Basic bibliography on art history and neuroscience |  Just one click to read, watch and listen

Łukasz Kędziora; john onians

Basic bibliography on art history and neuroscience | Just one click to read, watch and listen

Piotr Francuz IMAGIA Harry Mallgrave ARCHITECT’S BRAIN Books 1.H. F. Mallgrave, E. Ikonomou, (eds.), Empathy, form, and space: problems in German aesthetcs, 1873-1893, Gety Center 1994. |link| 2.H. F. Mallgrave, The Architect's Brain: Neuroscience, Creatvity, and Architectur, Wiley-Blackwell 2011. |link| 3.H. F. Mallgrave, Architecture and Embodiment: The Implicatons of the New Sciences and Humanites for Design, Routledge 2013. |link| 4.J. F. Pallasmaa, H. F. Mallgrave, S. Robinson, V. Gallese, (eds.), Architecture and Empathy, Peripheral Projects, 2015. |link| Artcles 1)H. F. Mallgrave, Embodiment and Enculturaton: The Future of Architectural Design, ”Fronters in Psychology”, Vol. 6, 2015. |link| 2)H. F. Mallgrave, „Know Thyself” Or What Designers Can Learn From the Contemporary Biological Sciences, S. Robinson, J. Pallasmaa (eds.), Mind in Architecture: Neuroscience, Embodiment, and the Future of Design, MIT 2015. |link| Media 1.H. F. Mallgrave, Empathy and Embodied Simulaton, Salk Insttute, 2012. |link| 2.H. F. Mallgrave, Evoluton, Neuroscience and the Future of Design, ND School of Architecture, Paris 2015. |link| 3.H. F. Mallgrave, Semper, Animism, and Embodied Simulaton, AA School of Architecture, London 2015. |link| 4.H. F. Mallgrave, Embodied Simulaton (Sculptng the Architectural Mind), The Prat School of Architecture, 2015. |link| 5.H. F. Mallgrave, Theory, Culture, and Architectural Research, Archizoom-EPFL, 2016. |link| Keywords: empathy in architecture, roots of neuroaesthetcs, creatvity and neuroscience, embodied simulaton Barbara Staford VISUAL ANALOGY Books 1.B. M. Staford, Visual Analogy: Consciousness as the Art of Connectng, The MIT Press 1999. |link| 2.B. M. Staford, Echo Objects: The Cognitve Work of Images, University of Chicago Press 2007. |link| 3.B. M. Staford, A Field Guide to a New Metafeld: Bridging the Humanites-Neurosciences Divide, University of Chicago Press 2011. Artcles 1)B. M. Staford, Romatc Systematcs and the Genealogy of Thought. The Formal Roots of a Cognitve History of Images, ”Confguratons” 2004, vol. 12, no. 3, pp. 315-348. |link| 2)B.M. Staford, The Remaining 10%: The Role of Sensory Knowledge in the Age of the Self-Organizing Brain, J. Elkins (ed.), Visual Literacy, Routledge 2005. |link| 3)B. M. Staford, Working Minds, ”Perspectves in Biology and Medicine” 2006, no. 49(1), pp. 131-136. |link| 4)B. M. Staford, Compressed Forms: The Symbol as Emblem of Neural Synchrony, ”Emblematca” 2008, vol. 16. 5)B. M. Staford, From Genetc Perspectve to Biohistory. The Ambiguites of Looking Down, Across, and Beyond, E. Kac (ed.), Signs Of Life Bio Art and Beyond, MIT Press 2007, pp. 373-386. |link| 6)B. M. Staford, Compressed Forms: The Symbolic Compound as Emblem of Neural Synchrony, ”Emblematca” 2008, 16, pp. 1-25. 7)B. M. Staford, Stll Deeper: The Non-Conscious Sublime or the Art and Science of Submergence, R. Hofmann, I. Boyd White (eds.), The Art and Science of the Sublime, Oxford University Press 2010, pp. 43-56. |link| 8)B. M. Staford, Lying Side by Side: Fitng Colour to Eros, "Journal of the Internatonal Colour Associaton” 2011, 6, pp. 27-35. |link| 9)B. M. Staford, From Observant Eye to Non-Atentve I: The Camera as Cognitve Device, B. Salvesen (ed.), See the Light. Photography, Percepton, Cogniton, Los Angeles County Museum/DelMonico Books-Prestel 2016, pp. 206-207. |link| Media 1. B. M. Staford, On Art & Medicine, Studio 360, 2001. |link| 2.S. Anker, F. Baudry, D. Freedberg, V. Gallese, E. Nersessian, B. M. Staford, Eye of the Beholder, The Philoctetes Center for the Multdisciplinary Study of Imaginaton 2007. |link| 3.B. M. Staford, Towards a Cognitve Image History: From Iconic Turn to Neuronal Aesthetcs, Felix Burda Memorial Lectures, 2012. |link| 4.B. Staford, Selectve Atenton: Neuroscience and the Art Museum, WGBHForum 2014. |link| Keywords: biohistory, biotechnology, visual analogy, neuroscience in art, cognitve approach to art David Freedberg EMPATHIC RESPONSE Artcles 1)D. Freedberg, V. Gallese, Moton, Emoton and Empathy in Aesthetc Experience, ”Trends in Cognitve Science” 2007, vol. 11, no. 5, pp. 197-203. |link| 2)R. Casat, A. Pignocchi, Mirror and canonical neurons are not consttutve of aesthetc response, ”Trends in Cognitve Science” 2007. |link| 3)D. Freedberg, Movement, Embodiment, Emoton, Th. Dufrenne, A.-C. Taylor, (eds.), Cannibalismes Disciplinaires, Quand l'histoire de l'art et l'anthropologie se rencontrent, Paris: INHA/Musée du quai Branly, pp. 37-61. |link| 4)D. Freedberg, Memory in Art: History and the Neuroscience of Response, S. Nalbantan, P. M. Mathews, J. L. McClelland (eds.), The Memory Process: Neuroscientfc and Humanistc Perspectves, MIT Press 2011, pp. 337-358. |link| 5)D. Massaro, F. Savazzi, C. Di Dio, D. Freedberg, at all, When Art Moves the Eyes: A Behavioral and Eye-Tracking Study, ”PloS ONE”, 7 (5), 2012. |link| 6)M. A. Umilta, C. Berchio, M. Sestto, D. Freedberg, V. Gallese, Abstract Art and Cortcal Motor Actvaton: An EEG Study, ”Fronters in Human Neuroscience” 2012, 6, pp. 1-9. |link| 7)C. Concerto, C. Infortuna, M. Sawah, D. Freedberg, at al., Neural Circuits Underlying Motor Facilitaton during Observaton of Implied Moton, ”Somatosensory and Motor Research” 2015, vol. 32, pp. 1-4. |link| 8)C. Concerto, C. Infortuna, L. Mineo, at al., Observaton of implied moton in a work of art modulates cortcal connectvity and plastcity, "Journal of Exercise Rehabilitaton” 2016, 12 (5), pp. 417-423. |link| 9)D. Freedberg, Feelings on Faces. From Physiognomics to Neuroscience, R. Campe, J. Weber, (eds.), Rethinking Emoton. Interiority and Exteriority in Premodern, Modern, and Contemporary Thought, De Gruyter 2014, pp. 289-324. |link| Keywords: empathy, emoton, mirror neurons, moton, abstract art, eye tracking Media 1.D. Freedberg, M. Goldberg, Neurotechniques, The Italian Academy - Columbia University 2013. |link| 2.D. Freedberg, Art and the New Biology of Mind, The Italian Academy - Columbia University 2013. |link| 3.D. Freedberg, Per Monstra ad Sphaeram: Aby Warburg and the Future of the Humanites, School of Advanced Study in London 2016. |link| John Onians NEUROARTHISTORY Books 1.J. Onians, Neuroarthistory: From Aristotle and Pliny to Baxandall and Zeki, Yale University Press 2007. |link| 2.J. Onians, European Art: A Neuroarthistory, Yale University Press 2016. |link| Artcles 1)J. Onians, The Greek Temple and the Greek brain, Body and Building, G. Dodds, R. Tavernor (eds.), Essays on the changing relaton of body and architecture, The MIT Press 2002, pp. 44-63. |link| 2)J. Onians, Architecture and paintng: the biological connecton, K. Koehler (ed.), The built surface. Architecture and the pictorial arts from Antquity to the Enlightenment, vol. 1, Ashgate 2002, pp. 1-14. 3)J. Onians, Gombrich and biology, P. Lizarraga (ed.), E. H. Gombrich in Memoriam, Ediciones Universidad de Navarra 2003, pp. 95-119. 4)J. Onians, Albert and the neuropsychology of style, L. Chiavoni, M. V. Grassi, G. Ferlisi (eds.), Leon Batsta Albert e il Quatrocento, Studi in Onore di Cecil Grayson e Ernst Gombrich, Casa Editrice Leo S.Olschki 2003, pp. 239-250. |link| 5)J. Onians, A natural anthropology of art, ”Internatonal Journal of Anthropology” 2003, 18 (4), pp. 259-264. |link| 6)J. Onians, Neuroarchaeology and the Origins of Representaton in the Grote de Chauvet, C. Renfrew, I. Morley (eds.), Image and Imaginaton: a Global Prehistory of Figuratve Representaton, McDonald Insttute 2007, pp. 307-320. |link| 7)J. Onians, Neuroarthistory: Making More Sense of Art, K. Zijlmans, W. van Damme (eds.), World Art Studies: Exploring Concepts and Approaches, Valiz 2008, pp. 265-286. 8)J. Onians, E. Fernie, Neuro ways of seeing, ”Tate Etc.”2008, issue 13. |link| 9)J. Onians, The Role of Experiental Knowledge in the Ultmate Design Studio: The Brain, ”Journal of Research Practce” 2006, 6(2). |link| 10) J. Onians, Neuromuseology, K. Murawska-Muthesius, P. Piotrowski (eds.), From Museum Critque to the Critcal Museum, Routledge 2016, pp. 229-245. |link| 11) M. MacKisack, S. Aldworth, F. Macpherson, J. Onians, C. Winlove, A. Zeman, On Picturing a Candle: The Prehistory of Imagery Science, ”Fronters in Psychology” 2016, 7. |link| 12) J. Onians, The ‘masterpiece’: a social or neural phenomenon?, ”World Art” 2016, 6 (2), pp. 187-201. |link| Media 1.J. Onians, Neuroarthistory, or what the sea squirt can tell us about Jasper Johns, Lecture in The Royal Insttuton of Great Britan, London 2009. |link| 2.AAH Oral Histories, Interview with John Onians, Norwich 2011. |link| 3.J. Onians, What made the Greeks rectangular and the Romans round? Neuroscience and the formaton of Classical culture, Rumble Fund Lecture, London 2015. |link| 4.J. Onians, Neuroarthistory: an introducton with John Onians, 2016. |link| 5.Interviews from Yale University Radio WYBCX, 2016. |link| Keywords: visual experience, neuroarthistory, neuroplastcity, mirror neurons, neurography, environment Helen Anderson BEGINNINGS OF ART Kajsa Berg CARAVAGGIO & NEUROARTHISTORY Keywords: Caravaggio, neuroarthistory, light, shadows, neurobiology, neural plastcity, empathy Gregory Minissale PSYCHOLOGY & VISUALITY Books 1.G. Minissale, The Psychology of Contemporary Art, Cambridge University Press 2013. |link| Keywords: percepton, facial recogniton, neuroaesthetcs, emotons in art Books 1.H. Anderson, Beginnings of Art: 100,000 - 28,000 BP: A Neutral Approach, PhD Dissertaton, University of East Anglia 2009. |link| Artcles 1)H. Anderson, Crossing the Line: The Early Expression of Patern in Middle Stone Age Africa, ”Journal of World Prehistory” 2012, 25(3-4), pp. 183-204. |link| 2) J. Onians, H. Anderson, K. Berg, Neuroscience and the Nature of Visual Culture, ”The Handbook of Visual Culture” 2012, pp. 607-627. |link| 3)H. Anderson, A Distnguishing Skill Art, Language, and Complex Cogniton, ”Journal of Consciousness Studies” 2013, 20(3), pp. 6-32. |link| Pamela Sheingorn COGNITIVE TURN IN ART HISTORY Artcles 1)P. Sheingorn, Making the Cognitve Turn in Art History: A Case Study, ”Emerging Disciplines” 2010, Rice University Press. |link| Keywords: medieval miniature, cognitve turn, environments, neuroscience Raphael Rosenberg EYE TRACKING Łukasz Kędziora VISUALITY OF THE WORK OF ART Books 1.Ł. Kędziora, Wizualność dzieła sztuki. Ocena potencjału neuroestetyki w badaniach historyczno- artystycznych, Nicolaus Copernicus University Press 2016. |link| Keywords: neuroarthistory, neuroaesthetcs, biohumanites, empirical research in art history Robert L. Solso COGNITION AND VISUAL ARTS Books 1.R. L. Solso, Cogniton and the Visual Arts, MIT Press 1996. |link| 2.R. L. Solso, The Psychology of Art and the Evoluton of the Conscious Brain, MIT Press/Bradford Books 2005. |link| Artcles 1)R. L. Solso, The cognitve neuroscience of art: a preliminary fMRI observaton, ”Journal of Consciousness Studies” 2000, vol. 7, no. 8-9, 1, pp. 75-86. |link| Keywords: psychology, cogniton, evoluton, consciousness, illusion, natvistc percepton Semir Zeki INNER VISION Margaret Livingstone VISION AND ART Books 1.M. Livingstone, D. Huble, Vision and Art: The Biology of Seeing, Harry N. Abrams 2002. |link| Artcles 1)M. Livingstone, Art, illusion and the visual system, ”Scientfc American” 1988, January 1, pp. 78-85. |link| 2)S. L. Macknik, M. Livingstone, Neuronal correlates of visibility and invisibility in the primate visual system, ”Nature neuroscience” 1998, June 1, pp. 144-149. |link| 3)M. Livingstone, B. R. Conway, Was Rembrandt stereoblind?, ”The New England journal of medicine” 2004, 11, 16, pp. 1264-1265. |link| 4)B. R. Conway, M. Livingstone, Perspectves on science and art, ”Current opinion in neurobiology” 2007, vol. 17, issue 4, pp. 476-482. |link| 5)M. Livingstone, R. Lafer-Sousa, B. R. Conway, Stereopsis and Artstc Talent: Poor Stereopsis Among Art Students and Established Artsts, ”Psychological science” 2011, vol. 22, issue 3, pp. 336-338. |link| Media 1.M. Livingstone, What Art Can Tell Us About The Brain?, Michigan, 2009. |link| 2.M. Livingstone, Simply Science Episode 1: The Mona Lisa's Smile, Nature Educaton. 2009, |link| 3.M. Livingstone, Art and the New Biology of Mind, The Italian Academy - Columbia University, 2013. |link| 4.M. Livingstone, What Art Can Tell Us About The Brain?, The NEURO Club, 2014. |link| 5.M. Livingstone, What Can Art Tell Us About the Human Brain?, UCI Media, 2014. |link| 6.M. Livingstone, Culture and Brain-lecture: Margaret Livingstone. Karolinska Insttutet, 2015. |link| 7.M. Livingstone, Your Brain on Art, The Leakey Foundaton, 2016. |link| Keywords: visual system, biology of seeing, Mona Lisa, peripheral vision, Claude Monet Dahlia Zaidel NEUROPSYCHOLOGY OF ART Books 1.D. W. Zaidel, Neuropsychology of Art: Neurological, Cognitve and Evolutonary Perspectves (Brain, Behaviour and Cogniton Series), Psychology Press 2005. |link| 2.S. Finger, D. Zaidel, F. Boller, J. Bogousslavsky (eds.), The Fine Arts, Neurology, and Neuroscience, ”Progress in Brain Research” 2013, vol. 203. |link| Artcles 1)A. C. Chen, C. German, D. W. Zaidel, Brain asymmetry and facial atractveness: Facial beauty is not simply in the eye of the beholder, ”Neuropsychologia” 1997, vol. 35(4), pp. 471-476. |link| 2)D. W. Zaidel, S. M. Aarde, K. Baig, Appearance of symmetry, beauty, and health in human faces, ”Brain and Cogniton” 2005, 57, pp. 261–263. |link| 3)D. W. Zaidel, Art and brain: insights from neuropsychology, biology and evoluton, ”Journal of Anatomy” 2010, 216(2), pp. 177-183. |link| 4)D. W. Zaidel, Neuroaesthetcs is not just about art, ”Fronters in Human Neuroscience” 2015, vol. 9. |link| 5)M. T. Pearce, D. W. Zaidel, O. Vartanian et al., Neuroaesthetcs: The Cognitve Neuroscience of Aesthetc Experience, ”Perspectves on Psychological Science” 2016, vol. 11(2), 265–279. |link| Media 1)D. W. Zaidel, Washington Color School Exibit, Phillip Romero, 2013. |link| Keywords: facial beauty, evoluton, music, dance, savant, neuroesthetcs, artst, viewers, beauty, pleasure, emotons Patrick Cavanagh THE NEUROSCIENCE OF ART Media 1.J. Noël Nupin, La cave, 2002. |link| 2.P. Utermohlen, William Utermohlen: Art and Alzheimer’s, Urban Times 2012. |link| DIAGNOSING THE CANVAS Piotr Przybysz & Piotr Markiewicz TYPOLOGY OF ARTISTIC STIMULI Eric Kandel REDUCTIONISM AND ART Keywords: creatvity, reductonism in art, origins of psychology, psychology in art, Viennese art, abstract art Books 1.J. Bogousslavsky, F. Boller (eds.), Neurological Disorders in Famous Artsts, Karger 2005. |link| 2.J. Bogousslavsky, M. G. Hennerici (eds.), Neurological Disorders in Famous Artsts - Part 2, Karger 2007. |link| 3.M. F. Marmor, J. G. Ravi, The Artst's Eyes, Harry N. Abrams 2009. |link| 4.M. F. Marmor, Degas Through His Own Eyes: Visual Disability and the Late Style of Degas, Somogy Editons D'art 2006. |link| 5.J. Bogousslavsky, M.G. Hennerici, H. Bäzner, C. Basset (eds.), Neurological Disorders in Famous Artsts, Part 3, Karger 2010. |link| 6.L. Selfe, Nadia Revisited: A Longitudinal Study of an Autstc Savant, Psychology Press 2011. |link| Artcles 1) P. Przybysz, O uchwytywaniu piękna. Rola deformacji estetycznych w tworzeniu i percepcji dzieła sztuki w ujęciu neuroestetyki, A. Klawiter, W. Dziarnowska (eds.), ”Studia z kognitywistyki i flozofi umysłu” 2006, Zysk i S-ka, pp. 365-384. |link| 2)A. W. Snyder, H. Bahramali, T. Hawker, D.J. Mitchell, Savant-like numerosity skills revealed in normal people by magnetc pulses, ”Percepton” 2006, vol. 35, pp. 837-845. |link| 3)A. Chaterjee, R. H. Hamilton, P. X. Amorapanth, Art produced by a patent with Parkinson’s disease, “Behavioural Neurology” 2006, 17, pp. 105–108. |link| 4)P. Przybysz, P. Markiewicz, Sztuka tworzenia, ”Charaktery” 2007, nr 10, pp. 46-51. |link| Anjan Chaterjee THE AESTHETIC BRAIN Media 1.A. Chaterjee, Penn Media Seminar on Neuroscience and Society, University of Pennsylvania 2009. |link| 2.A. Chaterjee, B. Gopnik, The Aesthetc Brain, Penn Center for Neuroscience & Society 2014. |link| 3.A. Chaterjee, The Neuroscience of Aesthetcs and Art, IHC series The Humanites and the Brain 2015. |link| Keywords: neuroscience, theory of beauty, roots of art, neuropsychology of art, neuroaesthetcs SELECTED AND DEVELOPED BY JOHN ONIANS & ŁUKASZ KĘDZIORA | NEXT UPDATE - END OF 2018 BASIC BIBLIOGRAPHY ON ART HISTORY AND NEUROSCIENCE | JUST ONE CLICK TO READ, WATCH AND LISTEN Books 1.P. Francuz, IMAGIA. W kierunku neurokognitywnej teorii obrazu, KUL Publishing House 2013. |link| Artcles 1)P. Francuz, Teoria wyobraźni Stephana Kosslyna. Próba reinterpretacji, P. Francuz (ed.), Obrazy w umyśle. Studia nad percepcją i wyobraźnią, SCHOLAR 2007, pp. 149-189. |link| 2)P. Francuz, Jak ludzie oglądają obrazy? Perspektywa neuronauki poznawczej, D. Folga-Januszewska, E. Grygiel (eds.), Edukacja w muzeum rzeczywistym i wirtualnym, Universitas 2013, pp. 25-40. Media 1.P. Francuz, Oko - Mózg - Sztuka, Kawiarnia Naukowa Festwalu Nauki w Warszawie, 2014. |link| 2.P. Francuz, Wyniki badań neuropoznawczych a istota przeżycia estetycznego, SWPS, 2015. |link| 3.P. Francuz, Piękno zoperacjonalizowane. Studium z zakresu neuroestetyki, Światowy Tydzień Mózgu, KUL, 2017. |link| Keywords: eye tracking, neurocognitve theory of image, percepton, visual system, correlates of beauty Media 1.S. Anker, F. Baudry, D. Freedberg, V. Gallese, E. Nersessian, B. M. Staford, Eye of the Beholder, The Philoctetes Center for the Multdisciplinary Study of Imaginaton 2007. |link| 2.V. Gallese, From Mirror Neurons to Embodied Simulaton, NPSA Foundaton 2010. |link| |link| 3.V. Gallese, The Body in Aesthetc Experience: A Neuroscientfc Perspectve, Center for Science, Technology, Medicine & Society, University of California, Berkeley 2012. |link| Books 1.K. Berg, Caravaggio and a neuroarthistory of engagement, PhD Dissertaton, University of East Anglia 2009. |link| Keywords: neuroscience, neuroarthistory, visual culture, archeology, cognitve evoluton Keywords: eye tracking, interdisciplinarity, eye movements, empirical research in art history Artcles 1)M. Engelbrecht, J. Betz, C. Klein, R. Rosenberg, Dem Auge auf der Spur: Eine historische und empirische Studie zur Blickbewegung beim Betrachten von Gemälden, ”IMAGE 11” 2010. |link| 2)C.Y. Pang, M. Nadal, J. Müller, R. Rosenberg, C. Klein, Electrophysiological Correlates of Looking at Paintngs And its Associaton with Art Expertse, ”Biological Psychology” 2013, 93/1, pp. 246-254. |link| 3)R. Rosenberg, Blicke Messen, Vorschläge für eine empirische Bildwissenschaf, ”Jahrbuch der Bayerischen Akademie der Schönen Künste” 2013 (2014), 27, pp. 71-86. |link| 4)H. Brinkman, L. Commare, H. Leder, R. Rosenberg, Abstract Art as a Universal Language?, ”Leonardo” 2014, 47/3, pp. 256–25. |link| 5)C. Klein, J. Betz, M. Hirschbuehl, C. Fuchs, B. Schmiedtová, et all, Describing Art – An Interdisciplinary Approach to the Efects of Speaking on Gaze Movements during the Beholding of Paintngs, ”PLoS ONE” 2014, 9(12). |link| 6)T.C. Kübler, K. Sippel, W. Fuhl, G. Schievelbein, et all, Analysis of eye movements with Eyetrace, ”Biomedical Engineering Systems and Technologies” 2015, vol. 574, 8th Internatonal Joint Conference, BIOSTEC 2015, Springer 2015, 458-471. |link| 7)R. Rosenberg, C. Klein, The Moving Eye of the Beholder. Eye-Tracking and the Percepton of Paintngs, J. P. Huston, M. Nadal, F. Mora, et al. (eds.), Art, Aesthetcs and the Brain, Oxford University Press 2015, 79- 108. |link| 8)R. Rosenberg, Bridging Art History, Computer Science and Cognitve Science: A Call for Interdisciplinary Collaboraton, ”Zeitschrif für Kunstgeschichte” 2016, vol. 79/3/, pp. 305-314. Keywords: electroencephalography, creatvity, artstc fow, art making process Artcles 1)A. van Heerden, Creatvity, the fow state and brain functon, ”South African Journal of Art History” 2010, vol. 25(1), pp. 141-151. |link| 2)M. Munro, A. van Heerden, Refectng on the art making process, ”South African Journal of Art History” 2012, vol. 27(2), pp. 297-312. |link| 3)M. Munro, A. van Heerden, When fve artsts’ identtes seem as one, ”South African Journal of Art History” 2014, vol. 29(3), pp. 138-155. |link| Media 1.A. van Heerden, An appraisal of art-making process, Presentaton Art and Science Conference, Vienna 2015. |link| Books 1. S. Zeki, A Vision of the Brain, Blackwell Scientfc Publicatons 1993. |link| 2. S. Zeki, Inner Vision: An Exploraton of Art and the Brain, Oxford University Press 1999. |link| 3. S. Zeki, Splendors and Miseries of the Brain: Love, Creatvity and the Quest for Human Happiness, Wiley-Blackwell 2008. |link| Artcles 1)S. Zeki, M. Lamb, The neurology of kinetc art, ”Brain” 1994, 117, pp. 607-636. |link| 2)S. Zeki, Art and the brain, ”Daedalus” 1998, vol. 127, issue 2, 1998, pp. 71-103. |link| 3)S. Zeki, The neurology of ambiguity, ”Consciousness and Cogniton” 2004, 13(1), pp. 173-196 |link| 4)H. Kawabata, S. Zeki, Neural correlates of beauty, ”Journal of Neurophysiology” 2004, vol. 91, issue 4, pp. 1699-705. |link| 5)T. Ishizu, S. Zeki, Toward A Brain-Based Theory of Beauty, ”PLoS ONE” 2011, 6 (7). |link| 6)S. Zeki, T. Ishizu, ”The Visual Shock" of Francis Bacon: an essay in neuroesthetcs, ”Fronters in Human Neuroscience” 2013, vol. 7, pp. 1-15. |link| 7)S. Zeki, J. Stuters, Functonal specializaton and generalizaton for grouping of stmuli based on colour and moton ”NeuroImage” 2013, pp. 156-166. |link| 8)S. Zeki, Neurobiology and the Humanites, ”Neuron” 2014, vol. 84, issue 1, pp. 12-14. |link| 9)Y. Shigihara, S. Zeki, Parallel processing in the brain's visual form system: an fMRI study, ”Fronters in Human Neuroscience” 2014, vol. 8, pp. 1-8. |link| Media 1.S. Zeki, Beautful mind, Festval della Mente Sarzana, 2009. |link| 2.S. Zeki, Neural Concept Formaton and Art: Dante, Michelangelo, Wagner,” Iconic Turn - Felix Burda Memorial Lectures”, 2002. |link| 3.S. Zeki, The neurobiology of beauty, ”TEDx Talks”, 2012. |link| 4.S. Zeki, How Do We Perceive Art-Through Vision or Cogniton? Neuro-aesthetcs and Tatsuo Miyajima, Tatsuo Miyajima's exhibiton, 2013. |link| 5.S. Zeki, The Neurobiology of Aesthetc Experiences and Their Neural Correlates, Conference: Heritage and the Creatve Industry, 2015. |link| 6.S. Zeki, The Science of Beauty, Royal Society Edinburgh, 2015. |link| 7.S. Zeki, The Neurobiology of Aesthetcs by Semir Zeki, Ultma Oslo Contemporary Music Festval, 2015. |link| Ariana van Heerden CREATIVITY AND FLOW Media 1.E. Kandel, Interview on Charlie Rose, 2016. |link| 2.E. Kandel, Creatvity, Your Brain, and the Aha! Moment, Big Think 2013. |link| 3.E. Kandel, How Your Brain Finishes Paintngs, Big Think 2013. |link| 4.E. Kandel, Art and Science in Vienna 1900, Max Planck Society 2014. |link| 5.E. Kandel, What is Art for?, Museum of Modern Art 2016. |link| Books 1.E. Kandel, The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present, Random House 2012. |link| 2.E. Kandel, Reductonism in Art and Brain Science: Bridging the Two Cultures, Columbia University Press 2016. |link| Artcles 1)E. Kandel, L. Squire, Neuroscience: breaking down scientfc barriers to the study of brain and mind, ”Science” 2000, Nov 10, 290(5494), pp. 1113-20. |link| 2)T. Albright, E. Kandel, M. Posner, Cognitve neuroscience, ” Current Opinion in Neurobiology ” 2000, Oct, 10(5), pp. 612-24. |link| 3)E. Kandel, The New Science of Mind and the Future of Knowledge, ”Neuron” 2013, 80(3), pp. 546-560. |link| 4)E. Kandel, Two Modernist Approaches to Linking Art and Science, ”American Imago” 2013, vol. 70, Issue 3, pp. 315- 340. |link| 5)E. Kandel, What the Brain Can Tell Us About Art, ”The New York Times”. 4/14/2013, vol. 162, issue 56106, p. 12.|link| Artcles 1)P. Przybysz, Wstęp. W stronę neuroestetycznej teorii sztuki, W. Dziarnowska, A. Klawiter (eds.), ”Mózg i jego umysły. Studia z kognitywistyki i flozofi umysłu”, no. 2, Zysk i S-ka 2006. 2)P. Przybysz, O uchwytywaniu piękna. Rola deformacji estetycznych w tworzeniu i percepcji dzieła sztuki w ujęciu neuroestetyki , W. Dziarnowska, A. Klawiter (eds.), ”Mózg i jego umysły. Studia z kognitywistyki i flozofi umysłu”, no. 2, Zysk i S-ka 2006, pp. 335-385. |link| 3)P. Przybysz, P. Markiewicz, Sztuka tworzenia, ”Charaktery” 2007, nr 10, pp. 46-51. |link| 4)P. Przybysz, P. Markiewicz, Neuroestetyczne aspekty komunikacji wizualnej i wyobraźni, P. Franzuz (ed.), Obrazy w Umyśle. Studia nad percepcją i wyobraźnią, Wydawnictwo Naukowe Scholar 2007, pp. 111–148. |link| 5)P. Przybysz, P. Markiewicz , Dźwignie wyobraźni, ”Charaktery” 2007, nr 2, pp. 50–53. |link| 6)P. Przybysz, P. Markiewicz, Neuroestetyka. Przegląd zagadnień i kierunków badań, P. Francuz (ed.), Na ścieżkach neuronauki, KUL Publishing House 2010, pp. 109-149. |link| Media 1.P. Przybysz, Sztuka a mózg. Czy wiedza o działaniu układu nerwowego pozwala lepiej zrozumieć doznania estetyczne?, 6. Tydzień Mózgu, (Poznań, 10-14.03.2014). |link| Keywords: visual stmuli, neuroaesthetcs, theory of beauty, aesthetc experience, aesthetc mind Vitorio Gallese MIRROR NEURONS AND AESTHETIC EXPERIENCE Artcles 1)V. Gallese, A. Goldman, Mirror neurons and the simulaton theory of mind-reading, ”Trends in Cognitve Sciences” 1998, no. 12, pp. 493-501. |link| 2)V. Gallese, The roots of empathy: The shared manifold hypothesis and the neural basis of intersubjectvity, ”Psychopatology” 2003, vol. 36, no. 4, pp. 171-180. |link| 3)G. Rizzolat, L. Fogassi, V. Gallese, Mirrors in the mind, ”Scientfc American” 2006, Nov, 295(5), pp. 54-61. [link] 4)D. Freedberg, V. Gallese, Moton, emoton and empathy in esthetc experience, ”Trends in Cognitve Sciences” 2007, 11, pp. 197-203. [link] 5)V. Gallese, Mirror Neurons and Art, F. Bacci, D. Melcher (eds.), Art and the Senses, Oxford University Press 2010, pp. 441-449. [link] 6)V. Gallese, Seeing art… beyond vision. Liberated embodied simulaton in aesthetc experience, A. Abbushi, I. Franke, I. Mommenejad (eds.), Seeing with the Eyes Closed. Ass. for Neuroesthetcs Symposium at the Guggenheim Collecton, Venice 2011, pp. 62-65. [link] 7)V. Gallese, C. Di Dio, Neuroesthetcs: The Body in Esthetc Experience, V.S. Ramachandran (ed.), The Encyclopedia of Human Behavior, vol. 2, Elsevier Academic Press 2012, pp. 687-693. [link] 8)D. Massaro, F. Savazzi, C. Di Dio, D. Freedberg, V. Gallese, et al., When Art Moves the Eyes: A Behavioral and Eye-Tracking Study, ”PLoS ONE” 2012, 7(5). [link] 9)M.A. Umiltà, C. Berchio, M. Sestto, et al., Abstract art and cortcal motor actv aton: An EEG study, ”Fronters in Human Neuroscience” 2012, vol. 6. [link] V. S. Ramachandran NEUROLOGICAL THEORY OF ARTISTIC EXPERIENCE Books 1.V. S. Ramachandran, The Tell-Tale Brain: A Neuroscientst's Quest for What Makes Us Human by V. S. Ramachandran, William Morrow 2010. |link| Artcles 1)V. S. Ramachandran, W. Hirstein, The Science of Art. A Neurological Theory of Aesthetc Experience, ”Journal of Consciousness Studies” 1999, no. 6-7, pp. 15–51. 2)V. S. Ramachandran, Sharpening Up ‘The Science of Art’. An Interview with Anthony Freeman, ”Journal of Consciousness Studies” 2001, vol. 8, no. 1, pp. 9-30. |link| Media 1.V. S. Ramachandran, Neurology and the Passion for Art, University of California Television, 2008. |link| 2.V. S. Ramachandran, Aesthetc Universals and the Neurology of Hindu Art, California Insttute of Telecommunicatons and Informaton Technology 2008. |link| 3.V. S. Ramachandran, Evolutonary Origins of Art and Aesthetcs: Neurobiology, Neurology and Art and Aesthetcs, University of California Television 2010. |link| 4.V. S. Ramachandran, Art, Reality, and the Brain: The Quest for Aesthetc Universals, Asian Art Museum 2011. |link| Keywords: peak shif, perceptual grouping and binding, contrast, isolaton, perceptual problem solving, symmetry, balance, metaphor, rhythm Keywords: mirror neurons system, neuroaesthetcs, eye tracking, embodied simulaton, empathy, emotons Keywords: neuroaesthetcs, mirror neurons, non fnito, correlates of beauty, ambiguity, kinetc art, art and the brain Keywords: disorders, stroke, art brut, schizophrenia, visual disability, Parkinson disease, Alzheimer's disease Ernst H. Gombrich PSYCHOLOGY OF ART Books 1.M. Baxandall, Paintng and Experience in Fifeenth-Century Italy: A Primer in the Social History of Pictorial Style, Oxford University Press 1972. |link| 2.M. Baxandall, Paterns of Intenton: On the Historical Explanaton of Pictures, Yale University Press 1985. |link| 3.M. Baxandall, Shadows and Enlightenment, Yale University Press 1995. |link| 4.M. Baxandall, Words for Pictures: Seven Papers on Renaissance Art and Critcism, Yale University Press 2003. |link| Artcles 1)M. Baxandall, The Language of Art History, ”New Literary History”, vol. 10, No. 3, 1979, pp. 453-465. |link| Keywords: period eye, brain, colour, neural equipment, visual skills Michael Baxandall THE PERIOD EYE Books 1.A. Chaterjee, The Aesthetc Brain: How We Evolved to Desire Beauty and Enjoy Art, Oxford University Press 2014. |link| Artcles 1)A. Chaterjee, The neuropsychology of visual artstc producton, ”Neuropsychologia” 2004, 42, pp. 1568–1583. |link| 2)A. Chaterjee, Neuroaesthetcs: a coming of age story, ”Journal Of Cognitve Neuroscience” 2011, vol. 23 (1), pp. 53-62. |link| 3)B. Bromberger, R. Sternschein, P. Widick, W. Smith, A. Chaterjee, The Right Hemisphere in Esthetc Percepton, ”Fronters in Human Neuroscience” 2011. |link| 4)A. Chaterjee, Neuroaesthetcs: Range and restrictons, ”Behavioral and Brain Sciences” 2013, vol. 36(2), pp. 137-138. |link| 5)A. Chaterjee, Scientfc aesthetcs: Three steps forward, ”Britsh Journal of Psychology” 2014, 105, pp. 465–467 |link| 6)A. Chaterjee, O. Vartanian, Neuroscience of aesthetcs, ”Annals of the New York Academy of Sciences” 2016, vol. 1369, pp. 172– 194. |link| 7)M. Pearce, D. Zaidel, O. Vartanian, M. Skov, at all, Neuroaesthetcs The Cognitve Neuroscience of Aesthetc Experience, ”Perspectves on Psychological Science” 2016, 11(2), pp. 265-79. |link| Books 1. E. H. Gombrich, Art and Illusion: A Study in the Psychology of Pictorial Representaton, Phaidon 1977. |link| 2. E. H. Gombrich, The Sense of Order: A Study in the Psychology of Decoratve Art, Phaidon 1994. |link| 3.R. Woodfeld (ed.), Gombrich on art and psychology, Manchester University Press 1996. |link| Artcles 1)E. H. Gombrich, Art History and Psychology in Vienna Fify Years Ago, ”Art Journal” 1984, vol. 44, pp. 162-164. |link| 2)E. H. Gombrich, Concerning ”The Science of Art”, ”Journal of Consciousness Studies” 2000, vol. 7, no. 8-9, p. 17-20. Keywords: illusion, biological approach to art history, percepton, visual experience, psychology Mathew Rampley THE SEDUCTIONS OF DARWIN Books 1.M. Rampley, The Seductons of Darwin. Art, Evoluton, Neuroscience, Penn State University Press 2017. |link| Keywords: art, biology, neuroaesthetcs, neuroarthistory, evolutonary and neurological analyses of art Lauren Golden IMAGINATION IN PHILOSOPHY, ART HISTORY AND EVOLUTIONARY THEORY Books 1.L. Golden, An Enquiry concerning the Imaginaton in Philosophy, Art History and Evolutonary Theory, PhD Dissertaton, University of East Anglia 2001. |link| Keywords: imaginaton, brain structure, philosophy Keywords: luminance, transparency, neuroesthetcs, refecton, visual percepton, visual preferences Artcles 1)D. Melcher, P. Cavanagh, Pictorial cues in art and in visual percepton, F. Bacci, D. Melcher (ed.), Art and the senses, Oxford University Press 2011, pp. 359-394. |link| 2)P. Cavanagh, The artst as neuroscientst, ”Nature” 2005, no. 434, pp. 301-307. |link| 3)B. Sayim, P. Cavanagh, The Art of Transparency, ”I-Percepton” 2011, 2(7), pp. 679-696. |link| Dorota Folga-Januszewska NEUROMUSEOLOGY Keywords: neuromuseology, neuroaesthetcs, museology Artcles 1)D. Folga-Januszewska, Muzeologia neuronalna. Inne spojrzenie na muzeum XXI wieku, E. Kowalska, E. Urbaniak (eds.), Muzeum XXI wieku. Teoria i praxis, 2010, pp. 29-35. 2)D. Folga-Januszewska, Po co nam muzea? O powstaniu neuromuzeologii, A. Czyż, J. Nowiński, M. Wiraszka (eds.), Architektura znaczeń: studia ofarowane prof. Zbigniewowi Bani w 65. rocznicę urodzin i w 40-lecie pracy dydaktycznej, Department of History of a Sacred Art, Cardinal Wyszyński University in Warsaw 2011, pp. 592-599. |link| 3)D. Folga-Januszewska, The Brain in the Museum, I. Szmelter (ed.), Innovatve Approaches to the Complex Care of Contemporary Art, Archetype Publicatons, 2012, pp. 66–73. 4)D. Folga-Januszewska, Museum vs. Neuroesthetcs, ”Sztuka i flozofa” 2013, no 42, pp. 67-78. |link| 5)D. Folga-Januszewska,Might the museology be a part of neurosciences?, ”Museologica Brunensia” 2016, vol. 5, iss. 1, pp. 5-14. |link|

LICENCE This document is subject to Open Access policy. All photographs in this document belong to the public domain. SOFTWARE REQUIREMENTS Recommended PDF readers: Adobe Acrobat Reader DC, Okular, Foxit Reader . FUNDING Project co-fnanced by The De Brzezie Lanckoroński Foundaton. AUTHORS Any questons or comments on the bibliography should be addressed to |here|. HOW TO USE Books 1. Bibliographical References. |interactve link to book| Photo Artcles 1. Bibliographical References. |interactve link to artcle| Media 1. Audio-visual sources. |interactve link| Keywords Time line Art historians Neuroscients ts Author Problem or ttle

BASIC BIBLIOGRAPHY ON ART HISTORY AND NEUROSCIENCE | JUST ONE CLICK TO READ, WATCH AND LISTEN Pamela Sheingorn COGNITIVE TURN IN ART HISTORY John Onians NEUROARTHISTORY David Freedberg EMPATHIC RESPONSE Books 1.J. Onians, Neuroarthistory: From Aristotle and Pliny to Baxandall and Zeki, Yale University Press 2007. |link| 2.J. Onians, European Art: A Neuroarthistory, Yale University Press 2016. |link| Articles 1)J. Onians, The Greek Temple and the Greek brain, Body and Building, G. Dodds, R. Tavernor (eds.), Essays on the changing relation of body and architecture, The MIT Press 2002, pp. 44-63. |link| 2)J. Onians, Architecture and painting: the biological connection, K. Koehler (ed.), The built surface. Architecture and the pictorial arts from Antiquity to the Enlightenment, vol. 1, Ashgate 2002, pp. 1-14. 3)J. Onians, Gombrich and biology, P. Lizarraga (ed.), E. H. Gombrich in Memoriam, Ediciones Universidad de Navarra 2003, pp. 95-119. 4)J. Onians, Alberti and the neuropsychology of style, L. Chiavoni, M. V. Grassi, G. Ferlisi (eds.), Leon Battista Alberti e il Quattrocento, Studi in Onore di Cecil Grayson e Ernst Gombrich, Casa Editrice Leo S.Olschki 2003, pp. 239-250. |link| 5)J. Onians, A natural anthropology of art, ”International Journal of Anthropology” 2003, 18 (4), pp. 259-264. |link| 6)J. Onians, Neuroarchaeology and the Origins of Representation in the Grotte de Chauvet, C. Renfrew, I. Morley (eds.), Image and Imagination: a Global Prehistory of Figurative Representation, McDonald Institute 2007, pp. 307-320. |link| 7)J. Onians, Neuroarthistory: Making More Sense of Art, K. Zijlmans, W. van Damme (eds.), World Art Studies: Exploring Concepts and Approaches, Valiz 2008, pp. 265-286. 8)J. Onians, E. Fernie, Neuro ways of seeing, ”Tate Etc.”2008, issue 13. |link| 9)J. Onians, The Role of Experiential Knowledge in the Ultimate Design Studio: The Brain, ”Journal of Research Practice” 2006, 6(2). |link| 10) J. Onians, Neuromuseology, K. Murawska-Muthesius, P. Piotrowski (eds.), From Museum Critique to the Critical Museum, Routledge 2016, pp. 229-245. |link| 11) M. MacKisack, S. Aldworth, F. Macpherson, J. Onians, C. Winlove, A. Zeman, On Picturing a Candle: The Prehistory of Imagery Science, ”Frontiers in Psychology” 2016, 7. |link| 12) J. Onians, The ‘masterpiece’: a social or neural phenomenon?, ”World Art” 2016, 6 (2), pp. 187-201. |link| Articles 1)P. Sheingorn, Making the Cognitive Turn in Art History: A Case Study, ”Emerging Disciplines” 2010, Rice University Press. |link| Articles 1)D. Freedberg, V. Gallese, Motion, Emotion and Empathy in Aesthetic Experience, ”Trends in Cognitive Science” 2007, vol. 11, no. 5, pp. 197-203. |link| 2)R. Casati, A. Pignocchi, Mirror and canonical neurons are not constitutive of aesthetic response, ”Trends in Cognitive Science” 2007. |link| 3)D. Freedberg, Movement, Embodiment, Emotion, Th. Dufrenne, A.-C. Taylor, (eds.), Cannibalismes Disciplinaires, Quand l'histoire de l'art et l'anthropologie se rencontrent, Paris: INHA/Musée du quai Branly, pp. 37-61. |link| 4)D. Freedberg, Memory in Art: History and the Neuroscience of Response, S. Nalbantian, P. M. Matthews, J. L. McClelland (eds.), The Memory Process: Neuroscientific and Humanistic Perspectives, MIT Press 2011, pp. 337-358. |link| 5)D. Massaro, F. Savazzi, C. Di Dio, D. Freedberg, at all, When Art Moves the Eyes: A Behavioral and Eye-Tracking Study, ”PloS ONE”, 7 (5), 2012. |link| 6)M. A. Umilta, C. Berchio, M. Sestito, D. Freedberg, V. Gallese, Abstract Art and Cortical Motor Activation: An EEG Study, ”Frontiers in Human Neuroscience” 2012, 6, pp. 1-9. |link| 7)C. Concerto, C. Infortuna, M. Sawah, D. Freedberg, at al., Neural Circuits Underlying Motor Facilitation during Observation of Implied Motion, ”Somatosensory and Motor Research” 2015, vol. 32, pp. 1-4. |link| 8)C. Concerto, C. Infortuna, L. Mineo, at al., Observation of implied motion in a work of art modulates cortical connectivity and plasticity, "Journal of Exercise Rehabilitation” 2016, 12 (5), pp. 417-423. |link| 9)D. Freedberg, Feelings on Faces. From Physiognomics to Neuroscience, R. Campe, J. Weber, (eds.), Rethinking Emotion. Interiority and Exteriority in Premodern, Modern, and Contemporary Thought, De Gruyter 2014, pp. 289-324. |link| Media 1.J. Onians, Neuroarthistory, or what the sea squirt can tell us about Jasper Johns, Lecture in The Royal Institution of Great Britan, London 2009. |link| 2.AAH Oral Histories, Interview with John Onians, Norwich 2011. |link| 3.J. Onians, What made the Greeks rectangular and the Romans round? Neuroscience and the formation of Classical culture, Rumble Fund Lecture, London 2015. |link| 4.J. Onians, Neuroarthistory: an introduction with John Onians, 2016. |link| 5.Interviews from Yale University Radio WYBCX, 2016. |link| Media 1.D. Freedberg, M. Goldberg, Neurotechniques, The Italian Academy - Columbia University 2013. |link| 2.D. Freedberg, Art and the New Biology of Mind, The Italian Academy - Columbia University 2013. |link| 3.D. Freedberg, Per Monstra ad Sphaeram: Aby Warburg and the Future of the Humanities, School of Advanced Study in London 2016. |link| Keywords: empathy, emotion, mirror neurons, motion, abstract art, eye tracking Keywords: visual experience, neuroarthistory, neuroplasticity, mirror neurons, neurography, environment Matthew Rampley THE SEDUCTIONS OF DARWIN Ariana van Heerden CREATIVITY AND FLOW Books 1.M. Rampley, The Seductions of Darwin. Art, Evolution, Neuroscience, Penn State University Press 2017. |link| Articles 1)A. van Heerden, Creativity, the flow state and brain function, ”South African Journal of Art History” 2010, vol. 25(1), pp. 141-151. |link| 2)M. Munro, A. van Heerden, Reflecting on the art making process, ”South African Journal of Art History” 2012, vol. 27(2), pp. 297-312. |link| 3)M. Munro, A. van Heerden, When five artists’ identities seem as one, ”South African Journal of Art History” 2014, vol. 29(3), pp. 138-155. |link| Media 1.A. van Heerden, An appraisal of art-making process, Presentation Art and Science Conference, Vienna 2015. |link| Keywords: art, biology, neuroaesthetics, neuroarthistory, evolutionary and neurological analyses of art Łukasz Kędziora VISUALITY OF THE WORK OF ART Keywords: electroencephalography, creativity, artistic flow, art making process Books 1.Ł. Kędziora, Wizualność dzieła sztuki. Ocena potencjału neuroestetyki w badaniach historycznoartystycznych, Nicolaus Copernicus University Press 2016. |link| Keywords: medieval miniature, cognitive turn, environments, neuroscience Keywords: neuroarthistory, neuroaesthetics, biohumanities, empirical research in art history Dorota Folga-Januszewska NEUROMUSEOLOGY Raphael Rosenberg EYE TRACKING Articles 1)M. Engelbrecht, J. Betz, C. Klein, R. Rosenberg, Dem Auge auf der Spur: Eine historische und empirische Studie zur Blickbewegung beim Betrachten von Gemälden, ”IMAGE 11” 2010. |link| 2)C.Y. Pang, M. Nadal, J. Müller, R. Rosenberg, C. Klein, Electrophysiological Correlates of Looking at Paintings And its Association with Art Expertise, ”Biological Psychology” 2013, 93/1, pp. 246-254. |link| 3)R. Rosenberg, Blicke Messen, Vorschläge für eine empirische Bildwissenschaft, ”Jahrbuch der Bayerischen Akademie der Schönen Künste” 2013 (2014), 27, pp. 71-86. |link| 4)H. Brinkman, L. Commare, H. Leder, R. Rosenberg, Abstract Art as a Universal Language?, ”Leonardo” 2014, 47/3, pp. 256–25. |link| 5)C. Klein, J. Betz, M. Hirschbuehl, C. Fuchs, B. Schmiedtová, et all, Describing Art – An Interdisciplinary Approach to the Effects of Speaking on Gaze Movements during the Beholding of Paintings, ”PLoS ONE” 2014, 9(12). |link| 6)T.C. Kübler, K. Sippel, W. Fuhl, G. Schievelbein, et all, Analysis of eye movements with Eyetrace, ”Biomedical Engineering Systems and Technologies” 2015, vol. 574, 8th International Joint Conference, BIOSTEC 2015, Springer 2015, 458-471. |link| 7)R. Rosenberg, C. Klein, The Moving Eye of the Beholder. Eye-Tracking and the Perception of Paintings, J. P. Huston, M. Nadal, F. Mora, et al. (eds.), Art, Aesthetics and the Brain, Oxford University Press 2015, 79108. |link| 8)R. Rosenberg, Bridging Art History, Computer Science and Cognitive Science: A Call for Interdisciplinary Collaboration, ”Zeitschrift für Kunstgeschichte” 2016, vol. 79/3/, pp. 305-314. Articles 1)D. Folga-Januszewska, Muzeologia neuronalna. Inne spojrzenie na muzeum XXI wieku, E. Kowalska, E. Urbaniak (eds.), Muzeum XXI wieku. Teoria i praxis, 2010, pp. 29-35. 2)D. Folga-Januszewska, Po co nam muzea? O powstaniu neuromuzeologii, A. Czyż, J. Nowiński, M. Wiraszka (eds.), Architektura znaczeń: studia ofiarowane prof. Zbigniewowi Bani w 65. rocznicę urodzin i w 40-lecie pracy dydaktycznej, Department of History of a Sacred Art, Cardinal Wyszyński University in Warsaw 2011, pp. 592-599. |link| 3)D. Folga-Januszewska, The Brain in the Museum, I. Szmelter (ed.), Innovative Approaches to the Complex Care of Contemporary Art, Archetype Publications, 2012, pp. 66–73. 4)D. Folga-Januszewska, Museum vs. Neuroesthetics, ”Sztuka i filozofia” 2013, no 42, pp. 67-78. |link| 5)D. Folga-Januszewska,Might the museology be a part of neurosciences?, ”Museologica Brunensia” 2016, vol. 5, iss. 1, pp. 5-14. |link| Keywords: neuromuseology, neuroaesthetics, museology Piotr Francuz IMAGIA Books 1.P. Francuz, IMAGIA. W kierunku neurokognitywnej teorii obrazu, KUL Publishing House 2013. |link| Keywords: eye tracking, interdisciplinarity, eye movements, empirical research in art history Barbara Stafford VISUAL ANALOGY Articles 1)P. Francuz, Teoria wyobraźni Stephana Kosslyna. Próba reinterpretacji, P. Francuz (ed.), Obrazy w umyśle. Studia nad percepcją i wyobraźnią, SCHOLAR 2007, pp. 149-189. |link| 2)P. Francuz, Jak ludzie oglądają obrazy? Perspektywa neuronauki poznawczej, D. Folga-Januszewska, E. Grygiel (eds.), Edukacja w muzeum rzeczywistym i wirtualnym, Universitas 2013, pp. 25-40. Books 1.B. M. Stafford, Visual Analogy: Consciousness as the Art of Connecting, The MIT Press 1999. |link| 2.B. M. Stafford, Echo Objects: The Cognitive Work of Images, University of Chicago Press 2007. |link| 3.B. M. Stafford, A Field Guide to a New Metafield: Bridging the Humanities-Neurosciences Divide, University of Chicago Press 2011. Gregory Minissale PSYCHOLOGY & VISUALITY Articles 1)B. M. Stafford, Romatic Systematics and the Genealogy of Thought. The Formal Roots of a Cognitive History of Images, ”Configurations” 2004, vol. 12, no. 3, pp. 315-348. |link| 2)B.M. Stafford, The Remaining 10%: The Role of Sensory Knowledge in the Age of the Self-Organizing Brain, J. Elkins (ed.), Visual Literacy, Routledge 2005. |link| 3)B. M. Stafford, Working Minds, ”Perspectives in Biology and Medicine” 2006, no. 49(1), pp. 131-136. |link| 4)B. M. Stafford, Compressed Forms: The Symbol as Emblem of Neural Synchrony, ”Emblematica” 2008, vol. 16. 5)B. M. Stafford, From Genetic Perspective to Biohistory. The Ambiguities of Looking Down, Across, and Beyond, E. Kac (ed.), Signs Of Life Bio Art and Beyond, MIT Press 2007, pp. 373-386. |link| 6)B. M. Stafford, Compressed Forms: The Symbolic Compound as Emblem of Neural Synchrony, ”Emblematica” 2008, 16, pp. 1-25. 7)B. M. Stafford, Still Deeper: The Non-Conscious Sublime or the Art and Science of Submergence, R. Hoffmann, I. Boyd White (eds.), The Art and Science of the Sublime, Oxford University Press 2010, pp. 43-56. |link| 8)B. M. Stafford, Lying Side by Side: Fitting Colour to Eros, "Journal of the International Colour Association” 2011, 6, pp. 27-35. |link| 9)B. M. Stafford, From Observant Eye to Non-Attentive I: The Camera as Cognitive Device, B. Salvesen (ed.), See the Light. Photography, Perception, Cognition, Los Angeles County Museum/DelMonico Books-Prestel 2016, pp. 206-207. |link| Media 1.P. Francuz, Oko - Mózg - Sztuka, Kawiarnia Naukowa Festiwalu Nauki w Warszawie, 2014. |link| 2.P. Francuz, Wyniki badań neuropoznawczych a istota przeżycia estetycznego, SWPS, 2015. |link| 3.P. Francuz, Piękno zoperacjonalizowane. Studium z zakresu neuroestetyki, Światowy Tydzień Mózgu, KUL, 2017. |link| Books 1.G. Minissale, The Psychology of Contemporary Art, Cambridge University Press 2013. |link| Keywords: eye tracking, neurocognitive theory of image, perception, visual system, correlates of beauty Keywords: perception, facial recognition, neuroaesthetics, emotions in art Kajsa Berg CARAVAGGIO & NEUROARTHISTORY Media 1.B. M. Stafford, On Art & Medicine, Studio 360, 2001. |link| 2.S. Anker, F. Baudry, D. Freedberg, V. Gallese, E. Nersessian, B. M. Stafford, Eye of the Beholder, The Philoctetes Center for the Multidisciplinary Study of Imagination 2007. |link| 3.B. M. Stafford, Towards a Cognitive Image History: From Iconic Turn to Neuronal Aesthetics, Felix Burda Memorial Lectures, 2012. |link| 4.B. Stafford, Selective Attention: Neuroscience and the Art Museum, WGBHForum 2014. |link| Eric Kandel REDUCTIONISM AND ART Books 1.K. Berg, Caravaggio and a neuroarthistory of engagement, PhD Dissertation, University of East Anglia 2009. |link| Keywords: Caravaggio, neuroarthistory, light, shadows, neurobiology, neural plasticity, empathy Articles 1)E. Kandel, L. Squire, Neuroscience: breaking down scientific barriers to the study of brain and mind, ”Science” 2000, Nov 10, 290(5494), pp. 1113-20. |link| 2)T. Albright, E. Kandel, M. Posner, Cognitive neuroscience, ” Current Opinion in Neurobiology ” 2000, Oct, 10(5), pp. 612-24. |link| 3)E. Kandel, The New Science of Mind and the Future of Knowledge, ”Neuron” 2013, 80(3), pp. 546-560. |link| 4)E. Kandel, Two Modernist Approaches to Linking Art and Science, ”American Imago” 2013, vol. 70, Issue 3, pp. 315340. |link| 5)E. Kandel, What the Brain Can Tell Us About Art, ”The New York Times”. 4/14/2013, vol. 162, issue 56106, p. 12.|link| Helen Anderson BEGINNINGS OF ART Books 1.H. Anderson, Beginnings of Art: 100,000 - 28,000 BP: A Neutral Approach, PhD Dissertation, University of East Anglia 2009. |link| Books 1.H. F. Mallgrave, E. Ikonomou, (eds.), Empathy, form, and space: problems in German aesthetics, 1873-1893, Getty Center 1994. |link| 2.H. F. Mallgrave, The Architect's Brain: Neuroscience, Creativity, and Architectur, Wiley-Blackwell 2011. |link| 3.H. F. Mallgrave, Architecture and Embodiment: The Implications of the New Sciences and Humanities for Design, Routledge 2013. |link| 4.J. F. Pallasmaa, H. F. Mallgrave, S. Robinson, V. Gallese, (eds.), Architecture and Empathy, Peripheral Projects, 2015. |link| Media 1.E. Kandel, Interview on Charlie Rose, 2016. |link| 2.E. Kandel, Creativity, Your Brain, and the Aha! Moment, Big Think 2013. |link| 3.E. Kandel, How Your Brain Finishes Paintings, Big Think 2013. |link| 4.E. Kandel, Art and Science in Vienna 1900, Max Planck Society 2014. |link| 5.E. Kandel, What is Art for?, Museum of Modern Art 2016. |link| Articles 1)H. Anderson, Crossing the Line: The Early Expression of Pattern in Middle Stone Age Africa, ”Journal of World Prehistory” 2012, 25(3-4), pp. 183-204. |link| 2) J. Onians, H. Anderson, K. Berg, Neuroscience and the Nature of Visual Culture, ”The Handbook of Visual Culture” 2012, pp. 607-627. |link| 3)H. Anderson, A Distinguishing Skill Art, Language, and Complex Cognition, ”Journal of Consciousness Studies” 2013, 20(3), pp. 6-32. |link| Articles 1)H. F. Mallgrave, Embodiment and Enculturation: The Future of Architectural Design, ”Frontiers in Psychology”, Vol. 6, 2015. |link| 2)H. F. Mallgrave, „Know Thyself” Or What Designers Can Learn From the Contemporary Biological Sciences, S. Robinson, J. Pallasmaa (eds.), Mind in Architecture: Neuroscience, Embodiment, and the Future of Design, MIT 2015. |link| Books 1.A. Chatterjee, The Aesthetic Brain: How We Evolved to Desire Beauty and Enjoy Art, Oxford University Press 2014. |link| Books 1.E. Kandel, The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present, Random House 2012. |link| 2.E. Kandel, Reductionism in Art and Brain Science: Bridging the Two Cultures, Columbia University Press 2016. |link| Keywords: biohistory, biotechnology, visual analogy, neuroscience in art, cognitive approach to art Harry Mallgrave ARCHITECT’S BRAIN Anjan Chatterjee THE AESTHETIC BRAIN Articles 1)A. Chatterjee, The neuropsychology of visual artistic production, ”Neuropsychologia” 2004, 42, pp. 1568–1583. |link| 2)A. Chatterjee, Neuroaesthetics: a coming of age story, ”Journal Of Cognitive Neuroscience” 2011, vol. 23 (1), pp. 53-62. |link| 3)B. Bromberger, R. Sternschein, P. Widick, W. Smith, A. Chatterjee, The Right Hemisphere in Esthetic Perception, ”Frontiers in Human Neuroscience” 2011. |link| 4)A. Chatterjee, Neuroaesthetics: Range and restrictions, ”Behavioral and Brain Sciences” 2013, vol. 36(2), pp. 137-138. |link| 5)A. Chatterjee, Scientific aesthetics: Three steps forward, ”British Journal of Psychology” 2014, 105, pp. 465–467 |link| 6)A. Chatterjee, O. Vartanian, Neuroscience of aesthetics, ”Annals of the New York Academy of Sciences” 2016, vol. 1369, pp. 172– 194. |link| 7)M. Pearce, D. Zaidel, O. Vartanian, M. Skov, at all, Neuroaesthetics The Cognitive Neuroscience of Aesthetic Experience, ”Perspectives on Psychological Science” 2016, 11(2), pp. 265-79. |link| Media 1.A. Chatterjee, Penn Media Seminar on Neuroscience and Society, University of Pennsylvania 2009. |link| 2.A. Chatterjee, B. Gopnik, The Aesthetic Brain, Penn Center for Neuroscience & Society 2014. |link| 3.A. Chatterjee, The Neuroscience of Aesthetics and Art, IHC series The Humanities and the Brain 2015. |link| Keywords: neuroscience, theory of beauty, roots of art, neuropsychology of art, neuroaesthetics Keywords: creativity, reductionism in art, origins of psychology, psychology in art, Viennese art, abstract art Keywords: neuroscience, neuroarthistory, visual culture, archeology, cognitive evolution Media 1.H. F. Mallgrave, Empathy and Embodied Simulation, Salk Institute, 2012. |link| 2.H. F. Mallgrave, Evolution, Neuroscience and the Future of Design, ND School of Architecture, Paris 2015. |link| 3.H. F. Mallgrave, Semper, Animism, and Embodied Simulation, AA School of Architecture, London 2015. |link| 4.H. F. Mallgrave, Embodied Simulation (Sculpting the Architectural Mind), The Pratt School of Architecture, 2015. |link| 5.H. F. Mallgrave, Theory, Culture, and Architectural Research, Archizoom-EPFL, 2016. |link| Keywords: empathy in architecture, roots of neuroaesthetics, creativity and neuroscience, embodied simulation Ernst H. Gombrich PSYCHOLOGY OF ART Piotr Przybysz & Piotr Markiewicz TYPOLOGY OF ARTISTIC STIMULI Lauren Golden IMAGINATION IN PHILOSOPHY, ART HISTORY AND EVOLUTIONARY THEORY Patrick Cavanagh THE NEUROSCIENCE OF ART Books 1.L. Golden, An Enquiry concerning the Imagination in Philosophy, Art History and Evolutionary Theory, PhD Dissertation, University of East Anglia 2001. |link| Articles 1)D. Melcher, P. Cavanagh, Pictorial cues in art and in visual perception, F. Bacci, D. Melcher (ed.), Art and the senses, Oxford University Press 2011, pp. 359-394. |link| 2)P. Cavanagh, The artist as neuroscientist, ”Nature” 2005, no. 434, pp. 301-307. |link| 3)B. Sayim, P. Cavanagh, The Art of Transparency, ”I-Perception” 2011, 2(7), pp. 679-696. |link| Keywords: imagination, brain structure, philosophy Keywords: luminance, transparency, neuroesthetics, reflection, visual perception, visual preferences Margaret Livingstone VISION AND ART Books 1.E. H. Gombrich, Art and Illusion: A Study in the Psychology of Pictorial Representation, Phaidon 1977. |link| 2.E. H. Gombrich, The Sense of Order: A Study in the Psychology of Decorative Art, Phaidon 1994. |link| 3.R. Woodfield (ed.), Gombrich on art and psychology, Manchester University Press 1996. |link| Articles 1)E. H. Gombrich, Art History and Psychology in Vienna Fifty Years Ago, ”Art Journal” 1984, vol. 44, pp. 162-164. |link| 2)E. H. Gombrich, Concerning ”The Science of Art”, ”Journal of Consciousness Studies” 2000, vol. 7, no. 8-9, p. 17-20. Keywords: visual stimuli, neuroaesthetics, theory of beauty, aesthetic experience, aesthetic mind Articles 1)M. Livingstone, Art, illusion and the visual system, ”Scientific American” 1988, January 1, pp. 78-85. |link| 2)S. L. Macknik, M. Livingstone, Neuronal correlates of visibility and invisibility in the primate visual system, ”Nature neuroscience” 1998, June 1, pp. 144-149. |link| 3)M. Livingstone, B. R. Conway, Was Rembrandt stereoblind?, ”The New England journal of medicine” 2004, 11, 16, pp. 1264-1265. |link| 4)B. R. Conway, M. Livingstone, Perspectives on science and art, ”Current opinion in neurobiology” 2007, vol. 17, issue 4, pp. 476-482. |link| 5)M. Livingstone, R. Lafer-Sousa, B. R. Conway, Stereopsis and Artistic Talent: Poor Stereopsis Among Art Students and Established Artists, ”Psychological science” 2011, vol. 22, issue 3, pp. 336-338. |link| Media 1.M. Livingstone, What Art Can Tell Us About The Brain?, Michigan, 2009. |link| 2.M. Livingstone, Simply Science Episode 1: The Mona Lisa's Smile, Nature Education. 2009, |link| 3.M. Livingstone, Art and the New Biology of Mind, The Italian Academy - Columbia University, 2013. |link| 4.M. Livingstone, What Art Can Tell Us About The Brain?, The NEURO Club, 2014. |link| 5.M. Livingstone, What Can Art Tell Us About the Human Brain?, UCI Media, 2014. |link| 6.M. Livingstone, Culture and Brain-lecture: Margaret Livingstone. Karolinska Institutet, 2015. |link| 7.M. Livingstone, Your Brain on Art, The Leakey Foundation, 2016. |link| Michael Baxandall THE PERIOD EYE Books 1.M. Baxandall, Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style, Oxford University Press 1972. |link| 2.M. Baxandall, Patterns of Intention: On the Historical Explanation of Pictures, Yale University Press 1985. |link| 3.M. Baxandall, Shadows and Enlightenment, Yale University Press 1995. |link| 4.M. Baxandall, Words for Pictures: Seven Papers on Renaissance Art and Criticism, Yale University Press 2003. |link| Keywords: visual system, biology of seeing, Mona Lisa, peripheral vision, Claude Monet DIAGNOSING THE CANVAS Books 1.J. Bogousslavsky, F. Boller (eds.), Neurological Disorders in Famous Artists, Karger 2005. |link| 2.J. Bogousslavsky, M. G. Hennerici (eds.), Neurological Disorders in Famous Artists - Part 2, Karger 2007. |link| 3.M. F. Marmor, J. G. Ravi, The Artist's Eyes, Harry N. Abrams 2009. |link| 4.M. F. Marmor, Degas Through His Own Eyes: Visual Disability and the Late Style of Degas, Somogy Editions D'art 2006. |link| 5.J. Bogousslavsky, M.G. Hennerici, H. Bäzner, C. Bassetti (eds.), Neurological Disorders in Famous Artists, Part 3, Karger 2010. |link| 6.L. Selfe, Nadia Revisited: A Longitudinal Study of an Autistic Savant, Psychology Press 2011. |link| Articles 1) P. Przybysz, O uchwytywaniu piękna. Rola deformacji estetycznych w tworzeniu i percepcji dzieła sztuki w ujęciu neuroestetyki, A. Klawiter, W. Dziarnowska (eds.), ”Studia z kognitywistyki i filozofii umysłu” 2006, Zysk i S-ka, pp. 365-384. |link| 2)A. W. Snyder, H. Bahramali, T. Hawker, D.J. Mitchell, Savant-like numerosity skills revealed in normal people by magnetic pulses, ”Perception” 2006, vol. 35, pp. 837-845. |link| 3)A. Chatterjee, R. H. Hamilton, P. X. Amorapanth, Art produced by a patient with Parkinson’s disease, “Behavioural Neurology” 2006, 17, pp. 105–108. |link| 4)P. Przybysz, P. Markiewicz, Sztuka tworzenia, ”Charaktery” 2007, nr 10, pp. 46-51. |link| Media 1.J. Noël Nupin, La cave, 2002. |link| 2.P. Utermohlen, William Utermohlen: Art and Alzheimer’s, Urban Times 2012. |link| Keywords: disorders, stroke, art brut, schizophrenia, visual disability, Parkinson disease, Alzheimer's disease Articles 1)M. Baxandall, The Language of Art History, ”New Literary History”, vol. 10, No. 3, 1979, pp. 453-465. |link| Books 1. S. Zeki, A Vision of the Brain, Blackwell Scientific Publications 1993. |link| 2. S. Zeki, Inner Vision: An Exploration of Art and the Brain, Oxford University Press 1999. |link| 3. S. Zeki, Splendors and Miseries of the Brain: Love, Creativity and the Quest for Human Happiness, Wiley-Blackwell 2008. |link| Articles 1)S. Zeki, M. Lamb, The neurology of kinetic art, ”Brain” 1994, 117, pp. 607-636. |link| 2)S. Zeki, Art and the brain, ”Daedalus” 1998, vol. 127, issue 2, 1998, pp. 71-103. |link| 3)S. Zeki, The neurology of ambiguity, ”Consciousness and Cognition” 2004, 13(1), pp. 173-196 |link| 4)H. Kawabata, S. Zeki, Neural correlates of beauty, ”Journal of Neurophysiology” 2004, vol. 91, issue 4, pp. 1699-705. |link| 5)T. Ishizu, S. Zeki, Toward A Brain-Based Theory of Beauty, ”PLoS ONE” 2011, 6 (7). |link| 6)S. Zeki, T. Ishizu, ”The Visual Shock" of Francis Bacon: an essay in neuroesthetics, ”Frontiers in Human Neuroscience” 2013, vol. 7, pp. 1-15. |link| 7)S. Zeki, J. Stutters, Functional specialization and generalization for grouping of stimuli based on colour and motion ”NeuroImage” 2013, pp. 156-166. |link| 8)S. Zeki, Neurobiology and the Humanities, ”Neuron” 2014, vol. 84, issue 1, pp. 12-14. |link| 9)Y. Shigihara, S. Zeki, Parallel processing in the brain's visual form system: an fMRI study, ”Frontiers in Human Neuroscience” 2014, vol. 8, pp. 1-8. |link| Books 1.R. L. Solso, Cognition and the Visual Arts, MIT Press 1996. |link| 2.R. L. Solso, The Psychology of Art and the Evolution of the Conscious Brain, MIT Press/Bradford Books 2005. |link| Articles 1)R. L. Solso, The cognitive neuroscience of art: a preliminary fMRI observation, ”Journal of Consciousness Studies” 2000, vol. 7, no. 8-9, 1, pp. 75-86. |link| Media 1.S. Zeki, Beautiful mind, Festival della Mente Sarzana, 2009. |link| 2.S. Zeki, Neural Concept Formation and Art: Dante, Michelangelo, Wagner,” Iconic Turn - Felix Burda Memorial Lectures”, 2002. |link| 3.S. Zeki, The neurobiology of beauty, ”TEDx Talks”, 2012. |link| 4.S. Zeki, How Do We Perceive Art-Through Vision or Cognition? Neuro-aesthetics and Tatsuo Miyajima, Tatsuo Miyajima's exhibition, 2013. |link| 5.S. Zeki, The Neurobiology of Aesthetic Experiences and Their Neural Correlates, Conference: Heritage and the Creative Industry, 2015. |link| 6.S. Zeki, The Science of Beauty, Royal Society Edinburgh, 2015. |link| 7.S. Zeki, The Neurobiology of Aesthetics by Semir Zeki, Ultima Oslo Contemporary Music Festival, 2015. |link| Dahlia Zaidel NEUROPSYCHOLOGY OF ART Books 1.D. W. Zaidel, Neuropsychology of Art: Neurological, Cognitive and Evolutionary Perspectives (Brain, Behaviour and Cognition Series), Psychology Press 2005. |link| 2.S. Finger, D. Zaidel, F. Boller, J. Bogousslavsky (eds.), The Fine Arts, Neurology, and Neuroscience, ”Progress in Brain Research” 2013, vol. 203. |link| Articles 1)A. C. Chen, C. German, D. W. Zaidel, Brain asymmetry and facial attractiveness: Facial beauty is not simply in the eye of the beholder, ”Neuropsychologia” 1997, vol. 35(4), pp. 471-476. |link| 2)D. W. Zaidel, S. M. Aarde, K. Baig, Appearance of symmetry, beauty, and health in human faces, ”Brain and Cognition” 2005, 57, pp. 261–263. |link| 3)D. W. Zaidel, Art and brain: insights from neuropsychology, biology and evolution, ”Journal of Anatomy” 2010, 216(2), pp. 177-183. |link| 4)D. W. Zaidel, Neuroaesthetics is not just about art, ”Frontiers in Human Neuroscience” 2015, vol. 9. |link| 5)M. T. Pearce, D. W. Zaidel, O. Vartanian et al., Neuroaesthetics: The Cognitive Neuroscience of Aesthetic Experience, ”Perspectives on Psychological Science” 2016, vol. 11(2), 265–279. |link| Media 1)D. W. Zaidel, Washington Color School Exibit, Phillip Romero, 2013. |link| Semir Zeki INNER VISION Robert L. Solso COGNITION AND VISUAL ARTS Media 1.P. Przybysz, Sztuka a mózg. Czy wiedza o działaniu układu nerwowego pozwala lepiej zrozumieć doznania estetyczne?, 6. Tydzień Mózgu, (Poznań, 10-14.03.2014). |link| Books 1.M. Livingstone, D. Huble, Vision and Art: The Biology of Seeing, Harry N. Abrams 2002. |link| Keywords: illusion, biological approach to art history, perception, visual experience, psychology Keywords: period eye, brain, colour, neural equipment, visual skills Articles 1)P. Przybysz, Wstęp. W stronę neuroestetycznej teorii sztuki, W. Dziarnowska, A. Klawiter (eds.), ”Mózg i jego umysły. Studia z kognitywistyki i filozofii umysłu”, no. 2, Zysk i S-ka 2006. 2)P. Przybysz, O uchwytywaniu piękna. Rola deformacji estetycznych w tworzeniu i percepcji dzieła sztuki w ujęciu neuroestetyki, W. Dziarnowska, A. Klawiter (eds.), ”Mózg i jego umysły. Studia z kognitywistyki i filozofii umysłu”, no. 2, Zysk i S-ka 2006, pp. 335-385. |link| 3)P. Przybysz, P. Markiewicz, Sztuka tworzenia, ”Charaktery” 2007, nr 10, pp. 46-51. |link| 4)P. Przybysz, P. Markiewicz, Neuroestetyczne aspekty komunikacji wizualnej i wyobraźni, P. Franzuz (ed.), Obrazy w Umyśle. Studia nad percepcją i wyobraźnią, Wydawnictwo Naukowe Scholar 2007, pp. 111–148. |link| 5)P. Przybysz, P. Markiewicz , Dźwignie wyobraźni, ”Charaktery” 2007, nr 2, pp. 50–53. |link| 6)P. Przybysz, P. Markiewicz, Neuroestetyka. Przegląd zagadnień i kierunków badań, P. Francuz (ed.), Na ścieżkach neuronauki, KUL Publishing House 2010, pp. 109-149. |link| Keywords: facial beauty, evolution, music, dance, savant, neuroesthetics, artist, viewers, beauty, pleasure, emotions Vittorio Gallese MIRROR NEURONS AND AESTHETIC EXPERIENCE Articles 1)V. Gallese, A. Goldman, Mirror neurons and the simulation theory of mind-reading, ”Trends in Cognitive Sciences” 1998, no. 12, pp. 493-501. |link| 2)V. Gallese, The roots of empathy: The shared manifold hypothesis and the neural basis of intersubjectivity, ”Psychopatology” 2003, vol. 36, no. 4, pp. 171-180. |link| 3)G. Rizzolatti, L. Fogassi, V. Gallese, Mirrors in the mind, ”Scientific American” 2006, Nov, 295(5), pp. 54-61. [link] 4)D. Freedberg, V. Gallese, Motion, emotion and empathy in esthetic experience, ”Trends in Cognitive Sciences” 2007, 11, pp. 197-203. [link] 5)V. Gallese, Mirror Neurons and Art, F. Bacci, D. Melcher (eds.), Art and the Senses, Oxford University Press 2010, pp. 441-449. [link] 6)V. Gallese, Seeing art… beyond vision. Liberated embodied simulation in aesthetic experience, A. Abbushi, I. Franke, I. Mommenejad (eds.), Seeing with the Eyes Closed. Ass. for Neuroesthetics Symposium at the Guggenheim Collection, Venice 2011, pp. 62-65. [link] 7)V. Gallese, C. Di Dio, Neuroesthetics: The Body in Esthetic Experience, V.S. Ramachandran (ed.), The Encyclopedia of Human Behavior, vol. 2, Elsevier Academic Press 2012, pp. 687-693. [link] 8)D. Massaro, F. Savazzi, C. Di Dio, D. Freedberg, V. Gallese, et al., When Art Moves the Eyes: A Behavioral and Eye-Tracking Study, ”PLoS ONE” 2012, 7(5). [link] 9)M.A. Umiltà, C. Berchio, M. Sestito, et al., Abstract art and cortical motor activ ation: An EEG study, ”Frontiers in Human Neuroscience” 2012, vol. 6. [link] Media 1.S. Anker, F. Baudry, D. Freedberg, V. Gallese, E. Nersessian, B. M. Stafford, Eye of the Beholder, The Philoctetes Center for the Multidisciplinary Study of Imagination 2007. |link| 2.V. Gallese, From Mirror Neurons to Embodied Simulation, NPSA Foundation 2010. |link| |link| 3.V. Gallese, The Body in Aesthetic Experience: A Neuroscientific Perspective, Center for Science, Technology, Medicine & Society, University of California, Berkeley 2012. |link| V. S. Ramachandran NEUROLOGICAL THEORY OF ARTISTIC EXPERIENCE Books 1.V. S. Ramachandran, The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human by V. S. Ramachandran, William Morrow 2010. |link| Articles 1)V. S. Ramachandran, W. Hirstein, The Science of Art. A Neurological Theory of Aesthetic Experience, ”Journal of Consciousness Studies” 1999, no. 6-7, pp. 15–51. 2)V. S. Ramachandran, Sharpening Up ‘The Science of Art’. An Interview with Anthony Freeman, ”Journal of Consciousness Studies” 2001, vol. 8, no. 1, pp. 9-30. |link| Media 1.V. S. Ramachandran, Neurology and the Passion for Art, University of California Television, 2008. |link| 2.V. S. Ramachandran, Aesthetic Universals and the Neurology of Hindu Art, California Institute of Telecommunications and Information Technology 2008. |link| 3.V. S. Ramachandran, Evolutionary Origins of Art and Aesthetics: Neurobiology, Neurology and Art and Aesthetics, University of California Television 2010. |link| 4.V. S. Ramachandran, Art, Reality, and the Brain: The Quest for Aesthetic Universals, Asian Art Museum 2011. |link| Keywords: mirror neurons system, neuroaesthetics, eye tracking, embodied simulation, empathy, emotions Keywords: peak shift, perceptual grouping and binding, contrast, isolation, perceptual problem solving, symmetry, balance, metaphor, rhythm Keywords: neuroaesthetics, mirror neurons, non finito, correlates of beauty, ambiguity, kinetic art, art and the brain Keywords: psychology, cognition, evolution, consciousness, illusion, nativistic perception SELECTED AND DEVELOPED BY JOHN ONIANS & ŁUKASZ KĘDZIORA | NEXT UPDATE - END OF 2018 LICENCE This document is subject to Open Access policy. All photographs in this document belong to the public domain. SOFTWARE REQUIREMENTS Recommended PDF readers: Adobe Acrobat Reader DC, Okular, Foxit Reader. FUNDING Project co-financed by The De Brzezie Lanckoroński Foundation. AUTHORS Any questions or comments on the bibliography should be addressed to |here|. HOW TO USE Author Problem or title Art historians Books 1. Bibliographical References. |interactive link to book| e m i T e il n Articles 1. Bibliographical References. |interactive link to article| Media 1. Audio-visual sources. |interactive link| Neuroscientists Keywords Photo

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