat “terror and hate”, to the extent the old conception of nationstate should be reconsidered. Nowadays, communism as the main
threat of Western democracy sets the pace to a new more radical
enemy, Muslim terrorism. Undoubtedly, 9/11 and the attacks to
World Trade Centre was a founding event that diluted the old friction
between America and Russia, into a more unpredictable scenario,
where enemies are hidden within society.
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Discussing Terrorism
“This exploration might seem a reversal of Cold War policies based
on exporting American values as though a set of values could be tied
to one nation above others, but this second era of dance-in-diplomacy
programs is reflective of twenty-first-century notions of nation-states
as more porous and globally connected entities” (p. 145)
The cosmopolitan fantasies of globalization are limited to make
believe the periphery they stand closed to central nations, whereas
financial inequalities between two worlds persist. This is exactly
the role played by New York City as the epicentre of victimhood to
be hit by terrorism but exemplary resilient to cultivate the germen
of tolerance.
Even if those chapters, which form this book, exhibit experiences,
story-lives and reflections resulted from the interview to first hand
actors, dancers and choreographers, which may be read separately,
the main argument prevails. At the same time, American government
confronts externally against a hypothesized foe, dancers and visual
arts engage “these dangerous others” into the American Style. This
suggests eloquently that American Empire orchestrates a disciplinary
mechanism to indoctrinate “rogue states” by the use and abuse of
force (legalized by international laws and its implacable warmachinery) but reminding ideologically the importance their cultural
values as trade and democracy to be accepted.
TERRORISM AND THE SPECTACLE OF DISASTER
French Philosopher, Jean Baudrillard, claimed that “the war on Gulf”
never took places. The same was repeated when 9/11 and of course
waking up a great controversy in philosophical circles. The hightechnology played a vital role in configuring “the end of history” as
we know. Basically, in consonant with other French philosophers as
Paul Virilio or Marc Augé, Baudrillard acknowledges that news is
transmitted by the media which serves as a mediator between reality
and Spector-ship. As a result of this, the concept of reality sets the
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pace to “pseudo reality”, where events pass to be pseudo-events. One
of the metaphors used by Baudrillard to explain further his
development goes to Steven Spielberg´s movie, Minority Report. A
fictional plot where precogs, who are “clairvoyant” of the future helps
the police anticipating crimes before they were committed. Following
the plot, Baudrillard exerts a radical criticism to postmodernity to
produce “pseudo-events” which means events enrooted in a so-notdistant future. In view of that, we live in a state of Paranoia resulted
not only from the hegemony of media, but also the velocity
information is reproduced (Baudrillard, 2006). Cultural Analyst,
Douglas Kellner adds, Baudrillard is wholly concerned on the
negative effects of globalization because of two main reasons. History
witnesses how wars were fought against a palpable enemy to defeat.
However, the war on terror declared by Bush´s administration turns
out in a “fractal complexity”, diluted in the future; this means in the
precautory principle of defense.
“In Baudrillard’s view, the 9/11 attacks represented the clash of
triumphant globalization at war with itself and unfolded a fourth
world war: the first put and end to European Supremacy and to the
era of colonialism; the second put an end to Nazism; and the third to
Communism. Each one brought us progressively closer to the single
world order of today, which is now nearing its end, everywhere
opposed, everywhere grappling with hostile forces. This is a war of
fractal complexity, waged worldwide against rebellious singularities
that, in the manner of antibodies, mount a resistance in every cell”.
(Kellner, 2005: 3)
Similarly-minded reflections are done by Paul Virilio, who alerted
in the possibility virtuality monopolizes the meaning of present and
social life, introducing allegories which are fabricated by external
interests. The dictatorship of technology produces “a virtual reality”
imposing stereotypes over citizenry, to the extent to public opinion
is controlled by those corporations which invest in the media. While
events are portrayed without any connection with causality, what
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remains important are not the reasons or cultural background that
facilitated events, but their effects only. He starts from the premise
that the human existence has been emptied by the acceleration of
mobilities, which yielded an excess of time. The gap is not fulfilled
by social relations, or interaction, but with the subordination of men
respecting to Machines (Virilio, 1995, 2005, 2010). John Armitage,
one of the most prominent readers of Virilio says,
“Perhaps the key to understanding the importance of Virilio’s work
on architecture, art and technology lies in the connection he makes
between architecture, the organization of territory, and an
idiosyncratic archeology of military fortifications, such as military
bunkers, and the structure he creates for building these connections
with art and technology. Virilio explain this structure as an archeology
of military configurations, and it works less as chronology of western
military fortifications and more as an aesthetic foundation for
interdisciplinary cultural research” (Armitage, 2011; 7)
After all, 9/11 represented an apocalyptic war, a conflict which
should be fought internally, not between fortifications or bands.
Undoubtedly, French legacy has developed a radical pejorative
connotation on the ways media covers terrorism. The influence of
these circles not only was limited to France or Europe, even were
adopted in some English speaking countries. Luke Howie is one of
those scholars who take his cue from Baudrillard and Virilio, focusing
on the hegemony of screens in order for work-force to accept policies
otherwise would be rejected.
THE TERROR AT SCREEN
In this section, we will describe the argument of Luke Howie, a wellfamous Australian researcher specialized in terrorism and its impacts
on daily life. Although the event has gone, its effects continue in
social imaginary, moulding the narratives, stories, cultural
entertainment industries as well as many other institutions of
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Tourism and Terrorism
Western civilization. This begs a pungent question, why terrorism?
Why the term witnessing?
Methodologically speaking, Howie understands how witnessing
is vital to expand the understanding how terrorism is interpreted
and lived. Western societies are based on a type of new Terror
voyeurism which not only communicates further of the society
consumes these types of spectacles, but alludes to a problematic
obsession very hard to break. Howie sets forward an innovative thesis
in his investigation, Terror on the Screen published in 2010 in post
9/11 contexts, where he sees 9/11 was something more than a
founding events, it transformed culture of consumption in a way
that contradicted one of the bulwark of Occident, gazing. If terrorism
is success in their goals, it depends on our obsession for visual cultures
or what specialists dubbed as “ocularcentrism”.
“The witness is the central figure of this book, I base my arguments
in this book on the assumption that to witness terrorism is to be a
victim of terrorism since as Jenkins has argued, terrorism wants a
lot of people watching, not just a lot of people dead” (Howie, 2010: 7).
In the global cultures, events not only are covered and
disseminated through media, they can be repeated or replayed
according to the times audience requests. It is tempting to say that
through CNN one shocked by the two planes crushing against the
most important towers of the world, as well as felt an ecstasy between
reality and fantasy. In the “theatre of terrorism”, Howie adheres,
the boundaries between reality and fictions blur.
What is most interesting, Howie sets forward a model which takes
terrorism from an all-encompassing viewpoint where the spectacle
is administered to instil fear within society. Undoubtedly,
“It is designed to lay the foundations for understanding how
terrorism is witnessed, spectacularized, interpreted and remembered
and how this is the beginning of a journey that ends with terror on
the screen” (p. 27).
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Discussing Terrorism
Terrorism is more than the illegal use of violence as specialized
literature precludes, Howie adheres. Any attack no matter than its
destructive capacity is considered an act of terrorism if it cannot be
publicised. Besides, although part of the stories and warfare happen
in Middle east, urban cities situated as necessary centres where panic
surfaces. This happens because of two main reasons. At a closer look,
“the theatre of terrorism” needs from an industry oriented to the
other to survive while, secondly, 9/11 formed a culture of consumption
around terrorism which is daily exploited by the media. His main
thesis is that as witnesses of terrorism our understanding of the
issue is obscured to the extent we do not understand the reasons
behind Al-Qaida or ISIS. This represents one of the limitations of
experts to bring efficient plans or solutions to the foreground (Howie,
2010). It is important not to lose the sight that we validate torture,
or sexual denigration against terrorists in view of they are marked
“as dangerous them”, demons, maniacs, or filled-hatred persons who
hate Occident without any real motive. Not only this discourse is far
from a clear diagnosis of the problem, but it reinforces long-simmering
discourses aimed at fostering nationalism and ethnic-segregation.
Unless regulated, the “culture of terrorism on screen” may very well
lead towards a hunting of witches or expressions of hostility against
Muslisms.
As discussed in earlier parts, September 11 still is a date
reminded as the epicentre of tragedy for West civilization. Its effects,
far from being passed in the time, resonate in the life of peoples up
to date. In his book Witnesses to Terror, Howie criticizes the role of
“pseudo-experts” who feed up “a spectacle of terror” which is more
prone to Cultural Entertainment than scientific explanation of
reality. The psychological consequences of 9/11 accelerated a state
of emergency where freedom sets the pace to security. In retrospect,
9/11 changed the geography of the World, attempting to forecast what
at the bottom turns unpredictable. The production of knowledge,
which is esteemed as a valid way to make society a safer place, can
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be a “double-edged sword”. Taking his cue from other authors as
Zizek, Baudrillard, and Laqueur, Howie defines terrorism as a
technique, which is enrooted in politics to impose states proper goals,
beyond any consensus. Terrorism needs from witnesses in the same
way, journalism did. Howie overtly writes,
“Terrorism works this way for witness. If there was one way to
describe the outcomes of the research that I have conducted for this
book, I would say that terrorism causes people to feel terror. Terror is
the name we give to the uncertainty we feel in the feel of global violence
in some of the world´s most populous cities. If Terrorism does not
cause terror, then it is not terrorism (p. 12).
As the previous argument given, Howie adds, targets are selected
to create panic within society, not real destruction. For this reason,
the worst is coming into a hypothetical future, which is moulded by
political power. If knowledge on terrorism is conducted by studies
outside the hotspots, this makes difficult a clear understanding of
the phenomenon. This happens because panic mediates between
citizens and their understanding of reality. It is often assumed what
we know on terrorism comes from the literature which comes from
media as a valid source of information, not from real experienced
revealed by fieldworkers. By “being witnessed”, terrorism terrifies
to those who are captivated by news. In parallel with this, there is a
clear false multiculturalism which opposes to the rise of other
ethnicities, reinforcing not only the Anglo-centrism but the so-called
supremacy of English speaking countries over other cultures. Howie`s
books remind two important assumptions for this research. At a first
glimpse, the distance of audience respecting to what is happening is
the key factor that explain terror. Secondly, though terrorism does
not look “the destruction of western civilization”, it encourages a
racist message that “Muslims kills others for their faith”.
In earlier stages, Korstanje and Tarlow (2012) or Korstanje and
Olsen (2011) examined carefully the consequences of 9/11 in horror
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movies, for example in plots as Hostel, Texas Chainsaw Massacre,
or the Hills have Eyes. These specialists agree with the thesis that
the roots of evilness stem from those villains who are unable to bring
the sacred law of hospitality to strangers. Even, evildoers are those
who give “a perverse hospitality” seducing their potential hosts in
order to kill them while sleeping or launching. Before 9/11, horror
movies cantered on the fact that visitors or tourists would be attacked
by animals as in Jaws (1975), or The Naked Jungle (1954). In both
movies, nature is portrayed as the main threat to be disciplined by
human technology. But in modern horror genre things have changed
a bit. The role of villains is played by humans, psychotics or maniacs,
who in spite looking like us, never reveal their real interests. As
terrorists who very well may be one of our neighbours, abusing from
“hospitality”, these new evildoers are camouflaged within society.
THE GLOBALIZATION OF TERROR
In post 9/11 contexts, the attacks to US was esteemed as the start of
a new era, even former president George W Bush referred to the
needs of Americans not to cede to terror. Although US-led invasions
to Iraq and Afghanistan were boasted by some voices and applauded
by others, 9/11 situated as an event that emptied the contact of
Americans with reality. As Professor Ray Griffin observed, there
serious doubts casted on the fact that government were unfamiliar
with the possibilities of attacks in American soil, however, little
attention was paid to top ranked officials who ignored the alarms of
CIA and FBI in this case. If not the President, other officials were
familiar US will be targeted by international terrorism, but it fits as
a ring to the finger to expand a bloody campaign of conquest and
economic submission to some autonomous nations (Ray-Griffin,
2004).
As the previous argument given, the book authored by Emeritus
professor at SUNY (Buffalo) Geoffrey Skoll sheds light on the reasons
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why terror is politically manipulated for government to create a
functional “culture of fear” that prevents the cooperation among
workers against capital owners. We must confess that the political
understanding of fear not only affect the conceptual tenets of
democracy but may lead society to legalize torture as a valid
mechanism to seek potential threats. The political manipulation of
fear not only would wreak havoc in democratic institutions, but also
destroy the tenets of republic. The passage from a democracy to a
dictatorship, was indeed analysed by philosophy by more than 1.000
years, but is today when we experience with accuracy detail how
this works. An exhaustive examination of specialized literature comes
with the Geoffrey Skoll´s book, entitled Social Theory of Fear: terror,
torture and death in a post capitalist World.
Based on the legacy of Wallerstein, Skoll presents a more than
interesting hypothesis. We have to pay heed to ancient history to
see the background where Roman Empire collapsed. If we do so, we
will realize that like US, Romans opted to stand in the wrong building
whenever they launched to conquest the World. It caused serious
economic asymmetries and imbalances by the greed of indexing new
lands for Senate. Sooner or later, the end of Rome reminded us that
“Catastrophes occur when systemic regulators no longer contain
the conflict through various institutional responses. Such a crisis
always holds the potential for bifurcation of the system. Bifurcation
occurs at a tipping point where the system stops organizing itself and
enter in a chaotic state (p. 28).
The elite’s reaction in times of crisis seems not to be persistent
with their own interests. Aristocrats do not try to save the system
and it’s well-functioning, which paradoxically facilitated the collapse.
Egocentrism coupled with individual interests and a wider sentiment
of fear, are at a first stage, a big problem for the involving societies
and a sentence of death. Comparable with Roman Empire’s and
Feudal disintegration, late-capitalism crisis seems to recur to
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military-machine expansion to keep the control and trade but unlike
these past-empires, in our modern times nation-state is inextricably
interconnected. As a result of this, the collapse may be very well
further apocalyptic than other times. The reliance on fear works as
a conduit for status-quo and elites to maintain their privileges. In
consonant with this reasoning, military action calls to adaptive
measures to dominate strategic zones, legitimating this action with
internal support. The extraction of local surplus not only provides to
urban dwellers a better reason to belong to the Empire, but also
paves the ways towards resentment in the periphery. If the policies
associated to fear, conducted by US government are programs
orchestrated by financial elite to reduce “uncertainness no less true
is that when a real threat emerges, the barriers of society cede. While
nation-state is configured to nuance the conflict or controversy among
classes to minimum expression, in times of peace, this role is played
by market. Rather, when the winds of war are coming, Skoll adds,
violence is exerted to refashion the political order in jeopardy. Skoll
goes on to acknowledge that “fascism exercises social control through
deprivation, identification with a powerful leader, and aggression
against internal and external enemies. Liberal capitalism replaces
denial with indulgent consumerism and lifestyles replace status
identifies such a race” (p. 45).
To what extent, globalization is conducive to the liberalization of
terror is unclear in this book, but it continued in a recent
complementary work, Globalization of American Fear.
The idea that capitalist system reproduces by the growth of
inequality and poverty is not new since it has been discussed widely
by Marxism and post-Marxism in the four corners of the world.
However, the intersection of terrorism and capitalism seems be a
heated discussion which today retains considerable concern from
scholarship. We are told that working is the best project in what we
can spend our time whereas terrorism is an act of hatred-filled hearts
or maniacs. But to what extent it is true?
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Skolls continues a much deeper discussion instilled by former
work, Social theory of Fear. At a closer look, the act of governing
through fear is used by US to create a culture of mistrust. From the
onset, US was based on the belief that the world as a dangerous
place to live. Over recent decades in XXth century, fear was used to
enhance the legitimacy of elite, sometimes oriented for the workforce
to accept policies otherwise would be rejected. At the time, capital
and American Empire expanded to colonize new worlds, a much
deeper sentiment of fear accompanied the politics. Therefore, it is
safe to say we live in a world characterized by a “global fear” which
is functional to a particular way of making politics. One of the aspects
facilitated the expansion of capitalism was the idea that citizens
live in the best of the possible worlds. Beyond the boundaries of
consuming society, of course, any change represents a threat for
popular parlance, a barrier to overcome. In the first chapter, Skoll
traces the historical roots of the culture of fear in America. In
retrospect, the capitalist system and theories of economy showed
widely that accumulation only is feasible if we introduce exploitation
as a key factor to produce and distribute wealth in few hands. The
monopolization of surplus value, as Marx puts it, resulted not only
from human creativity but by the means of elite to commoditize labour
into exchangeable goods. The number of rank-and-file workers
involved in a process of production affects directly the profits of capital
owners. From that moment on, the capital reproduction seems to be
always in detriment of workforce. In this mayhem, whenever the
conflict rises, fear undermines the possibilities of claimers and
protesters to impose their views. Two major instruments were used
by privileged classes to keep the control, ideology and repression.
While the latter appealed to surveillance to exert violence against
the pathological agents, the latter one was enrooted in a process of
fear-mongering that limited the negotiation of worker unions. After
9/11, total forms of control were established in private life
subordinating individual rights to the collective well-being, which
means a more secure society. Leisure industries were witness of
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obstructive methods of surveillance over lay citizens. It was
unfortunate that this trend makes from US a fascist state. This is a
very interesting introductory section where author combines his
erudition pitting historical cases where governments used fear in
their favour against US and its Anglo-allies in the war on terror.In
the second chapter, Skoll discusses to what extent elite in America
devoted its resources to forge a culture of fear which passed from
communism towards terrorism. The organization of labour conjoined
to profit maximization is two key factors behind the manipulation of
fear. Though actors changed, the dynamic are the same. Doubtless,
this is one of the merits place Geoffrey Skoll now as a must-read
author in terrorism issues. He explores the model of four wars as it
was formulated by Skoll where he confirms a polemic thesis. From
its inception, US was always an imperialist power which struggled
in four major events, Philippine War, Korean War, Cold War and
Vietnam War. Though the two total world wars involved US as well,
no less true is that in these events US played the role of an empire
inspiring a model that situates United States as the “administrator”
of capitalism. The management of exploitation centers in a genocidal
campaign by disciplining communists. In retrospect, the problem of
identity and liberal consumerism are placed under the lens of critical
scrutiny. The period 1968-1973 not only encouraged a liberalization
of human relationship, it induced substantial changes in economies
worldwide. During this age the spin doctors of capitalism precaritized
the power of workers paving the pathways for the rise of neoliberalism
during 90s decade. As this backdrop, the expansion of US as the
unique imperial power was possible after the collapse of Soviet Union,
but without the legacy of UK in financial leadership, it would have
never taken place. One mantle passed from one power to other as
US enthralled as the centre of manufacture and trade. The direct
intervention or full-scare led wars are ideologically legitimized by
the needs of bringing the ideals of American democracy, liberty,
freedom and mobility. However, at the bottom, this globalized culture
of fear hidden dark interests associated to exploitation. Paradoxically,
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these types of interventions suggest that terrorism needs the use of
force, but in so doing, impotence and deprivation surface. To set an
example, Skoll adds, whilst US supported by financial investors, IMF
or ONG arrives to Middle East to take the local politics on its hands,
a state of chaos and political instability dominates the environment.
The allegory of war on terror leads governments not to tackle off
real dangers produced by capitalism as pollution or global warming.
Last but not least, eight and nine chapters formulate ground-breaking
suggestions to stop with the discourse of fear. Unless otherwise
resolved, the question whether US and its domains pays attention
to terrorism as the main threat of West covering other most terrible
risks, one dangles that the probabilities our civilization collapses
are higher than thought. Anyway, citizens are prone to develop
sustainable practices of consumption that encourages a real
democracy from the bottom to the top.
After further review, I feel professor Skoll presents a wellargumented book which is a result of years of academic maturation
and research. Starting from the premise post-Marxian studies have
a lot to say in terrorism issues, most of them discriminated by
academy, Skoll exerts a radical and illustrative criticism on the
“culture of Fear” in US. It gives us an impressive snapshot of America
so that readers may expand their understanding of what capitalism
is. To my end, this is one of those books which are a must-read
reference …
In future approaches, Skoll should resolve what Korstanje dubbed
as “Hobbesian dilemma of politics”, which means that Marxism was
wrong respecting to the role of power in societal fabric (reproaching
the argument more to Max Weber). To put this in bluntly, with
Thomas Hobbes we learned that fear underlies in the worlds of
politics even during democracy. Although economic production plays
a vital role in the formation of society, it is not determined. There is
nothing like a progress towards an end of class struggle, which
advances through history. This suggests that society is not affected
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Discussing Terrorism
by fear but it results from the imposition of mechanisms oriented to
discipline fear. In other terms, society is created by the fear. The
problem with wayward Puritans lies in the fact they have developed
a cosmology of conflict where sublimation is only affordable by the
imposition of sacrifice. The sense of predestination closed their future
in order for Anglo-worker to demonstrate he deserves salvation. In
this stage, social Darwinism did the rest. Capitalism worked not
only by the culture of fear or consumption imposed to citizens, but
by the fact that they enter in competence with others with an
exaggerated idea about their real probabilities of success. Because
of Americans feel special, superior or even supermen, narcissism
undergirds the social trust. The survival of the strongest is the final
goal, but behind this, only one is the winner. We can see scenes of
this nature in main reality shows as Big brother or even in films as
Hunger Games, where the glory of few entails the ruin of the rest.
This is a normal ideological resource to normalize the precaritization
of workforce. Inevitably, the war of all against all emulated by
Darwinism allows the reproduction of material asymmetries by
means capitalist-system(s) expansion (Korstanje, 2015).
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2
THE DARK NIGHT OF PARIS 2015
Terrorism sadly plunged Europe and the World into mourning. A
couple of jihadists perpetrated simultaneous attacks in different
points of Paris by Friday 13 of 2015. These coordinated attacks
resulted in 137 fatalities and more than 400 wounded. Similar to 9/
11, this event not only shocked the Western social imaginary, but
also called into question the internal security methods to prevent
such attacks. Despite widely deployed technology for surveillance,
terrorism remains a scourge for the West. In this context, some
questions have surfaced. What is terrorism? What are the steps to
follow to prevent terrorist attacks? How can nation-states make this
world a safer place? The recent proliferation of newspapers,
magazines, and TV programs covering the problem of terrorism seems
to be far from reaching coherent answers to the above questions.
Although many policy makers, officials, and international experts
devote considerable efforts to describe the situation, the socio-cultural
factors that determine terrorism are often left out. A good start maya
necessary beginning, is to ask what terrorismis?
The pervasive roles played by globalization and the war on terror
have revealed a cynical dynamic. Liberal markets facilitate the
circulations of goods and trade but constraining the mobilities of
Workforce, which travel to centre in quest of better opportunities.
Capital replicates worldwide producing serious asymmetries which
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pave the ways for the rise of resentment (Powell, 2010). The state of
conflicts produced by capitalism represents a fertile ground for
terrorism to recruit new comrades. However, a linear correlation
between poverty and terrorism has recently come under scrutiny
(Enders and Hoover, 2012). Though interesting studies have been
advanced on the economic nature of terrorism (Enders and Sandler
2011), they fail to explain the way economic theories conceive of
pleasure and wealth maximization. In The Economics of Justice,
Richard Posner acknowledges that utilitarianism as it was
formulated by Jeremy Bentham engenders two types of
monstrousness. If society is based on the maximization of pleasure
for all their members, we must assume that torture is a good option
to enhance security. One type of monstrosity arises whenever we
valorise peoples by the degree of pleasure they develop instead by
effects of their decisions. Suppose that A is very fond of killing
animals, and B is prone to feed them. Following utilitarianism, A is
a better person than B irrespective of ethical conduct. A second type
of monstrousness is these types of societies where the solidarity leads
to the sacrifice of innocent persons on the altar of social need (Posner,
1983). In a seminal work, David Altheide offers a radical critique on
the criteria used by journalism to select what news is published.
American and British newspapers are prone to cover news related
to crime and terrorism as if both were determined by the same factors.
Terrorists are portrayed as the main Threat for West, while local
crime is disciplined by the cultural values of society. Local offenders,
after all, are framed as individuals who have adapted to society
whereas terrorists had no such luck. Terrorists are treated as
psychopaths whose behaviour still remains irreversible (Altheide,
2009). This explain not only their degree of “dangerousness”, but
also how the law is orchestrated as an apparatus of repression. The
liberal scholar, Michael Ignatieff (2013), declared that terrorism is
the lesser evil in view of the dangers democratic societies face. One
of the troublesome aspects of democracy in its struggle against
terrorism, is how can we ethically see torture. Ignatieff argues that
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“the war on terror” is the lesser evil. The West should devote all its
resources to eradicate terrorism, and of course, in this process torture
should be limited to legal controls (Skoll, 2008). This suggests that
the current meaning of terrorism should be at least revisited. People
feel extreme fright whenever events are going beyond their control.
This is exactly what happens with terrorism. No matter that states
enhance their security homeland, nobody knows when and how the
next attack will take form (Altheide, 2009; Sunstein, 2002a,b; Skoll
2007). It is unfortunate that ethnographers who are interested in
getting a hold of terrorists face serious legal problems not only
because terrorism is an illegal activity, but is globally repudiated.
This seems the reason why today the research, as M. Sageman (2014)
anticipated, reached a stage of stagnation. In recently published
paper, he argues that mass media concentrates the opinions of many
“pseudo-analysts” who create a barrage of speculation, biased ideas,
or commentaries that feed-back the policies of governments. Instead
of expanding the current understanding of this issue, it increases
the ethnocentrism of the West. The lack of valuable investigation
relates to the impossibilities of making contact with terrorists, since
they are considered maniacs, demons, or psychopaths almost
impossible to re-educate. As Richard Bernstein (2013) puts it, if
terrorists are stereotyped as evildoers or demons, why question them.
As formulated this question has no response. However, psychology
teaches that terrorism is a human activity, performed by people who
embrace radical tactics at a specific time of their lives. Since all we
are all potential terrorists, research should explore the factors that
determine how the terrorist mind is formed. Demonization is contrary
to understanding. Neither the monopoly of the state nor the attempts
of insurgents to pose their message by means of violence, terrorism
should be defined as a dialectics of hate in which case both parties
are involved in an atmosphere of conflict and violence. Nation-states
exert considerable power over populations (sometimes violating
essential human rights), but the problem lies in the fact that
terrorists are indeed hidden within the population. Beyond their
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technologies, nation-states are unable to forecast when and where
the next attack will be. Under some conditions, torture plays a crucial
role by interrogating some suspects. However, terror cells work
disconnected from other cells, which means that tortured persons
have no idea or key information that can be used by state to protect
society. The concept of normalcy of terror is one of the troubling
aspects that should be discussed by specialists and pundits (Howie,
2011). Beyond the responsibilities of religion, terrorism justifies
violent actions against vulnerable persons using discourses that lead
toward self-victimization. In so doing, religion serves as an excuse
but never as the real reason behind it. James Piazza commented
that it is common terrorists once participated in democratic processes
to some extent but were forced to go underground for many reasons.
Political atomization conjoined to weaker partidocracy is one of the
key factors that pave the way for the rise of terrorism. The focus
placed by some scholars on poverty or psychological frustration does
not explain at a macro-sociological level the influence of politics in
the configuration of the necessary instability that sooner or later
leads to terrorism. Whenever groups are pressed to clandestine action
because of a lack of democratic channels, terrorism rises as an option
(Piazza, 2007, 2008). Over recent decades, some voices emerged to
find commonalities or shared lines of actions in different terror
organizations which range from the IRA to AlQaeda. At first blush,
no matter than their religion, culture, or class, a psychological profile
may be addressed. We may use psychology to delineate two
contrasting profiles: Offenders and terrorists. While the former signal
a disordered, deviant behaviour to social rules, the later one emulates
a law-abiding attitude to the extent of sacrifice of their lives. Let´s
clarify first that criminals deny their crimes, but this happens
because they belong or want to belong to society. The same does not
apply to terrorists, who are rewarded by captivating the attention of
society. Terrorists often adopt their reactions in view of a mythical
struggle against injustice or some other broader targets such as
“Westernization,” Rationality,” or Mass Consumption. Re-channelling
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their hatred towards a much deeper process of victimization, the
discourse of terrorism lacks from any rational basis. Nonetheless,
once questioned, they vindicate their crimes by alluding to higher
positive ideals such as freedom, the struggle against injustice, or
the restoration of a lost moral order. Far from being considered as
evil-doers, they perceive themselves as “disinterested” freedom
fighters. In inculcating terrorists, terror groups employ a sentiment
of radicalization, which was widely studied by McCauley and
Moskalenko (2008, 2011) and Moskalenko and McCauley (2009). For
these psychologists, radicalization corresponds with a system of
beliefs which are products of history or certain bad personal
experiences. However, terrorists are fewer than those who can share
the same sentiment of disappointment, experts add. What is
important is that this process of radicalization only prospers in small
groups, where interactions with others seem to be reduced to the
leaders` viewpoints. The smaller the group, the more there are
possibilities to be efficiently indoctrinated. Any individual act of
dissidence is rapidly suffocated by leaders and other comrades-inarms. In parallel, candidates are recruited following personal contacts
or by taking advantage of some connections between relatives. These
like-minded cells have successfully enhanced an internal cohesion
which is forged by the creation of an external moral hazard. Since a
process like this is not built overnight, no less true is that the absence
of law in some peripheral zones represents a fertile ground to the
formation of terrorists. That candidates are recruited following peer
self-esteem criteria, or social status has been validated by some social
scientists such as Wood and Gannon (2013) which recently drew
attention to the influence of peers to perform deviant behaviours or
become offenders. Criminology has left behind the role played by
social interaction in the formation of criminal minds, as well as the
limitations environment present for some profiles. Those people who
aim at pleasing others are more sensible to acceptance by their peers
than others. Behaviour follows the collective values of group.
Depending on what these values are, individuals can help or harm
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others (Zimbardo, 2007). In his updated version of the book, The
Lucifer Effects, Phillip Zimbardo shows how good people can torture
or do appalling things to others. We are prone to imagine we are
special to balance our day to day frustrations and psychological
deprivations. This not only enhances our ego, but develops an
attachment to rules. Although we live as though respecting the law,
behaviour changes according to new leaderships. The moral
limitations of what we can or not do, depends on the rules of ingroups, not our decisions. Good peoples inserted in the incorrect
groups can act the same as their peers. To understand evil-doers we
have to distance ourselves from the classic definitions where they
are defined as agents who rationally opt to behave bad, harming
others without any type of remorse. Our human nature is changed
by the social rules and contexts in which we move. From the Stanford
prison experiments to Abu Ghraib, Zimbardo adds, it is confirmed
empirically that people (far from being good or bad) are influenced
by powerful situational forces. Once the other is demonized, actions
are ethically justified no matter how terrible they are (Zimbardo,
2007). Although some crimes are demonized in view of their impact
on victims, less attention is given to the role played by self-esteem
and status in the formation of gangs. This raises a more than
interesting question: Is love the emotion liable for hurting others?
With this in mind, Wilson, Bradford, and Lemanski (2013) observed
that social interactions are of paramount importance to expand the
current understanding of terrorism. Some groups develop a bad image
of society, which can be crystallized into deviant behaviour. At time
of recruiting new candidates, people become engaged by emotional
factors, such as friendship, the need to be accepted by peers, and
even by recommendations of relatives or a girlfriend. Not only are
many terrorists educated in Western societies, but also they are
citizens of those societies they eventually attack. Anyone, given
certain conditions, might adopt radical goals. As Korstanje (2015)
noted, terrorism and democracy seem to be inextricably intertwined.
One of the pillars of terrorism is based not only on how much fear
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they can instil in populations, but also in the hope of extortion directed
towards nation-state. During 19th century Europe faced one of the
most serious crises in its history. It triggered forced migration of the
impoverished workforce towards peripheral countries such as United
States, Australia, Brazil, and Argentina where those economies
experienced a sudden growth. However, the conditions of work in
these hosting nations were far from optimal. European migrants were
subject to long hours of work and otherwise exploited by the owners
of capital. Some of these newcomers adopted ideologies coming from
socialism and anarchism. In their struggles to gain better working
conditions some planned bombings against government officials and
notorious industrialists and their property. These anarchists were
labelled as terrorists, and were promptly jailed and deported.
However, the core of their ideological discourse remained in the
organization of anarcho-syndicalists, a more moderate group that
adopted the ideals of anarchism to be materialized in improvements
for workforce. A few of their claims were finally accepted by the elite,
and unions gained the right to strike in furtherance of improved
wages and working conditions. Thus disciplined into forms of leisure
consumption, terrorism became settled into the core of
Westernization. Not only the fear, which is a touchstone, lingers in
the heart of our civilization but also interesting commonalities
between the strike, unionization, and terrorism converge. From that
moment on, cultural industries such as tourism, museums, or various
cultural entertainments, as the case of Paris evinced, become targets
for international terrorism. As Korstanje argues, we have to consider
the thesis that tourism is terrorism by other means. These
intersections are based on three common factors: surprise, the
instrumentalization of the other, and extortion. At a first glance,
the latter two are appeals to sudden blows against State where
citizens are unethically hosted. The surprise factor supports state in
accepting claims that otherwise would be neglected. In so doing, the
other is not only instrumentalised as a means to achieve goals, but
disseminates a message of terror to society. The point of entry in
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this discussion seems to be that mass media plays a vital role by
amplifying the effects of terrorism in post-industrial societies (Howie,
2012; Eid, 2014). In Witnesses to Terror Luke Howie (2012) noted,
terrorists do not seek to destroy entire civilizations, but by the
introduction of fear they seek to dismantle the interests of state.
Despite its complex algorithms and mathematical models, one of
the frightful dilemmas of the West consists of the incapacities to
forecast the next attack. Starting from the belief that the innocent is
harmed to show the impossibility of the state to protect ordinary
people, the credibility and legitimacy of officialdom plummets. It
seems worth discussing whether terrorists channel their hate against
particular or broader targets. In fact, victims are aleatory; they are
selected to cause a psychological shock to society, and terrorists do
not have previous knowledge of their victims they will kill. The
targets are things are symbolic and abstract like Capitalism,
Democracy or Secularism. Following secular logics more associated
to means-ends models than religious pursuits, the discourse of
terrorism feeds back from perceived global injustices that have taken
place in the past and which nourishes a mythical archetype.
Normally, terrorists are co-active and prone to minimize the risks
whenever the safety of community is in jeopardy. Terrorists are
ordinary people who at some moment of their lives were subject to
radicalization that isolated them from society. In this vein, one should
not lose sight of the fact that terrorists are indifferent to other´s
suffering for two main reasons. First, they consider their goals as
superior to personal life or any other individual desires. Second, the
other is used as a means to fulfil the own objectives. The question
whether others are instrumentalised explain why terrorists are
insensible to their pain. Whenever, they (terrorists) feel that states
are not handling their claims, extortion surfaces as the necessary
instrument to impose their agenda. On this point, terrorists, union
leaders and businessmen are not so different. Beyond the fear, a
more than interesting approach is to discuss is to how much the
pillars of terrorism are rationality and extortion. Throughout his
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vast bibliography, Zygmunt Bauman has analysed to what extent
the logic of instrumentality remains rooted in the ideology of
capitalism. The West valorises security over other cultural values,
and that means that people (consumers) debate between the fear of
abandonment and the need to belong. Those persons who harmonize
a comfortable life-style paradoxically need the technological
backgrounds to protect their home. At the same time, it serves as a
sign of distinction with respect to others who are unable to consume,
and the derived sentiment of fear is re-channelled towards mass
consumption. Unlike animals, humans develop “a type of derivate
fear” which is socially constructed. Because this sentiment has the
possibility to transcend the boundaries of time and space, it makes
more terrible and diffuse than a real threat. Our imagination is our
staunch enemy. Doubtless, the Titanic symbolizes what would
happen with Western civilization if the radicalized other is not
accepted. This luxurious cruise that embodied the pride of civilized
nations met a simple iceberg. The inflation of risk that leads to
paranoia facilitates a much deeper process of securitization which
permeates the social environment. The vulnerability of humankind
is neglected in view of an allegory of consumption, where the
maximization of happiness persists. Our terror of death is rooted in
the logic of market (Bauman, 2001, 2006, 2013). Therefore, the West
is trapped between the wall and the deep blue sea. How can it prevent
what is in its essential core? One of the quandaries of policy makers
is to anticipate when the next attack will take place. The sentiment
of panic is based on the randomness of terrorist targets, which
suggests anyone anywhere can be harmed by them. Last but not
least, this fear leads to the abolition of personal and individual rights,
which prompts an emergency state of surveillance where government
imposes on citizens, policies which they otherwise would never accept.
After 9/11, the interpretation of courts on the existent labour laws
weakened the power of trade unions in favour of Capital. Wole
Soyinka leapfrogged to the economic effects of terrorism in domestic
politics of developed nations. Soyinka believes the world has faced
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extreme situations of panic before 9/11 ranging from Nazism and
the Second World War to nuclear weapon testing. One of the aspects
of global power that facilitates this feeling of uncertainties seems to
be the lack of a visible rivalry once the USSR collapsed. The political
terror promulgated by states diminishes the dignity of enemies. These
practices are rooted inside a territory but paved the way for a new
form of terrorism which ended in the World Trade Center attacks. It
is incorrect to see 9/11 as the beginning of a new fear but as the
latest demonstration of the power of an empire over the rest of the
world. Mass communications mould our ways of perceiving terrorism
even facilitating the conditions towards a new state of war (Soyinka,
2005). This happens simply because terrorism wakes up a hermeneutic
dialectics of hate that enable some xenophobic reactions, or even Islamophobia well documented as scholars as Sayyid (2014). Recent
humanitarian crisis in Syriah showed not only how European hospitality
can be activated to help others, but also showed the limits of this
restricted hospitality whenever ISIS fighters are infiltrated. The sad
events of Paris in this dark Friday reveal “the end of hospitality” is an
inescapable reality. This is the reason why ISIS and Al-Baghdadi
declared the “jihad” to modern leisure spaces as tourist destinations,
museums or spaces of recreation at modern capitals. The question
whether terrorist cells targeted for important persons over more than
40 years has set the pace to a new way of making terrorism where attacks
are perpetrated on ordinary citizens, mobile travellers such as tourists,
journalists or businessmen. This represents a much more interesting
issue which merits investigation. To some extent, New York, Atocha in
Spain, London Bombing, and now Paris appeals to our current
Eurocentric discourse around security. If states still delineate the world
into safe and unsafe boundaries, the probabilities of ISIS expanding are
higher. Paradoxically, because we over-valorise security as the privileged
place to be, terrorists can more easily plan their attacks. However, here
some clarification is needed. Whereas fear is the means to create
instability in the system, the touchstone of terrorism is associated with
“the instrumentalization of the Other´s suffering”.
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3
HOW DOES TERRORISM AFFECT
MODERN HOSPITALITY
INTRODUCTION
Doubtless, hospitality has been widely studied over the last decades
from diverse perspectives. As Lynch et al. (2011) put it, the specialized
literature has developed two clear waves of investigation. While some
scholars see in hospitality a type of mechanism of control, others
focus on its gift-exchange basis. Far for being resolved, this discussion
leads to question the roots of hospitality in our contemporary society.
Although, Jacques Derrida played a crucial role expanding the
philosophical understanding of the issue, even in the Anglo-World,
he paid little attention to politics in the configuration of “Otherness”.
This essay review focuses on the strengths and weaknesses of Derrida
from the lens of a promising Latin American philosopher, Ana Paula
Penchaszadeh. The success of nation-state was historically confined
to its ability to monopolize the violence (Guidotti-Hernandez, 2011).
Modern philosophy attempted to decipher the code of “nation-hood”
as inherently intertwined with a much elaborated ethnicity,
homogenized and controlled according to the interests of elite (Skoll
and Korstanje, 2013; Korstanje, 2013e,f,g). In this context, there is
no much difference between Derrida and Nietzsche (in the reception
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How Does Terrorism Affect Modern Hospitality
of Latin Americans). 2 As the previous argument given, the legacy
of Derrida as well as his critique to Western thought may be
summarized in the three following relevant points
• Any process of ethno-genesis which is aimed to the sentiment
of “us”, needs a counter-process of differentiation, an “outside”
where the border determines who are in and out.
• Democracies, whatever the case may be, have their own limits
and closures to “Others”.
• By means of “strangers”, nation-states develop the in-group
rules. One of the contributions of Derrida to this theme
reminds us that at the time, we are in presence of others, we
are constituted as us.
The “Other” not only is disciplined, marked or regulated by host’s
rules it reminds that tolerance is given by the law of masters. In this
respect, Penchaszadeh distinguishes the guest from alien (stranger).
Whereas the former signals to the gaze of state, the latter one defies
the status-quo. As a result of this, the societal order demonizes aliens
whenever they cannot be disciplined. Aliens represent a serious
threat for politics, simply because they are beyond the hegemony of
language. This begs a more than interesting question, is hospitality
a subtle form of ethnocentrism or racial discrimination?, why
hospitality and why now?. The Urgency of Aliens 20 July of 2008 in
Rome Italy, as picture on the introductory section showed, two corpses
likely from two drowned Roma children lie down at the beach jointly
a couple of tourists who were indifferently about what happened.
What does this picture suggest?, are first-class citizens insensible to
the Other`s suffering?. Well, in the hyper mobile world of
communication, instant experiences, hedonism and consuming life,
two types of mobilities coexist. The global financial elite encourage
travels to take distance from reality, embracing the belief that good
citizens are legally allowed to be mobile. While thousands of
vagabonds, immigrants, refugees are condemned to starvation and
an imminent death. As a project, capitalism has consolidated
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generating serious asymmetries in the means of production, where
few monopolizes the slavery of the whole (Virilio, 2012; Bauman,
2000; Tzanelli and Yar, 2009; Eagleton, 2011; Bianchi and
Stephenson, 2014; Maccannell, 2011; Urry, 2007; Korstanje and
Clayton, 2012). Paradoxically, though TV news are fraught of events
characterized by “humanitarian disasters” of new-comers who do not
find suitable welcome in the centre, nothing is done to change this
radical situation. Undoubtedly, the problem of violence and
hospitality seems to be inextricably intertwined. This is the main
reason why Ana Paula Penchaszadeh presents her book: Politics and
Hospitality. In this project, she discusses not only the distance
between guest and stranger but also the conceptual limitations of
Derrida respecting to the influence of politics in the way the “Other”
is imagined and subordinated to main Western matrix. Written in a
polished way, this philosophical research is formed in six chapters,
which range from the Maussian theory of gifts towards the meaning
of democracy. Since the act of giving hospitality is based on tolerance
of the “Other”, which is marked as an alien, we must accept that
there is something ethnocentric in the way the identity is forged.
The first chapter (Hospitality and gift) explores the legacy of Mauss
and his theory of gift to place hospitality into the fields of social
bondage. She takes a public debate in the Argentinean Senate from
1894-1896, to show her thesis. In view of this document, it is clear
how the same “Constitution”, which was originally issued to invite
migrants to dwell the argentine soil, is gradually changed to a more
restrictive forms of discipline. The needs of creation a nation-hood is
associated to the governmental attempts to homogenize diverse
ethnicities, groups, and new-comers arriving to Americas from 80s
on. In this context, government appealed to language to accept
(disciplining) aliens into the same nation. Those who resisted in
speaking “our language” should be treated as “anarchists”, as
“undesired guests”. The project of Enlightenment adopted by founding
parents (in Argentina and other Latin American state as well)
envisaged the aborigine as a threat which may place the civilized
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country in jeopardy. Rather, the second section discusses the limits
imposed by sovereignty to understand the “otherness”. Within a
certain territory, the legal jurisprudence issued by state establishes
a guiding-rule for classifying selfhood from otherness. For that
reason, it is almost impossible to discuss modern hospitality ignoring
the principle of sovereignty. Tracing the cue of Schmitt, Hobbes and
Rousseau, the sacrificial meaning is sublimated to construct a much
broader negotiated sense of security. From education (Rousseau), to
fear (Hobbes), the radical other is established to forge the own
identity. The third chapter, to our end the best developed, refers to
the deepness of death. Alluding to the metaphor of pregnancy, where
the young mother who brings life, is uncertain respecting to the
evolution of her embryo, hospitality regulates the tension between
what is controllable and incontrollable. The current conditions of
democracy that today traces and jails thousands of migrants, simply
because they are demonized as a threat for social order, is one of the
topics widely developed in fourth and fifth chapters. Last but not
least, the efficacy of international right to protect “refugees” or the
role of international institutions to protect the future victims of
genocides represents the epilogue of this trailblazing philosophical
project. In sharp contrast to current literature, Penchaszadeh argues
convincingly that hospitality is determined by the combination of
five items: Language, gift-exchange, sovereignty, representation of
death and democracy. Whether Derrida over-emphasized on the
tolerance as the borderlands of hospitality, she understands that
hospitality goes in the opposite direction than tolerance. Starting
from the premise that the self is enrooted into a certain territory,
citizens are constituted according to the figure of “Others”, who are
not citizens but are tolerated. By exercising their power, nation-states
allude to tolerance to encourage the gift-exchange system. In fact,
Derrida made a radical critique to post-modern society and its
principle of property, which undermines the possibilities for peoples
to embrace the “unconditional hospitality”. This leads us to a second
question, may hospitality be conceived beyond the politics?. Likely,
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as Derrida, Penchaszadeh had an idealized image of democracy, and
of course they will respond, yes. However, this seems to be a deepseated issue which may be continued in next approaches. Discussing
the limits of democracy, the limitations of Derrida come from his
idealized view of “the Republic”. Since its grounds are inclusion and
acceptance, Derrida adds, democracy (at some extent) may be
equalled to hospitality. However, its effects on politics are
paradoxical. On one hand, the nation-hood confers the belief of an
exemplary centre to be naturalized in the course of time. This space
of exception not only gives “identity” but introduces “uncertainness”
to close the unconditional hospitality. The late-capitalism is tended
to “create an oligarchy” within democracy, to monopolize the
disciplinary mechanism of control over workforce. Although Derrida`s
concern on capitalism are correct, why we say adamantly he
developed a Romanized view of democracy? As C. Castoriadis noted,
democracy has not been a Greek legacy, but from Athens. Over
centuries democracy was practiced by Athenians in a way the rest of
Greece resisted. After the Peloponnesus war, the real nature of
democracy has gone for-ever. Unlike modern democracy (or as we
have dubbed in earlier works), ancient Greeks understood if everyone
has right to all, anyone has nothing. Although the authority of the
King was never questioned, Ancient Greece developed a political
resort (demos) for lay-citizens to convoke an assembly if a law was
unjust. With the advent of modern industrial revolution not only
the social ties are undermined, but a new way of interpreting
democracy arises. This is the concept created by British Empire,
which has dubbed by Korstanje as “Anglo-democracy”. In perspective,
it paves the ways for a new configuration of power, where “selfdetermination” sets the pace to “republicanism”, or “voting”. As a
result of this, Anglo-democracy instilled “the concept of freedom” as
a platform to stimulate the consumption. The paradox lies in the
fact this temporal freedom was not associated to the politic fields,
since the lay-citizen is not legally empowered by derogating the law
passed by Anglo- 6 democracy. The liberties given to peoples were
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inextricably intertwined to “desire” and “consumption”. As the
previous argument given, in the Anglo democracy, any subject
governs through its representatives and through the constituent
assembly. This creates a gap between citizenry and social institutions,
which is filled by economic financial corporations. At the time, the
global sense of mobility is posed to favour the market citizens are
really restricted in the politics. The disciplinary mechanism of
surveillance prevents the social change. The ideology of capitalism
has successfully expanded and accepted by populations thanks to
two major assumptions, which are embraced by Jacques Derrida.
First and foremost, many scholars believe that State is a counterforce that balances the interests of Market. Citizens may find a
shelter in the policies of nation-state. Historians of capitalism not
only have widely criticized this belief, presenting evidence that
nation-state surfaced to facilitate the expansion of capitalism, but
also focused on social inequality was a constant on human history.
Neither hospitality is a reified form of democracy, nor is inequality
effaced from earth by democracy. In other times, there were serious
political asymmetries enrooted in the authority of King, his territory
and the duty of citizens. In order to weaken the social bondage, postmodernity has posed a new axiom, which suggests that “The massive”
(this means what comes to all) is based on the spirit of democracy.
Far from being real, this belief ignores the doctrine of sum-zero
society. Within a frame-time, citizens will choose their governments
as consumers get a product. Nonetheless, the workforce and its unions
(in the struggle against international capital) lacks “from the demos”
as a resource to protect the weaker agents (Korstanje, 2013a,b,c,d;
Korstanje, 2014). In this conjuncture, Derrida precludes not only
the roots of democracy but hospitality. Ethnology and Anthropology
have collected an interesting conceptual framework to understand
hospitality as a rite of passage, or a pact, where “strangers” are welltreated to ask for the protection to Gods, once death. The same
treatment strangers receive Gods will harm or protect the human
beings. Natural disasters, famine, plagues and other calamities were
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considered “a just punishment” when the community eroded the right
of aliens. For whole part of cultures, the concept of evilness and
tragedy stems from the violation of hospitality-guiding rule
(Korstanje and Olsen, 2011; Korstanje and Tarlow, 2012; Korstanje,
2010). The conception of Derrida on hospitality not only is far from
being historic, but also is imagined according to what his own
stereotypes. Anyway, some interesting questions arise. What type
of hospitality may secular societies provide?, is hospitality linked to
the figuration of death?. To our end, the paradox formulated by
Derrida (in view of unconditioned and restricted hospitality) can be
resolved as follows. Unconditional hospitality, which is based on
religion and the belief in here-after, may be only granted in traditional
societies, while its restricted form seems to be proper of modern
secular ones. There is a last point in Derridean thesis which merits
to be revisited. Hospitality and Religion as it has been earlier noted,
hospitality keeps a strong political hallmark. In the age of Bio politics,
the exemplary centre exhibits not only the power of master, but also
the vulnerability of guest. Any displacement within hospitality is a
like a travel to death, towards here-after where Gods or spirits will
guide our path (Korstanje and Skoll, 2014a). In this respect, Paloma
Balbín Chamorro (2006) has deciphered the complex world of
hospitality, using etymology as a valid instrument. The term comes
from Latin Hospitium which derived in two legal terms, ius hospitii
and ius civitatis. A close reading suggests that Humbert was not
correct, when said that strangers received hospitium to be protected
during their sojourn, Chamorro adds. In fact, the word hospes was
applied to inter-tribal reciprocities that facilitated the economic good
exchange. In this vein, Korstanje (2010) highlights that the roots of
hospitality should be found in the “indo-Arian” formula, hostis+pet.
Although, there was a direct connection between hostis and the figure
of enemy, the hospitium was practiced in friendly contexts. The
meaning of hostis was applied to connote “equilibrium” and balance
among human beings. Furthermore, starting from the premise that
pet means “master”, hospes+pet should be understood as “master of
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host”. Whatever the case may be, this discussion reveals two relevant
things for our review. The first and foremost, hospitality was enrooted
in politics. Secondly, there was an asymmetrical relation of reciprocity
between hosts and guests, which merits to be investigated. An
asymmetry of this nature creates a gap which is filled by religion.
Ramos y Loscertales (1948) agrees in the religious aspect of
hospitality. Strangers or those who were pilgrims should be protected
because they are absolute godsends. They represent an opportunity
to be in communion with Gods, and the whole. The ontological
security of community is given by its ability to be reconciled with
Gods. This was the legal epicentre where any principle jurisprudence
is structured. As Korstanje, in earlier works, puts it, hospitality with
“strangers” equals the treatment humans received from Gods in the
hereafter. The modern ethnology collated evidence enough to
demonstrate many ancient tribes thought natural disasters were a
product of stranger mistreatments. Here one question surfaces, to
what an extent secular societies may offer generalized hospitality?.
Korstanje explain that while secular societies, where religion is
neglected, embrace “restricted hospitality”, unconditional hospitality
only was possible in ancient or traditional communities (Korstanje,
2008; Korstanje and Tarlow, 2012). In regards to imperialism,
Jacques Derrida alludes to the figures of “foreigner” to draw the
limits between inside and outside. Following Plato’s legacy, he
questions to what extent foreigners may be defined as those who
asks about others. Guests are often accompanied with their own
language, which is derived from their constitutional culture.
Hospitality is offered or denied depending on the foreigner’s personal
properties. New-comers interpelate the hosting community in the
same way, the question may be or not hosted by the speaker. The
language of the host interrogates violently and suddenly since it
imposes the home owner’s interpretation. Therefore, the foreigner is
forced to adopt another tongue which is not the one he usually speaks
or writes. The host’s translation is part of his very own abode and it
is precisely the point where the possibility of hospitality takes place.
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According to Derrida, two types of hospitality emerged in the
“absolute” (unconditional) and “restricted” (conditional) forms. In this
sense, the absolute hospitality demands the host to open the proper
home not only before foreigners but also before anonymous Travellers
who are unknown for me. This way, I am obliged to let them to enter
but to ask reciprocity. Rather, restricted hospitality signals to those
foreigners who meet the criteria of laws, considering that hospitality
is applied to a certain person, not an unknown alien. The host’s laws
are certainly granted if the newcomers are subject to the right, which
is always conditional. Without identity, or property, the guest
becomes in “a parasite”. No need to say, Derrida was adamantly
criticized because he leaves little evidence how “absolute hospitality”
may take room. Kevin O’Gorman explain that deconstructionism was
rejected by professional philosophy during long time. The concept of
“unconditional hospitality” as an impossibility since always strangers
are conceived with a lower degree of violence. In the lack of accuracy
to observe the ideal version of hospitality, a more restricted form
arises. That way, he involuntarily likes hospitality to ethics or in his
own terms, friendship. Whenever the hospitality is lived as an act of
generosity, guests and hosts are unified into a friendly meeting.
“When a country’s borders, or the domestic domain, are open to guests
or immigrants, conditional hospitality places us in relation to
impossibility; failure to provide a greater generosity and that
impossible greater generosity inhabits our act of conditional
hospitality. When, with the best intentions, people nonetheless
inevitably fail in their attempt to be open to the difference of the
‘other’ that impossibility resides in their attempt, and places them
in a different kind of relationship with the other in question”.
(OGorman, 2006: 54) Others voices criticized Derrida´s development
as pseudo-philosophy, (see discussion with John Searle). He is
accused to misunderstand the real historic hospitality as “an
intertribal pact” of non-aggression whose effects are determined by
the political act. There is no possibility to offer hospitality beyond
the politics. It is important to clarify that this is not an essay review
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on Jacques Derrida in the strict sense of the word but on the reception
in Latin American philosophy; to be more exact, from the reading of
Maria Paula Penchaszadeh. It does represent only the reception
Derrida had in the ethos of Latin American philosophers. As postMarxian academicians as Alberto Fillipi observed, Latin America
has developed a strange version of Marxism where politics not only
were the motor of history, but also state was preferable designed as
the protector of citizens before the advance of market. In this region,
Marxism has changed to a new form that emphasized the role of
politics in the social world. Secondly, there is a strange fascination,
likely resulted from French philosophy, for the promises of
democracy. Latin American thinks that the restrictions imposed over
their economic prosperity not only are given by the continuation of
coups de etat that interrupted the democratic life, but also by a dark
compliance between armies and neo-liberal forces of the market. In
this point, genuine democracy is the best antidote against the
asymmetries created by capital-owners. Although it is right on some
sense, this romantic gaze ignores “the concept of democracy”
cemented the expansion of capitalism worldwide. However, there is
a little uncovered point of discussion in this entry that likes Derrida´s
work with ethnocentrism. In what way are we authorized to confirm
this allegation?, is not Derrida the philosopher of deconstructionism?.
Empires consolidate their hegemony in two drastic different
directions. On one hand, we have the classic discourse that proclaims
the superiority of few over others. In these terms, hospitality is
limited not only to the authority of masters but persists in the roots
of law. This is exactly what Derrida called “restricted hospitality”.
However, there is another type of hospitality that never asks anything
in return. Is this a sign of supremacy or a simple attempt to connect
with others in egalitarian conditions?. Marshall Sahlins was one of
the pioneers in continuing with Marcel Mauss´ concerns. Cantered
on other factors as kinship, power, rank and geographical distance,
Sahlins elaborated a new typology of reciprocities that may be
explained as follows, As a dyadic swamp, reciprocity (like solidarity)
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is subject to a rite of redistribution of goods that marks the roots of
social bondage. While produced objects are necessary for economic
subsistence, the monopoly of surplus (wealth) confers status to
holders. Following Sahlins´ model three types of reciprocity should
be noted,
• Generalized reciprocity is marked by no needs of return for
one or both parties. These transactions not only are cantered
on vagueness in the obligation to reciprocate, but in a clear
asymmetry of rank between sides.
• Balanced Reciprocity signals to an equivalent exchange of
goods or values among parties. An example of this sub-type
whenever a tourists pay for a room at the hotel.
• Negative reciprocity is characterized by the interest of parties
to maximize their profits no matter than the other. Clear
examples of this are theft, or barter. The self receives or takes
a good which never is returned with impunity.
Not surprisingly, Sahlins did the correct thing to announce the
status and rank plays crucial role to create a “generalized reciprocity”.
Only the lords of city are allowed to offer an “unconditional
hospitality” without reciprocity (Sahlins, 1963, 1965, 1972). Since
the “Other” is a little thing, nothing is asked to be returned to the
master. This generalized way of reciprocity covers not only an act of
paternalism but of imperialism. A subtler discourse that
characterizes the upsurge and zenith of empires relates to the fact,
that Otherness is under-valorised to be assisted without exception
and at any situation. The expansion for trade needs to use the allegory
of human rights to connect emotionally with other territories. History
witnessed how empires literally appealed to humanitarian reasons
to save the “condemned”, the savage souls from their hell. Beyond
the attempts to help others, lays the logic of exploitation and
domination. This begs a more than interesting question, why we
should help Others who have nothing to do with us?.
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While Durkheim sought an innovative explanation to precise how
society is possible in collective ways, the liberal alternative stays
close to “individualism”. One of the exponents of this tradition John
Rawls sets forward a theory of reasonable law to explain why some
nations fail other are prosperous. Liberalism had serious problems
to digest charity when it is framed beyond the individual right to
property. The theory of reasonable law rests on the belief that people
sacrifice their appetite for war and ambitions to achieve wider forms
of political, economics, and social cooperation. Therefore, trade and
negotiations are of paramount importance to balance the
international relationships. Of course, Rawls is criticized simply
because after Auschwitz this idea would seem a simplistic utopia,
an allegory. His response to these allegations is not convincing. Rawls
echoes Kant’s doctrine of international law that only a liberal society
may lead human beings to a sustainable state of well-being. Any
person may be pressed to help others without violating its autonomy.
Therefore, peoples must assist others people living under
unfavourable conditions that prevent their having a just descent
political regime. What happens when assistance should be done over
dictatorship regimes?. Korstanje and Skoll (2014b) have explained
that the theory of peoples, like Derrida, should be revisited but not
the reason Rawls notes. He is divining the world in democracies and
dictatorship enlarging the gap that facilitates the surface of an
“empire of charity”, or “the empire of human rights”. “The neoliberal
development in 1990s not only issued a lot of uncontrolled loans
that indebted many poor countries, but also generated an iron chain
of dependency between first and third world. Shown to be a
resounding failure, the first social scientists who encouraged the
theory of development—Milton Friedman possibly the most wellknown, especially in his design of the Pinochet-led Chilean economy—
replied that cultural asymmetries were the reason for the third world
not to gain the benefits of financial assistance. That is, it was not
the economy; it was the value system of Third World peoples that
kept them in poverty” (Korstanje and Skoll, 2014b: 13). At least,
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this reminds Truman’s doctrine of development which not only
indebted the world but also created a strong dependency from
periphery to its centre. Whenever the suffering in the world becomes
in the platform for submission, it exhibits the lack of ethic of imperial
ethos. Conclusion (rethinking the imperial code) Even if the tension
between hospitality and ethics was formulated by a whole number
of philosophers in ethic fields (From Kant to Rawls), much deeper
insight is needed respecting how “ethnocentrism” evolved. The ebbs
and flows of Derrida´s insight on hospitality stems from this above
discussed imperial logic, where the “Other” (incapable to make
another thing than knocking the doors of our paradise) is portrayed
in vulnerable conditions to reinforce our “absolute supremacy” over
them. By offering an absolute hospitality to the peripheral others do
not enhance their lives. Rather, it aggravates the conditions of
exploitation. Ideologically, the success of empires to keep the control
over periphery consists in expanding the good-person exchange into
a finely-ingrained system. In so doing, it engenders some big economic
imbalances given by the asymmetry of forces. The absolute or
unconditional hospitality not only reinforce the sentiment of
supremacy of “selected race” over the colonized one, but also elite
claimed its right to be like-gods. In every newspaper, in every TV
program or talk-show there is a concern for poverty and the
vulnerabilities of pours, simply because it enthrals Occident as an
exemplary civilization. As Clifford Geertz puts it, sometimes, pacts
are celebrated to be violated (justifying a preventive attack), while
others are done to show the inferiority of others. This is the weaker
blind-point not only in Derrida, but in Penchaszadeh which merits
to be discussed. This is the reason why, absolute or restricted
hospitalities are subject to politics. Anthony Pagden describes how
the concept of hospitality was politically manipulated by Scholastic
philosophers to legitimate the conquest of Americas. Although the
discovery and colonization was achieved in a shorter period of time,
no less true is that other incipient imperial powers as England and
France questioned seriously the role of Spaniards in 14 Americas.
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What type of law allows Catholic Church in giving rights to Spain in
groups that do not accept Christendom?. Starting from the premise
aborigines does not accept Catholic religion, why we think the treaty
of Tordesillas (1494) was legal? May a person expropriate the land
without working in it?. Over years, there was a hot debate among
philosophical schools of Spain and Portugal. However, case reports
from this new world suggested some conflicts with aboriginal tribes,
which rejected the “European principle of hospitality” as it has been
formulated by “natural right”. Although, the European natural right
demanded that Hommo viatores (traveling humans) should receive
protection, food and assistance while traveling, some aborigines was
not cognizant of this customs and repelled the presence of strangers.
This act of hostility not only reminded that aboriginals (for
philosophers) were not familiar with the “natural right” (hospitality)
but paved the ways in order for them to be seen as sub-humans.
That way, there were not ethical problems in expropriating their
lands or even enslaving them for hard work. Pagden´s research
discusses to what an extent the conquest of Americas, which as
remembered as one of the bloodiest event of history, was legitimized
by the European principle of hospitality (Pagden, 1995). To cut the
long story short, “absolute hospitality” beyond its impossibility is
conducive to the subtle discourse of Empires which expand their
hegemonies by means of “generalized reciprocity”. Whatever the case
may be, we do thank Ana Paula Penchaszadeh who has a great
sensibility and intellect in dealing with these slippery matters. The
problem of hospitality is not news, and still persists in the matrix of
Western civilization. To what extent, the other is an invention of
selfhood to legitimate the established order, or whether this other is
used to expand my own hegemony are two major concerns on the
puzzle the philosophy should unravel in a near future.
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4
ETHNOCENTRISM AND RISK
PERCEPTION
INTRODUCTION
Every culture has developed ways to adapt to its environment. One
method is the construction of feared object which serves as a
mechanism to adjust social perceptions of danger. Elements which
instil fear vary from one society to another (Korstanje, 2011a). Under
some background, the perceived vulnerability of a nation may very
well lead towards “chauvinist manifestations” or even a dictatorship.
In recent years’ policy makers in the tourism and hospitality industry
have acknowledged problems with mass media in maintaining
images of tourist destinations. Through an ever changing world,
where humankind seems to be subject to a state of instability, the
tourism industry is affected by a kind of risk inflation. Though many
sociologists have observed that risks are inextricably intertwined
with postmodernism (Giddens, 1991; Beck, 2006; Luhmann, 2006;
Castel, 1997, 2006; Becker, 2011), the fact is that the term was widely
adopted by tourism fields after the September 11, 2001 (9/11) attacks
to World Trade Center and Pentagon (Floyd and Pennington Gray,
2004; Dolnicar, 2005; Mansfeld and Pizam, 2006; Boniface and
Cooper, 2009; Ertuna and Ertuna, 2009). The attacks caused serious
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Ethnocentrism and Risk Perception
financial losses to tourism even years after the event. In part, this
has been because terrorists employed mobile technologies, which are
the pride of West, against the symbolic epicentre of world. At bottom,
the message was that nobody will feel safe anywhere anymore (Zizek,
2009; Howie, 2012; Korstanje, 2013). Although the concept of risk
has served scholarship on the safety of tourist destinations, there
remains much to say about the conceptual problems of risk. The
present essay aims to explore not only the roots of risk in capitalist
societies and attendant methodological limitations, but also to
differentiate among fear, risk, and safety. We argue that an allencompassing model is needed to understand tourism risks and needs
for protection required by the industry. It is unfortunate that the
current specialized literature on risk perception theory (in tourism
fields) is far from reaching an understanding of the problem, but by
the demonization of non-western cultures. To put this in bluntly,
risk perception leads to the configuration of an “ethnocentric”
discourse that makes from “security” the touchstone to mark the
difference between civilized and uncivilized world.
THE MEANING OF RISK
Sometimes, we hear concepts as risk, fear and angst in the academic
discourse. However, less attention is given to their meanings. The
lack of clear definition in the concepts scholars use in their respective
researches, not only obscures the derived findings, but leads to wrong
results. The specialized literature suggests that fear can be defined
as a basic emotion, which protects the survival of an organism. Not
just human beings, but all animals experience fear of external
threatening stimuli. Alerted by fear, the organism has three possible
reactions: Paralysis, attack, or withdrawal (Fraisse, 1973; Panksepp,
1982; Levenson, Ekman and Friesen, 1990; Strongman, 1996).
Nonetheless, the concepts of behavioural psychology have not
embraced by other social sciences. Anthropology has developed its
own sense of what fear means. Although, recognizing a strong
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neurobiological basis that reduces or enhances the fear, ethnologists
evaluate the social factors by which some fears are exacerbated while
other rejected (Malinowski, 1967). Therefore, culture plays a vital
role not only conferring a specific meaning to objects, but also to
fears. Mary Douglas, a pioneer scholar interested in exploring the
connection of fear, evil, and risk, argued that psychological fear
represents an attempt to react when faced with a hostile situation.
To some extent, the preservation of culture is at stake in contexts of
uncertainty or instability. When socialized, fear unites a society
(Douglas, 1992). In subsequent studies, Douglas developed a new
thesis arguing that risk, danger, and sin are intertwined social
constructs. Sin and risk give further legitimacy to the status quo,
which would otherwise discredit privileged groups if they did not
give solutions to lay people. Risk and sin both provide rationalizations
for how the world works. The potentiality of threat provides
legitimation for social solidarity and status hierarchies (Douglas,
2007). Philosophically, the self experiences anxiety-angst when faced
with a decision. Existentialism defined anxiety as a result of freedom
or uncertainty. The self opts for a way out of choosing. While fear
corresponds with a specific object or stimulus, anxiety has an abstract
nature produced by the presence of nothingness (Heidegger, 1997,
Kierkegaard, 2003). This begs a more than interesting question, what
is risk?.
Following the observations of K. Tierney, risks should be defined
as any probability of damage resulting from an event where the
integrities of victims are at stake. In recent decades, sociologists
have treated risk as a social construction. Within sociology, two
contrasting waves have historically discussed the nature of risk
(Tierney, 1994). One group explored the probability of harm, focusing
on the effects of unseen risk for social systems. Another paid attention
to the perception of citizens and the paradoxes this generates (Duclos,
1987). The specialized literature in risk management took the
pragmatic perspective that bad evaluations of risk may lead to bad
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Ethnocentrism and Risk Perception
decisions. In this sense, efforts to mitigate risks open new ones
(Oliver-Smith, 2002). Zygmunt Bauman (2011) explained that risks
are social constructions to try to control the future. In the middle
ages, happiness was thought to be restricted to few people, who can
attain it only through suffering and expiation. The American
Revolution introduced a radical change in the way that happiness
was conceived, as suggested by Thomas Jefferson’s claim in the
Declaration of Independence (1776) that the pursuit of happiness is
a self-evident truth of the human condition. This assertion of a global
right to happiness broadened its possibilities, but linked the
possibility of happiness to freedom and choices. Risk, then, came to
regulate the uncertainty of the future, but also conferred on the
subject the liability for failure to be happy. Ulrich Beck has argued
that modernity opened new global risks, which were alien to the
medieval world view. Chernobyl in the Ukraine was the symbolic of
the role played by technology in fabricating new risks. In Beck’s view,
technology had helped enhance security, but today it generates new
and dire risks that threaten human existence. In Beck’s “risk society”
the old modes of production, which fabricated commodities, have
turned into methods that produce risks (Beck, 2006, 2011). Parallel
to Beck, Anthony Giddens acknowledged globalization as a project
based on two key factors. The first is that money has come to serve
as a mechanism of connecting presence with absences, or needs with
their satisfaction throughout the world. The second element is a
network of experts, who not only evaluate potential risks 5 but also
devise ways for mitigating risks. Starting from the premise that
experts monopolize the trust of lay people, for Giddens, risk is what
society creates to sustain its efficient functioning (Giddens, 1991,
1999). In opposition to Giddens´s argument, Niklas Luhmann has
criticized the thesis of risk society because of the increasing alarmism
it spreads in public consciousness. Certainly, Luhmann adds, risks
always are rooted into a previous profits or benefit, whereby the
subject should decide. It corresponds with the principle of
contingency. Unfortunately, Beck did not contemplate the distinction
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between risk and threat. While risk signifies a previous decision by
the self, threat refers to something external to the self. A terrorist
attack, an airplane accident, or natural disasters are threats, since
the victims have no way to reverse the situation. The passengers in
an airplane crash have no way of avoiding the harm. In contrast, for
the air travel company owner, who opted to reduce costs, the accidents
are a risk. Generally, those who make the decision are generators of
risks. They are not the same as those who face the risks (Luhmann,
2006). J. Richardson (2010) says that threats which jeopardize society
are introduced in the social system by means of knowledge. Risk, in
these terms, would be the efforts to intellectualize the future by
offsetting costs and benefits. The final decision made on the possibility
to face or avoid the damage is given by the degree of contingency,
with respect to the problem to be solved (Richardson, 2010). This
seems to be the reason why technology designed to mitigate risks
under some conditions of uncertainty, generates new risks. A
discussion of this nature, coined in the core of social sciences, has
not been duly evaluated in tourism fields. In the next section, some
of the more relevant studies in tourism risk are scrutinized. Tourist
Risk The theory of risk perception has more than forty years of
empirical research behind it. Nonetheless, it has been adopted by
tourism industry only after the attacks of 9/11 (Dolnicar, 2005a,b;
Kuto and Groves, 2004; Paraskevas and 6 Arendell, 2007; Bhattarai,
Conway and Shrestha, 2005; Boniface and Cooper, 2009; Yuan, 2005;
Floyd, Gibson, Pennington-Gray and Thapa, 2003; Goldblatt and Hu,
2005). Why is risk important for tourism industry? S. Dolnicar
(2005a) argued that the intangibility of tourist products generates a
high degree of uncertainty in consumers. He said that the tourist
industry needs a model that helps policy makers to delineate and
define types of risks so that mitigations can be deployed. Following
this argument, A. Fuchs and G. Reichel (2010) classify risks
depending on the human intervention: There are risks which are
fabricated by human beings, while others like disasters followed
natural reasons. In recent decades, the world has witnessed disasters
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and crises which have affected tourism. J.C. Henderson (2008)
evaluated the importance of risk management plans to mitigate
potential risk for the industry. If risks are controlled, the disaster
can be prevented. The perception of risk, far from being pathological,
is conducive to recreate a precautionary principle so that the society
can avoid the catastrophe. The theory of risk applied in the context
of leisure and tourism can be classified in four main categories: a)
social bonds, b) nationality and cultural differences, c) residency, d)
personality. Scholars who assert that risk perception is limited or
enhanced by the trust travellers have were very popular in the first
decade of the twenty-first century. They proposed that those
travellers who were accompanied by relatives or friends perceive
less risk than other groups. The sentiments of vulnerability are
awakened when the travellers go beyond the security of home would
be controlled by the social trust associated with accompanying
companions (Roehl and Fesenmaier, 1992; Yuan, 2005; Castaño,
2006; Park and Reisinger, 2010). A. Reichel, G. Fuchs, and N. Uriely
(2007) found that those who prioritized the political instability as
the main threat at time of vacationing, travellers in company of others
are more likely to suffer physical wounds than single travellers. 7
For other scholars, nationality was the significant variable that
explain the variation of risk perception. H. Sackett and D. Botterill
(2006) collected evidence that British and Americans perceive more
risk than other nationalities. This happens because of the AngloAmerican alliance in the Iraq and Afghanistan invasions. These
findings were previously inferred by P. Dominguez, E. Burgette and
A. Bernard (2003). To these researchers, nationality plays a vital
role in risk perception depending on the geopolitical policies of their
respective countries. C. Ertuna and Z.I. Ertuna (2009) validate the
idea that there is a connection between risk perception and national
or religious affiliation. The mass media disseminate news about
terrorism and political instability worldwide. Those nationalities
directly involved in international disputes would develop more
sensibility to risk than others. For example, while British holiday99
Tourism and Terrorism
makers perceived less risk from natural disasters after the tsunami
in Sri Lanka, other nationals, such as Germans and Italians,
confessed to experience more concerns. The psychological impacts
deepened on the number of victims portrayed by the media. The place
of residency seems to be another variable that explain why risk
evolves over time. M. Floyd, et al. explain that inhabitants of New
York City showed higher anxieties after 9/11. This trauma persisted
for approximately one year, and was more persistent in those nearer
to ground zero. After the attacks, Americans closed their collective
perception, and tended to think that going beyond the country was a
dangerous and risky venture. J.Y. Wong and C. Yeh (2009) focused
on the decision at time of selecting the holiday destination. The level
of reliable knowledge and not residency would be the variable that
determines whether a destination is avoided. Though risk tends to
be rooted in a territory, the sense of danger is broadly associated
with more complex trends. The 9/11 attacks represented the onset
of a new way of imagining urban life in great cities. What scares
people is not proximity to ground zero, but living in urban spaces.
Terrorism is presented by establishment media as not occurring in
rural areas (Woods et al., 2005; Yuan, 2005). Psychologically, we
tend to compare the context of risk to be replicated in related
environments. A final viewpoint considered here, emphasizes
psychological character or personality as the main factor for analysis.
Originally, the pioneer in these types of investigation was Stanley
Plog who argued that there is a relation between personality and
perception of the environment. Though he was strongly criticized in
how he formed the model, it paved the ways for the upsurge of much
applied investigation. A. Lepp and H. Gibson (2008) wrote that tourist
travel is subject to two contrasting sentiments: The quest for novelty
and the need for safety. To some extent, the cultural incompatibility
between tourist originating and receiving countries may reduce the
travellers’ feelings of safety. Their degree of adaptation to new
landscapes is partially determined by their personalities. While some
tourists are sensation seekers, others are risk aversive. M. Kozak,
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J. Crotts and R. Law found the following: a) Risk attracts some
travellers who change their original destination to seek it. b) Those
personalities based on higher degree of tolerance to change do not
need to alter their plans in context of adversity. c) News of disasters
or catastrophe not only affects the place of occurrence, but also
neighbours countries. d) Risks are not restricted to specific locales,
but extend too much wider regions. e) While travellers coming from
industrial societies are concerned about terrorism, travellers form
underdeveloped nations fear virus outbreaks. f) Personality
variations explain why some travellers perceive more risk than
others. Y. Reisinger and F. Mavondo (2005) and Yun and Mclaurin
(2006) present a scale based on 22 categories to measure the safety
of tourist destinations. The specialized literature fails to explain the
correlation of personality and risk perception, because the evidence
is not conclusive. A remaining question concerns the role of culture
as a template for determining which aspects of life are salient in
terms of travel safety. Although research in tourism and risk has
advanced in recent years, many of the stereotypes and limitations
among tourism scholars were first laid down by the pioneer research
conducted by W. Roehl and D. Fesenmeier (1992). Drawing a sample
of 258 participants, they found that perception of risk varied with
the purpose for travel. Based on an answer-rate of 64 percent, this
study concluded that demographic variables of travellers such as
age, gender, and family structure correlated directly with risk
perception. Social bonds played an important role in explaining why
some travellers opt for some destinations while they exclude others.
Although Fesenmaier and Roehl’s work illuminated whole of the
subsequent research in risk fields, their focus was based on a business
plan to protect tourist destinations, instead of expanding the current
understanding of the issue. The first problem lies in the way they
defined risk. Mathematicians evaluate the evolution of risks using
complex software which studies the decision making process of
participants. However, risk-related research in tourism is based on
open or closed-ended questionnaires written to refute or validate
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hypotheses. Later, these questions are correlated by following
complex algorithms to make stable queues or segments, which can
be examined to discover tourist perceptions. The goal of these
researchers is to give some preview on the tendencies of the tourism
market and its segments. The participants’ views and attitudes are
subject to substantial reductions. Quantitative research emphasizes
data from standardized questionnaires and closed-ended questions.
This means that what Roehl and Fesenmaier obtain is the declaration
of participants, who sometimes are not familiar with the reasons for
their own behaviour. Participants may simply lie to impress the
researcher. W. Roehl and D. Fesenmaier initiated a new way of
investigation, but also introduced techniques of engineering in the
production of knowledge. Their assumptions, models, and methods
were replicated by followers who, eager for legitimacy and greater
status, appeared to make “science.” In so doing, they used the
experimental model, but fundamentally, their goals were not
scientific. Risk studies wanted to promote sales, delving into the
psychology of those who have capital to spend—the tourists. Besides,
it is contradictory to apply probabilistic models to analyse nonprobabilistic methods, such as open-ended questionnaires. Tourism
researchers interested in risk tried to draw larger samples of tourists
while excluding other agents who participate actively in the tourist
system such as professionals or staff. The researchers concentrated
on understanding economic demand by travellers and visitors.
Questionnaires were oriented to the consumer. Some other
researchers targeted hotel operators using the Delphi or focus group
methods. The over valorisation of tourists as the axis of industry not
only was replicated in risk related issues, but also paved the way to
an ethnocentric discourse.
CONCEPTUAL PROBLEMS OF RISK STUDIES
There are no scientific reasons for arguing that risk is strictly linked
to probability, nor for seeing risk with a strictly quantitative
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paradigm. Tourism risk studies mainly have aimed at exploring the
connection between risk perception and tourism consumption. Their
goals are given by the needs of identifying, controlling, and mitigating
some dysfunctional or inefficient factors which jeopardize the tourist
industry. A wide range of potential threats ranges from natural
disasters to terrorism (Yuan, 2005; Park and Reisinger, 2010; Niyaz,
2010). What is noteworthy is that travels and tourist destinations
are not the same. Sometimes, risk investigation treats tourist
destinations as the all-encompassing unit of analysis. These views
lead us to trivialize travel as a psychological process which begins
and ends irrespective of the date we purchase the ticket. For example,
researchers following terrorism issues do not focus on the biographies
of terrorists, but on the perceptions of travellers. The demand, not
the offering, is important for these scholars. Their formulated goals
lead to basic contradictions. First and foremost, they fail to recognize
that perception is the result of social context. We cannot obtain
answers to questions without connecting what people say and do.
Some misunderstanding is based on the discrepancy by statements
and psychological arousal. We may accept some risks without being
concerned about them. For example, most people do not hesitate to
leave their homes for fear of being struck by lightning, although
that risk is far greater than the risk from terrorist attacks. Secondly,
less attention was given to the role played by ideology which confers
specific reasons for fear. For example, K. Wolff, S. Larsen and R.
Doran (2013) and K. Wolff and S. Larsen (2014) have been
documented a contradiction in the way people construct risk. Despite
two attacks against civilians in Norway, interviewees feel this
country is safer than others. The attraction of New York as a symbolic
centre of civilization made other attacks fall into oblivion. Other
methodological problems with these empirical studies are related to
the criterion of sampling. Some samples are not balanced in
proportion to the number of participants (Roehl and Fesenmaier,
1992; Sacket and Botterill, 2006), or the criterion of justification is
weak (Plog, 1972, 1991; Dominguez, Burguette and Bernard, 2003;
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Wong and Yeh, 2009). In other studies, questionnaires are
ethnocentric ignoring a division between industrial and rural minds
or world views (Kuto and Groves, 2004) or replicating values
associated with nationalism or chauvinism (Yun and Mclaurin, 2006),
while other studies are determined by conditioned answers because
questionnaires are written in English or conducted in the preembarkation sections of transportation facilities (Wong and Yeh,
2009). If I interview tourists who are about to travel, their sentiments
will be different were I do the same at home. Since the context
conditions responses, they should be compared in diverse
environments. Another clear error in these studies is the way the
question is formulated. Sentences such as, “I feel fear to travel
abroad,” do not reveal any risk, but reveal the prejudice of researchers
who consider the world an unsafe place. On another hand, such
studies make no clear distinction between risk seekers and risk
avoiders. Many of these studies merely assume risk is dysfunctional
for international tourism demand. W. Aschauer (2010) criticized the
risk paradigm for being oriented to businesses, marketing, and
profits, as they confuse safety with risk. Indeed, some tourists elect
extreme sports and seek elevated the risks to gain status and prestige.
Their psychological structure gives meaning to the risk while their
perception plays a neutral role. Both categories work in diverse
spheres of human minds. Negative evaluation of some destinations
is not explained by the risk itself, but by how it is communicated
(Aschauer, 2010). Safety, and not risk, should be prioritized as a
fertile ground of investigation in tourism fields. Methodologically, if
we conduct investigation prioritizing quantitative techniques, the
outcome will not explain the behaviour. We will see only correlations
between two or more variables. To understand what is happening in
the field, we need to introduce qualitative methods to complement
the quantitative one (Slovic, 1987; Korstanje, 2009; Zinn, 2010). Quite
aside from the size of the sample, the correlation of both variables
does not entail explanations of why that correlation occurs. That is,
there is no causal connection, no accounting for the mechanisms
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producing the correlations. For example, considerable evidence
suggests that women perceive more risk than men. Following a
quantitative reading, one might infer the gender is a variable of risk
perception but this exhibits an ecological fallacy. Males are socialized
and educated to repress their emotions. Though they feel fear, they
avoid voicing or otherwise exhibiting fearful emotions. On the
contrary, females are socialized to communicate fear and other
emotions (Becker, 2011). P. Manning (1989) recognizes the
importance of understanding that social practice is embedded in a
structure whereby discourse is articulated. Understanding how the
narratives of safety are orchestrated, over-valorised or silenced,
researchers can get a more profound idea of the object of study. This
is the reason why questionnaires and interviews alone are not useful
in understanding social issues. C. Waterton and B. Wynne (2001)
conducted an investigation in towns such as Sellafield (UK), which
are next to nuclear plants. Under some conditions, inhabitants at
risk of dangerous exposure intellectualize their situation, repressing
their fear and displacing it or negating it with sentiments such as
pride and stoicism to rationalize their persistence in a dangerous
place. This reveals that risk may confer strong attachments of identity
where real dangers become a criterion of status and social distinction.
Unless the qualitative view is introduced in risk perception research,
biased diagnoses may lead scholars to inaccurate or partial
explanations. Last but not least, one of the main problems of this
perspective on risk and tourism relates to the ethnocentric discourse
it disseminates. Racism expressions activated against Muslims are
known by specialists as Islamo-phobia. The problem lies in the
produced knowledge about Islam, or the distortions certain object
may have. Islamophobia today encompasses a lot of aspects enrooted
in the code of West, which ranges from the fear for Otherness, to an
exaggerated cultural reaction to 9/11(Sayyid, 2014). In this context,
risk perception opens the doors for long-simmering hostilities against
Muslim World. At time the other non-white is considered as
dangerous, West declares its supremacy over other cultures. As
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Graham Fuller puts it, what would happen in Muslim World never
existed?. The hostilities between East and West was not activated
by 9/11; even as Fuller adds, if Islam never would take room in Middle
East, this ancient hatred would have flourished in another
civilization, as Byzantines. Islam is not the problem, but by the
configuration done by West. The struggle between Rome and
Constantinople was given in terms of politics, not religion. In the
same way, Judaism, Christianity, and Islam have historically
coexisted without problems. The Anti-Rome sentiments developed
by Eastern Roman Empire were based on the hostilities and the
lack of tolerance of any political structure or culture which opposed
to the terms of Rome. In this conjuncture, Fuller says, “Islam, as a
new geopolitical force, inherited not only much of the anti-Rome views
that grew over time within Byzantine Empire itself. While Byzantium
drew its deepest identity from the belief that it was perpetuating
the true tradition of the Roman Empire, it increasingly came to view
the Western Church as a geopolitical rival whose 14 power was
ultimately as threatening to Byzantine power and identity as Islam
itself” (Fuller, 2012: 68). Fuller´s contribution is useful to remind
that one of the main successes ideological discourse against Muslim
World consists in stressing “the problem of terrorism” as a cultural
pathology enrooted in Middle East. Instead of exploring the real roots
of terrorism, as an inherent part of capitalism (Korstanje, Skoll and
Timmermann 2014), some scholars present the problem as a “Clash
of Civilizations” (Huntington, 1993), or an impossibility of some
underdeveloped nations to alleviate poverty and resentment against
West, or antinomian religious incompatibles. Of course, because the
world is a dangerous place, where antidemocratic movements may
cement the upsurge of terrorist cells, we need to monitor, detect and
mitigate the risks. This is the context, where unfortunately risk
perception theory applied in tourism, appeared and evolved.
Nowadays, risk has placed the role played by development theory
over last two decades. Policy makers do believe those pour countries
where poverty and resentment prevail may cause serious problems
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to West in a later day because they are a fertile ground to the
multiplication of terrorist cells, produced by political instability. In
this vein, tourism would be an effective instrument not only to pacify
the region but enhancing the beaten economies. Undoubtedly,
terrorism may be a big problem for all nations and communities, but
worse is the asymmetries (or hierarchies) posed by the risk
perception. Raoul Bianchi and Markus Stephenson argue
convincingly that the ideological discourse of empires entails making
citizens believe not only that tourism gives a world without
boundaries, but also a political stability for all nations. At time
marketing of tourism focused on the risk perception, (globalized fear),
a new type of double-oriented mobility may be imposed. This means
that when some global citizens are legally authorized to visit any
secure region in the world, the whole are immobilized. How risk and
ethnocentrism are inter-linked?. The first point to discuss relates to
the theory of Ulrich Beck. Although he is well-esteemed by the
developments in the Risk Society, some of the results are not correctly
formulated. There is unobserved dialectics between risk perception
and the economic system. Not only Beck did not realize the peoples
of working age perceive further risks than retirees (which marks a
direct correlation between economic factors and risk), but it is very
difficult to think the risk undermines the current status and
hierarchy of society. Although the concept of “reflexivility” applies
on the produced knowledge, there still remains a clear asymmetry
between those classes which may buy better insurances respecting
to others relegated to suffer the negative effects of risks. This happens
simply because postmodern societies are structured according to the
capacity to mitigate risks, (instead of capital as modern ones). The
current climate of inflation of risk, which is daily covered by
journalism and media, has two different purposes. First and foremost,
it flaunts the technological supremacy of elite over the whole society.
Secondly, as Zygmunt Bauman puts it, it marks the boundaries of
privilege and disaster. In fact, thousand years back, walls and cities
protected to their citizens from the external threats. The devotion
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posed on the walls, entailed the preservation of certain rights. The
enemy was always a stranger, regulated by the combination of
violence and legality. Nowadays, rather, the liquid modernity has
diminished the social trust necessary to cohabit with the other. Today,
the enemy not only resides in the city, but also enlarged the
psychological distance among citizens. The development of a “liquid
surveillance” remains how far the undesired guest should keep away,
but what is most important, it presents those who can manipulate
these types of technologies as the supreme group (privilege race) of
society (Bauman and Lyon, 2013). Conclusion As discussed in the
present essay review, whenever risk perception is circumscribed
within a specific geographical point, as is the case with many of these
studies, outcomes tend to demonize civilians living there. If we
consider the Middle East a dangerous place, psychologically we will
avoid any direct contact with Muslims. This creates geographies of
two types: secure and insecure. At a first glance, the former attract
more investment and tourism than the latter. Nonetheless, both are
inextricably intertwined. Those destinations previously considered
unsafe not only direct tourist flows towards particular points, but
highlights the product (Lash and Urry, 1994). From an ideological
discourse, the theory of risk perception seems to be associated with
geopolitical interests, reinforcing the dependency between centre and
periphery. Recently, M. Korstanje and D.H. Olsen (2011) and M.
Korstanje and P. Tarlow (2012) explored the qualitative archetype
of risk and danger in the American cinema industry. Scholars agreed
that not only did 9/11create a new paradigm to understand horror
movies, but also supported an ideological discourse where American
tourists feel superior to other nationalities. The events of 9/11 created
a hierarchy of tourists where their value is determined by their
nationalities. Effects of 9/11 blurred the memories of other events.
It became a mythical date so that the forces of order—the United
States, Britain, and their allies, which not coincidentally were the
colonial powers—launched their crusade against evil. Terrorism, in
this view, became represented as the main threat for the West in
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this century. Tourists who are victims of attacks, and terrorists share
the same cultural values in many respects. Both trust in physical
displacement as an instrument of status. Moving to other spaces to
rest or knowing diverse landscapes is a pattern terrorists know well
in order to plan their attacks. They have been widely educated in
Western universities. Because the World Trade Centre and mobile
communication industry is a value for West, they have become targets
of international terrorism. If Mohammed Ata, one of the leading
perpetrators of 9/11, would not know of the importance of civil
aviation for the Western public as a source of pride, he would never
have opted to direct an airplane against a commercial tower.
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5
TOURISM IS TERRORISM
BY OTHER MEANS:
THE GENESIS OF UNIONIZATION
INTRODUCTION
Over the last decades, the specialized literature focused on the effects
of terrorism in cultural industries as tourism, or leisure. Events as
9/11, as many other attacks in Paris even Brussels recently prompted
many central nations to adopt measures of securitization, tightening
the security at borderlands. While some specialists appeal to see
terrorism as a direct consequence of the poverty produced by global
trade, (Barro, 1991; Pollins, 1989; Abadie and Gardeazabal, 2003;
Phillips, 2008), others see in terrorism the main threat to Western
civilization (Kristol and Kagan, 1996; Vargas Llosa, 2002).
Undoubtedly the Anglo-alliance ignited support in some countries
which had a previous experience with terrorism as Spain, United
Kingdom in which case “the war on terror” disguised as “an
international platform” to defeat the “evil doers”. At some extent,
this axis of evil allowed programs and policies which vulnerated the
rights of workers in many of central economies. As a dissuasive
mechanism, Fear played a vital role by immobilizing dissidents to
express their discontent (Altheide, 2009; Bassi, 2010).
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Tourism is Terrorism by Other Means: The Genesis of Unionization
In developed economies, governments posed terrorism as the
great challenge of the next millennium. Terrorism became a buzz
word that inspired movie makers, editorials, journalists, and the
culture industries. A clear definition of terrorism seems in order,
but it turns out not so easy to formulate one. Robertson (2002) defined
terrorism as the primary security threat for West in the 21th century.
Upon review, Pedahzur (Pedahzur et al., 2003) found 22 different
definitions used by the US government alone. Schmid found 109
scholarly definitions in his 1983 study. Certain common aspects
among most definitions include violence, force, politics, fear, terror,
threat, psychological effects, victims, and extortion. Causes for
terrorism are even more diverse. Some neoconservative scholars point
to the weak role of the United States as a superpower in the world.
For them, a solution would be to conduct top-down preemptive strikes
by the United States in other countries. They point to hate against
the West encouraged by Muslims. (Fukuyama, 1989; Huntington,
1993, 1997; Kristol and Kagan, 1996; Vargas-Llosa, 2002; Rashid,
2002; Kepel, 2002; Fritting and Kang, 2006; Keohane and
Zeckhauser, 2003; Susstein, 2005; Pojman, 2006). Other scholars
argue that 9/11 presented the opportunity for some privileged groups
to manipulate the citizenry´s fear to create a new kind of internal
indoctrination (Altheide, 2006, 2009; Sontag, 2002; Said, 2001;
Holloway and Pelaez, 2002; Zizek, 2009; Bernstein, 2006; Baudrillard,
1995a,b,2006; Kellner, 2005; Gray, 2007; Smaw, 2008; Fluri, 2009;
Corey, 2009; Wolin, 2010; Skoll and Korstanje, 2013; Korstanje,
2013). Luke Howie (2009) describes how cultural entertainment
industries have depicted a pejorative and dangerous image onto Islam
that affected thousands of citizens and opened a network of
discriminatory practices.
At a first glance, Goldblatt and Hu (2005) define terrorism as
the illegal use of force or violence against persons or their properties
in order to intimidate their government, the citizenship or any other
segment of society. However, this modest definition has many
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problems. Some privileged groups in democracies exert similar or
greater violence against others with downright impunity.
Furthermore, R. Bernstein (2006) argues that democracy is more
than a ritual accomplished every four years but a style of life. In this
vein, Skoll (2007) agrees with Zizek that terrorism works as a virus
going from one to other hosts to infect an unprepared victim. Schmid
contends that the terrorist victimization is often perceived by the
terrorist as a sacrifice. The sacrifice can consist of attaching innocent
people from the adversary’s camp or of a terrorist blowing himself or
herself up in the midst of a group of guilty enemies. In that case, he
sees himself as a martyr. The dimension of martyrdom links it to
the activity that some scholars see as the most fundamental form of
religiosity: The sacrifice (Schmid, 2004, p. 210). L. Howie (2012)
acknowledges that the world and economies have changed forever
since 9/11, which makes prediction untenable. Given the obsession
for security in United States, Howie´s research shows how time
changes the interviewees´ viewpoints. There is complicity between
terrorists, politicians, and journalism. Howie (2010) examines the
limitations of extant conceptual frameworks, and, parallel with other
studies such as the work of Baudrillard and Zizek, connects the
theories of terrorism with late modernity. Howie adds that terrorism
should be defined as more than a political technique or strategies to
dissuade the states of certain claims, terrorism is stronger in the
witness‘s terror. Terrorism works this way for witnesses. If there
was one way to describe the outcomes of the research that I have
conducted for this book, I would say that terrorism causes people to
feel terror. Terror is the name we give to the uncertainty we feel in
the face of global violence that has appeared not just in war zones
but in the heart of civilisation in some of the world´s most populous
cities. If terrorism does not cause terror, then it is not terrorism
(Howie, 2010: 12). It is useful to distinguish between the object of
terrorist acts and their target. The target refers to those whom
terrorism is designed to influence, whereas the object is composed of
its victims. In the case of asymmetric warfare, the terrorist actors
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Tourism is Terrorism by Other Means: The Genesis of Unionization
usually want to influence organizational actors by victimizing
members of the general populace (Skoll, 2008). Beneath this
proposition is that terrorism is psychological warfare whose strengths
are fear and intimidation. Black (2004) said that terrorism is a highly
moralistic act intended to exert social influence. Terrorist attacks
express grievances by aggression. D. Handelman supports this view,
explaining that terrorists often defend themselves from a much
broader violence, rooted in a supra-structure preceding their acts.
As Ghandi said, ¯Poverty is the worst kind of violence. The related
self-destruction of terrorism is at least an act of sacrifice, self-sacrifice
for others. For Handelman (2013), terrorism is a result of late
modernity, and consists of civilians killing other civilians beyond
state control. In doing so, travellers are vulnerable simply because
they are caught unwary when they fly from one point to other. The
technology that characterized the West has been directed against it.
If earlier forms of mass violence went from a state to another state,
terrorism seems to be in the opposite direction - It relates to the
fight of civilians, against other civilians.
THE INTERSECTION OF TERRORISM AND TOURISM
One might speculate that tourists encourage peace, because they
only want to know more of other cultures. They are not conquerors.
Moved by curiosity, they provide fertile sources for international
understanding, whereas terrorism and other forms of violence
represent a serious threat to the hospitality and tourism industries.
Several studies focus on the relationship of terrorism and tourism
as well as the perceived risks of travellers regarding certain foreign
destinations (Somnez, 1998; Weber, 1998; Domínguez, Burguette and
Bernard, 2003; Aziz, 1995; Floyd and Pennington-Gray, 2004; Gibson,
Pennington -Gray and Thapa, 2003; Kuto and Groves, 2004; Essner,
2003; Araña and León, 2008; Bhattarai, Conway and Shrestha, 2005;
Goldblatt and Hu, 2005; Tarlow, 2003; Prideaux, 2005; Yuan, 2005).
In fact, tourism has been one of the industries most affected by
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terrorist acts. Terrorism determines the way travellers garner
information and draw images of their destinations (Peattie, Clarke
and Peattie, 2005). Because of their unfamiliarity with the visited
destination, travellers and tourists are often targets of diverse crimes.
Some terror cells attack tourists with a double message. On one hand,
they inflict a sentiment of panic in the public opinion of the victim’s
countries of origin. On the other, they undermine the citizenrytrust
in state. Of course, any destination combines risk aversion with risk
attraction factors. As Lepp and Gibson (2008) put it, this industry
seems to be circumscribed by two contrasting tendencies, the
sensation or novelty seeking risk and risk aversion. A type of
psychology of tourists plays a crucial role in determining the
perception of risk. In this regard, West (2008) considers the terrorist
attacks in 2003 on Western tourists in Bali. They have been
memorialized by the Australian Press as the archetype of heroism,
comparing this event with 9/ 11. This means that collective memory
and crises are inextricably intertwined in the national discourse.
Postmodern nationalisms legitimize travel as a universal benefit to
human kind which should be defended at any cost. Similarly, the
narrative of terrorism emphasizes that enemies of democracy utilize
foreign tourists precisely because of their vulnerability, as acts of
cowardice. Bianchi (2007) has argued that tourism revolves around
risk perception, which acts as conducive to the interests of some
industrialized nations and to the detriment of the periphery. The
ongoing state of insecurity created by so-called terrorism corresponds
with a political logic of exclusion and discrimination against
otherness. The bridge between tourists from the centre and migrant
travellers from the periphery has been enlarged. Paradoxically,
studies in risk perception themselves threaten the goal of the security
they encourage. To what extent does terrorism affect the tourism
industry? J.M Castaño (2005) presents the arrival statistics from
2000 to 2003 in some cities that had been targets of terrorist attacks.
Questioning the hypothesis that terrorism threatens tourism, he
points out that the cities of Mombasa, New York, Madrid, London,
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Bali, and Cairo experienced notable declines in tourism post-attack,
but they recovered in a few months. Terrorism may in fact benefit
tourism by means of dark tourism—i.e., terrorism tourism. Castaño
argues that tourism as a process is reversible. No matter the original
impact on public opinion, given some unspecified time-frame, what
today generates scare, tomorrow will entice thousands of tourists.
Hotel chains and tourist attraction staff become targets of attacks
because they symbolize the strength of an economic order that causes
resentment and exclusion. If the West is named as the cause of all
suffering, this diminishes the responsibilities of local Arab elites to
give their support to colonial powers. Of course, Aziz is not wrong
when says tourism is rooted in the logic of capitalism. These attacks
may be labelled as forms of protests, to be re-read with a new and
much broader lens. Grosspietsch (2005) says that under some
conditions the acceptance of tourism in tourist receiving countries is
troublesome. As a global industry, tourism not only creates a serious
economic dependency between centre and periphery, but also paves
the way for political instability. Terrorism may flourish in these types
of landscapes. As in Aziz‘s argument, he says that tourism triggers
terrorism, combining a bundle of negative effects on the socioeconomic fabric. Although his discussion draws on observations from
previous decades (Britton, 1982), Grosspietsch provides a fresh
conceptual framework to understand the issue. Terrorism does not
affect tourism, nor is terrorism a result of economic resentment.
Tourism is adopted by underdeveloped economies to enhance their
production, excluding some ethnicities and producing resentment
resulting in collateral damages. Tourism indeed provides further
values to the extent that it changes social relationships. Scholars
who say that tourism should be protected from terrorism are
misdiagnosing the problem. Human Suffering and Dark Tourism
What are the similarities between terrorism and tourism? The
sacralisation of certain sites after a terrorist attack or certain battles
cans their commodification as sacred places. This aspect might be
studied under title of dark tourism (Strange and Kempa, 2003; Miles,
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2002; Stone and Sharpley, 2008; Smith, 2010). If, to some degree,
tourism tends to mitigate the effects of wars by converting the
employed artefacts into sacred objects to be exhibited in a showcase,
in recent times sites related to horror, torture, tragedy, battles, and
concentration camps have emerged as prime tourist destinations.
They have enhanced human morbidity and sadism as primary forms
of consumption. Dark tourism results from commoditization of two
aspects: Fear of death and the need to intellectualize contingency
and uncertainty. While the human inclination to enjoy the spectacle
of suffering and death has found expression across history, little is
known in specialized literature about this uncanny fascination (Stone,
2005). Reasons why visitors seek dark tourism as a form of
entertainment are manifold: a) it can be considered as a reminiscence
of the old fear of phantom during childhood (Dann, 1998), b) or as a
new way of intellectualizing the logic of death in West (Stone, 2005),
c) as a convergence of four basic emotions related to insecurity,
superiority, humility and gratitude (Tarlow, 2005), or even because
of d) the advent of social fragmentation characteristic of late
capitalism (Rojeck, 1997). Nicole Guidotti Hernandez in her 2011
book Unspeakable Violence, signals the role played by selective
memory not only by ignoring some historical facts, in contrast to the
status quo, but to protect the founding values of nation states.
Violence should be defined as a disciplinary effort to control the body.
The concept of nation, integral to the political form, nation-state, is
based on a biased and engineered history. The resultant places where
mass death has taken place are often commoditized to be sold in
forms of tales or tour -guided spectacles (Guidotti-Hernandez, 2011).
At the same time, some groups are demonized, others are sacralised.
Any museum replicates a tale, fabricated and narrated according to
the reigning politicaleconomic interests - i.e., the ruling class. Starting
from this premise, Korstanje and Clayton (2012) enumerate some
commonalities between tourism and terrorism, previously ignored
by specialized literature, such as a) the insensibility for the suffering
of others, b) the curiosity for places of mass-death, and c) employment
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of mobile technology and tourist means of transport to perpetrate
the attacks. Dark tourism has recently become a buzz-word applied
in several studies and papers. Although its original meaning is aimed
at denoting curiosity for suffering and mass death, a lot of polemic
has grown around this concept. For some scholars, dark tourism
seems to be considered only as a way of realizing and reminding
people death, memento Mori, an important mechanism of social
cohesion, now commercialized by means of tourism and hospitality
industries. For others, this phenomenon represents a type of
repressed sadism, enrooted in the logic of capitalism and gazedconsumption. Why people are captivated by disaster and suffering
of others represents one of the most striking aspects of dark tourism.
In recent years, valuable studies have focused on mass death as a
form of cultural entertainment for the tourism and hospitality
industries, but, little research has emphasized the anthropological
roots of dark tourism or Thana-Tourism. More interested in analysing
the phenomenon from an industrial managerial perspective, that
body of knowledge ignores the role played by the sacralisation of
death in the process of anthropomorphism that ultimately ends in
exhibiting a place of staged authenticity. This raises the question of
how to remind people of the suffering of others.
There would be many forms of interpreting such suffering. One
approach suggests that the degree of perceived suffering depends on
the role of visitors. D.S. Miller (2008) herself experienced the pain of
Hurricane Katrina in her native New Orleans. Combining interesting
questions about the connection between disaster and tourism with
self-ethnography, her development illustrates how the impacts of
disasters in communities take a pervasive nature. On one hand it
entices outsider tourists who only want to see what is happening,
while on the other, it calls for the assistance of a second type of
tourist who is interested in helping the obliterated community. If
tourism does not want to help but merely to gaze, this glimpse into
the harsh reality of New Orleans suggests that poverty and a
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historically unfair wealth distribution are problems silenced by the
authorities, supported by a complicit tourism industry. Paradoxically,
Miller acknowledges that tourism revitalised the local economy in
the process of recovery. To some extent, culture plays a pivotal role
in the process of giving sense to unfavourable events. Landscapes
after a disaster should be reconfigured in order for survivors to adapt
their expectations. Visiting sites where martyrs have died deserves
the attention of those who were not involved. However, tours are
often sold beyond the devastated zone by operators and mediators
that ignore the reasons behind the event. Miller argues that her
personal role as both a tourist and a native is not necessarily
associated with the hedonistic gaze of conventional tourism,
suggesting that through her, tourism can be useful for New Orleans
to recover the former landscape of the city. At the same time however,
it hosts thousands of people who take pictures of the suffering of
others. This contradiction paves the ways for misunderstanding. Her
intriguing thesis is that tourism as such does not contribute to the
spectacle of disaster, but the role of tourists does. Ultimately, if the
poverty and racial problems which generated the material
asymmetries that facilitated the effects of Katrina are not placed
under the lens of scrutiny, the disaster being repeated is only a
question of time. From this perspective, dark tourism can be a part
of resiliency or a simple discourse for replicating the logic of capital,
or maybe both. The importance of heritage sites in tourism literature
has been overemphasized, or has been circumscribed to questions
related to profits, management, and financial success. Dark tourism
invites responses to challenging questions. Why this happens? Could
we have prevented a situation like this? Who is responsible for this?
Following this, P. Stone developed a new concept around darkness
that refers to the spectrum of dark tourism. Varying degrees of
darkness come from seven types of dark sites ranging from darkest
to lightest. One of the most interesting concepts of Stone´s model
seems to be associated with the level of attractiveness of certain
places. Some sites are fraught with political ideology determined by
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their location and authenticity. Based on death and suffering, these
sites are historical, and provide tourists with a coherent framework
for educational goals. Otherwise, there would be other types of sites
created for remembering a certain event that has not taken place
within the site of the memorial. These sorts of spaces are heritagecentric, and have less associated political ideology. In addition, Stone
typifies seven diverse products rooted in the curiosity of death which
transmit a set of different messages to society: a) dark fun factories
(entertainment based on simulated suffering of others), b) dark
exhibitions (learning opportunities), c) dark dungeons (penal codes
and reinforcement of law), d) dark resting places (romanticised sites
of commemoration), e) dark shrines (secondary or peripheral sites of
remembrance for victims, f) dark conflict sites (commodification of
battles and wars), and g) dark camps of genocide (sites where genocide
has been practiced). Every typology of dark sites encompasses a
specific discourse transmitted repeatedly to a wider range of tourists
who exhibit variety in their expectations (Stone, 2006). Dark tourism
can be seen as the legacy of a thanatopic tradition whose roots cannot
yet be determined with accuracy. Some scholars say the current
fascination with death stems from the Middle Ages and the tradition
of visiting graves and cemeteries during the 18th and 19th centuries
(Seaton, 1996, 1999). Other analysts have dwelled on the role played
by mass media as the prerequisite for creating tourist spots that
concentrate on disasters and human catastrophes (Lennon and Foley,
2000). For some scholars, dark tourism shows a strong dependency
on identity and ethnic affiliation, as sites confer a group sentiment
of belonging and meaningful experience rooted in heritage and lore
(Foley and Lennon, 1996; Seaton, 1996, 1999, 2000; Simone-Charteris
and Boyd, 2010; Dann and Seaton, 2001; Conran, 2002). Korstanje
and Ivanov explain that tourism serves as an instrument of resiliency
to digest the effects of tragedy, and to give a lesson to survivors.
Often, the message of disaster is not duly interpreted, which leads
communities to repeat the event, whereas, authors suggest dark
tourism gives a meaning to what in fact is meaningless. The concept
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of dark tourism as an expression of human morbidity is illustrative
and important, but false in nature. The problem of tourism as
presented here depend not only the commoditization of spaces, but
also on the organization of work that leads people to work to consume.
To the psychological need to understand what is happening, the
market offers its version of reality. This seems to be exactly what
dark tourism represents: A reification of capitalist logic by means of
disasters. Tim Ingold (2000) says that capitalism has successfully
changed the paradigms of the Enlightenment. The capitalist eye
forged the myth that leisure ostensibly liberates the workforce from
its oppression. Ingold explain that the ideological power of capitalism
rested on its efficacy to control and mark goods and workers. The
former are marked by the price of exchange, fixed at the market.
The latter depends on its capacity to consume the fabricated
merchandises. Workers move their resources to fabricate precisely
the merchandise they will consume in their free time. Last but not
least, Klein portrays a connection between consumption and
disasters. From her perspective, capitalism survives by the
combination of destruction and new construction. Disasters not only
move a lot of resources which otherwise would be immobilized, but
also introduce economic policies which would be rejected by lay people
if the disaster would have never have taken place. The market
responds to new climate events such as Katrina with new
opportunities to expand businesses and profits (Klein, 2011). The
next section examines how the organization of work has solidified
the monopoly by the nation-state of the workforce. Beyond its
boundaries, any attack on the modes of production or any event that
jeopardizes the material logic of production or consumption is called
terrorism, while in the homeland, if resistance is legalized, it receives
the name of a strike. Terrorists employ, as Howie (2012) puts it, our
own forms of movements, transport and touring not only to create
fear, but also to impede the modern logic of consumption and
production. One of the aspects that terrified Americans in 9/11 was
not the attack as such, but that the affordable technological forms of
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transport were employed as weapons. Therefore, we think work
should not escape analysis in the terrorist literature. Once again,
anyone who has faced the experience of being stranded at an airport
because of workers strikes will understand the similarities between
terrorism and strikes. This does not mean that workers are terrorists,
but on the contrary, capitalist states constructed the labels to
discipline their internal economic life. Further, history is witness to
how states erected their walls to protect the circulation of
merchandise at the first stage. This poses serious problems of
exploitation of workers, many of them influenced by anarchist
ideologies, coined in Europe. By their actions on bodies, states closed
the circle to impose a specific identity on the rebellious groups. From
Anarchism to Unions While now these organizations seem to be
legally recognized, the history of worker unions is fraught with
violence, death, and blood. Most of them were historically aligned to
leftist political movements emerging in Europe, Germany, and Italy.
The industrial revolution and industrial capitalism were prerequisite
for workers to think in terms of collective organizations. The US
American Federation of Labour was founded in 1886. One of their
main strengths was the power of negotiation with the owners of
capital. James Joll explain that at first anarchists were depicted as
dangerous by the ruling class press and the politicians who did their
bidding in Gilded Age America. The United States government waged
chronic war against unions beginning at the end of the Civil War
and continuing until the New Deal of Franklin Roosevelt in the 1930s.
The first syndicalism that defied the state was labelled as terrorists.
These workers professed a non-negotiable fight for oppressed classes,
they claimed were being relegated by capitalist aristocracies (Joll,
1979). At the end of WWII the American ruling class achieved a
double capitulation domestically and abroad. The famous Marshall
Plan worked as a catalyst to undermine the ever-growing worker
demands in Europe, while the CIA consorted with gangsters and
former Nazis and Fascists to subvert and terrorize workers, their
unions, and their political parties (Ganser, 2005; Kurkul, 1997). At
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the same time, legislation such as the 1947 Taft-Hartley Act
restricted the political activities of unions and blunted workers only
weapon against exploitation - the strike. The problem of communism
seems not to be the anticapitalism values it represents, but its
potential effects on workers, a threatening influence that would
jeopardize the American economy (Robin, 2009; Skoll and Korstanje,
2013). Skoll argues that the function of state is to maintain the
hierarchical status quo by exerting power and violence over
populations. In times of low conflict, the legitimacy of the state rests
on the market which confers certain stability. In the context of
relative chaos and disorder the state resorts to violence to re-establish
the threatened order. Similarly, the market mediates among human
beings by imposing a state of gratification in lieu of constraints, but
the moment the control weakens, fear replaces gratification as
motivator to legitimize the ruling order (Skoll, 2007). The United
States historically developed a Red Scare not because of the anticapitalist values of communism, but primarily for its effects on
workers. Communism was not just a reaction to the accumulation of
capital by the bourgeoisie, but it also gave workers a consciousness,
a discourse to guide their fight. The first anarchists and communist
migrants monitored and jailed by many states contributed to the
formation of worker unions. States rejected the aliens but accepted
and reorganized their ideas in a manner suitable to the long term
interests of capital and the ruling class. Capitalist societies
domesticated the dangerous lessons of Marx in two different ways:
By creating a wide sentiment of fear of communism and by reorganizing the discipline of workers to the capitalist state (Skoll and
Korstanje, 2013). J. Joll (1979) traces the roots of anarchism to the
text of Godwin, Blanc, Proudhon and Bakunin. Their criticism against
the state and the hegemony of law paved the way for the advent of a
new movement, which postulated the egalitarian nature of human
beings. One of the most troubling aspects of states is that many
groups are subjugated under its unique power - its monopoly of force.
By reducing government to only small units, formed by families, the
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anarchists thought the problem of asymmetries would be resolved.
Joll adds that anarchism came from the advance of capitalism and
industrial organization. Centred on the premise that production
should be based on the work, and not loans, countries as Russia,
Germany, and Italy witnessed the upsurge of a new movement that
takes from worker discontents its own strength. While Marx argued
foregalitarianism as a result of the class struggle and mass
movements, anarchism envisaged a revolution that should start as
soon as possible. Anarchists worked hard for their ideas to be adopted
in Europe, Latin America, and the United States to organize the
workers. Some of their ideas were of paramount importance in forging
a consciousness among worker in capitalist societies, but some of
them were used by radical groups to perpetrate violent acts, a few of
which led to bystanders deaths and injuries. Others took the form of
assassinations of ruling class leaders. These acts, deemed terrorism,
served the state by giving a rationale to ban anarchist activity.
Although the workers adopted the discourses of anarchists to make
sense of their struggles against capital holders, states labelled
strikers as anarchists bent on destroying public order. Eventually
states recognized unions as legitimate, but in the United States not
until the 1935 Wagner Act. In Russia, some anarchists opted to
conduct the revolution within trade unions, while others preferred
to spend their time in forming the local communes. Joll (1972: 166)
goes on to admit that. The anarchists, too, were divided among
themselves; some were anarcho-syndicalists and placed their hope
of revolution in the action of the worker unions which would take
over the factories. Others were communist anarchists and disciples
of Kropotkin, who saw social revolution coming about through the
formation of local communes which would then join in a federation.
While both fought a common enemy, anarchists and communists
worked together to defeat the monarchy, but once consolidated in
power, the Bolsheviks jailed intellectuals who sympathized with
anarchism. In Ukraine, the anarchist guerrilla army was so strong
to have existed over two years. Of course, at the time, some
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intellectuals accepted communism by directing their efforts to
improve the labour condition of workers, others plunged into
terrorism. The failure of anarchism in Russia pushed many
intellectuals to other countries as United States, Argentina, and
Brazil, where they worked hard to organize workers. By about 1920,
these countries were facing an industrial stage, accelerated by the
mass migrations from Europe initiated in the former century.
Anarchism found a new basis for their claims, beyond the acts of
terrorism. Even though the first strikes were bloody and violent,
with the passing of years anarcho-syndicalists were legally accepted
in societies which not only needed the masses to work, but also
sublimated their protests into reified forms of negotiation that for
better or worse accelerated the reproduction of capital. Their formerly
attributed terrorism was commoditized into negotiations and legally
circumscribed strikes. The archetype of revolution, the general strike,
was occasionally employed in the fight against bosses and capital
owners. General strikes held by workers became the epicentre for
future benefits to the work force. States exerted their disciplinary
force to exterminate terrorist anarchists, who rejected joining the
union organized workers. The working class gave their loyalties to
nation states no matter the side they took during the war. Two world
wars accelerated not only the reproduction of capitalism, but
disciplined anarcho-syndicalism almost to its disappearance. Joll
(1979) explain that anarchism indeed did not disappear, but changed
into new forms. History shows that worker unions and terrorism
were inextricably intertwined. If tourism continued the logic of labour
by other means - as a form of entertainment, alienation or escape we must accept that the terrorist mind-set has survived in
syndicalism. Therefore, we do not hesitate to state that tourism is
terrorism by other means. Let us remind readers that modern tourism
surfaced by the combination of two contrasting tendencies: The
technological advances and invention of new machines that shortened
the points of connection, and the wage benefits or working hour
reduction, proposed by syndicalist. In this respect, modern tourism
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would not be possible without the direct intervention of the first
anarchists, most of them labelled as terrorists. To the extent that a
strike is considered a legal mechanism to present certain claims,
while terrorist attacks are discouraged, seems to be a matter that
specialists do not examine properly. A closer view reveals that there
are similar processes in both, a strike and terrorism. As the vaccine
is the inoculated virus to strengthen the body immune system, strikes
are processes of dissent and discord that mitigate the negative effects
of conflict. After all, strikes are merely the collective effects of workers
withholding their labour. There is nothing violent or threatening
about them, except to those who depend on other people work to
sustain themselves—i.e., the owners of capital. In their struggle with
workers, the ruling class uses as one if its weapons the construal of
strikes as taking consumers as hostages. Whenever passengers are
stranded at an airport or train stations because of problems between
owners and unions, the sense of urgency facilitates the demands of
the stronger ones. Businesses and terrorism organizations are not
concerned about the vulnerability or needs of passengers. The latter
are manipulated as means for achieving certain goals. In a world
designed to create and satisfy psychological desires, consumers as
holders of money, are of paramount importance for stability of the
system. The threat to consumers and the derived economic loses are
enough to dissuade owners from the worker‘s claims. In these types
of processes, typified by law, the State not only makes interventions,
mediating between both actors but also is often in charge of leading
negotiations. If negotiations fail, the state may use its armed might
to force workers back to their jobs. An early historical example is
the great rail strike of 1877 when federal troops were withdrawn
from the occupied former Confederacy to kill strikers who had been
terrorizing the mass of rail workers, to end the strike. In doing so,
first anarchists opted for terrorist acts, until they were disciplined
by states. Once this happened, their forms of violence were mutated
to another more symbolic way of protest, the strike. Capitalism owes
much to worker unions, more than thought. Whatever the case may
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be, the resultant tourism has extended around the globe (Naisbitt,
1995), as the wellbeing of industrial societies has advanced. The
evolution of tourism, as a mass industry, came from a combination
of economic factors, much encouraged by worker unions, such as
working hour reduction and a rise in wages. However, history, and
in particular the history of tourism ignores the burden industrialism
and technological advances brought for workers. Anarchism not only
flourished in industrial contexts, exploiting the worker resentment
against owners, but also improved their working conditions. An
example of how this is manifest in a positive way is where the Thomas
Cook Agency supported travellers who suffered from alcoholism. Pre
-paid all-inclusive vouchers were provided for alcoholics who do not
handle money (Santos-Filho, 2008; Korstanje, 2011a,b). Industrial
societies pave the way for expanding trade in the world, in which
tourism plays a crucial role, in addition, domestic workers are subject
to conditions of exploitation. If anarchism introduced poverty relief
in industrial societies, these virulent ideas were not accepted until
they were changed to ways acceptable to the state and ruling class.
From the ideals of bloody revolution, European societies moved to
develop working class organizations - unions and political parties.
This is the reason why we argue that tourism indirectly resulted
from terrorism. Violence exerted by the anarchists was not enough
to change the society, or at least its ways of productions, but their
ideas not only inspired many artists, they also influenced many
syndicalist leaders (Joll, 1979). The history of pioneers in anarchism
shows us two relevant aspects. First and foremost, states create their
boundaries as a barrier to protect their economies. What inside can
be called strike, beyond is labelled as terrorist attack. Secondly,
terrorists, most of them educated in the best Western universities
learned our tactics of negotiations, strategies of exploitation and thus
progressed to more violent forms of expression. What happens in
strikes at airports when thousands of tourists are stranded? First,
they are not stranded. They can leave the airport and reschedule
their flights, as they are forced to do regularly due to weather and
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other intervening events about which airlines refuse responsibility
toward their customers. The company’s response is simple. They
characterize workers as taking hostages, the tourists, because they
represent the owners of capital. Although the degree of violence is
minimized, sometimes, in these types of circumstances, it is
important to discuss that worker unions conduct their claims by the
introduction of speculation and actions, affecting not only the touristsystem but the whole economy. Employers, and the ruling class as a
whole, blame unions for the predictable consequences of their own
exploitation of both workers and consumers - in other words the
masses. Conclusions Tourists are intertwined with terrorism because
they are part and parcel of world capitalism and Western imperialism
(Korstanje, 2011b). Sometimes tourists are attacked by dissident
groups as a means to affect national policies. More often, tourists
and the tourism industries act as logistical agents in deploying capital
exploitation and imperial control. When tourists suffer harm, socalled terrorists (dissidents) get the blame. At first glance, tourists
are workers who earned their money enabling a pact with a third
person (owner). Their power of consumption situates them as
privileged actors of the tourist system. They target not only to strike,
in their homeland, but also terrorist attacks abroad. Nonetheless, if
tourism has been expanded by the advance of industrialism, changed
by the conditions of labour and the related first anarchists, whose
acts of violence were not successful, it is relatively easy to envisage
the possibility of organizing the masses, to create worker associations.
The original violence mutated to a subtler form of struggle based on
the similar characteristics, the need for hostages, media support,
speculation and the appeal to surprise factor. These forms of
negotiation were not only learned by terrorists, but also applied in
their respective countries to civilian targets, often international
tourists. Therefore, we strongly believe that terrorism as it is
portrayed in the media is inextricably intertwined with tourism.
Tourism is the disciplined expression of terrorism.
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6
WHY WE ARE OBSESSED BY
OTHERS‘ DEATH
INTRODUCTION
Long time ago, Claude Levi-Strauss (1968) thematised on the
epistemology of anthropology and social sciences, which confused
the dissociation between observable world and structure. For his
view, ethnologists were accustomed to see, hear and write what their
senses captivate from visited fieldwork, but this was not enough to
configure a scientific spectrum of social issues. Structuralism has
taught us to find the function of institutions (beyond the eyes of
history). His concerns were aimed at deciphering the inconsistencies
of phenomenology and ethno-methodology, which have serious
problems to explain the dissociation between what people do and
say. We often follow some habit though we are not conscious of why
we make the things. In the same dichotomy remains still the
investigation in dark tourism to date.
Valuable research has advanced over years on the elements that
form dark tourism as a social expression as well as the interests of
tourists to visit these sites (Foley and Lennon, 1996; Seaton, 1996;
Miles, 2002; Strange and Kempa, 2003; Wight, 2006; Jamal and Lelo,
2008; Robb, 2009; Stone and Sharpley, 2008; Sharpley, 2005; Stone,
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Why We are Obsessed by Others’ Death
2012; Kang et al., 2012), but they put too much attention to the
perception of tourists instead of valorizing other methodologies.
Similarly to opinion polls which constitute an instrument to know
consumer’s assets and preferences, these studies emphasized on the
problem of tourist´s cravings as a factor of engagement with the
fictionalized sites. In view of that, authenticity plays a crucial to
boost attractiveness of destinations. Underpinned in the proposition
that tourists are valid sources of empirical information, researchers
criticize any attempt to construct conceptual model, as a speculative
or philosophical approach (Korstanje, 2011b). As a result, the
bibliography which explores dark tourism issues is based on mere
descriptions that fail to articulate an all-encompassing theory. What
are the limits of perception?.
On another hand, the use of ICTs to emulate virtual landscapes
have added polemic to the debate to what an extent dark tourism is
ethical or not, as well as a clear explanation of our strange fascination
for death. This text intends to explore the anthropological roots of
dark tourism to find an all-embracing model that improve the current
understanding of the issue. Our thesis, rather than current
conceptual studies published at the most prestigious tourism-led
journals, is that dark tourism represents a postmodern attempt to
reverse the social function of death, weakening the social bond by
the introduction of a sentiment of superiority. At this stage,
technology and virtuality accelerate the dependency of self to other´s
suffering creating a vicious circle that empirical research has not
revealed. Philosophically speaking, it is safe to say from its birth,
the man is dying. This means the man comes to this world from and
to death. By reminding this seems to be a tactic to deter the process
of corruption.
UNDERSTANDING DEATH
Thanatology has shed the light on human interpretation and the
degree of acceptance to death. Religion and religiosity are
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mechanisms that pose human beings before their death. It is
hypothesized that secular societies struggle to expand the life by the
neglect of afterlife (Bardis, 1981, 1986). Over years, sociologists have
showed how pour people, who are subject to more material
deprivation than rich ones, experience further hopes in death
(Korstanje, 2006). As the previous backdrop, Bardis (1986) collated
enough evidence to confirm that blacks developed a further
acceptance to death than whites. Besides, residents in mega-cities
are less incline to think in their deaths than inhabitants of rural
areas. At some extent, religiosity and economy are inextricably
intertwined. The German philosopher F. Feuerbach acknowledged
not only the reflexibility of religion but also questioned to what an
extent human beings project their deprivation towards the archetype
of gods. After all, “religion is an act of reflection, a self reflection
about the essence of humanity: god is for man the sublimation of
their sensations and ideas as the reminder in the lived ones”
(Feuerbach, IV). His conclusions are based on the historical
anthropomorphizing of death. By counter-balancing their own
deprivations, societies construct an archetype of divine world which
is at odds of real life. Pour societies are prone to believe in
omnipotence Gods, who offer in afterlife a plenty of exquisite
delicacies and imaginable comforts.
In this vein, Johann Huizinga (1993) reported that middleages
laid much stress on the archetype of death. It not only represented
the decay of life, but also woke up a primitive fear. If the daily life
was determined by cruelty, conspirators and corruptions, the
community constructed some ideal types in order for social bondage
to be tied. Similarly to a psychological mechanism of defence, chivalry,
love and honour served to give hope to peasants who were more
oppressed by their lords. In this context, the idea of death alluded to
the imaginary of sacredness. The putrefaction of the body was
common for lay people but not sacred persons, bishops, or saints.
The proximity to these personages was a sign of religious devotion.
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Pilgrimages were not a spectacle at these times, but a need to be
close to the chosen by God. By the decline of medieval times, as never
before, exhibited a strange trend, this means the description and
portrait of death.
Hans Belting (2007) explain that death and image are historically
intertwined. Whenever the king by natural decay or any motive,
was unable to make personal appearance, many monarchies
symbolized his presence by a mask or a subrogate body. The
represented image of the king not only re-constructed the hierarchy
of society at risk of disappearance, but also exhibited the nature of
politics. Any image is a ways of sublimating death. One of the
founding fathers of social anthropology, Bronislaw Malinowski, who
explored the performance of rites in Melanesia, acknowledged that
death represented an archaic problem for humankind. Survivors that
are suddenly surprised by the other’s death, face greater degree of
uncertainty because nobody knows who the next one is. To reduce
the resulted anxiety, they construct a monument to remind the event.
The mourning process is opened when come into being two
sentiments, fear and pain, and closed at time these two emotions
are balanced (Malinowski, 1948).
In respect to this, Phillipe Aries (1975) contended that the
secularization has expanded the boundaries of the life expectative
but paradoxically uncovered the wilderness of death. In middle times,
death was elsewhere and for that people were accustomed to die. Its
nature was disciplined by religion, arts, science and many other
institutions. Now, the problem lies the mortality rate was diminished
but death terrifies the society. As Derek S. Jeffreys put it, this
happens because we experience two types of different times. One
and the most accepted, is the time of our life. We are often familiar
with our condition facing diverse shifts which do not alter our identity.
The passing of days expresses a time which is chronologically
explainable. But a second typology of time threatens our existence.
To explain this better suppose that one’s relative dies, this dramatic
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event exhibits the vulnerability of my own existence. We, human
beings, make institutions to give a valid response to the problems of
life, but the enemy, Jeffreys adds, is our staunch enemy (Jeffreys,
2013).
The dismantling of communism has serious effects for local
economies so that capitalism has been adopted by the whole countries.
Based on a limited control over business by states, investors have
selected peripheral countries with lower costs to enhance their profits.
Undoubtedly, this resulted in a combination of cost-benefits searches
that led workers to limited job security system. The globalization
encouraged a climate of extreme competition for workers. Being out
of this competition means death (Gottdiener, 1994).
In this respect, Richard Hofstadter (1992) acknowledged that one
of the primary aspects that determined by competition and the spirit
for entrepreneurs in US were the adoption of social Darwinism per
the view of authors as Asa Gray, Graham Sumner and Herbert
Spencer. This biological theory postulated two significant axioms
which reinforced the sentiment of exceptionalism inherited in the
founding parents of nation. The first was the “survival of fittest”,
the second was the “social determinism”. In a brilliant argument,
Hofstadter argues that the legitimacy of law to ensure the equality
of all citizens was not sufficient to explain why some actors are
success while others falls in ruins. As a supra-organism, the social
structure overrides the interpretation of law. To evolve in a better
stage, the society should accept the struggle for survival as the
primary cultural value. The social advance depends on the wealth
heritage one generation can pass to another. In this view, “primitive
man, who long ago withdrew from the competitive struggle and
ceased to accumulate capital goods, must pay with a backward and
unenlightened way of life” (p. 58). Millionaires are not resulted from
the greed or avarice, but from the evolution of natural selection.
They have been selected by their strengths, tested in their success
in business, and abilities to achieve adaptation to environment.
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Rather, others have been relegated to occupy pour conditions of
existence or to disappear. Because of social Darwinism was a doctrine
originally adopted by some religious waves, not only Sumner but
Gray alarmed on the negative effects of leaving the pour without
assistance. At a closer look, Calvinist and other protestant circle
emphasized on the hostility of the environment as a proof of faith.
This belief suggests that man evolves in a conflictive and dangerous
world. Secondly, the archetype of uphill city which holds the selected
people exerted considerable influence to delineate the roots of labour.
Being success, for Americans, was more than important to ensure
one is part of selected by God. At a surface, this is not pretty different
in what social Darwinism claims (Hofstadter, 1992).
In light of the discussion, Zygmunt Bauman clarified the problem
of death in his books Consuming life and Liquid Fear. The capitalist
ethos has changed the mind of citizens, who passed being part of the
production machinery. As commodities, workers are exploited to
congeal the mass-consumption encouraged by capitalism. The big
brother is an example how people enter in competence, as
commodities, to be selected and bought by others. Participants in
this reality show know that only one will win, and the rest will die.
Big Brother, for Bauman, emulates the life in capitalist societies
which enhance the style of life of few by producing pauperization for
the whole. The modern state set the pace to the advent of liberal
market to monopolize the sense of security for people. This does not
mean that states are unable to keep the security, but also the market
is re-channelling the consumption by the imposition of fear. If human
disasters as Katrina show the pervasive nature of capitalism which
abandoned thousands of pour citizens to death, no less truth is that
the “show of disaster” unbinds of responsibilities for the event. The
sense of catastrophe, like death, serves to cover the inhuman nature
of capitalism (Bauman, 2007, 2008). This society only has an answer
to crisis, when its economic system is at risk. Since the real reason
for disaster are ignored by the allegory of death, which persisted in
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the media and famous TV series where technicians and forensic
experts look to solve the crime, the disaster comes sooner or later
(Bauman, 2011). What we really know on the real causes of Auschwitz
or 9/11?, may a simple museum explain us the complexity of human
nature?. Bauman will say, absolutely not. Any attempt to sacralise
the dying as a spectacle, at the bottom, represents the prelude of its
neglect.
Last but not least, Korstanje (2013a) understands that the
“process of museification” has direct connection to war-fare and
violence. At a first look, wars not only are important for societies,
but also appeal to a vital ethno-genesis as mechanism of social
relation. The fictionalization of pain and death, as well as the
necessary weapons employed in the battles are part of museums. At
these shrines, which today have replaced to old religious temples,
the society stores a lot of objects, instruments, even weapons aimed
to enhance the national pride. Museums represent a profound
signification (emulation) of wars and suffering. Revolts, riots and
radical revolutions end at a museum. One of the aspects that have
facilitated the expansion of capitalism rested on the efficacy to recycle
the human symbols. Not surprisingly, museums are built as a
reminder of war, which comes from a fabricated story to be socialized
to others. The experiences these spaces generate are politically
constructed to deter violence and conflict. Museums allude to the
construction of a mythical history to reinforce the founding values of
society. Nobody would feel anymore the suffering an inmate of
Auschwitz. If genocide museums exist, they are aimed at emplacing
the values of democracy and tolerance. Auschwitz did not say much
on the bombs on Hiroshima and Nagasaki as well as the violation of
human rights perpetrated by American government in its history.
As Nicole Guidotti Hernandez (2011) put it, there is not good or bad
histories, human beings did the same along with the passing of years.
Each civilization reminds the wilderness of others, but do not pay
attention to its own forms of extreme violence. To the classical forms
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of violence exerted by states, there is another subtle unspeakable
one which consists in covering the real statement of fact. In America,
the power of states to discipline the bodies of aborigines depended
not only on their strength but their capacity to create a story, which
politically manipulated, helped to their citizens to embrace the
founding values of a silenced genocide.
THE EPICENTRE OF DARK TOURISM
Dark tourism has woken up a hot debate in recent years. While some
experts have focused attention to the phenomenon as a sign of cultural
entertainment based on a repressed sadism (Bloom, 2000;
Baudrillard, 1996, 2006; Koch, 2005), others emphasized in the
mediated nature of tourism so that visitors may understand their
own death (Lennon and Folley, 2000; Miles, 2002; Stone and
Sharpley, 2008). Dark-tourism sites denote territories where massdeath or suffering have determined the identity of a community but
no less true is that under some conditions these sites are
commoditized to sell the other´s death as a product (Poria, 2007;
Chauhan and Khanna, 2009). In this token, Stone and Sharpley
(2008) warn on the needs of defining dark tourism form other similar
issues. The curiosity or fascination of death seems to be one of the
aspects that define Thana-Tourism, or dark tourism. But it is
important not to lose the sight how these experiences are framed
under shared values that tightens the social bondage (Stone and
Sharpley, 2008). Dark tourism may be defined as a pilgrimage or an
experience but what seems to be important to remind is that it can
be an attempt to contemplate death of the self, by sightseeing the
other dead (Stone, 2012).
Applied-research in these types of issues is merely descriptive
than explanatory. Biran, Poria and Oren (2011) claimed that the
specialized literature has some problems to explain the roots of
thanaptosis, simply because these studies are not based in empirical
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evidence. Like heritage-seekers, dark-site visitors like to expand their
current understanding of history. The epistemological limitations of
research are given by the ignorance of site-interpretation experienced
by tourists or visitors. To study the motivation of dark-seekers one
might ask to reconstruct the subject experience. At a closer look,
dark tourism not only entails fascination for death as a primary
reason of attraction but a quest for authentic experiences. The
experiential approach catches the evolution of experience at diverse
stages, as well as the combination with the symbolic resource of
subject interpretation. E.H. Cohen (2011) has explained that dark
tourism serves as an educational instrument which gives a message
to society. The meaning conferred to territory plays a vital role at
this stage. Visitors tend to think as authentic those sites where the
memorized event took room. Instead, whether museums or shrines
are built on allegorical reasons in sites that nothing has to do with
the founding trauma, they are pondered as inauthentic. Cohen’s
outcomes not only reveal the political root of dark tourism, but also
the importance of location whenever the self encounters with tragedy.
There is a large spectrum of dark tourism products’ Stone (2006)
explain that some sites offer darker products than others depending
on the degree of suffering. Each subtype can be framed into a
spectrum of dark suppliers. To cut the long story short, this essay
review suggest that dark fun factories present a fictionalized death
perceived as less authentic than Auschwitz museum. At time tourism
is embraced as a main industry, the experiences for visitors become
more naïve. In respective to this, Raine devoted considerable time to
validate Stone´s hypothesis to empirical fieldwork. She contends that
the fascination for death may be operationalized in variables which
range from lightest to darkest spectrum. Visitors take diverse
attitudes to dark tourism sites (Raine, 2013)
It is often assumed that dark tourism sites exhibit spaces of great
pain. To what an extent these spaces are conducive to a spectacle of
horror, as some sociologists put it, is one of the themes that remain
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unresolved. Detractors of dark tourism have criticized the fact that
suffering should not be commercialized. Recent investigation has
posed the question on the economic nature of dark tourism. At the
late modernity, the post-industrial societies, far from correcting the
problems that led to disaster, recycle the obliterated space to
introduce new business and building infrastructure. Affected families
not only are not economically assisted, but also are pressed to live to
the peripheries of the city. Death and mass-suffering seem to be
employed to reinforce the pillars of capitalism. At this stage, tourism
is conducive to logic of exploitation where death is the primary
resource of attractiveness. Particularly, this makes tourism a more
than resilient industry (Korstanje and Clayton, 2012; Klein, 2007;
Korstanje, 2011a; Tarlow and Korstanje, 2013b; Verma and Jain,
2013). In an early study, M. Korstanje and S. Ivanov (2012) delineate
a strong connection between dark tourism with psychological
resilience developed by a community to overcome adversities. Any
disaster or trauma not only gives a lesson to survivors and their
community, but also re-structures the politics of community. The
function of dark tourism consists in situating death within the human
understanding of past, present and future. Death generates
substantial changes in the life of survivors. The community, which
faced disasters or extreme pain, runs serious risk of disintegration,
unless a much profound sentiment of pride is developed. To be united,
the society alludes to find reasons that explain the disaster. Dark
tourism is conducive to that end.
In this token, L. White and E. Frew (2013) compile a book formed
by 19 good investigations which are very difficult to discuss in a
limited manuscript like this, but all them are aimed at the following
axiom. Dark tourism sites are politically designed to express a
message to community. Victims and their families not only have
diverse ways of negotiating that message but also by appropriating
an interpretation of social trauma. Dark tourism alludes to a
psychological need of figuring one death by imagining the other´s
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death. Nonetheless, the myopia of scholars to understand dark
tourism rests on two primary aspects. There are no clear boundaries
or indicators to mark a unified site of memory which cannot be subject
to political struggle. Secondly, starting from the premise heritage
depends on the political interests, sometimes the national discourse
around dark sites are not accepted one side of community.
In perspective, Sather Wagstaff (2011) presents an original thesis
based on her auto-ethnography in the ground-zero of New York. Dark
tourism sites wake up sentiment of loss and mourning. The problem
rests in the way we define that loss. What is dark tourism? And how
it can be defined?. The self mediates between its memory and future
by the introduction of reminder. Dark tourism shrine is a form of
reminding a paining event. The appearance of death is not only
irreversible, but also inevitable. Visitors are needed to feel what other
felt, though those emotions are unauthentic. From Hiroshima to
World Trade Centre, she acknowledges that disasters should tell a
story that helps control the trauma or sense of loss. The solidarity
conferred to US by the terrorist attack to New York was a clear
example of how people are united in context of uncertainty. Death
has the function to strengthen the social bond. Some peripheral
nations which are unfamiliar with the American way conferred their
trust to U.S because 9/11 fabricated shared experiences to other states
which can experience a similar situation in the future. To what an
extent, the discourse never reveals the cause of events, nor its social
conjuncture. It is not surprisingly that tourists visit sites without
knowing the real history; they are in part alienated by the heritage.
By introducing the human suffering, dark tourism breaks the
influence of ideology. Rather dark tourism, heritage imposes a onesided argument created externally to dissuade consumers to adopt
governmental policies otherwise would be rejected. Heritage often
follows to politics roots. The pain is the only way of understanding
the other. It enables our natural capacity toward empathy. Death
wakes up the society from its slumber creating the conditions to adopt
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substantial changes. Emotions not only do not accept national
boundaries but questions the ethnocentrism given by heritage.
As Sather Wagstaff put it, “Sites of historical and cultural
importance that represent violent events are particularly prone to a
social misunderstanding about their emergence; it is believed that
they have come into existence only through the events that take place
at particular location: war results in battlefields, genocides produce
mass graves, the assassination site of a political leader delineates a
national sacred place. However, historical commemorative places are
not made as important sites simply because of the events that may
physically mark them as distinct places through bloodshed or the
destruction of building or landscapes. These places are made through
ongoing human practices in time and I argue, across multiple spaces
and places” (p. 47).
Ground-zero exhibits two important aspects which merit to be
discussed. Its symbolic hole is filled by the conflicts of involving actors,
which range from politicians, families, neighbours and investors.
All them struggle to impose their own discourse about 9/11. Sooner
or later, stronger stakeholders will monopolize the interpretation of
the event in view of their own interests. In this context, Sather
Wagstaff adds, tourists are proactive agents to produce meaning
beyond the monopoly of political control.
Epistemologically speaking, research in dark tourism has some
problems to dissociate interpretation from perception. Besides,
studies allude to the voice of tourists as the only agent capable to
understand what is happening with the approached issue. Social
anthropology has yet acknowledged the problem of positivism to think
the truth as an objective reality which can be reached by asking to
people alone. If we do not validate our hypotheses with rich
information, they run the risk to be false (Korstanje, 2014a,b). The
problem lies by paying exaggerated attention to what tourists say,
we can be led to wrong conclusions. On one hand, sometimes
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consulted persons lie, or other they want to exaggerate their emotions.
Furthermore, there is a clear dissociation between what people do
and say. It is clear how under some circumstance, interviewees do
not know the reasons of their feelings or are unable to explain their
own behaviour (Korstanje, 2011b; Korstanje, 2014a,b).
We remember in one of my fieldwork in the Cromañón sanctuary,
a teenager came to me one day to explain me further on the problem
We was investigating. I accepted his invitation assuming he had
much to say. The interview lasted roughly 5 hours and was taperecorded. The information we obtained from this young was very
important for me at a preliminary stage. Nonetheless, with the
passing of months we have advanced my ethnography comparing
the collated information by what I can hear and see. Not only we
realized that the original interview was completely false, because
the involved key-informant wanted to attract attention and
exaggerated his stories, but he felt the needs to tell something to
me. The importance of this story was not determined by its credibility.
He had not lost anyone in the disaster of Cromañon, though developed
a strange attachment for the event, for the other´s suffering. This
empathy led him to alter his sense of reality. Paradoxically, although
this interview was a fake, it underpinned the main hypotheses in
my research opening the doors to new cosmologies and opportunities
to be empirically validated. This story though false shed light on my
investigation.
In tourism fields, like many other managerial disciplines as
marketing or management, persons are importance sources of
information, simply because they are consumers. Nor businessrelated research neither managerial literature is interested in
searching the truth, but also to incorporate valid and efficient plans
of sales enhancement. It is unfortunate that tourism has a strong
legacy of these pseudo-scientific disciplines where the speeches of
consulted respondents have vital value for developing plans of
commercialization. Further interested in improving the profit and
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Why We are Obsessed by Others’ Death
business of dark sites, instead understanding the roots of death, much
research has fallen into overt simplifications of what consumers feel
or simply perceive. But things can come worse to worst, in recent
decades the cyberspace and technology has emptied out the
anthropological spaces of negotiations. Today, the relationships are
bolstered through a cyber-reality. Death is being experienced by many
ways, which escape from the traditional visit to real spaces. Many
cybernauts visit virtual pages specially designed and programmed
by families to experience the suffering of others, like a dark-site. By
a simple click, persons can access to web-pages related to dark
“virtual” spaces. This leads to re-think the problem of dark tourism
in view of a new context.
VIRTUAL DARK TOURISM
It is safe to say that the life in the world of our grand-fathers was
pretty different to present times. Travels were planned and made
not only involving a real displacement but also in weeks. The highdegree of mobility introduced by the last tech-revolution shortened
the distances and times (Urry, 2007; Sheller and Urry, 2004;
Korstanje and Tarlow, 2012; Vannini, 2012; Tzanelli, 2014a,b). The
same technology paved the ways for the advance of a new virtual
world, where even travels are made through cyberspace. Although,
few academic studies have focused on this issue, virtual-touring
represents a common practice in post-industrial societies. In specific
terms, virtual tour seems to be a “simulation” generated by special
software, where the user meets with fictitious landscapes or pictures
taken by other visitors of real landscapes. The experience of this,
though it is manipulated by the multimedia, is authentic by many
persons. Is this new phenomenon a sign of our irreversible alienation
or a new way of escapement without moving?.
As this backdrop, Kaelber contends that trauma-scape if hard to
access physically can be encouraged through virtual world. These
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forms of access can be of three types, tourism on-line, online-tourism
and virtual tourism. Whereas tourism on-line limits to provide
complementary information that couples to a real travel such as
brochures, online tourism is characterized by the emotions surfaced
after a virtualized snapshot which is based on a real site. Galleries
often portray a set of pictures enrooted in certain territory. Lastly,
virtual tourism is fully constructed and reconstructed in cyberspace.
The last one subtype is unique in many forms (Kaelber, 2007).
The confusion as to what dark tourism may be or not authentic
rests on shaky foundations. Death is symbolically appropriated by
the self from different ways. Dark tourism exhibits a pathway to
interpreting death among many others else. The fascination of
understanding death is enrooted in the core of industrial society. To
set an example, TV programs, journalists, and TV series dedicated
to cover murders work, like dark tourism, as disciplinary mechanism
to control the other death. It is unfortunate that the concept of
“thanaptosis” was misunderstood by some tourism scholars as Seaton
or Sharpley. As stated on the introductory chapter, the word was
originally coined by the American poet William Cullen Bryant (1817)
to denote the needs of anticipating the own death through the eyes
of others. Those who have read this poem will agree that other deaths
make us feel better because we avoided temporarily our end. At time
we want to retain life, we are suffering because death is inevitable.
To overcome this existential obstacle, we have to listen to “nature”.
Our death is a vital process in the transformation of life cycle in the
earth. To be more precise, Bryant alludes to “thanaptosis” as the
happiness for life, which only is possible at time of accepting owndeath. This does not mean or explain the current fascination for
other’s death since “Thanaptosis” represents a pantheist concept of
evolution. This is the opposite how Sharpley, Lennon and Seaton
and British school understand what thanaptosis is. This poses two
questions, how we may explain our current fascination for death?,
and to what an extent virtual dark tourism is ethical?.
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CAPITALISM AND FASCINATION FOR DEATH
George H Mead, one of the fathers of symbolic interactionism,
questioned why paradoxically many people are prone to read or listen
of bad news presented by journalism, at the time they show preference
by these types of news. What is our fascination for other’s suffering?.
He assertively concludes that the self is configured by its interaction
with others. This social dialectic alludes to anticipation and
interpretation as two pillars of communication-process. The self feels
happiness by other’s suffering, because it represents a rite necessary
to avoid or think in own pain. Starting from the premise the self is
morally obliged to assist the other to reinforce its sentiment of
superiority, Mead adds, this is the ethical nature of social relationship
(Mead, 2009). The same remarks may apply for dark tourism shrines.
To understand this, we have to come into the myths of Noah and
salvation of the world in Christianity, oddly the exploration of tragedy
for our cosmology. This legend tells us that God annoyed by the
corruption of human beings, mandated to Noah to construct an ark.
His divine mission consisted in gathering a pair by specie to achieve
the preservation of natural life. The world was destroyed by a great
flood.
At a first glance, as the myth was ethically formulated, a formal
message is based on the importance of nature and the problem of
sin, corruption. But unconsciously, it poses the dilemma of
competition. At any tournament or game, there can be only one
winner. Not only the creation but also Noah is witness of other’s
death, other’s mass-death. The curiosity and fascination for death
comes from this founding myth. It can be observed in plays, where
only one will be the winner. Even, the big brother who was widely
studied by sociologists and detractors of visual technology rests on
this principle. Only few are the selected ones to live forever. The
doctrine of salvation, which is based Protestantism and Catholicism,
claims for (though in diverse ways) understanding death. In dark
tourism experience as Stone put it, we find similar condition of
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exploitation. The other interpreted death reminds us that we, the
survivors, are in the race and the main thing is to finish. ¿what is
the difference between a dark tourism site, and the medieval pilgrims
to touch Saint’s tombs?.
In medieval times, as earlier discussed, death was present in
almost all institutions, representation of the daily life but
paradoxically, pilgrims may not be equalled to dark tourism sites by
many reasons. Unlike modern sight-seers, medieval travellers move
to sacred sites looking two important aspects to redeem their sins,
forgiveness or the mediation of Saints to negotiate with God, a
solution to their pains or big troubles. Although venerated, for
medieval traveller’s death was not a problem like modern tourists,
but also the beginning for a new better life. In this respect, dark
tourism exhibits the opposite dynamic. “Secular tourists” are not
interested in the life of others, nor in their heritage, or biography.
They want to avoid their own death. The specialized bibliography
focuses on those modern tourists understand death through the lens
of others. Rather, our thesis goes in opposite direction. Tourists
exorcise death ritualizing other’s death to expand their own life
expectances. Michel Foucault and Biopolitics have explained
brilliantly how this works. Based on the example of Nazism, Foucault
said that Biopolitics is derived from the concept of “bio-power”, which
plays a pervasive role because on one hand it expands the life but by
imposing the mass-death. Nazis improved their technique of biotechnology manipulating the life of others, who were labelled as
“unter-mensh”. Disposed of their rights, some ethnicities and
minorities were subject to a systematic burocratization of death
(Foucault, 1969, 2007; Lemke, 2001). The end of WWII resulted in
Nazism collapse but its ideology persisted from many means. The
ideals of a “superman” characterized by outstanding powers to deter
the corruption and evilness, persisted as well as the fascination for
scientists for genes, eugenics, clonation and bio-technology. As
Jeremy Rifkin put it, “the coming age of commerce” resulted from
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Why We are Obsessed by Others’ Death
the Nazi’s ideology to a selected race may life forever. This ideology,
introduced by British eugenics, has never died in US (Rifkin, 1998).
In a world where people are commoditized as bio-resources to
laboratories to grant the life of elites at the centre, death is expanded
to periphery. Most certainly, as Naomi Klein explained, capitalism
has induced to a shock economy where the affected (obliterated)
communities, in case of disasters, are recycled in new forms of
consumption. The doctrine of shock is used by capitalist government
for their citizens to accept policies otherwise would be rejected (Klein,
2007). Of course, this argument is not new, but illustrates the
empirical connection discussed by David Harvey (1989) as “creative
destruction”. Capitalism persists by destroying the social landscapes
and institutions to be reconstructed following other ends. Some
philosophical concerns arise in the role played by technology at this
stage.
Shrines reminding spaces of disasters are symbolic dispositiffs,
politically enrooted in the allegory of uncertainness. In view of that
dark tourism serves as a mechanism of resilience so that the society
understands disasters and social trauma (Korstanje and Ivanov,
2012). As disasters, death comes at any moment of life. This
engenders much anxiety in the survivors. It is important to discuss
that survivors post disaster context develop a much deeper process
of mourning. They elaborate special rites (resiliency) to overcome
the traumatic event which inflict pain and suffering. Any victim,
before the climate of destruction, realizes that Gods were benevolent
after all. Survivors, that way, embrace a climate of superiority by
their subsistence was given by outstanding characteristics such as
bravery, moral virtue and strength. This type of reaction helps
community to recover to adversity but may generate sentiments of
nationalism, superiority or ethnocentrism if it is not limited. The
superiority of survivors, in this vein, depends on the other’s
misfortune. Late capitalism not only exploits these types of climates,
but also obscures the causality of events (Korstanje, 2011a,c). French
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ethnologist, Marc Augé acknowledged that the mass-media portrays
tragic events blurring the connection between causes and
consequences. News or stories focus on the effects instead on a clear
diagnosis of reasons behind. As a result of this disasters’ are
continuously repeated once and once again (Augé, 2002). The allegory
of death expressed in dark tourism sites corresponds with a
contemporary trend imposed by Biopolitics. This explain the growth
of dark tourism which today escapes the classic forms of tourism to
launch towards the virtual world. In the late capitalism, dark tourism
confers to consumers an aura of superiority, while others who lack
of the capital to enter in the formal circuits of sightseeing, are
exploited as other-deads. In this token, (Virtual) dark tourism is not
ethical by many reasons. The most important is the depersonalization
it generates. Whereas, death, observed by ethnologists and
anthropologists, was conducive to strength the social bonds, its
representation as it is placed by dark tourism sites, goes to situate
visitors in their own egocentrism.
CONCLUSION
The present essay review explored not only the anthropological roots
of dark tourism, but also the influence of Biopolitics in confirming
the allegory of death. In shark opposition to the medieval traveller,
dark tourism consumers seek to reinforce their life as others’ death.
In contrast to what the specialized literature suggests, dark tourism
reinforces the modern egocentrism to enjoy in brother´s tragedy.
Based on the myth of Noah ark, capitalism introduced the needs of
eternal competence to be part of selected people. Life is symbolized
as a great trace where only one will be the winner. Of course, this
means that the rest will lose. If tragedy confers to survivors the aura
of exemplary civilization, it runs higher costs. To what an extent the
problem of authenticity has been introduced in the discussion remains
unresolved. As Tzanelli put it, heritage seems to be one of the pillars
of capitalism. Mediated events and games connote to dual structures.
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At time local identity is expressed in view of global values, cities are
cloned so that consumers have the same experience from Japan to
Buenos Aires (Tzanelli, 2013; Korstanje, 2013b). The discussion on
staged authenticity not only is troublesome because anyone
understands authenticity from diverse perspectives, but also failed
to explain why localism has been overridden by globalization. What
would more than interest to debate is the prone of modern consumers
to enjoy for other’s suffering. It is unfortunate dark tourism is part
of this trend. Whether death generates social cohesion among human
beings, dark tourism enrooted in the modern logic of exploitation of
capitalism creates the opposite. Visitor of dark tourism site are simply
happier because they wish to continue in a utopian race to no-where.
Nonetheless, this seems to be a much deeper issue which merits to
be investigated in future approaches.
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7
EXCEMPTIONALISM,
NARCISISM AND TERROR:
AMERICANS ABROAD
The attacks to Paris occurred in November 13 of 2015 shows sadly
two previous assumptions. The impossibility to control leisure
industries as cultural entertainment, museums and tourism,
conjoined to the fact that terrorists have selected travellers over
recent years as their primary targets. Some voices claim that
terrorism and colonial order were historically interlinked. Let’s
explain that colonization in past centuries was supported by an
ideology of the colonized other. Bullets kill people, but words
indoctrinate their minds. Edward Said has developed a model for
understanding the pervasive nature of European ethnocentrism in
novelists such as Joseph Conrad who portrayed the cultural values
of the empire (Said, 1993). Empires have expanded their influences
in the world by imposing an ecumene of exemplarity in which the
periphery accepts European superiority. Beyond this center, the
interaction between Europeans and non-Europeans engendered what
Turner-Bushnell and Green (2002) call a sphere of influence. These
borderlands were flexible, and they were continually negotiated. The
connection between imperialism and literature has been widely
studied in such seminal texts as Rule of Darkness (Bratlinger, 1990),
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The Theory of the Novel (Lukacs, 1971), The British Image of India
(Greenberger, 1969), Imperial Eyes (Pratt, 2011), and Culture and
Imperialism (Said, 1993). This essay focuses on the role played by
American ethnocentrism in the modern travel books such as in
Charles Robert Temple’s American Abroad (1961). Temple’s book
sets forth the perspective of Americans looking outward. Today, it
shows the basis for an American outlook on the post-9/11 world which
combines American exceptionalism with a pervasive fear. One of the
aspects that differentiate American from British ethnocentrism is
the sentiment of exceptionalism with respect to others. In the United
States Americanness is lived as a superior allegory to be applied to
the world for making it a safer and better home for humankind
(Wildman, 1996; Fitzgerald, 1986; Coleman, 2010; Skoll, 2009).
Though the lens of this essay review we understand how the other is
constructed by privileged American citizens in view of their
expectations, hopes, and fears.
PRELIMINARY DEBATE
The habits of travelling are common sense to all cultures of the globe.
Many theories have been developed thanks to the experiences and
stories derived from these practices. In his book on America, FrançoisRené de Chateaubriand (1768-1848) says there were two types of
travellers: Those who go by land and those who go by sea. Many
discoveries that today sheds light on our geographies, derived from
travellers’ courage to go beyond the boundaries of their respective
civilizations (Chateaubriand, 1944). One of the main problems in
understanding the potential power of travel writing depends on the
attention this genre receives from generation to generation. Travels
activate social imaginaries which follow imperial interests, along
with landscapes and cultural encounters. Citing K. Oberg and Rachel
Irwin (2007) alludes to the encounter among ethnicities as a culture
shock, which ranges from a stage of understanding to a profound
crisis –honeymoon, crisis, recovery and adjustment. While tourists
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generally are embedded in a honeymoon phase, the native other is
imagined as a polite and gorgeous friend. Explorers, anthropologists,
and aid-workers face another, more disappointing facet. A radical
crisis of identity may take some months. When this arrives, the
foreigner has serious problems in coping with natives. Depending
on how this is resolved, the visitor will return to home or stay. The
process of recovery consists in the assimilation of all information,
customs, and practices to survive in this new society. After this stage,
the adjustment will take place. Depending on how the guests are
negotiating with natives, their knowledge has further value for
others. Tourists, for example are subject to peripheral and superficial
encounters with natives while anthropologists produce another kind
of knowledge.
The American economist, Robert L Heilbroner days that
imperialism as a project was inextricably intertwined with
capitalism. He claims that three key factors were important to
consolidate European conquests: The impetus for discovery; second,
the decline of religion; and third, rise of science (Heilbroner, 1995).
One of the disciplines that encouraged the quests for knowledge about
non-Europeans and drawing on the methods of classical positivistic
social sciences, anthropology emphasized the importance of direct
observation of observed peoples. Two main assumptions inspired
these new forms of making science. The first was the belief that
people lie or simply sometimes do not recognize their drives and
behaviour. Researchers are obliged to be there, contrasting the speech
with non-verbal practices. The first anthropologists who launched
the study of exotic peoples were involuntarily manipulated by
governors or officials who read their ethnologies with the aim of more
effective control of native peoples (Busby, Korstanje and Mansfield,
2011; Korstanje, 2006; 2012; Pratt, 2011; Teng, 2004; Palmer, 2004;
Bandyopadhyay, and Morais, 2005). The production of knowledge,
imperialism, and travels became intertwined. Novels, and guidebooks
have been historically employed as ideological instruments of
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indoctrination whose efficiency rests on what they cover, not what
they overtly describe.
Mary L. Pratt (2011) explores the imperialistic discourses to
understand how the identities of others are created. The dominated
group interprets its inferiority in favour of dominators. The literature
of travels as well as travel itself is of paramount importance to create
an archetype of Europeanness. The conflicting encounters flourish
in zones of contact where a real process of acculturation surfaces.
The ideology of dominators, as Adam in the paradise, marks the
others, while it keeps it-self unmarked—that is, the standard by
which others are judged. The passion for travels and discoveries starts
with Carl Linnaeus (1707-1778) who in 1735 published his book
Systema Naturae (system of nature). This project encouraged many
natural historians, or as they are called today natural scientists to
classify biological species in the world to create an all-encompassing
system that explain the diversity of plants. Following this
classificatory system, the first scientific travels were oriented to
describe customs, cultures, and any other aspect of peoples who
Europeans thought merited attention. In this way and right from
the first, the new disciplines of social science abetted colonialism to
expand European control over the globe, and in so doing portrayed
the other as non-white and an irrational actor who needed to be
civilized. In Western ethnocentric ideology, cultural values not only
were both necessary and beneficial for indigenes. Literature and
travel writings, Pratt adds, encouraged the imperial values
everywhere, paving the way for the advance of an ideological
colonization that strengthened the bond between the centre and its
periphery. Literature offers visualizations and symbolic landscapes
where the colonial order is sustained by a moral supremacy of
Western culture. The subordinated role of aboriginal life, compared
to that of Europe, was one among many other rhetoric devices to
create a sentiment of superiority of white writers throughout the
colonial world.
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Modern tourism scholars have studied the stereotypes of
colonialism (Burns, 2004; Mansfield, 2008; Busby, Korstanje and
Mansfield, 2011; Caton and Santos, 2008). In one of the books on
this theme, Traversing Paris, Charlie Mansfied (2008) seeks the redefinition travel writing as a genre of literature by means of
descriptions of the narratives, projections, expectations, and
experiences in travels. This French custom, initiated by the
Encyclopédist Denis Diderot (1713-1784), reveals the potentialities
of a journey to decode the convergence between the autobiography
and social conjuncture. The episteme for travels elevates the agency
of travellers who reify the same observed reality. The tension between
objectivity and subjectivity certainly opens a complex door in travel
writing as a scientific genre. The body of a travel writer is necessarily
circumscribed by specific time and place, which blurs the boundaries
between the lived time of journey and the text. Concerning the
contributions of the reactionary royalist and founder of Romanticism
in France, François-René, de Chateaubriand (1768-1848), Mansfield
indicates that texts work similarly to a souvenir, because like a
souvenir they are strongly associated with the identity of tourists.
As a souvenir is linked to a wider sentiment of nostalgia, Mansfield
leads readers to an under-explored argument: The souvenir works
as a mechanism of return transforming the physical distance into
emotional proximity. Travel writing comprises a creative praxis by
closing the hermeneutical circle between those events we experience
on a daily basis and the individual emotional background, and
thereby becomes an episteme in the Foucauldian sense. Mansfield’s
argument leads to the three elements of discovery travels which are
rooted in the modern science: 1) the need to monitor the world to
ensure Western control, 2) intellectual appropriation that interprets
events to generate knowledge, and 3) support for the capitalist mode
of production. All these elements are replicated and renegotiated in
the travels. Laura Rascaroli (2013) has called attention to the tension
between pleasure and displeasure in traveling. The latter signals
unproductive displacement that destroys the self, and the latter leads
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the traveller to the materialization of hedonism. The focus of Rascoli
argument is on how identity is constructed. In the past, France
originally drew from southern Mediterranean culture, but today this
logic has been upended. This explain the bifurcation of symbolic (soft)
and legal (hard) borders. Florian Grandena (2013) argues that
striated space (i.e., space with legal borders) is determined by states
but nomadic spaces exist as a response to the growth of social
frustration, or perhaps ennui. Probably the exemplary nomadic book
is Jack Kerouac’s On the Road (1957). Based on a romantic gaze, a
nomad-tourist not only breaks out of the capitalist network but seeks
to negotiate his/her identity strolling throughout the nation,
something that recalls Walter Benjamin’s flâneur (Buck-Morss,
1986). Ewa Mazierska (2013) explores the epistemology of past
travels to criticize the contemporary social fabric. Mazierska reviews
scholarly literature that points to tourism as a hedonistic industry,
but she notes, as in cinema or many other products of the culture
industry, there are many ways of exploring visited spaces. The role
of travellers and their proximity to the other are of utmost importance
in judging whether tourism is good or bad for society. What is
important is not whether the traveller is a tourist or a migrant, but
how that travel initiates the process of discovery. She acknowledges
that while some doors are open, like the tourism and leisure travels,
others are inevitably closed. The past not only facilitates a break in
today’s ideological discourse, but unravels it into the complexity of
nationhood (Mazierska, 2013: 123). In recent years the industrial
world seems to be more concerned for the securitization of identity
and mobility than by other questions. Korstanje and Olsen (2011)
have examined the genre of horror movies to consider that 9/11 has
not only created a serious shock to American culture, but also changed
the ways of making terror in cinema. Based on an examination of
movies such as Hills Have Eyes, Hostel, and Texas Chainsaw
Massacre, Korstanje and Olsen argue that American movie culture
exhibits a combination of pride and fear. While American tourists
are viewed as the epitome of good civilization, their own cultural
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products are compromised of sadists whose main satisfaction is the
torture of innocents. The principle of evil seems to be combined with
a lack of hospitality. The world beyond the boundaries of the United
States is presented as a dangerous place to visit. This leads to the
creation of deep-seated ethnocentrism that audiences cannot see with
clarity, but which affects how the other, non-American is
reconstructed. The concept of risk and terrorism as it is being
exploited by Hollywood may instil serious problems in the collective
psyche of United States.
THE ROOTS OF EXCEPTIONALISM
Originally, Max Weber noted the connection between religion and
labour. He acknowledged that certain Protestant and Catholic’s
cosmologies constructed different models of the world and labour.
While Calvinism was based on predestination—that is, a closed
future, Catholicism saw salvation as a prerequisite for the present
acts. For Calvinistic temperaments, the salvation of individuals was
already determined by a book of life in Heaven. Catholicism, in
contrast taught that salvation was a consequence of acts on earth
(Weber, 1964, 1995, 1958). Weber made a connection between the
concepts of religious salvation and the economy. The organization of
labour as well as the process of territorialization follows cultural
archetypes which put limits on authority and requires the production
of a surplus. Calvinism taught that humans were stewards of the
earth who were expected to produce more during their lifetimes than
they found at birth. The political structure depending on how this
surplus was created. S. Coleman (2013) argues that American
fundamentalist religious culture is linked to a much broader
association between the religious and political order. Those orders,
religious and political, are charged with reforming the world, and
since it is a dangerous place, the sins of the world should be expiated
by sacrifice, and renovated by means of grace and fear. Americans
and other Anglophones, especially those in Britain and the settler
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countries, Australia and Canada, have produced a culture of terror.
That culture induces a generalized fear among the populations of
those countries. With a focus on the United States, the ruling class
has constructed a culture of fear that has evolved from the kind of
fear associated with the anti-communist hysteria in the years
following the Second World War and its predecessor Red scares to
its current incarnation of the terrorism obsession (Skoll, 2010, Skoll
and Korstanje, 2013). While recognizing popular participation in
constructing this culture of fear, the fact is that elites in the centers
of world capitalism have fostered its construction with planning and
deliberation. The culture of fear is conducive in keeping class conflict
in America and the world under control.Unlike Spain that relied
more on military conquest to colonize the Americas, English
colonization was centred on settlements and trade. The English
reserved its right for intervening in the autonomy of indigenous
peoples, and recognized a degree of indigenous autonomy. The
Spanish approach derived from a different economic strategy—that
is, Spain’s colonialism was extractive, whereas England’s was based
on agricultural exploitation. The English control over the indigenous
peoples was based on discursive abilities to proclaim the racial
superiority of Anglo order over other ethnicities (Guidotti-Hernandez,
2011). As Richard Hofstadter put it, this sentiment of exemplarity
was reinforced by the adoption of social Darwinism at the same time
that the US was becoming a colonial power in its own right in the
late nineteenth century. The survival of the fittest associated with
the virtue of race reinforced an America-centrism (Hofstadter, 1992).
Social Darwinism, unlike Darwin’s own biological theory of
natural selection and speciation, postulated two significant axioms
which reinforced the sentiment of exceptionalism, which itself came
from the Puritan tradition in New England (FitzGerald, 1986). Social
Darwinism was based on survival of fittest and social determinism.
Hofstadter argues that the legitimacy of law to ensure the equality
of all citizens was not sufficient to explain why some actors had
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success while others fail. As a supra-organism, the social structure
overrides the interpretation of law. To evolve to a higher stage, society
should accept the struggle for survival as the primary cultural value.
In this view, social advance depends on the wealth one generation
can pass to the next. Accordingly, “primitive man, who long ago
withdrew from the competitive struggle and ceased to accumulate
capital goods, must pay with a backward and unenlightened way of
life” (Hofstadter, 1992: 58). Therefore, millionaires are not the result
of greed, but natural selection. They have been selected by their
strength, tested in their success in business and their abilities to
adapt to the competitive environment. Those who are not wealthy
are simply less fit. A political consequence of this line of thought is
that states should not promote charity as a governmental policy; if
this happens it runs the risks of general social decline. The society
should be recycled allowing the big fish eats the small fish. At a
closer look, Calvinist and other protestant circle emphasized on the
hostility of the environment as a proof of faith. The foundation for
this amalgam comes from the New England Calvinist ideology, of
which Jonathan Edwards 1741 sermon Sinners in the Hand of an
Angry God is exemplary (Miller, 1953). There, Edwards, spelled out
the Calvinist notion of predestination, which, among other things
held that only those that God chose would enter Heaven, and
everyone else was doomed to Hell. Those so chosen could be identified
by their prosperity. The social Darwinism of the latter nineteenth
century was annealed to the underlying Calvinist doctrine of hard
of individual salvation, stewardship, and prosperity as a sign of moral
superiority.
In the early republic, up to the Civil War (1861-65), so-called
nativism in the United States showed considerable resistance to new
comers, such as the Irish fleeing the famine of the 1840s and
somewhat less toward Germans and some other nationalities fleeing
the counter revolution and political repressions of the European
rebellions of 1848. Nativism often combined with anti-Catholicism,
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which in turn combined with the racism of the South and its
institutionalized racialization of slavery. The racial discrimination
as well as its practices constructed a barrier between the community
and this undesired guests (Janiewski, 1991). Underneath it all lay
economic exploitation of new European immigrants and African
American slaves. At the same time, the US carried out its long term
genocide of the North American Indians. Eric Cheyfitz explained
that empires construct a subordinated image of other, who can never
be equal to the elite. Ranging from ridiculing to demonization, the
others are often portrayed as inferior, or uncivilized. Imperial
discourse consists in disciplining this other — African American slave
and their descendents, recent European immigrants, and native
North Americans—to make them decent citizens (Cheyfitz, 1993).
In practice that came to mean becoming White (Ignatiev, 1995).
Despite the cognitive dissonance in the midst of genocide and
racial and ethnic exploitation, the ideological apparatuses of the
United States developed its image as an exemplary centre, or city on
a hill, as the Puritan settlers saw it. It is this image, rather than the
reality of social relations, that leads this country to proclaim itself
as unique, an exception, and beyond the restraints of the rest of the
world. For a recent example of this exceptionalist discourse, Michael
Ignatieff, a Canadian political leader who is currently on the Harvard
faculty, maintains that the United States has historically constructed
a social bond based on the respect and trust in civic institutions.
Americans, according to Ignatieff, valorise the freedom of speech and
democracy along with the equality of opportunity in a framework of
rights and duties as citizens. The concept of human rights, perhaps
most explicitly realized in the universal Declaration of Human Rights,
which was promulgated under the leadership of Eleanor Roosevelt
after the Second World War, combined with the concept of American
exceptionalism to spread American ideals of liberty to the rest of the
world. From the American exceptionalist perspective, the United
States was the premier, if not the only country, which can for instance,
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repeatedly reject resolutions of the United Nations General Assembly,
as it has done many times with respect to Palestine and Israel. Many
American politicians feel they have been excused from accusations
of human right violations (Ignatieff, 2001). Following this argument,
M. Korstanje explain that the principle of exception that
characterized the early political life in the United States, not only
was ingrained with its religious matrix, but also paved the ways for
the liberal democracy to betray its own foundations. This kind of
exceptionalist ideology has been coupled with a disregard for other
nations’ sovereignty as the United States has intervened in countries
throughout the world to overthrow their governments. The tactics
vary from propaganda, to influxes of money to opposition groups, to
covertly organizing coups d’état, and outright invasions. Since the
Second World War, the United States has acted more like an empire
than an exemplar, despite official and public protestations to the
contrary (Korstanje, 2013).
Understanding how such disparate conceptions—on the one hand
an exemplar of liberty and self-determination and on the other,
imperial aggression and domination—presents an intellectual
challenge. As a literary form, travel writing offers fertile ground to
approach an understanding of how ethnocentrism works to maintain
these contradictory images. In literature imagined landscapes of
travellers are written from the centre to impose a specific message
over the periphery. In next section, we examine the book entitled
Americans Abroad by the travel writer Charles Robert Temple. This
book represents an effort to advise Americans who travel or work
abroad about the dangers of the world. A clear diagnosis of how
American imperialism works can be done if you pay attention to this
now relatively obscure text.
THE FEAR OF TRAVELING ABROAD
Charles R. Temple was fluent in six languages. He worked in many
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countries since he left Yale University in US, some of them with
diverse cultures and customs. Concerned on the psychology of
tourists, he published in 1961 the book Americans Abroad to explain
the different and radical shifts suffered by Americans when have to
travel or work abroad. This book gives practical suggestions on travel,
and by doing so presents a clear picture of American ethnocentrism.
After the Second World War ended in 1945, the United States
stood alone among the former belligerents as unscathed in its own
territory. The closest the country came to devastation was the attack
on Pearl Harbor, in what was then a mere territory, and far from
the mainland of the metropole. Not only was its territory intact, it
was the centre of the world’s economy. With the growth of a middle
income tier of US society, many Americans started to travel
worldwide as tourists, businessmen, diplomats, and so forth. In doing
so, these citizens represent America to the world. In Temple’s view,
one of the aspects that make Americans exemplary is democracy:
“Turning up in every part of the globe, these Americans are our
informal representative to the other peoples of the world. What we
are and what our democracy means will be judged by their action
and reaction long after the formal speeches and actions of politicians
have been forgotten. This was not always so, and once John Doe, an
American living in a foreign country, might have been looked upon
by the people about him as just another foreigner, with little or no
reference to his national background” (p. 8).
For Temple like many other Americans, democracy is lived as a
positive cultural legacy that the United States can leave to the
civilized world. But for that, its travellers should demonstrate a
special virtue which only is given to select people. The United States,
in Temple’s argument, should not be judged by its failure or success
in international relations, instead the country should be appraised
by its tourists’ behaviour. This means that American tourists serve
as symbolic ambassadors of their country. Temple’s book is filled
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with examples and situations aimed to show the civil virtue of what
being a good American means. One of the first obstacles to overcome
abroad is the language. Temple acknowledges that some Americans
are reluctant to learn languages other than English. He points out
that fluency in another language allows the learning of other customs,
and opens the horizon to new opportunities for business. For Temple,
the American Way is bound up with the role played by money. The
degree of materiality, as Weber put it, depends on the need to
demonstrate to be part of the select. Temple is concerned for those
compatriots who have not devoted time to have experiences with the
other. The quest for novelty seems is linked to overcoming the
prejudices of home.
In this vein, Temple writes “There are certain fundamental
experiences which have to be met by everyone who leaves his own
country to live elsewhere. Going abroad means giving up home in
spiritual a well as physical sense; it means acquiring a new kind of
education; it means adopting new attitudes and points of view about
foreigners and their ways; it means assessing one’s own values in
light of other’s people’s value and standards” (p. 15).
All this advice was given to those Americans who opted to live in
other countries for a prolonged stay out of their home. Temple has
somewhat different advice for tourists. Typically, moved by curiosity,
tourists are fascinated by experiences abroad. They need to see how
life is lived in foreign countries. Poor countries, many of them with
markedly undemocratic cultures, have developed systems where the
majority is excluded from political life. This results in serious
asymmetries that lead people to poverty. Being poor is an effect of
rejecting democratic politics. Therefore, according to Temple,
Americans should feel proud of their economic supremacy. If the
civilized citizens reserve their right to travel long distances as a
sign of wealth, it is no less true is that this act has a serious risk. In
this vein, Temple writes,
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“Slumming is neither possible nor intelligent. As Americans, living
in a technically advanced, affluent society, we tend to downgrade
those peoples of the world who have not participated in the industrial
revolution and whose economies are inadequate to their population’s
needs” (p. 21).
This happens because the United States had vast lands and a
rich economy that flourished with an internal, domestic industry
that provided a continuous chain of production and consumption, a
huge internal market for what was produced in America. The sense
of Americanness is exhibited by Temple as an archetype of science,
hard work, and recreation; always contrasting the difference between
the White Anglo model and aboriginals in other countries. Of course,
Temple ignores or tries to ignore the many aboriginal reservoirs that
continue to coexist with his model White Anglo American citizen.
He ignores the urban ghettos, depressed and marginalized small
towns and stretches of rural poverty. Secondly, the book assumes
that the United States is the most democratic country on the planet.
Temple does not ask if the United States is democratic, but instead
asks why it is the most democratic country in the world. In the chapter
entitled, “Special Luggage Labelled American,” Temple recognizes
that democracy is not a perfect system of government, and notes
that foreigners may say that judges can be bribed or the activities of
some minorities are restricted, but he replies that in the United
States” most judges can´t be bribed, few men sell their votes; the
majority of Americans reject attempts to limit minority rights; and
while a poor man may rarely lunch with a rich one, both can do
pretty much what they like otherwise (p. 30).
What this excerpt does not take into consideration is hundreds
of years of ethnic discrimination, the repression of the black
population and the ghettoization of most cities as well as internal
riots between blacks and whites. It is not the goal of this paper to
judge if America is good or bad, but only to focus on the cultural
elements that form Americanness as an archetype of identity. Today,
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few citizens in the United States have read Temple’s book, but even
so its value is that it reflects the imaginary of how America sees
itself and the others. For that reason, it is like an artifact that reveals
in microcosm the American ethos and its connection to feelings about
strangers.
When traveling as tourists for recreational purposes, Temple
adds, Americans should understand that the visited lands are not
populated “entirely” by barbarians (p. 115). To know more about
exotic countries, they have to read magazines or other publications
to learn the experience of other travellers, and to become aware of
which place is safer or dangerous as well as the things they can and
cannot do. Traveling can be conceptualized as an art, where the
subject develops new abilities to deal with transportation, new
customs, hostile migration officials, and other problems. Readers
should follow Temple´s steps to achieve a successful adaptation in
other cultures.
On the surface, the primary concern of this book is the implicit
view that the world seems to be a hostile place. Thus, knowledge
and know how facilitate the symbolic resources to mitigate the lapses
of anxieties such as the validation of passport at migration office.
Guide books are of paramount importance so as to be familiar with
the visited destinations. A coherent interpretation of the tourist
originating country should be kept in mind at time of purchasing
the ticket. Temple gives the example of a friend who traveled to
Beirut buying his ticket in Israel and was rejected upon arrival as
he was accused of being Zionist spy.
Temple’s use of such terms as “entirely barbarian” appears
ethnocentric because it assumes the foreigners live in uncivilized
cultures. Also, his perspective is from the nation of travellers like
Israel, the United States or Britain as the point of sale of the ticket
can and should determine how dangerous the final destination may
be. If Americans go to a destination whose government has a
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relationship with the United States, the possibility of some kind of
adverse treatment might occur to a traveller. This opens the question
of the relationship between safety and security. Being American
abroad means privilege because Americans carry with them a
symbolic reminder of US supremacy over the world. Today, in large
part because of the US led global war on terror, it also raises the
specter of terrorist attacks arising from resentment on the part of
dominating people. These two elements, American privilege and
Americans as terrorist targets, are present in the Anglo-American
archetype promoted by tourism related industries.
Temple’s book contains many examples of people who have
travelled to Europe, Latin America, and Asia. Being American means
superiority over other ethnicities due high income relative to people
in other countries. Of course, this is far less true today than in 1961
when Temple wrote the book. Also, Temple assumes that because
Americans are educated in a civilized culture where the respect for
the other symbolizes the tenets of democracy, it means that
Americans are willing to learn about other cultures. However, this
way of constructing the other leads to a bipolar logic where the ‘we’
is superior to the ‘they.’ To be part of elite, selected for salvation,
brings serious problems for American tourists as symbolic
representatives of the United States. Of course, American tourists
are not responsible for the policies followed by US, except when they
are so designated such as officials in the US State Department.
Nevertheless the Anglo-American ethnocentric discourse upends the
connection of cause and consequences, conferring the burden on
tourists. This can be seen in current guide books which present the
Middle East as a dangerous destination for Americans. Tourists
become involuntarily ambassadors of their own state. It is important
not to lose sight that this ethnocentric discourse was not created by
9/11, it was present long before this event, but to some extent 9/11
closed the hermeneutic circle between a frightened American citizen
and the way to construct Otherness. At the time of 9/11, US President
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George W. Bush encouraged Americans to confine their travels to
the domestic US and at the same time he militarized US borders
and restricted migrants as undesired guests.
To understand this pervasive logic, one must understand two
relevant aspects of ethnocentrism. On one hand it promotes the
exemplary nature of one group or ethnicity over the rest. The limits
of uniqueness determine an exclusionary circle of belonging, which
is symbolically justified by certain fabricated virtues. Valorising
American tourists is a subtle way of accepting the hegemony of the
United States and its democracy in the world. However, in the
dialectic of ethnocentrism, being part of the elite has its costs.
Whenever Americans cross the borders of their country, many risks
are posed in their trips, from a terrorist attack to a crime, destinations
are classified according to the importance of Americanness and their
safety.
Moreover, ethnocentric discourse neglects the importance of the
other except through the lens of one’s own culture. It poses Americans
as the most desirable of tourists. It reminiscent of horror movies
like Hostel I and II where American tourists were captured and
tortured by a criminal network operating in Eastern Europe.
Millionaires paid huge fees to torture a tourist. Hostel’s dialogues
not only portrays the world as hostile, but also convinces the audience
that victims’ value depended on their nationality. Mass
entertainment such as horror movies often depicts Eastern Europe
or rural zones as hostile and dangerous destinations for civilized
tourists. The same sentiment of exceptionalism that leads Americans
to be proud of their civilization instils terror when they have to leave
home.
Literature has often served as an ideological mechanism of power
for the centre to exert hegemony over periphery. Substantial studies
have shed their light on this slippery matter. However, the problem
of imperialism seems not to be limited to literature alone. Other
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Excemptionalism, Naricisism and Terror: Americans Abroad
texts such as guidebooks or travel writing, construct a biased
landscape of the world. This is the case in the example use in this
essay, Temple’s Americans Abroad. Though lacking in overtly
discriminatory or racial considerations, Temple does his text covers
what in our consideration is one of the tenets of Anglo-American
ethnocentrism, the sentiment of exception. Temple diagnosis is that
the world is stereotyped as a dichotomy between dangerous and safe.
It appeals to America as the cradle of democracy, civilization, and
legal order. In view of this, Americans never should lose sight that
they are ambassadors of their superior culture. Even if the enemies
of democracy want to attack Americans wherever they are, this
should not stop Americans from showing that they are inhabitants
of a city on a hill. This point will be carefully examined in the
conclusion, once in repeatedly way, we will review how horror movies
in US changed after 9/11. Basically, not only the role of villains, but
the possibilities have to see a new element, which was baptized by
Kristeva as “perverse hospitality”. One of the effects that persisted
in the social imaginary of Westerners seems to be the fact that “being
hospitable” with others represents a serious risk for society.
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CONCLUSION
The argument in this book was oriented to discuss to what extent
terrorism may be considered “as external threat” which can be
controlled by using the rational logic of West, or seeing terrorism as
a result of extortion evolving towards reified forms of exploitation
accelerated by the current means of production. While we held the
polemic thesis that mobilities emerged as a disciplinary form of
terrorism, once worker unions struggled against capital-owners for
better conditions of work, no less true is that today terrorism seems
to be out of control. One of the most paradoxical situations seems to
be the fact that jihadists are not born in Middle East, they are natives
of the same society under attack. French, British, Germans and
Americans who not only are in discontent with their cultures, but
also do not belong symbolically to their communities. As Howie puts
it, this is exactly one of the problems that instill an excess of fear in
global cities. They, who look like us, they who likely are our
neighbours may be “dangerous jihadists” planning an attack at a
school, a tourist resort in any-time. In this book we have marginally
approached to the role of “thana capitalism, in this manner, Howie
called to “traumaescape” as a platform where social ties are
undermined. As this argument given, cities hit by disasters and
terrorism are recycled to be products ready to be gazed by an
international demand of tourists. However, far from understanding
the real reasons of the event, a biased message disseminates to
audience which represents a serious risk the event repeats in a sonot-distant future. The sociology of terrorism (beyond its
interdisciplinary nature) still is far from approaching the roots of
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terror as a result of the rationality of capitalism. In this mayhem,
this book intends to be fulfilling the gap and confusion left by the
media. Some of these misconceptions relate to the fact terrorism
advanced by the lack of coordination, or lack of programs of America
to situate as police of the world. Scholars as Mandelbaum or Revel
are influenced by this ideological discourse which considers US (for
being the most democratic country) should tackle “the scourge of
terrorism” intervening if necessary in autonomous nations. Further,
Michael Mandelbaum (2010) Director of American Foreign Policy at
the John Hopkins University, US claimed that the stock and market
financial crisis of 2008 pressed US to cut off some of the expenditures
in international affairs. This represented a serious threat for the
World since it opens the doors for the rise of terrorism worldwide.
Based on an excessive support to American international policy,
Mandelbaum emulates the great myth of exceptionalism, which
argues that America is a great nation not only for its democratic
attachment, but also by the melting pot (which suggests the
intersection of many ethnicities altogether). As a success project
which reflects the liberty of peoples no matter than ethnical
affiliation, US should import democracy to the world. The financial
problems faced by government were aggravated by the fact that baby
boomer’s generation are now retired, which created a lack of checks
and balance between social security programs and international
global leadership.
“The collapse of 2008, the surge in America indebtness, and the
retirement of the baby boomers with the resulting explosion of claims
on the federal government will create a different economic imperative:
Higher taxes, more saving, and the less consumption. This change
will reduce the resources available for all public purposes: There will
be less to go around” (Mandelbaum, 2010: 28)
As previous backdrop, the United States in twenty-first century
faced serious problems to keep the political stability through the
globe unless by the fact that it should avoid a direct or indirect
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competence with other superpower, as in Cold War. This means what
in the bottom was a crisis represented the ways for an excellent
opportunity, only if US accepted a leading role in the world. As many
extreme puritans, Mandelbaum believes this country is designed by
Gods to command the leadership to other underdeveloped economies
which resulted from the lack of democracy. In this discussion, the
threat of terrorism in Middle East tilts to cooperate with democratic
states as Israel to struggle against one of the evils of “civilized world”.
“The United States will therefore increasingly cooperate with the
only democratic and reliably pro American Country in the Middle
East, a country with a legitimate government, a cohesive society and
formidable military force, the state of Israel” (p. 190).
Although, Iraq-led invasion was a complete failure, which affected
the credibility of America before other allies, no less true is that all
want to deposit their fears in the hands of a World‘s Government
that protect the interests of democracy, this nation is America. This
raises some more pungent questions; what role plays the antiAmerican sentiment in the world? If Mandelbaum is right why somemany countries hate Americans? Is this hatred-filled sentiment
resulting from imperialist policies or simply an excuse to justify
poverty?
Mandelbaum said that one of the targets of oppressive
dictatorship is the United States which serves as scapegoat to deposit
all their frustrations and failed hopes. However, further attention
should be paid to the benefits capitalism and American democracy
brought to Europe and other nations (Mandelbaum, 2010). This
argument fits in what Jean Revel dubbed as “anti-Americanism”,
which expressed the needs of criticizing the so called imperial
expansion of Americans while their protection is implored as a main
power for European nations. Even, Revel understands that his nation
France plays an ambiguous role in opposing to the interest of US,
since on one hand, Europe did not devote considerable efforts or
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Conclusion
spending money in security-related issues, nor intervene in countries
to ensure democracy. In that way, while the criticism is adamantly
directed against Bush`s administration, the world is a safer place in
view of the intervention of US in international affairs (Revel, 2003).
What these ethnocentric arguments leave behind is that terrorism
is working for Western Capitalism to implode by the erosion of
hospitality, which was considered one of the spirits of Western
civilization. To put this in bluntly, in 2005 when the movie Hostel
came out, written and directed by Eli Roth, it seemed universal,
although set in Slovakia. The first Hostel was followed by two sequels
in 2007 and 2011. The sadism depicted in the films represented an
inherent, though veiled, aspect of contemporary tourism. Cinematic
representation of sadism in tourism reflects a wider turn to sadistic
relations in international political affairs, especially the rise of
jihadism after the September 11, 2001 (9/11) attacks in New York.
The rise of international terror has changed not only the tourist
industry but also the film industry. Cultural entertainment both
reflects and shapes our fears, hopes and challenges. Because of this
dialectical relationship between objective reality and its
phenomenological impact, exploring horror movies offers a way to
expand our understanding current world affairs. Prior to 9/11 horror
movies used nature or unnatural beings as the main threats.
Monsters, like vampires or similar imaginary creatures, or wild
animals such as ants or sharks provided the fearsome threats. It
was the natural world or an unnatural phenomenon that were
represented as dangerous, but they were dangers able to be tamed
by rationality and instrumentality. After 9/11, however, other people
became the sources of horror. Today as never before, man is the wolf
of man.
Of course, horror movies depict the social fears of particular times
and cultures. Their emotional effects use the devices of the macabre
or supernatural to connect with culture-bound primal fears. They
have an ordinary social setting which gets disrupted by the invasion
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of a fearsome agent such as monsters or savage beasts. To some
extent, horror movies represented a violation of the sacred law of
hospitality. Hospitality is a norm that functions to create and
maintain a benign social environment. After 9/11 the nature of the
threats in horror movies changed from either non-human nature or
the supernatural to the social. After 9/11, villains were no longer
animals or monsters, but humans. In this process of transformation
humans, ordinary everyday people who look and act like us, became
the objects of horror (Korstanje and Olsen, 2011; Korstanje and
Tarlow, 2012; Korstanje,2015). As Luke Howie observed, not only
was generalized fear one of the main effects of terrorism in modern
society, but it also represents radical changes in the way we perceive
otherness. In recent years, terrorism has shifted the way we construct
monsters, leading cinema to frame sources of fear as ordinary citizens
who are capable of the worst anytime (Howie 2011; 2012). Here we
explore the hypothesis that horror movies, and closely related popular
culture artefacts, have decentralised their objects of fear from the
non-human to the human. Today, after 9/11, aliens as noncompatriots have become the model other and the real enemy to
defeat. In movies such as Jaws (Spielberg, 1975), The Birds
(Hitchcock, 1963) or The Naked Jungle (Haskin, 1954), humans are
put in jeopardy by savage animals which can be defeated by the
embodiment of human ingenuity—technology. In post 9/11 cinema,
not only there are no happy ends, but the main threats are fellow
humans who are hard to detect. The enemy is not just there, on the
other side of the river or wall, they are among us, live as us, and
could be one of our neighbours. This cinematic shift reprises that
during the post Second World War Red Scare (Skoll and Korstanje,
2013) when Hollywood movies identified the threat as Communists
who blended in with the population of the United States and its
allies. This same theme is replicated by current horror movie remakes
like The Hills Have Eyes (Aja, 2006), Hostel (2005), Texas Chainsaw
Massacre (Hooper, 2003) or The Others (Amenábar, 2001). These
movies are all remakes of originals from earlier decades, which add
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Conclusion
torture-terror inspired the war on terror after the World Trade Centre
attacks of 9/11.
Western and non-Western nations had long been the terrain of
terrorist attacks, but it was only after 9/11 that the cultural, economic,
and strategic hegemony of the United States created the global
archetype of terrorism—the 9/11 attacks on the World Trade Center
and Pentagon. So-called Ground-Zero, the site of the former World
Trade Centre in lower Manhattan became both symbol and icon for
terrorism, as the work of radical Muslims. In contrast, the Madrid
train bombing of 11 March 2004 was originally blamed on the Basque
separatist group the ETA (Euskadi Ta Askatasuna) to gain political
advantaged in the upcoming national elections scheduled three days
hence (Sabada, 2008). Spanish authorities eventually fell in line
under the US terror mythology, and identified Al Qaeda inspired
Muslim fanatics. A few sceptics questioned the official story about 9/
11 (Keohane and Zackhauser, 2003; Griffin, 2004; Friedman 2011),
and some commenters saw 9/11 and the war on terror as a pretext
for governments to restrict individual rights (Vargas Llosa 2002;
Ignatieff, 2013). Nevertheless, the post 9/11 culture of fear was
conducive to neo-liberal policies that enhanced the profits of elite
and expansion of the US led global empire rationalized by neoconservatives (Skoll, 2007, 2010; Skoll and Korstanje 2013; Altheide
2002, 2006). The climate of polarization, far from being diluted after
US-led invasion to Middle East, multiplied in various spheres of
society. Mahmoud Eid pointed to the mass media, arguing that the
question whether 9/11 ignited the custom of consuming terror as a
rentable commodity, cannot be answered without addressing the
responsibility of journalism and mass media in covering attacks 24
hours per day. This event opened the doors for a new epoch where
terror and profits in television converged (Eid, 2014).
The United States used its position as global hegemon to engender
a culture of fear. In the counties at the centre of the world capitalist
system fear served to protect the status quo social order. After 9/11
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this culture of fear became globalized in conjunction with the USled Empire. The US dominated culture industries, in cinema
especially, shaped public consciousness in support of the empire.
Culture construction aided and abetted securitization, which
promised a safer world, and governments relied on both to protect
against domestic terrorism internally. In fact, the securitization of
global imperialism has really been pacification of segments of
populations who posed a threat to the interests of capital owners
(Skoll, 2016).
Among its other effects 9/11 caused a trauma in the means of
transport that largely served the West and centre of capital. Never
in history had civilian airplanes been used as weapons against the
centre of world capitalism, the World Trade Center, and
simultaneously against the centre of world militarism, the Pentagon.
The attacks of 9/11 could have undermined the credibility of the
George Bush administration in Washington DC by showing how
vulnerable the United States was. To counter this threat t its
legitimacy, US President George W Bush declared a global war on
terror, prosecuted mainly by US military and intelligence
apparatuses like the CIA, NSA, and NRO. What Bush failed to
declare was the war on terror carried out by the culture industries.
Those few, mainly marginal, figures who claimed that 9/11 served
as a sort of Reichstag Fire to extend US world control were dismissed
as conspiracy theorists.
Throwing around accusations of conspiracy theory buttresses the
power of the ruling class by affirming the managed messages from
the media they own. Establishment social theorists and scholars have
deemed conspiracy theorypathology (Lipset and Raab, 1978; Hofman,
1993; Catron and Harmon, 1981), because according to them, it leads
to what Hannah Arendt (2013) called a totalitarian mind. More
recently, some scholars present conspiracy as a key factor of politics.
David Kelman (2012) argues that conspiracy beliefs are part of
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Conclusion
populism. Especially in Latin America and the United States the
efficacy of the ruling class depends on consolidating their hegemony
by cutting reality in two. Secrecy in government rests on the
legitimacy of silence which creates two alternative circuits, official
and unofficial. The credibility of one story is linked to the secret that
allows the discovering of the other. Conspiracy theories reveal plots
for elites to keep the control of society. Any attempt to decipher the
plot, validates the secrecy of politics.
“Politics is not based on an ideology decided in advance, but it is
rather constituted through a specific type of narrative that is often
called conspiracy theory. This type of theory is always a machination,
that is, a narrative mechanism that secretes, as it were, ideological
labels such as the right or the left” (Kelman, 2012: 8).
According to Kelman, opposing the secret with the public and
the official with the unofficial creates a dialectic in which every
conspiracy narrative connotes a double structure: The visible story
is continuously eroded by a secret one, like an infinite palimpsest.
Kelman, a literary theorist who theorizes politics not through social
and political analysis but through works of fiction, explain the
political struggle as an unlimited game, rather than battle lines of
power. Kelman says that conspiracy is a necessary condition for one
discourse to dominate all others. Politics, in his terms, can be defined
as an illusory state of emergency where the sense of community (we)
is opposed to others who are the enemies (they). Conspiracy
narratives are always rooted in a near future, which never
materializes in reality. In this type of simulacra conspiracy produces
a paradoxical situation.
Of course, Kelman’s approach to politics through fiction just adds
another layer of obfuscation. For example, the US government blamed
Osama bin Laden for 9/11. They never offered any proof for the
assertion, but did launch an attack on Afghanistan, presumably to
capture him. Although he either died of pneumonia in December
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2001 as reported by Pakistani news media (CLG 2011), or maybe
kidney failure in 2003, US forces ravaged the country, and in fact
continue to do so, before they claimed to have killed him 2 May 2011,
close to 10 years after 9/11. By the way, his ill health virtually
precludes him as the so-called mastermind behind 9/11. The bin
Laden saga should raise several questions. Why did the US
government refuse to provide proof to the Taliban, which the United
States recognized as the legitimate government of Afghanistan? Why
did the United States attack and invade Afghanistan instead of using
policing to apprehend him? Why did it take almost ten years to find
bin Laden in an area (Afghanistan-Pakistan border region) where
US forces and intelligence apparatuses along with those of its ally
Pakistan control information? Why was the actual killing of bin
Laden not recorded, although events immediately leading up to it
were recorded? Why did US forces not return his body for forensic
examination? Why did they secretly dump the body at sea? There
are other questions, but the foregoing gives a good start. The fact
that they remain unanswered, at least to any satisfactory degree,
strongly suggests a US conspiracy and cover-up. The alleged excuse
for invading Afghanistan, to get bin Laden, pales in comparison with
another: The US government as the main executive branch of the
global ruling class wanted to secure transport lines to the Caspian
Sea area oil and gas deposits, and to occupy a geostrategic location
with respect to China and Russia (Brisard and Daquié, 2002).
Kelman´s explanation of conspiracy theory is typical of the more
academic, and especially post-modernist, part of ideological
justifications for the status quo. A sign of ideological manipulation
is the immensely popular support for the US government after the
attacks of 9/11. One can only be reminded of the fervor shown by
Germans for the Nazis after the Reichstag Fire. Pace Kelman,
conspiracy is not politics but anti-politics. Conspiracy is the state at
its ideological most effective. A clue to Kelman’s political cluelessness
is his dismissal of ideology. He simplifies it to a left-right divide
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Conclusion
without mentioning the ruling class hegemony over political discourse
which allows only a very limited range of approved politics, like the
Democrats versus Republicans in the United States.
Maintaining the status quo depends on constructing discourses
that treat present social relations as if they were unchanged from
time immemorial. Unchanging social relations naturalizes them. In
effect, status quo discourses present the present in such a way that
change is unimaginable. Theories attributing conspiracy imply that
the social structure is not natural; they imply that things are the
way they are because somebody has contrived them. A conspiracy
points to the possibility that events do not occur because of nature
or chance, but that there is a designed purpose. Once bringing forth
the possibility of purpose, the next implication is that some particular
persons designed them and did so because they benefit from those
social arrangements. In effect, conspiracy theories say that there
might be a wizard behind the curtain, and maybe that wizard is not
so all powerful as surface appearances might suggest. For example,
a conspiracy theory suggests that 9/11 was not the result of many
bad decisions, or acts of negligence, but decisions of some secret
actors. Conspiracy theories raise questions of causality, and causality
implies questions of who caused things. Similarly the emotional effect
of horror stories relies on implying evils and threats that are at first
only suggested, but as the horror story unfolds, are gradually
revealed.
Corey Robin (2004) said that fear in politics produces a paralysis
in society which inevitably endorses the legitimacy of the existing
order. The invention of external enemies enhances the declining social
cohesion, while at the same time it quells internal dissident voices.
Threat ideology frames events so that they fall within an ethos that
endorses the current social structure by setting truth conditions.
The ideology ensures changelessness, not by overt propaganda or
censorship, but by setting how statements can be judged as either
true or false (Burnett, 1995; Buchmann, 2010). That is why pejorative
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accusations against dissidents as conspiracy theorists rules out
whatever they might say; it is illegitimate, and false by definition.
Movies and similar cultural artefacts create momentary miniworlds that invite audiences to participate in their stories. They invite
a willing suspension of disbelief, and thereby create a strong pull of
audience complicity in the imaginings they present. This is where
their effectiveness lies. They round out the worlds that hegemonic
discourses describe and explain. In that vein, the construction of
horror plays a crucial role in ideological constructs that endorse
authority. In his book, The Philosophy of Horror, Richard Fahyargues
that one of the fascinations for horror movies rests on the fact danger
is controlled by the audience. As a cultural entertainment it offers
“The anticipation of terror, the mixture of fear and exhilaration as
events unfold, the opportunity to confront the unpredictable and
dangerous, the promise of relative safety… and the feeling of relief
and regained control when it is over. As Stephen King (1983), we
realize that the worst has been faced and it was not so bad after all.
King calls this moment reintegration which he compares to the end
of a roller coaster ride when one gets off unhurt”(Fahy, 2010: 1-2).
Fahy adds, horror not only calls to our attention suffering and death,
but does it in a safe context. If the versatility of horror is given by
the possibilities to repeat each story in different environment, this
constant reproduction alludes to an allegory which merits being
deciphered. Eli Roth, a director strongly influenced by 9/11 seems to
be replicate the problem of torture and biological terrorism in works
as Cabin Fever, 2002 (Fahy, 2010) or Hostel, 2005 (Korstanje and
Tarlow, 2012; Korstanje and Olsen, 2011). From its inception, human
beings have questioned not only their nature, where or to where
they go, but their adaptive skills respecting to other species. Horror
movies depict the conjuncture of nature violence (Fahy, 2010). Despite
the human creation of culture serves as a protective cocoon, human
evil cannot be abolished, and good people can fall victim to it
(Korstanje, 2015).
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Conclusion
Phillip Nickel (2010) offers a different aspect of horror. He
examines the origin of horror as a particular condition of human
experience. According to Nickel, all horror stories are based on two
significant tenets: the presence of a super natural evil, and the
intention to create fear in their audience. Nickel also addresses the
attraction of horror:
“I will try to put the philosophical discussion of horror back on
track. I will argue that there is something good about horror- I mean,
aesthetically interesting and epistemologically good. I shall argue
that by the threats it presents to the everyday life of the viewer, horror
gives us a perspective on so-called common sense. It helps us to see
that the notion of everyday life completely secure against threats
cannot be possible, and that security of common-sense is a persistent
illusion” (Nikel, 2010: 17).
Terrorism operates in a like manner to horror stories in that
terrorism threatens a population by victimizing a few. States claim
to offer security from terror; just as the fictional quality of horror
stories reassure audiences. States, therefore, point to “the unknown
other” as that which disrupts security and they demonize the
threatening other as the reason of all our evils (Korstanje, 2015b)
Lorena Russell (2010) interprets The Hills Have Eyes as a critique
of conservatism in American families, where the dangerous others
are hippies, vagabonds, and the homeless. Russell discusses the
power of films as imbricated materials that represent specific
behaviours and practices using an ideologically tinted lens. Films
not only reflect the relations of power, but the “anxieties of the times”
(p. 104). From her viewpoint, the manipulation of horror by cinema
works as ideological apparatus that controls the working class.
Following this, Jeremy Morris (2010) contends that current horror
movies express a higher degree of sadism as never before. In works
as Hostel, Saw and The Devil´s Reject, there is a reverse role between
torturer and the victim where converges sadism, punishment and
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retributivism. Torture-related in horror films rests on the obsession
for modern citizens to feel happiness by acts which escapes from
morality, even torture. His main thesis is that the “distant other”
who scares us is reduced to a controlled-prey which upends the roots
of fear. The sentiment of vulnerability sets the pace to the desire for
torture. Enrooted in the heart of civil life, torture has impacted in
American Social imaginary. To what extent torture can be morally
permitted, is one of the questions Morris attempts to respond. Is the
enjoyment of torture ever morally justifiable? (Morris, 2010: 43). The
issue seems not to be new. Originally the act of torture is associated
to instrumentality, which oscillates from gleaning information to
“disciplinary acts of punishments”, but enjoyment entails some
underlying elements of sadism. Given this argument, Morris notes,
sadist torture is oriented to the transformation of victims in torturers
and torturers in victims. Those who have experienced the trauma of
being tortured, become in a potential torturer while the original
monster who inflicted a greater pain in their preys (as in Hostel)
become victims. Additionally, there is a supernatural element in these
types of movies (as in House of 1000 Corpses) which excites audience
to the extent to construct a collective imaginary narrative that exerts
influence in daily life. This is exactly, Morris adheres, and the
doctrine of redistribution as it was formulated by liberals. The lesson
is what you are doing to others you are doing to yourself. In
disciplining this remote unknown others, we accept torture as a form
of entertainment (Morris, 2010). “Here is the genius of sadist tortureterror: It transforms the source of fear from a distant other to
something familiar in ourselves. The terror of the victim is supplanted
by the delight of the torturer, which is being consciously shared by
audience: that is the source of terror” (Morris, 2010: 51). What have
in common all demons and monster in the whole portion of horror
movies?.
There are two elements not addressed by the foregoing critiques.
The first is the fact that almost all villains and monsters kill and
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Conclusion
torture strangers who have been made vulnerable by seduction. The
negative hospitality is inextricably intertwined with a kind of
irreconcilable evil. Secondly, terrorism and 9/11 changed the ways
these monsters have been constructed. These two aspects form the
point of departure for the following discussion.
Horror movies draw on folk tales. Sometimes they do it directly,
but more often it is indirect. Monsters of various sorts populate
folktales—trolls, goblins, werewolves, witches, vampires and other
kinds of undead the latter of which would include the modern
Frankenstein monster. Folktales in the present usage refers to stories
that have no particular authors but have circulated in various forms
among populations define by semi-permeable cultural boundaries.
This is most noticeable in geographically bounded areas like the
Middle East, Scandinavia, sub-Saharan Africa, and North America
where various mythical figures appear in slightly different versions
among culture-defining narratives. Occasionally a set of folk tales
takes on foundational significance for a much broader cultural
tradition. Such is the case for Greek myths that serve as a foundation
stone for Western culture.
What are the commonalities of Greek ancient tragedy and horror
movies? For example, what has Helen of Troy’s abduction by Paris
in common with the movie Hostel?
In the Homeric version of the story, Helen is kidnapped by Paris
while he and his brother, Hector, enjoyed the hospitality of Menelaus,
Helen’s husband and brother of Agamemnon, who then led the
invasion of Troy to re-capture Helen. In the Illiad’s account, the
question of hospitality arises at least twice: With Paris’ violation of
stealing his host’s wife and the introduction of the Trojan horse into
the walled city. A perverse side of hospitality, as noted by Julia
Kristeva (1991), occurs when guests are welcomed only to be enslaved
or killed, which illustrates the mechanism of reversal prevalent in
folktales, and it is an example of negative reciprocity (Sahlins, 1972).
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Hospitality is a norm that emerges coincident with the establishment
of settled communities, as it sets and reinforces borders. Hospitality
maintains peace, facilitates trade, and is crucial for exogamy and
enforcement of incest rules. Hospitality ensures that an encounter
between hosts and guests is a pretext for celebrating with a banquet
gift-exchange hat can include marriage.
An example of reverse or negative hospitality is Bram Stoker’s
Dracula (1897) which draws on the mythological figure of vampires
as monsters who suck the blood of their victims. In Stoker’s novel
the vampire is an aristocrat who has been preying on surrounding
peasants; a fairly obvious bit of political symbolism. In the novel
Dracula, a young lawyer, Jonathan Harker, leaves his English home
Transylvania where Count Dracula has his castle. Although Dracula
at first appears to be a generous host, eventually Dracula imprisons
Harker and sucks his blood. As in the Iliad, initial hospitality
eventually leads to torture and death.
The movie Hostel has a similar theme. Young backpackers are
enticed to a youth hostel in Slovakia where they are imprisoned,
and the hostel owners are paid handsomely by sadistic millionaires
to torture and kill the hostel’s guests. The fees charged for torturing
and killing vary with the nationalities of the guests with Americans
at the top. An embedded message of the movie is that being American
in Slovakia represents a great risk for travellers risk exposure to an
orgy of sadism and cruelty. Hostel is a low-budget popular culture
allegory of classical folktale themes and cultural functions. Still,
Hostel and contemporary horror movies are meant as
entertainment—just fiction which requires a willing suspension of
disbelief. This is not the case with contemporary stories of terrorism.
They are definitively not presented as fiction, but as fact. Terror
fairy tales in the post-9/11 era claim to present the truth, albeit one
that should strain the mind of a seven-year-old.
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Conclusion
Terrorism as a hypostasized phenomenon was invented by Ronald
Reagan’s presidential campaign functionaries in 1980. They accused
the sitting US president, Jimmy Carter, of giving in or being weak
against terrorism. The accusation arguably won the presidency for
Ronald Reagan in November. The terrorism industry came into its
own during the US presidential election of 1980. It was then that it
assisted Ronald Reagan to gain the presidency over the incumbent
Jimmy Carter (Wills, 2003). The terrorism industry manufactures,
refines, and packages for distribution information, analysis, and
opinion on a topic called ‘terrorism.’ The industry-created terrorism
qualifies as a commodity. The industry continually manufactures it
with adjustments and occasional model changes as dictated by the
exigencies of the state and the ruling class.
Terrorism in the twenty-first century is an ideological vehicle for
the production of fear as a commodity. The ideological apparatuses
of the empire manufacture the terrorism mythology by creating terror
events. The terrorism industry uses reversal and decontextualization
to make its product. It employs techniques of repetition, imagery, and
condensation. (Skoll, 2016: 135).
Just as the terrorism industry has created the mythology of
terrorism so the film industry creates movies. Of course the film
industry’s goal is profit whereas that of the terrorism industry is to
further the interests of the state. Nonetheless, there is more overlap
than it might first appear. The terrorism industry is part of the
overarching ideological state apparatus (Althusser, 1971). Movies
are products of the culture industry (Horkheimer and Adorno, 2002).
The overlap is greater and more obvious in the propaganda movies
like Zero Dark Thirty (Bigelow, 2012), American Sniper (Eastwood,
2015), and Eye in the Sky (Hood, 2016). Increasingly since the Second
World War, movies as commodities have sold state ideology with
entertainment along a continuum of subtlety—some movies are more
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ideologically obvious than others. Horror movies seem remote, but
partly because ours is an age of fear promoted by the mythology of
terrorism, horror and terror mythology begin to converge.
Greek myths follow into the more general category of folktales.
Folktales originate as part of oral tradition, and therefore are hard
to date. It is only when they are transcribed that they enter a place
in history. In the case of the Greek myths, tradition names Homer
as the first to record them in writing. But homer’s time, the eighth
century BCE, was several hundred years removed from the Trojan
wars which probably occurred in the eleventh century BCE. Homer’s
world saw the transition from tribal societies, the home of the heroes
of the myths to the emergence of states controlling urban
settlements—the city-states of classical Greece. His time also
expressed the transition from a culture rooted in Mythos,
performance-based transmission of myths, to Logos (Havelock, 1983),
written myths, which also corresponded to the emergence of the state
as the main political mechanism (Gouldner, 1965). Moreover, the
versions of the Greek myths we moderns rely on are derived from an
even later period, the classical Greek age in the fourth century BCE,
with poets such as Aeschylus, Euripides, and Sophocles. Modern
versions of myths and folktales go through several transformations
before they reach us. The original, oral versions function within premodern societies, sometimes tribal and sometimes feudal, but always
pre-industrial. They reflect the functional requirements of their
times. Once recorded, however, another dimension of meaning is
added, as their transcribers record them according to the social needs
of their times. For example, the Grimm bothers recorded northern
European folktales in the first part of the nineteenth century at the
time of the rise of the bourgeoisie and industrial capitalism. Mary
Shelley’s Frankenstein comes from the same era, but Bram Stoker’s
Dracula is from the age of monopoly capitalism and neo-colonialism.
Although the movies considered here are from the twenty-first
century, their roots go back to pre-modern times. The movies are an
182
Conclusion
amalgam of cultures, and their most recent accretion comes from
the ideological needs of the terror states, especially the United States
and its closest Anglophone allies.
Myths, fairy tales, and horror stories call for a willing suspension
of disbelief in order to work their cultural magic, which relies on
entertainment in the furtherance of enculturation and norm
enforcement. Their didacticism is sugar coated. Imbricated social
commentary is woven into the story and images, but in ways that
are decontextualized as if to avoid censorship. The earlier
commentary about blood sucking aristocrats illustrates the point,
and so do some distinctions between vampires and werewolves.
Vampires can only be killed by a wooden stake, a peasant’s tool, but
silver bullets kill werewolves. Werewolves are at the opposite end of
the social scale; they are homeless rabble. Such criticisms of the
social order are probably part of the original oral tradition, but the
most recent elements appear in the recorded versions. Frankenstein’s
monster alludes to the dramatic and potentially uncontrollable forces
unleashed by the early industrial revolution in the 1810s, and the
aristocrat Dracula must contend with the triumphant bourgeoisie of
the 1890s.
When folktales become recorded stories, they are commodified
in novels and movies among other forms. Like any commodity, social
labor produces them, and a vehicle for the market is the terrorism
mythology. Terrorism is the marketing of the fear commodity. Just
like steel, cotton cloth, or electronically produced images are created
by certain mechanisms of human work so is terrorism. The first,
fundamental mechanism is reversal. At this crucial stage of the
production process victims are converted to villains. Those who resist
the coercive violence of the empire meted out through state
apparatuses are recreated as terrorists. Any organized resistance is
made into terrorism. Moreover, this production process is progressive.
The more certain people are victimized, the more they are depicted
as terror threats. Possibly the model in this regard was the Nazi
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production of communists and Jews as terrorist threats to Germans.
The more the communists and Jews were victimized—killed, torture,
detained, and so on—the more they were advertised as dangerous.
For an earlier example, the more the United States carried out its
genocide of American Indians, the more fearsome became
representations of them. The more the US military, CIA, and other
purveyors of violence and terror bomb, assassinate, and isolate
Muslims and others in the Middle East and Central Asia, the more
they become terrorist threats.
An important part of the production of the terrorism mythology
and each tale of terror is decontextualization. Representations serve
to disconnect events from history and contemporary social
phenomena. Repetition is one of the techniques employed in this
mechanism as illustrated by the aforementioned repetition of a plane
striking the World Trade Center on 9/11. The image becomes the
event and explain it. Imagery is of course another technique in the
repetition mechanism. Focusing attention on the World Trade Center
towers helped sever the event from the hidden connection to the
Saudis and that the CIA had created al Qaeda, including its name.
Not everyone was mesmerized by the magic. Some saw through the
misdirection, but it is not necessary to fool all the people all the
time. The minority can always be dismissed as cranks and so-called
conspiracy theorists. A third technique in the process of
decontextualization is condensation. Condensation narrows
consciousness to the event or episode. Only the violent incident, the
search for perpetrators, the identification of terrorist organization
are depicted and repeated. The war on terror, that global extension
of imperial control, is condensed to incidents which are strung
together only to present a myth of designated terrorists, which since
9/11 are mainly jihadists.
The mythology of terrorism creates social divisiveness. People
learn to fear neither nature nor the supernatural, but each other.
Typical of the movies mentioned above, the same theme permeates
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Conclusion
two of the most popular cable television series: The Walking Dead
and Game of Thrones. The first comes from a series of comic books.
Robert Kirkman is the principal writer for the novels and comics.
The second, The Game of Thrones, based on a novel of the same title
and a series of novels, titled A Song of Ice and Fire by George R.R.
Martin, Both fall into the general category of science fiction fantasy.
In The Walking Dead zombies are the central setting and plot device.
It is set in the near future after a virus has turned much of humanity
into zombies. The leading characters are those not afflicted, and who
try to survive. The setting for The Game of Thrones is another world,
but one that resembles earth in general outline with continents,
separated by oceans, and differing climates ranging from sub-arctic
to sub-tropical. The distinctive feature of Thrones is that it resembles
a medieval society—a swords and sorcery fantasy fictional genre.
Both are immensely popular television series. Thrones connects with
a well established consuming public going back at least to the
nineteenth century’s fascination with fictional medievalism, probably
set in motion by Sir Walter Scott’s (1771-1832) novels. The Walking
Dead connects more with monster fiction, but also going back to the
nineteenth century and another predilection is that for the undead,
such as Bram Stoker’s (1847-1912) Dracula. Other famous fiction in
a similar vein is Frankenstein by Mary Shelley, published 1818. One
story, The Walking Dead, projects forward in time, and the other,
Thrones, backward, but they have a similar political unconscious.
Another obvious similarity is that neither has heroes or heroines.
Unlike fiction rooted in the nineteenth century and largely through
the twentieth, the characters fail to demonstrate anything like heroic
personas, or even those that are especially likeable. They have a
definite anti-empathic quality, as if both fictional worlds contained
mainly psychopaths. This common characteristic is part of their
political unconscious (Skoll, 2010: 174-5).
Other undead populate the web and popular culture. The undead
in various forms may not inhabit the earth, but they proliferate and
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reproduce in electronic form along with print media. This
phenomenon, the popularity of undead motifs, does not arise from
especially clever marketing strategies, although they play a role,
but they would find less success if it did not resonate with a form of
public consciousness, or more accurately, unconsciousness (Skoll,
2010: 175).
The undead represent a postmodern sensibility. This sensibility
reeks of decay. “[It is a] ‘degraded’ landscape of schlock and kitsch,
of TV series and Readers’ Digest culture, of advertising and motels,
of the late show and the grade-B Hollywood film, of so-called
paraliterature with its airport paperback categories of the gothic
and the romance, the popular biography, the murder mystery and
science fiction or fantasy novel: Materials they no longer simply
‘quote’, as a Joyce or a Mahler might have done, but incorporate into
their very substance” (Jameson, 1991:55).
Last but not least, the postmodern sensibility arises from material
conditions in world capitalism. The creation of terrorism mythology
was a piece of political propaganda that has risen to dominate
international and domestic public policy throughout the world. The
state ideological efforts suffuse popular culture, and the two
elements—state ideological propaganda and popular culture—lean
on each other for their narratives, images, and meanings. Social
divisiveness and chaos suffuse movies, television, and popular
literature. In the process, fiction and fact have become merged. The
creation of the terrorism mythology arose because of the US support
for Israel’s invasion of Lebanon during the Lebanese civil war in the
1980s, where Lebanese forces resisting US forces were deemed
terrorists (Fisk, 1990).
International terrorism perpetrated by the United States, and
other Western powers, is reversed so that its victims and those who
resist it are constructed in propaganda and popular culture as the
terrorists. One result has been to curb hospitality among First World
186
Conclusion
nations as their civil populations try to cope with refugees their own
governments have created by their military aggressions in the Middle
East. Horror movies mirror the radical shifts international
geopolitics, because such popular culture artefacts partake in the
hegemonic ideology. The attacks of 9/11 have been used to justify
US imperial aggression and act as the foundation for the fear-filled
social imaginary.
187
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