Zeitschrift für moderne europäische Geschichte
Journal
of Modern
European History
Revue d’histoire européenne contemporaine
Trust and Distrust
under State Socialism,
1953–1991
Sonderdruck
C.H.Beck
lässt die Dramatik der Ereignisse wieder auleben und zeigt,
Vol.15 2017/3
Journal of Modern European History
Vo l . 15 | 2 0 17/3
Tr ust a n d D ist r ust un d e r S ta te S o cial is m , 19 53 – 19 9 1
DOI: 10.17104/1611-8944-2017-3-330
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Edited by Alexey Tikhomirov
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Journal of Modern European Histor y
Zeitschrift
Re vu e
für
moderne
d’ h i s t o i r e
europäische
e u ro p é e n n e
Vo l. 15 | 20 1 7 / 3
Geschichte
co n te m p o ra i n e
Co n te n ts
Editors
312
Trust and Distrust under State Socialism, 1953–1991
Alexey Tikhomirov
The Grammar of Trust and Distrust under State Socialism after Stalin.
Introduction
313
Maria Pirogovskaya
Taste of Trust: Documenting Solidarity in Soviet Private Cookbooks,
1950–1980s
330
Anna Tikhomirova
Trust in the West or «West-Pakete» from the GDR?!
Consumption of East German Clothing by Soviet Women
in the Brezhnev Era
350
Kirsten Bönker
Perestroika and the Loss of Certainties: The Post-Soviet Revaluation
of Soviet Money Practices and Social Equality
367
Alexey Tikhomirov
The State as a Family: Speaking Kinship, Being Soviet and
Reinventing Tradition in the USSR
395
Article
Clara Frysztacka / Klaus Herborn / Martina Palli / Tobias Scheidt
Kolumbus transnational: Verflochtene Geschichtskulturen
und europäische Medienlandschaften im Kontext
des 400. Jubiläums der Entdeckung Amerikas 1892
419
Commentary
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448
JMEH 15 / 2017 / 3
Daniel Logemann
Der Streit um das Warschauer Museum des Zweiten Weltkrieges
Editors
312
Jörg Baberowski
Humboldt-Universität zu Berlin
Institut für Geschichtswissenschaften
Geschichte Osteuropas
Unter den Linden 6
D–10099 Berlin
baberowskij@geschichte.hu-berlin.de
Andreas Eckert
Humboldt-Universität zu Berlin
Institut für Asienund Afrika-wissenschaften
Unter den Linden 6
D–10099 Berlin
andreas.eckert@asa.hu-berlin.de
Robert Gerwarth
University College Dublin
School of History
Belfield
IL–Dublin 4
robert.gerwarth@ucd.ie
Christina von Hodenberg
Queen Mary University of London
Arts Two, Mile End Road,
UK–London E1 4NS
c.hodenberg@qmul.ac.uk
Jörn Leonhard
Universität Freiburg
Historisches Seminar
Westeuropäische Geschichte
Werthmannplatz, KG IV
D–79085 Freiburg im Breisgau
joern.leonhard@geschichte.uni-freiburg.de
JMEH 15 / 2017 / 3
Alexander Nützenadel
Humboldt-Universität zu Berlin
Institut für Geschichtswissenschaften
Sozial- und Wirtschaftsgeschichte
Humboldt-Universität zu Berlin
Unter den Linden 6
D–10099 Berlin
nuetzenadel@hu-berlin.de
Joachim von Puttkamer
Friedrich Schiller Universität Jena
Imre Kertész Kolleg
Am Planetarium 7
D–07743 Jena
Joachim. Puttkamer@uni-jena.de
Laura Rischbieter
Universität Konstanz
Fachbereich Geschichte und Soziologie
D–78457 Konstanz
laura.rischbieter@uni-konstanz.de
Timothy Snyder
Yale University
Department of History
320 York Street
US–New Haven, CT 06511
timothy.snyder@yale.edu
Sybille Steinbacher
Goethe-Universität Frankfurt am Main
Fritz Bauer Institut
Norbert-Wollheim-Platz 1
D–60323 Frankfurt am Main
Steinbacher@em.uni-frankfurt.de
Dietmar Süß
Universität Augsburg
Lehrstuhl für Neuere und Neueste Geschichte
Universitätsstraße 10
D–86159 Augsburg
dietmar.suess@phil.uni-augsburg.de
Henk te Velde
Leiden University
Institute for History
P. O. Box 9515
NL–2300 RA Leiden, the Netherlands
H.te. Velde@hum.leidenuniv.nl
Andreas Wirsching
Institut für Zeitgeschichte
Leonrodstraße 46b
D–80636 München
wirsching@ifz-muenchen.de
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Maria Pirogovskaya
Taste of Trust: Documenting Solidarity
in Soviet Private Cookbooks, 1950–1980s1
When Soviet cuisine is discussed, whether in small talk or in scholarly publications, it
is the iconic Book of Tasty and Healthy Food 2, which is heavily infused with ideology,
that immediately comes to mind. The Book of Tasty and Healthy Food was a huge success (10 editions and 23 publications from 1939 to 1990, in print-runs of a million
copies at a time), so it is hardly surprising that the totalitarian kitchen bible tops the
list of Soviet culinary manuals. Sometimes, several other normative books on cooking
and housekeeping printed between the mid-1930s to the late 1980s, which are somehow related to the main book and never questioned its authority, are mentioned in
interviews and memoirs.3 There is a significant number of works dedicated to the
creation of the Book on Tasty and Healthy Food, its ideological background and propaganda message, its changeable contents and its place within the corpus of Soviet culinary literature.4 Nevertheless, in the shadow of «official», prescriptive gastronomy,
another cuisine existed that is rarely discussed and insufficiently investigated, if inves-
4 H. Rothstein / R. A. Rothstein, «The Beginnings of
to the pragmatics of Soviet handwritten cookbooks,
carried out at the Department of Anthropology at
the European University at St. Petersburg. Part of
this research was conducted in collaboration with
Maria I. Goumerova, who participated in the elaboration of research design and undertook seven interviews.
2 In scholarly papers, several translations of the original Russian title (Kniga o vkusnoi i zdorovoi pishche) could be found: Book about Delicious and
Healthy Food; Book of Tasty and Nutritious Food;
Book on Tasty and Healthy Food. I use the title of the
irst English translation from 2012 (A. I. Mikoyan et
al., Book of Tasty and Healthy Food: Iconic Cookbook
of the Soviet Union, Ministry of the Food Industry,
USSR, trans. by B. Ushumirskiy, 2012).
3 A rare study of the culinary relection from 1970 to
the 1980s is: A. K. Jacobs, «V. V. Pokhlebkin and the
Search for Culinary Roots in Late Soviet Russia»,
in: Cahiers du monde russe 54 (2013) 1, 165–186.
Soviet Culinary Art», in: M. Glants / J. Toomre
(eds.), Food in Russian History and Culture, Bloomington 1997, 177–194; G. P. Piretto, «Tasty and
Healthy: Soviet Happiness in One Book», in:
M. Balina / E. Dobrenko (eds.), Petriied Utopia:
Happiness Soviet Style, London 2009, 79–96;
J. Gronow / S. Zhuravlev, «The Book of Tasty and
Healthy Food: The Establishment of Soviet Haute
Cuisine», in: J. Strong (ed.), Educated Tastes: Food,
Drink, and Connoisseur Culture, Lincoln 2011, 24–
57; C. Kelly, «Leningrad Cuisine / La cuisine leningradaise: A Contradiction in Terms?», in: Forum
for Anthropology and Culture 9 (2013), 245–282.
5 One of the few anthropological accounts of Soviet
culinary practice belongs to Anna Kushkova. It describes the functions and the perceptions of the
most popular and important Soviet festive dish
[A. Kushkova, «V tsentre stola: zenit i zakat salata
«Oliv’e»», in: Novoe literaturnoe obozrenie 76 (2005),
278–313].
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1 This paper is a part of a research project dedicated
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Documenting Solidarity in Soviet Private Cookbooks, 1950–1980s
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tigated at all.5 This cuisine was private, informal and practically invisible. It was typically Soviet because it was based upon Soviet chains of supply and a limited variety of
food. It reconciled the past with the present, family recipes with the economy of shortage (along with the economy of storage) that made people hoard and overstock foodstuff, as well as prepare homemade preserves and share their skills with one another.6
It appeared in handwritten cookbooks and collections of kitchen notes, which were
personally customised and were by no means analogous to their official printed counterparts.
These handwritten cookbooks had been received by their owners – mostly urban
working women with technical, secondary or higher education – as something completely different in comparison with the official manuals on cooking. Actually, in some
domains of the Soviet everyday life, the official and the unofficial, the public and the
private, and the state and the underground did not constitute sets of binary oppositions in the way that they tended to be constructed and presented by some scholars of
Soviet studies. «Official» and «unofficial» are terms that have been used to describe
the gap between the approved documents and the unofficial opinions, the official art
and the art of the underground nature, and so on.7
However, this binary construction could inhibit the understanding of more complex, contradictory and diffused phenomena. In some routine practices, which included various patterns of consumption and information exchange, the private and
the public constituted a kind of diffused scale with two poles influencing each other.
Culinary information could be passed from printed media, which became prolific during Nikita Khrushchev’s rule, to manuscripts, and vice versa; some data were sorted
out; and vernacular recipes could be printed in magazines such as Rabotnitsa (Working Woman), Krestyanka (Peasant Woman), Sovetskaya zhenshchina (Soviet Woman),
Zdorovye (Health), and tear-off calendars in specific «correspondence columns». In
fact, it was a personal attitude that made official and domestic recipes opposite to each
other, structuring the multi-layered force field into clusters on the basis of specific
trust relations: People (to some extent) trusted their relatives, neighbours and colleagues, and expressed a certain distrust of the state and its production.
Handwritten cookbooks of the Soviet era were rooted in the strong modern tradition of private manuals and notes on cooking and housekeeping.8 They had predecessors both in the Russian country estate life (since the translating and printing boom of
the 1770–1790s) and in petty-bourgeois traditions of housekeeping (since the rise of
er societies see: S. A. Oushakine, «‹Against the Cult
of Things›: On Soviet Productivism, Storage Economy, and Commodities with No Destination», in:
The Russian Review 73 (2014) 2, 198–236, 224–226.
7 P. Ruthland, «Ideological Debates in the Late Soviet
System», in: The Russian Review 73 (2014) 2, vi.
8 J. Theophano, Eat My Words: Reading Women’s Lives
through the Cookbooks They Wrote, New York 2003;
P. Meyzie, «Les recettes manuscrites dans la France
méridionale du XVIIIe au milieu du XIXe siècle:
un savoir-faire alimentaire original?», in: M. Bruegel / M. Nicoud / E. Barlösius (eds.), Le choix des
aliments: Informations et pratiques alimentaires,
Rennes, Tours 2010, 33–48.
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6 On the «storage economies» of the USSR and oth-
Maria Pirogovskaya
332
advice literature in the second-third of the nineteenth century). Last but not least, Soviet handwritten cookbooks were closely related to the socioeconomic context and the
informational design of the Soviet society. In the USSR, the tradition of handmade
cookbooks functioned as a parallel version to the official cuisine, which had been established, run and approved by the state, and which was built on substantial scientific
knowledge on nutrition and hygiene. However, official cuisine as a system of knowledge had little credibility on the level of practice, while the unofficial one seemed to
have created and embodied a specific kind of trust, and encouraged a social exchange
of skills, knowledge and prestige. This phenomenon raises a series of questions. How
did these two cuisines correlate with each other? Why was the tradition of private cook
manuscripts so widespread? Why do people insist on a lack of printed information on
cooking when remembering the Soviet past, despite the actual abundance of such information? What were pragmatic and symbolic values of handmade cookbooks? What
type of social networks did the unofficial cuisine create, given that, according to Mary
Douglas and Baron Isherwood, food and drink «are needed for mustering solidarity,
attracting support, requiting kindnesses, and this goes for the poor as well as for the
rich»?9 This paper investigates the questions of trust and solidarity, and of social rituals and socialising patterns as they mirrored one another in private handwritten cookbooks, which could be viewed and interpreted as documents of exchange and tools of
creating some status and prestige within particular social networks.
At the moment, the data that I have used for my analysis include 32 interviews and
copies of 70 family archives with materials on different kinds of cooking – notebooks
and scrapbooks, postcards with recipes, leaflets and clippings, letters, printed cookbooks with handwritten remarks, and so on.10 These materials are mostly from 1960
to the 1990s (27 archives originated from St. Petersburg, while the rest are from Moscow, Kirov, Rostov-on-Don, Arkhangelsk, Novosibirsk, Yuzhno-Sakhalinsk, Vladivostok, Kazan, Almaty, Minsk, Tallinn and some other locations in different corners of
the former USSR). The earliest manuscript of the corpus belongs to a newly-wed student of the Bestuzhev educational courses for women, the largest women’s higher education institution of Imperial Russia; it carries a mark of the year 1911 on its front
page (the final entries of the manuscript were dated from the late 1970s). The most
recent manuscript was created by a Leningrad school girl in 1987, «for boasting and
showing off»: for the interviewee, the handwritten cookbook indicated the desirable
status of adult Soviet woman and could serve as an accessory of prestige – this aspect
will be discussed later. Furthermore, there are a dozen of private cookbooks from the
nineteenth century preserved at the Manuscript Department of the National Library
of Russia and several archives. They have been used as contrastive data – but with
certain care, because it is very difficult to establish their owners and thus to recon9 M. Douglas / B. Isherwood, The World of Goods: To-
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wards an Anthropology of Consumption, London,
New York 2002, xxi.
10 All quotations from the interviews have been trans-
lated into English by the author; audio iles and
transcripts in Russian are kept in the author’s collection. Due to the reason of privacy, the names of
the participants have been encoded.
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struct the social networks within which they could have been circulating, with some
remarkable exceptions such as the notes on cooking made by Countess Sophia
Tolstaya, Leo Tolstoy’s wife.11
From the historical perspective, making notes on cooking and housekeeping was
intertwined with the increase of literacy and the rise of the Russian bourgeois society
in the middle of the nineteenth century.12 The structural changes of society, transport
development and the urbanising processes influenced the supply chains drastically.
Certain types of notes – reflecting the needs and the demands of life in the countryside – disappeared or lost their importance. Others were received as archaic and thus
needed to be paraphrased in new terms. On the contrary, notes on cooking gained
popularity for two reasons. First, the new bourgeois virtues of «being good at housekeeping», «being a model mistress of the house», and «making savings big and small»
had been inculcated in Russia from the period of the «depletion of gentry» up to the
turn of the century. Secondly, the scientific and medicalised approach to routine,
which appealed to the authority of chemistry, biology and hygiene, encouraged the
development of new recipes and new methods of cooking and housekeeping.13 Applied sciences – the chemistry of food and the hygiene of housekeeping – stepped in,
thereby conducing the conversion of techne into episteme through manuals and tutorials, and strengthening their credibility and expert notion in the public sphere.
Before the period of urban growth, the landowner or a land steward had administrated the routines in numerous country estates, dealing with versatile tasks on the
ground of custom and experience.14 Compare this with the following abstract from
Alexander Pushkin’s poem, which describes customs and activities of the countryside
performed by the landowner’s wife: «Mushrooms in brine, for winter eating,/ fieldwork directed from the path,/ accounts, shaved forelocks, Sunday bath;/ meantime
she’d give the maids a beating/ if her cross mood was at its worst/ – but never asked her
husband first.»15 In the époque of the Great Reforms, this multifaceted space began to
shrink and adjust to an average bourgeois urban dwelling, with its specific troubles
and practices; customs were questioned and science was invoked to produce an expertise. It was the mistress of the house who should supervise her household and have
more direct control over the spheres that had previously been indirectly looked after by
servants. It was the era when new urban communities were emerging and a new middle class, however controversial it was in Russia, was taking shape: These communities needed to produce and share new rules of socialisation that would allow people to
stoy’s Manuscripts Department, f. 47. d. 33048,
State Museum of Leo Tolstoy, Moscow).
12 J. Blum, The End of the Old Order in Rural Europe,
Princeton 1978, 419, 440–445; G. L. Freeze, «The
Soslovie (Estate) Paradigm and Russian Social History», in: The American Historical Review 91 (1986)
1, 11–36.
13 M. M. Pirogovskaya, «Zapakhi kak miazmy, simpto-
my i uliki: k probleme szientizatsii byta v Rossii
vtoroj poloviny 19 veka», in: Novoe literaturnoe
obozrenie 135 (2015), 140–169.
14 A. V. Belova, Chetyre vozrasta zhenshchiny: Povsednevnaya zhizn’ russkoj provintsial’noj dvoryanki XVIII-serediny XIX vekov, St. Petersburg 2010, 76–77.
15 A. Pushkin, Eugene Onegin, trans. by Ch. H. Johnston, Harmondsworth 1979, 79.
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11 S. Tolstaya, Cookbook, Yasnaya Polyana 1874 (Tol-
Maria Pirogovskaya
334
co-exist without conflicts.16 Dining rooms and drawing rooms were principal areas
where members of society reciprocated signs of sociality, and, consequently, where
these skills could be demonstrated to others and appreciated by them.
The structure of the nineteenth-century notes on cooking and housekeeping, both
Russian and Western ones, had been similar to Soviet private cookbooks, however, in
the late nineteenth century, handwritten cookbooks had been marginalised by the
printed sources, even though they had in fact never vanished. In Russia, the renewed
process of the popularity of such books began in the late 1930s, after the so-called
«bourgeois turn» or the de-modernisation project of Stalin’s era, which was aimed at
reconciling the socialist programme with bourgeois standards, as well as communism
with pre-revolutionary dining17 and consumption patterns, however imaginary they
were. When life began to return to normality more or less after the upheaval of the
Second World War, when social fabric was restored, this tendency towards comfortable
and bourgeois living grew rapidly – along with the new boom of culinary writing
and recipe collection.18 By the 1960s, the tradition of manuscript cookbooks gained
great popularity: Such was the private answer to the public campaign for new domesticity of the Khrushchev Thaw, when printed media (such as manuals and advice literature that addressed teenage girls and young women on family values, taste, etiquette
and everyday life) were published in large numbers and received by a significant female
audience.19
It is remarkable how the pragmatics of these cookbooks evolved in comparison
with their nineteenth-century predecessors. They had several functions, such as working as memos and providing information for the ritual scenarios for celebrations. As
instructions and distinct social messages, the cookbooks were used to fix most notably
the horizontal social bonds, create short- and long-term solidarities based upon cooking skills and knowledge, provide socialisation within the community, as well as reflect a very specific type of trust of a group that shared a common power over routine
(while they had previously followed printed media carefully, belonged to the rather
isolated private sphere, and did not have the distinct function of socialisation). The
latter functions seem to be of great importance. I argue that such a re-shaping of the
pragmatics had originated in the socioeconomic context.20 Nevertheless, the analysis
that I propose is cultural, not economic; it is the reception and emotions of people that
interest me most of all.
16 C. Kelly, Reining Russia: Advice Literature, Polite
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Culture, and Gender from Catherine to Yeltsin, Oxford, New York 2001, 153–155.
17 E. Geist, «Cooking Bolshevik: Anastas Mikoian and
the Making of the Book about Delicious and Healthy
Food», in: The Russian Review 71 (2012) 2, 295–313,
296.
18 Gronow / Zhuravlev, «The Book of Tasty and Healthy
Food», 37.
19 D. A. Field, Communist Morality and Meanings of
Private Life in Post-Stalinist Russia, 1953–1964,
Ph. D. dissertation, University of Michigan, Michigan 1996, 41. Cited after: S. E. Reid, «Cold War in
the Kitchen: Gender and the De-Stalinization of
Consumer Taste in the Soviet Union under
Khrushchev», in: Slavic Review 61 (2002) 2, 211–
252, 245.
20 See I. Hodder’s notion of the three meanings of an
object in his article, «The Contextual Analysis of
Symbolic Meanings», in: S. M. Pearce (ed.), Interpreting Objects and Collections, London, New York
2003, 12.
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1. The Economics of Shortage and Social Networks
Throughout the existence of the Soviet Union, Soviet informal economics was characterised by the requirement of an additional amount of resources, namely of time and
information, in order to make a purchase – in comparison with the economics of capitalism.21 Despite the fluctuations of supply and the changes in the political course,
this typical feature of Soviet economics was preserved until perestroika. One of the
most important concepts that describe and interpret its mechanisms is the concept of
blat (a system of favours, which worked in society along with the black market and
bribery),22 but it does not entirely explain the information exchange that deeply influenced Soviet society in this period. This exchange might seem unconditional, disinterested and altruistic at the first glance; nevertheless, it also contributed to the creation
of specific social networks, and established conditions for accruing benefits from «the
limited good».23 There was a number of reasons for such a process of networking,
with most of them somehow rooted in the economics of shortage (a term coined by Hungarian economist János Kornai)24: an unstable supply, a lack of confidence in official
information (and a lack of trust in the state), a vital importance placed on mutual support; and an urgent need to build up bonds within small social groups for «normal
living» (that is, the importance of reciprocal trust in kin, friends and colleagues).25
When discussing the patterns of consumption in the Khrushchev and Brezhnev eras,
Susan E. Reid remarks that «despite increased attention to living standards in the
1950s, this [Soviet regime] remained a culture of shortages – requiring of the consumer strategies for procuring, hoarding, and making do», even though the population simultaneously did consume in particular ways.26 Issues of buying alimentary
goods and cooking, of making acceptable dishes and creating a specific social rhythm
through ordinary and ritualistic foodways were the most essential issues.
According to respondents, gastronomical models represented by the official Soviet
cookbooks were seen as unrealistic and utopian, particularly with regard to the Book of
Tasty and Healthy Food since its lavishly illustrated fifth edition published in 1952, with
Extraordinary Times: Soviet Russia in the 1930s, Oxford 1999, 54–66; E. A. Osokina, Our Daily Bread:
Socialist Distribution and the Art of Survival in Stalin’s Russia, 1927–1941, trans. by M. E. Sharpe, New
York, London 2001. On the deicits and food in the
late Soviet era, see also: A. Kushkova, «Surviving in
the Time of Deicit: Food and the Narrative Construction of a ‹Soviet Identity›», in: M. Bassin / C. Kelly (eds.), National Identity in Soviet and
Post-Soviet Culture, Cambridge 2012, 278–295.
22 A. V. Ledeneva, Russia’s Economy of Favours: Blat,
Networking and Informal Exchange, Cambridge
1998; V. Yakubovich, «Sotsial’nye vozmozhnosti i
ekonomicheskaya neobkhodimost’: vklyuchennost’
gorodskikh domokhozyaı̆stv v seti neformal’noı̆
vzaimopomoshchi», in: V. Kabalina / S. Clark (eds.),
23
24
25
26
Zanyatost’ i povedenie domokhozyaı̆stv: adaptatsiya k
usloviyam perekhodnoı̆ ekonomiki Rossii, Moscow
1999, 254–287; J. Hessler, A Social History of Soviet
Trade: Trade Policy, Retail Practices, and Consumption, 1917–1953, Princeton 2004.
G. M. Foster, «Peasant Society and the Image of Limited Good», in: American Anthropologist 67 (1965) 2,
293–315.
J. Kornai, Economics of Shortage, 2 vols., Amsterdam 1980.
For an anthropological analysis of Soviet informal
networks from 1970 to the 1980s, see: N. Ries, Russian Talk: Culture and Conversation during Perestroika, Ithaca/NY, London 1997, 13–14. On the connections and contacts during Stalin’s times, see:
Fitzpatrick, Everyday Stalinism, 62–66.
Reid, «Cold War in the Kitchen», 216.
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21 Sh. Fitzpatrick, Everyday Stalinism: Ordinary Life in
Maria Pirogovskaya
336
«the wrenching discrepancy between the abundance on the pages and its absence in
shops».27 It is noteworthy that all the interviewees considered the 1952 edition to be
the first one even though the first edition of the Book of Tasty and Healthy Food had
actually appeared in 1939 and had been re-published in both 1945 and 1947. It is most
probable that the retouched photographs of abundance in the 1952 edition influenced
and transformed the recollections of the book in previous versions. Since the late
1930s, the authorities had constructed an image of the new Soviet cuisine based on the
scientific approach to nutrition, and which put a wide range of foodstuff to use: This
imaginary Soviet table should first and foremost be nutritious and plentiful.28 The
opening paragraphs of the Book of Tasty and Healthy Food contained an appeal for a
plentiful diet, which transforms the idea of pleasure into the idea of abundance,
thereby making, as Evgeny Dobrenko put it, the objective wealth out of the subjective
delight and pleasure.29
The Soviet gastronomical bible, the Book of Tasty and Healthy Food, transmitted a
versatile message. First, appealing to beginners, it demonstrated basic skills, techniques and operations, and, in the manner of the late nineteenth century, commented
on the chemical and physiological processes of nutrition. All of that assisted in making
some reputation for the book. Secondly, it advertised processed and semi-processed
foods from the Soviet food industry to the busy urban dwellers and the working mothers in particular. Thirdly, appealing to the utopian image of the ideal cuisine and
mass-produced luxury, the book spoke about complex dishes and inaccessible ingredients (in recipes as well as in advertising or educational texts in the sidebars, thus creating a specific food mythology) that were beyond the reach of the average Soviet citizen due to constraints of both time and the food supply. In this aspect, the Book of
Tasty and Healthy Food was similar to the All-Union Exhibition of Achievements of
National Economy, which was opened in 1939 and demonstrated the success of collective farming in the same mythological manner. Experienced cooks could read and interpret the challenging recipes without any difficulty, but did not have the necessary
ingredients; beginners could consult the basic rules but could not cook anything more
complex due to the frequent inconsistency of the culinary discourse of Book of Tasty
and Healthy Food. On the whole, the processing cycles of «Socialist Realist foodways»,
as envisioned by Mikoyan’s propaganda, were broken or flawed at every stage from the
collective farm to the state-run store and then to the table.30 (This activated specific
tactics of repair). Even processed and semi-processed foodstuff, as advertised in the
book, – tinned fish and meat, soups in tablets, and instant coffee later on – were available only through special distribution [rations, special elite closed stores, special or
27 A. von Bremzen, Mastering the Art of Soviet Cook-
JMEH 15 / 2017 / 3
ing: A Memoir of Food and Longing, London, New
York 2013, 124.
28 Fitzpatrick, Everyday Stalinism, 89–114. The ninevolumed Commodity Dictionary (Torgovyi slovar’),
published between 1956 and 1961, demonstrated
the same degree of detailed and imaginary abun-
dance. See Oushakine, «Against the Cult of Things»,
212–213.
29 E. Dobrenko, «Gastronomicheskiı̆ kommunizm:
vkusnoe vs. zdorovoe», in: Neprikosnovennyı̆ zapas
64 (2009) 2, 155–173.
30 Geist, «Cooking Bolshevik», 298.
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secret counters in regular stores, festive «orders» for certain privileged groups (zakazy), warehouses and other hubs of intricate social interactions].31 Besides, some of
the most appealing recipes were particularly time-consuming. In the USSR, there existed only a tiny number of families with a time budget that was suitable for the more
or less sophisticated cuisine. In the post-war period, when the specific gender contract
of «working mother» dominated, cooking, along with household labour and shopping,
was presumably a female duty in all social groups of the Soviet society, which made
Soviet emancipation contradictory and inconsistent.32
Interviewee: Have you ever seen those exemplary menus?! It reminds [me of ] some
food production facility. Some ideal woman, like – wait, what’s they are called …
Stepford wives! I can imagine her easily – a puritan, politically aware, neat, virtuous
mistress of the house. Actually, those menus imply backbreaking work! Not even a
housewife could materialise such a menu – piglet in aspic today, jellied beef next
day! What about some time to breathe? And that’s an entrée, not even a main course.
It’s absolutely unreal. The only possibility to perform it – to have a kitchen maid.
(TK, female, 1957, Leningrad, higher education)
Interviewee: You see, here are clippings from tear-off calendars, as this book, which
had been approved by the Soviet government, by Stalin…
Researcher: You mean Book of Tasty and Healthy Food?
Interviewee: Yes. This book was a real crap, believe my words. It was completely
useless for a good cook. Only for all thumbs ones. Besides, it spoke about foodstuff
that was impossible to buy. I don’t remember exactly if they use asparagus there,
but let’s take mutton – no one could even begin to imagine to get one’s hands on it!
(MA, female, 1927, Leningrad, secondary education)
On the one hand, this inaccessibility and general distrust of the consumption models
issued and approved by the state aroused huge scepticism towards the official cuisine,
which was preserved up to the end of Soviet era. It is even more interesting that this
scepticism and distrust were rationalised in terms of impracticality, absurdity and improbability. On the other hand, it invigorated the «invisible cuisine» – an informal and
semi-formal circulation of culinary information presented in notes and talks that
aimed at accommodating the official quasi-reality to the Soviet everyday life, and to
reconcile a dream with a real food basket. Finally, it visualised the ideals of the plenty,
which underpinned the traditional representations of the Russian festive table of the
late nineteenth to the early twentieth century (for Christmas dinner, Easter morning,
name day celebration, wedding party, and so on), which had previously been inhibited
by social trouble, famines, war and shortage. The book also tempted the audience to
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31 Oushakine, «Against the Cult of Things», 229–231.
32 Reid, «Cold War in the Kitchen», 220–221.
Maria Pirogovskaya
338
prepare dishes more or less similar to its content from available foodstuff, i.e. from
next to nothing, – to create an image of the plenty, a theatre of abundance.
Macroeconomic adaptations for shortage, which Hungarian economist János Kornai analysed in his famous book of 1980,33 mirrored the microeconomic level of everyday Soviet cuisine. For example, some dishes and recipes were dying away because
they were seen as being too difficult or impossible to be realised: If a dish has not been
re-produced for ten to fifteen years, it falls out of the gastronomical repertoire.34 Some
ingredients were substituted, so that the complex dishes became simplified and could
be accommodated by the accessible alimentary goods: for instance, both in an official
cookbook and in a non-formal handwritten cookbook one can find the typical remark,
that «one can change this ingredient with that ingredient». The idea of such an accommodation was omnipresent: It was embedded in the structure of the recipe. Rare, inaccessible or expensive ingredients could be weeded out in the first stage of the recipe
exchange or be substituted by surrogates later, when a manuscript owner corrected the
notes according to his or her experience, budget, and scope of knowledge. However,
even this minimalist cuisine demonstrated a certain variability as well as distribution
of dishes according to social events. Apparently, there were endeavours to preserve
symbolical order and to stress the social rhythm through the marking of some food as
festive and others as ordinary. This phenomenon is well described in the studies on
«deprivation societies» and communities in zones of conflict;35 actually, it could be
traced in societies of permanent shortage as well, and in more favourable circumstances by far.
Respondents also identified as a fact the culinary «censorship» on ethnic and religious grounds in printed cookbooks. Despite the declared egalitarian ideal of the
brotherhood of nations, certain recipes were not accepted for publication in official
cookbooks, and not the least for the Book of Tasty and Healthy Food. Some recipes were
re-named and camouflaged, while others were not authorised at all. Post-war cookbooks were purged of Jewish and Western (or at least those that were understood as
such) recipes as the consequence of the state’s anti-semitism and campaign against
«rootless cosmopolites».36 Editions of the book under Brezhnev’s rule starred ethnic
recipes from national republics (polenta, placinta, pastrami, pumpkin pilav, baklava)
and described recipes with exotic ground cherries, spinach and camel meat. At the
same time, they omitted popular dishes such as the Easter cottage-cheese based dessert (paskha) and some other ritual-related dishes (such as kutya, frumenty made for
funeral repasts), so home cooks sought to spread such recipes by word of mouth and
in letters. The Russian peasant tradition, which had been vegetarian at its core, was
33 Kornai, Economics of Shortage.
34 Gronow / Zhuravlev, «The Book of Tasty and
Healthy Food», 26.
35 Cf. the study of the Leningrad siege: D. Goldstein,
JMEH 15 / 2017 / 3
«Women under Siege: Leningrad 1941–1942», in:
A. Voski Avakian (ed.), From Betty Crocker to Femi-
nist Food Studies: Critical Perspectives on Women and
Food, Amherst 2005, 143–160. Cf. also: L. A. Clarkson / E. M. Crawford, Feast and Famine: Food and
Nutrition in Ireland, 1500–1920, Oxford 2001, 5–6.
36 Von Bremzen, Mastering the Art of Soviet Cooking,
123.
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partly neglected, partly re-arranged, and reconstructed: Industrialisation and the making of new Soviet foodways changed both the repertoire of traditional dishes and the
system of knowledge, skills, and techniques.37 My interlocutors of the middle generation, born in war and post-war times, told me that their mothers and grandmothers
had the ability to cook complex dishes from memory and to make dough without consulting any cookbook: «[M]others and grandmothers had these recipes on their fingertips.» As for themselves, they either reported feeling fearful of attempting such recipes
or considered them rustic and inappropriate for urban life. Thus in interviews, simple
«peasant» pies were regularly set against ornamental «urban» layered cakes.
Aside from specific ethnic and ritual types of food, the Soviet festive table demonstrated a rather consistent range of dishes, due to both the social coherence and the
uniformity of the new Soviet rituals, such as the New Year celebrations. Practically all
of them could be discovered in Soviet handmade cookbooks, carefully copied or written down from word of mouth, in spite of the fact that most of those dishes had somehow originated from the Book of Tasty and Healthy Food and other printed cookbooks.
The economics of shortage promoted and nurtured a particular Soviet cult of bricolage and invention, which filled in the gaps and breaches in the routine needs that
had been caused by shortage and deficiency.38 In the kitchen, the bricolage strategy
resulted in secondary conversions of staple foodstuffs and ready-to-cook foods, as well
as in eliciting the hidden potentials of ingredients, and their plasticity and versatility:
«Everybody cooked at home and constructed food out of nothing. My friend and I
had an idea to compose a cookbook based on available range – potatoes, carrots etc.»
(MA, female, 1927, Leningrad, secondary education)
For example, factory-made mayonnaise was used as a cold sauce for Russian salad
(oliv’e), as a gravy to pour over meat such as chicken or fish before baking the meat in
the oven (po-frantsuzski, po-ispanski, po-kapitanski, pod shuboj – that is literally, meat/
chicken/fish à la française, à l’espagnole, à la capitaine, under the dressing), as the liquid
base for the batter or the dough, as the key ingredient for cheese-dip-like salad (made
of processed cheese and garlic), and so on. The bricolage strategy encouraged a very
specific genre of advice, both oral and printed. As historian Galina Orlova has noted,
the Soviet advice culture should help people to escape the flaws of the system: Advice
perpetuated not the knowledge of order, which turned out to be a system made of imperfections, but the knowledge of manoeuvres that were needed to evade these imperfections. More than that, such advice both transmitted ideas on how to handle and
utilise imperfect things, as well as inspired people to adopt secondary uses of them.39
and Soia
Tchouikina coined the metaphor «repair society»,
which describes an array of practices and means to
cope with deiciency. See K. Gerasimova / S. Tchouikina, «Obschestvo remonta», in: Neprikosnovennyı̆
zapas 2 (2004), 70–77.
39 G. Orlova, «Apologiya strannoı̆ veshchi: ‹malen’kie
khitrosti› sovetskogo cheloveka», in: ibid., 84–90.
See also: O. Gurova, «Prodolzhitel’nost’ zhizni veshchej v sovetskom obshchestve: zametki po sotsiologii nizhnego belya», in: ibid., 78–84; A. Golubev,
O. Smolyak, «Making Selves through Making
Things: Soviet Do-It-Yourself Culture and Practices of Late Soviet Subjectivation», in: Cahiers du
monde russe 54 (2013) 3/4, 517–541.
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37 Geist, «Cooking Bolshevik», 306.
38 Sociologists Katerina Gerasimova
Maria Pirogovskaya
340
While the sphere of invention as such was considered to be the realm of man, the
spheres of cuisine and the household both created an important resource for the building of women’s prestige, status and implicit power because housekeeping and cooking
were considered and openly declared a female duty.40 Echoing the bourgeois turn of
the late 1930s, when the image of the model hostess was promoted by official books
on housekeeping, and following the «consumer» or «domestic» turn of the Thaw, both
memoirs and private cookbooks from 1950 to the 1990s demonstrated the female
power over routine. Women’s ability to create something remarkable from the odds
and ends – or from nothing – was regularly stressed by respondents. One example is
as follows: «I had a friend who was a very good at cooking. Her husband was in the
service, and they spent all their life in the military camps. Obviously, you couldn’t do
much there. And she was able to cook great dishes out of anything.» (NN, female,
1946, Leningrad, higher education) Here, «anything» substitutes for «nothing», which
could be turned into «everything»: Thus a very scarce range of goods became the
source of an infinite wealth with huge symbolic potential.
Even though access to highly prestigious foodstuff – such as salted and smoked
salmon, ham, tinned salmon and sprats, salami, caviar, instant coffee, chocolate bars
and candies – was problematic, and consumption had been democratised through necessity (in contrast to the process of food democratisation in Europe), the ostentatious
festive table became a common practice.41 Its most essential feature was that prestigious dishes had to be constructed out of ordinary alimentary goods, and complex tastes
out of common products. Tastes of luxury and tastes of necessity were strictly differentiated.42 Luxury was associated with rare and difficult-to-buy ingredients and products
(such as canned fish), as well as complex dishes and ornamental forms (such as layered
salads, aspics and cakes) that were typical of the pre-revolutionary Russian bourgeois
cuisine. Necessity and routine mirrored in simple (or at least those that were perceived
as such), familiar and easy-to-obtain food: Thus, beetroot salad («vinegret», not to be
confused with the classic French dressing, sauce vinaigrette), mashed potatoes, and
soups were never considered an appropriate food for the festive table.
On the contrary, it was the cold starters that found their places on the table. Gronow
and Zhuravlev explained this practice by considering the popularity of special festive
orders (zakazy), when Soviet citizens could buy at their working places or in some
shops food packages with cheese, salami or tinned fish, which constituted «the highlight of Soviet festive domestic eating».43 However, this explanation does not provide
reasons for people to exhibit a sense of bounty and excess. Neither does it explain the
42 P. Bourdieu, Distinction: A Social Critique of the
cially footnote 34).
41 On typologically similar process of food diferentiation among the high and the lower social strata in
Europe, see: F. Braudel, Les structures du quotidien:
le possible et l’impossible, Paris 1979, 162; Montanari, La faim et l’abondance, Paris 1995, 226.
Judgment of Taste, trans. by R. Nice, Cambridge,
MA 1984, 177–178.
43 Gronow / Zhuravlev, «The Book of Tasty and
Healthy Food», 46.
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40 Reid, «Cold War in the Kitchen», 212, 221 (espe-
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generous sharing of prestigious food with guests, friends, relatives, neighbours and
colleagues. I suppose that there were two more factors that existed on the different
levels of routine. First, some well-known lavish illustrations of the main Soviet cookbook might have fostered the tradition of abundant feasting, which resulted in the
practice of taking pictures of the festive table. Secondly, there was a model of the Russian festive table from the late nineteenth century,44 which was nearly extinct in Soviet
reality by the late 1930s but which was still well-preserved in the collective memory
and the Russian literature of the nineteenth century. A desirable abundance could be
constructed through the model of the cold buffet, for which the festive table was literally covered with plates, bowls and salad dishes, and all the subsequent courses were
added on to those on the table. «Russian or Soviet festive table meant that there is no
empty space», and the main course was placed among the dozens of hors-d’oeuvres, as
my interlocutor explained (ASh, female, 1967, Leningrad, higher education). This peculiarity might also increase the degree of the ornamental nature of the festive food,
and contribute to the common practice of buying and storing valuable foodstuff for the
holidays and celebrations, which could be interpreted as a private variation of the general cultural rule.45
The persistent idea of the abundant Russian table could even form different sets of
practices in cross-cultural communication. Another respondent from the family of a
top Communist party official, worked as an interpreter and had the rarest opportunity
to go abroad (to England, France and other «capitalist countries») in 1970s. She befriended some foreigners and even welcomed them to her apartment in Moscow. Her
festive menus for the foreigners were elegant but laconic, brought into accordance
with her idea of the then-current Western table, while her menus for her kin and Russian friends were exuberant, following the same pattern that was abided by other ordinary Soviet citizens: multiple cold starters, salads and one main dish. There is a number of Soviet and post-Soviet memoirs depicting the «paucity» and «meanness» of the
Western festive table (with its sparseness, rotation of courses, and limited number of
dishes), along with the Westerners’ account of the Russians’ generosity and on the
abundance of the Soviet festive table. This cultural conflict of the two contrasting ethoi
could be paraphrased in terms of exchange: The bourgeois Western ethos insisted on
rationality, conventional individual respect and a one-sided trust, while the bourgeois
Soviet ethos was based upon reciprocal trust and complicated exchanges between two
groups (hosts and guests, givers and recipients), which could be interpreted as debt
and credit relations.46
46 M. Mauss, The Gift: The Form and Reason for Ex-
v kontse XIX stoletiia (v 1892 godu), St. Petersburg
1998, 18.
45 Oushakine, «Against the Cult of Things», 226–
229.
change in Archaic Societies, London, New York 2002,
6–9, 24–26, 42–55.
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44 See, for example: S. F. Svetlov, Peterburgskaya zhizn’
Maria Pirogovskaya
342
2. Cookbooks and the Socialising Process
JMEH 15 / 2017 / 3
As a rule, Soviet handmade cookbooks (such as manuscripts and collections of culinary notes, scrapbooks, printed books appended by hand) produced from 1950 to the
1980s included not only recipes but also conversion charts, notes on monthly budgets,
housekeeping advice, diets, knitting patterns, alternative remedies, rhymed toasts and
songs, and so on: «Yesterday I looked through my cookbook and discovered the note
how to make some compress or something. And I thought that perhaps people had
used to put down things – advice and skills and all. Books like this one had not been
just cookbooks, but collections on housekeeping. […] Well, you know, there are some
papers where one puts down his secrets… her secrets and cum-savvies.» (NN, female,
1946, Leningrad, higher education) The eclectic contents point at the specific genre
that lies between instruction, handwritten manual and diary. Putting down information was as important as consulting and sharing them with the referent social group:
«You see, what is written roughly is something real, while in the beginning [of the
cookbook] it’s more like… you know, schoolgirls used to create albums, so it was pretty
the same, though with no hearts and kitties.» (TK, female, 1957, Leningrad, higher
education) Collecting various texts as signs of memory had both practical and symbolic values: It verified and prolonged socialisation, detaching it from time and space,
and transferring it into the sensory terms of taste and smell, and into the realm of
recollections.
Most of the respondents decided to create cookbooks when they felt themselves to
have become socially adult, which could be marked with a row of events (marriage,
childbirth, the beginning and running of one’s own household, and the start of an
employment). After the late Stalin’s and then Khrushchev’s turn to domesticity, both
family and household activities became important spheres for female socialisation and
estimate. Each time, when joining a new group (either through the extension of the
family circle or by entering a new circle of workfellows), the Soviet woman had to be
socialised within the group; she had to show off her social and practical competencies
– those expected of a mother, a cook, a housewife, a seamstress, and so on. Small talk
on cooking was the easiest way to forge relationships, not least because of, first, the
shared nature of festive gastronomical models that had been put on paper in the cooking manuscripts, and secondly, the high value of information on buying foodstuff and
on how to turn it into something decent, interesting and tasty.
In the social perspective, the working place was considered to be the most significant location for people to form friendly terms with one another on the basis of cooking and talking about food. The office and its analogues (for instance, the teachers’
room, the factory diner and the lab) were the median of the circle for the spreading and
absorbing of culinary information; the inner circle included relatives, friends and
neighbours (especially in the communal apartments), while the outer one involved
distant and occasional social contacts. The most common practice was to share culinary skills and gastronomical knowledge at the festive table (either at home or at work),
where one could try a dish, appreciate it, praise it out loud and ask for its recipe; the
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social rule of reciprocity enabled this information to take root and to be spread further.
Each woman, who was engaged in such an exchange, tried to do her best [as one respondent put it: «hosting a party always meant that you were to make an impression
(blesnut’)»], because her social reputation was at stake:
Recently my Tatar aunt has invited her friends. First she has served tea with milk,
then salads (lyansai and others), chicken, meat pie, gubadiya (Tatar layered pie with
dried quark. – M. P.), then dumplings in broth, kullama (Tatar soup with fat meat,
noodles and vegetables. – M. P.). After all she has laid a tea table with seven types
of pastry. They have spent five hours at the table and have tried every dish… Younger
ones, like me, have fallen out of the race at the early stages. And all twelve babushkas make such parties in turn during the year and try to outdo one another.
(GF, female, 1965, Tomsk / Almaty, higher education)
Reciprocity tended to overrun the circles of relatives and friends: Dwellers of communal apartments felt themselves connected to one another by the invisible ties of the
neighbourhood, which required regular reciprocal gestures that included giving treats
in the form of food. It was almost obligatory both for universal holidays such as the
New Year, and for private events of the family’s life cycle; one should share one’s festive
food with others even if the others were not invited. One had to treat neighbours to
food and send a helping of salad, a piece of cake or some sweets to the children or the
grandparents of a guest. When trying to explain this rule, the interviewees cited the
«old Russian traditions of hospitality and generosity» or the «new Soviet tradition of
mutual support and brotherhood», depending on the identity that they were pursuing
and wanted to represent at the moment. However, perhaps the most important reason
was the social rule of reciprocity that helped to create and keep up the ties within the
community through the semi-compulsory food exchange, turning a pie or a cake into
the Maussian «gift»:47
There was an endless chatting on food and cooking. […] Everybody wanted to share
one’s skills, to bring something for tasting…
Was it the same in communal apartments?
Sure! When neighbours were on friendly terms, they always treated each other to
something tasty. «Friendly terms» – it means that there were no real conflict, no
knife fight. My grandmother used to bake pies twice as much as we needed, because she brought full plates around, treating all neighbours. When pies are baked
you can’t stay calm.
Because of their smell?
Yes, it’s like a torture. You can’t eat pies in secret, under your bed. […] Of course one
didn’t treat neighbours to every tasty thing one got, but to pies – always, definitely.
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47 Mauss, The Gift.
Maria Pirogovskaya
344
Should any pastry be shared?
Well, yes, one shared everything that had a strong appeal.
(TK, female, 1957, Leningrad, higher education)
This episode could be interpreted with the notions of «gift exchange» and «limited
good» respectively. First, food sharing could be a manifestation of friendly terms and a
tool for survival, both physically and psychologically.48 It engaged neighbours in cycles
of exchange, forced them to maintain peace and to build «normal relationships»
that might procure a repayment in information and small favours (for instance, babysitting, lending a cup of sugar or some small sum of money, reserving a place in a
queue, sharing or selling some extra foodstuff or other goods). Secondly, according to
anthropologist G. M. Foster, in so-called cultures of poverty or «deprivation societies»
with a shortage of necessary resources and visible inequality, the notion of justice
and avoidance of envy become of crucial importance.49 Even though examples of
striking differences in well-being and power in the USSR were few, it was important
for neighbours and colleagues to prevent the slightest possible grievance, envy or resentment. Food with a strong appeal and an appetising savour makes the minute difference in resources clear, so it was essential to restore equality, at least symbolically,
and to share delicious pies with the closest circle. However, such practices were laced
with a high level of distrust and social atomisation: The patterns of cooperation and
alignment were fragile and unstable, and they had to be restored with every interaction.
The sharing of food was accompanied by the sharing of recipes (culinary knowledge and skills) too, and vice versa. More than that, the unspoken rule of mutual support encouraged complete strangers to exchange information on buying goods and
foodstuff,50 on methods of cooking and making preserves: People were invited to
speak about these topics on every possible occasion (such as in public transport, in
queue, at the general practitioner’s door, watching over the kids at the playground or
waiting for them at hobby groups or an art school), thereby keeping all potential social
bonds alive. One can easily trace remarks about «a lady in the queue», «at the marketplace», and «from one babushka at the community playground» in Soviet handwritten
cookbooks. Gastronomical small talk produced a system of constant and temporary relationships, and a network with areas of variable closeness, which was mirrored in the
private cookbooks and which functioned through them.
48 For example, on sharing parcels from home among
JMEH 15 / 2017 / 3
British soldiers on the Western Front, see: R. Duffett, «Beyond the Ration: Alternatives to the Ration
for British Soldiers on the Western Front 1914–
1918», in: P. Collinson / H. Macbeth (eds.), Food in
Zones of Conlict: Cross-Disciplinary Perspectives,
New York, Oxford 2014, 123–132, 128.
49 G. M. Foster et al., «Anatomy of Envy: A Study in
Symbolic Behavior [and Comments and Reply]»,
in: Current Anthropology 13 (1972) 2, 165–202, 168–
169; Foster, «Peasant Society», 293–315.
50 A. Holt, «Domestic Labour and Soviet Society», in:
J. Brine / M. Perrie / A. Sutton (eds.), Home, School
and Leisure in the Soviet Union, London 1980, 26–
54, 33.
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And there’s another salad… And what is written here, in the parentheses?
There were three ladies I was on friendly terms with, and it’s the name of one of
them. We were not close friends as with IS, but we were working together in the lab.
She brought something delicious, I liked it and wrote the recipe.
Did you bring any food yourself?
No, I didn’t dare! I was afraid I couldn’t come near them! (Laughs). […] I was feeling
completely incompetent, you see, and I was copying carefully recipes of the others.
(IB, female, 1927, Leningrad, higher education)
Copying someone’s cookbook was a way to express respect to its owner. The cookbook
owners, or at least some of them, might have created the cookbooks with the possibility
in mind that they would show or lend the books to the others, which would confirm
their status as grown-ups. The manuscript cookbook was undoubtedly an object of
prestige to women: It provided witness that its owner was responsible, self-dependent
and socially included as a grown-up woman. It also testified to the existence of the reference group in which information of this type was received as precious and important. Similar to anecdote-telling, the exchange of recipes facilitated the creation of alliances and communities, and was memorised in handmade cookbooks. Like anecdotes,
the recipes were communicated incidentally («by the way») or were reciprocally circulated in turn, thus most participants of the conversation were capable of taking part in
this social exchange:
Could you describe the process of recipes exchange? Do you try a dish at someone’s place or
does anybody tell you?
They tell me, yes.
At working place mostly. There’s much more information there. Everything is told
at working place. Well, sometimes at the party, when there are lots of friends. We
begin to try and share recipes, like, «By the way, I know an interesting dish».
(PG, female, 1962, Karatau, secondary education)
Whom did you ask for recipes?
Colleagues, at work. At the house parties, too. Like, we were sitting in the office, we
were talking, discussing recipes of each other. One might invite guests or visit
friends and told about something nice and appetizing, what had been tasted. A
cake, for example. You might come back home and call somebody back to ask. You
see, here’s carrot pickles recipe by LS, Bulgarian vegetable stew by LD, eggplants by
N, she was Moldavian and she shared Moldavian recipes with us.
(VP, female, 1941, Belebei, higher education)
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As we can see, the taste of the dish could be easily taken for granted: A dish could be
tried (there was a widely accepted practice of bringing some home-cooked food to the
office and to serve it to those present – sometimes even the complex festive dishes
Maria Pirogovskaya
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were cooked for colleagues on no special occasion, «just for showing off and doing
them a favour»). It could just be described, without any trying, but others asked for its
recipe nevertheless. In such a case, taste was mediated through words, invoking emotions and physical pleasure in the discussions about food, whereas the official Soviet
cookbooks had rather seldom described taste as such, even though taste could be mentioned in the organoleptic descriptions of standardised food. It was most probably because of social politeness, group solidarity and close social experience that people relied on verbal evidence:
How do you choose recipes to ask?
Like – «Look, girls, it’s a great thing!»
But did you try it f irst?
Sometimes. Or one just praised her recipe: «Girls, I’ve made something terrific!»
(TK, female, 1957, Leningrad, higher education)
Private cookbooks displayed a broad circle of social references. As a rule, many recipes
were literally ascribed to a colleague, friend or relative and became a link between the
book owner and the source or the communicator of the recipe. It is remarkable that the
interlocutors could easily recall the circumstances and the person in question twenty,
thirty or fifty years later: The combination of «name» and «recipe» made for an ideal
trigger of cultural mnemonics, and of recollections of recipes in details, their authors
and the tastes of the dishes.
Researcher (looks through the cookbook): Here’s a dough with the note – Nadia’s method.
But who was Nadia? (Looks at the recipe). Oh yes, there was such a lady, Nadia, she
told me that it was a very easy recipe. I remember her. We were working together.
(IB, female, 1927, Leningrad, higher education)
As before – as in restaurants – we were visiting friends to taste some particular dish.
[…] For instance, I preferred eggplants cooked by M. Pancakes with apples were the
best by S. My friends, stage director S. and her mother, were specialised in cooking
Jewish gefilte Fisch. I know what I’m talking about, I tried lots of dishes, not that I
was so impressed at the first try.
(MA, female, 1927, Leningrad, secondary education)
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At the same time, a referencing name was a sign of the familiarity and applicability of a
recipe. It denoted a term of approbation and somehow guaranteed that the ingredients, time and work would not be spent in vain. As one participant put it, such references helped people «to memorise the taste and to know who was responsible for it».
The verbal version of a recipe had a commemorative function too: It was through the
taste and/or the title of a recipe that acquaintances could be remembered. The imprinted and imaginary taste accumulated a social context, hinted at friendly or official
relationships, and created conditions for the anticipation of festive occasions.
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It was most probably a very specific type of trust that enabled the recipe exchange
to be a widespread social activity too. Its structure included its own norms (of expectations and activities) and its own semantic basis51: The situation of the exchange of recipes was grasped and de-coded instantly, defining a sequence of stereotypical actions,
enabling even complete strangers to build a certain sense of solidarity and to trust one
another’s experience and expertise. The scenario of this communication based upon
the common economic, social and symbolic grounds was understood and shared by
the majority of Soviet urban dwellers. It was manifested regularly in social rituals of
different types such as visiting friends, celebrating a holiday, chatting with colleagues,
spending time in long lines to buy goods in short supply and communicating with
neighbours. To put it roughly, everybody mastered the language of trust: Its semantic
basis became clear in the case of transgression, when all the participants of communication imposed responsibility on the person in charge of lapse in trust relations. Such
an understanding of the structure of trust explains both the putting down of recipes
«out of politeness» and the reactions to the refusal to share recipes.52
You know, there’s such a genre – putting down a recipe in order to be polite.
What do you mean?
Look here. (Quotes from her cookbook). «Sauteed zucchini for winter». A person,
whom you do not want to offend, tells you – look, it’s great thing, you should try it,
and dictates a recipe. And it’s easier to put it down than to confess that you do not
like it, that you are not going to cook it. (TK, female, 1957, Leningrad, higher education)
Interviewee 2 (looks through her cookbook):
What is it? Oh, yes, now I remember. I do not like it.
What exactly don’t you like?
You see, this recipe … it’s a pie with raw meat. We had been invited by our boss to
her birthday party, and she had treated us to it, so…
(GL, female, 1935, Kharkiv, higher education)
Nobody could refuse to share a recipe because it means breaking an unwritten rule of
communication and rejecting to participate in social bonding. When asked a question
on the probability of such a refusal, the respondents seemed puzzled, laughed or cited
real cases of transgression with laughter and bewilderment that demonstrated the
strength and stability of the situational structure of social exchange.
51 L. Gudkov, «Doverie v Rossii: smysl, funktsii, struk-
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tura», in: Novoe literaturnoe obozrenie 117 (2012),
249–280.
52 Ibid.
Maria Pirogovskaya
348
Did it happen to you to get a refusal while asking for any recipe?
Interviewee 1 (Laughing): No, I do not remember anything of this kind.
Interviewee 2: It’s very unlikely. (NN, female, 1946, Leningrad, higher education;
AN, male, 1946, Leningrad, higher education)
Did it happen to you to ask for a recipe and get a refusal?
Interviewee 1: It was very natural to ask and to get an answer. When once some our
friend, a brilliant cook himself, shirked my question, I was shocked, I had never experienced it before.
Interviewee 2: I think there’s a gender distinction. […] Men could share their recipes only to get kudos, while women do it out of kindness.
Interviewee 1: Yes, it’s due to women’s mutual support! I didn’t even understand his
refusal at once and continued to ask. […] Afterwards he became mocked and laughed at, because nobody could imagine such behaviour. Yes, every woman liked to
share her knowledge…
(TK, female, 1957, Leningrad, higher education; VK, male, 1962, Polyarny (Murmansk Oblast) higher education)
Nevertheless, in the aforementioned situation, the difference in gender patterns did
not protect the guilty man from indirect and direct disapproval because he had broken
the more essential rule of mutual support and information exchange.
Historically, any cook manuscript was written by several hands: It perpetuated
some type of «invisible community» as it existed in that particular social environment,
stayed within one family and documented both vertical (generational) and horizontal
(social or communal) bonds.53 The Soviet routine influenced this phenomenon in a
particular way by putting it within a certain economic framework and embedding it
into specific trust/distrust structures. First, private handwritten cookbooks of the Soviet era functioned as a meta-corpus of personal skills that could compensate for the
flaws of the economics of shortage and control of everyday life: They not only corrected
and complemented the «official» cuisine; they also constructed its more trustworthy,
individual and domesticated version. Secondly, private cookbooks enabled the memorisation and exchange of precious culinary information, which helped to maintain the
normal social rhythm of food. Thirdly, they worked as a tool of socialisation that allowed for the distribution and re-distribution of social prestige, the creation of solidarity and the reinforcement of social bonds – and, at the same time, the creation of one’s
own unique cuisine from scratches and scraps of paper, on which the recipes of relatives, close friends and significant others were put down during a break at work or at
the festive table.
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53 Theophano, Eat My Words, 11–12.
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Acknowledgements
Parts of this paper were delivered as presentations at the Interdisciplinary Urban Studies Seminar at the European University at St. Petersburg and at the Trust and Distrust
Conference at University College London. I would like to thank all my colleagues and
friends who have generously passed along commentaries and references and who let
me look into their family archives of cookbooks, manuscripts and pictures. I would
also like to give my special thanks to Albert Baiburin, Valery Dymshits, Catriona Kelly
and Aschen Mikoyan, for sharing their knowledge, criticism and support.
Taste of Trust:
Documenting Solidarity in Soviet Private Cookbooks, 1950–1980s
ABSTRACT
This paper investigates the problem of trust and solidarity as they were mirrored in
private manuscripts on cooking and housekeeping, and traces the circulation of culinary information within specific social networks. Soviet handwritten cookbooks,
though rooted in the nineteenth-century tradition, constituted a phenomenon in
and of themselves. They maintained and transmitted everyday knowledge on cooking, which was perceived as being opposed to state-published cooking books and
brochures. Gastronomical models represented by The Book of Tasty and Healthy
Food and other culinary writings were beyond reach of an average Soviet citizen. On
the one hand, this inaccessibility aroused huge scepticism; on the other hand, it invigorated «invisible cuisine» – an informal exchange of routine culinary skills that
had aimed to accommodate official quasi-reality to the Soviet everyday life, and to
reconcile a dream with a real food basket. Up until perestroika, private cookbooks
functioned not only as a corpus of personal skills that could both compensate flaws
of economics of shortage and control everyday life, but also an important tool of
gender socialisation that could be used to support social prestige, create solidarity
and reinforce social bonds.
DOI: 10.17104/1611-8944-2017-3-330
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Maria Pirogovskaya
European University at St. Petersburg
Department of Anthropology
3 Gagarinskaya
RU–191187 St. Petersburg
mpirogovskaya@eu.spb.ru