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Jones O. 2009. Dwelling. In Kitchin R, Thrift N (eds) International Encyclopedia of Human Geography, Volume 3,
pp. 266–272. Oxford: Elsevier.
ISBN: 978-0-08-044911-1
© Copyright 2009 Elsevier Ltd.
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Dwelling
O. Jones, CCRI, Cheltenham, UK
& 2009 Elsevier Ltd. All rights reserved.
Glossary
Affect The vital systems of life beyond or pre rational,
reflexive thought and language use.
Agency The capacity to act creatively.
Becoming A view of life as always in creation and thus
always in motion and only possessing immanent and
emergent form rather than static, predetermined form.
Embodiment An approach which takes bodies
seriously as against the mind–body dualism.
Hybridity The understanding that much of life is only
possible through routine interconnections of differing
types of things and the idea that bodies themselves are
not singular and pure but multifaceted in form, origin,
function, and identity.
Taskscape Landscapes and places made by the
repeating actions of organisms over time.
Introduction
Dwelling approaches life as a process of being-in-theworld which is open to the world. Human and nonhuman
life is read as an immediate, yet also enduring, relational
process of bodies-in-environment (space and place)
which are (with variation) mobile, sensing, engaging,
responding, exchanging, making, using, remembering,
and knowing. This process-based, vitalist view of life is
closely linked to phenomenology, and stands in opposition to dualized, rational Cartesian-based approaches.
As Tim Ingold suggests when setting out Heidegger’s
foundational work on this concept, dwelling encompasses
the whole manner in which one lives one’s life on the
Earth; thus ‘‘I dwell, you dwell’’ is identical to ‘‘I am, you
are.’’ For Heidegger, to be a human means to be on the
Earth as a mortal. It means to dwell. This offers an
alternative to Descartes’ cogito – ‘I think, therefore I am’ –
the foundation of rationalism which helped set up/
reinforce a series of persistent, related dualisms including
those of mind–body, subject–object, society–nature, and
human–nonhuman. These, some argue, are impediments
to understanding the relational nature of life, not least in
terms of important questions of humans in nature/environment/place, and environmental sustainability.
Dwelling is thus offered as an alternative ground from
which human and nonhuman life can be rethought.
Given its focus on the body, which is inevitably in place
and at the center of its own space, it has been an important theme within geography for those thinking about
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space, place, and landscape, and within related disciplines
such as sociology, anthropology, archaeology, and landscape studies, which also address questions of society,
nature, and environment. In recent times, there has been
an upturn of interest in dwelling as various disciplines
seek to develop richer, relational, process-based notions
of life in terms of ecological relations, hybridity, affect,
posthumanism, performativity, and nonrepresentation.
Dwelling differs from social construction approaches
to life/nature through its stressing of the physical, the
relational, the senses, the orchestration of body and
space/environment. It has more affinity with other relational process views such as actor network theory
(ANT). It differs in that it retains a topographical interest
in space as place and the space that moves with and
around bodies, whereas ANT takes a more technogrammatic, topological approach to unfolding life.
Dwelling takes an ecological view of how humans and
other animals make and inhabit ‘life-worlds’ through
registers of specific bodily practice. It can be used to
consider places and landscapes as temporal extensions
and entanglements where all manner of beings, things,
and processes come into specific relations and settle out
into the varied patterning that marks the world.
Foundations
The genesis of the concept, as discussed here, can be
precisely located in Heidegger’s (Figure 1) essay Building
Figure 1 Martin Heidegger (1889–1976).
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Dwelling Thinking. This was one of the seven essays in the
work Poetry, Language, Thought, but the notion of dwelling
captures much of the ambitions in Heidegger’s later
work. It was thus part of the so-called ‘turn’ (Krhre) in
Heidegger’s thought through which he moved away from
some aspects of the position of Dasein set out in his earlier
work. Dasein, as is dwelling, is essentially a conception of
being-in-the world and being inseparable from the world.
It attempts to create a new ontology of being which more
or less reverses and reconnects the way in which the self
engages with the world as presented by Cartesian ontology.
In the later work the lived, temporal, mortal nature of
being continues to be a central theme but the focus is more
strongly on how being, and its spaces as places, are always
‘emergent, relational processes’ and thus continuous orchestrations of body, environment, culture, and time.
The turn to the ‘dwelling perspective’ is often explained in comparison to the ‘building perspective’. The
latter stands accused of seeing human thought and action
as somehow isolated from the world and thus in a position to impose on the world, to, in some cases, literally
build upon it ideally generated blueprints. The dwelling
perspective points out that any form of life emerges from
the world and there is never a gap, or break, in which
thought and practice can completely free itself. Any
building, including rational thought and knowledge,
emerges from dwelt life. The subject–object dualism is
scrambled and objective ‘views from nowhere’ impossible.
The continuities of dwelt life can be seen in
Heidegger’s most famous illustration of the concept. This
describes a 200-year-old peasant farmhouse in the
German Black Forest. It is built on the lee of a hill, facing
South, near meadows and a spring which supply sustenance. The form of the roof (pitch and overhanging
eves) is shaped to shelter the house from winter snow and
storms. The interior, with its rooms, artefacts, beds,
tables, cots, and shrines, is expressive of the lived lives.
Dwelt life is articulated and practiced though continuities of elements, bodies, processes, materials, artifacts,
and actions.
Nigel Thrift suggests that turn to dwelling can be
understood as a turn from thinking about space as an
abstract, a priori ground to be filled by life, to thinking
about place, in which relational transactions bring spaces,
always specifically articulated, into being. These alternative views of space as spacing are of obvious interest to
geography and reflect divisions that have, and still do
exist within it.
Things are critical to dwelling, and in a sense have
their own being. They ‘gather or unite’. To illustrate this,
Heidegger uses another oft-cited example of a bridge,
which, he suggests, does more than simply connect two
banks of a river. Rather it creates a place, and rearticulates the spaces and places, and the lives therein,
around it. This quite literal example should not obscure
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the idea that all things are connectors and assemblers,
Heidegger reminds us that the old German word for
‘thing’ meant as such. The plethora of things which fill
the world are tools by which selves create dwelt lives.
Other key elements are the decentering of the modern
human subject and a concern for nature and the environment as an active field. Heidegger states that the
Earth is the serving bearer, blossoming and fruiting,
spreading out in rock and water, rising up into plant and
animal and should be ‘spared’. This sparing of the Earth,
or of the things of the Earth, is letting something be the
way it is in itself. Such a letting-be is sharply contrasted
to the modern domination of things/nature. Not by
controlling or ruling, but by respectful sparing, can we be
open to the Earth appearing in its gifts. Here, we see a
proto-version of radical ecology, and indeed, some environmental philosophy does make specific connection to
Heidegger’s work.
Heidegger’s notion of dwelling has poetic and spiritual
dimensions, seeing continuities of dwelt life as preserving
‘the foursome’ – the unity of Earth, sky, gods, and mortals.
Heidegger’s desired authentic life requires these mystical
elements which are best expressed and judged by poetic
and spiritual vision. Dwelling is to be on the Earth as a
mortal, cultivating, constructing, and cherishing, but this
needs to be framed, judged, and given meaning by and
within the vastnesses of time, Earth, sky, and gods.
Heidegger considered that modernity, in the form of
industrialized capitalism, consumerism, and the spectacular society, forcibly detached the self from of the
world and thus stifled true dwelling. He was highly
critical of the technological age and its conception of, and
use of, things. Think of the contrast between craft, say a
carpenter – working with well-honed tools and skills to
make things out of an intimately known material, in a
process where skilled movement, material quality, and
technology are harmoniously orchestrated and expressed
in the process and the outcome – with industrial mass
production where workers might do repetitive, possibly
unskilled, isolated (from the wider process/outcome)
tasks. The poetry, soul, and (harmoniously) dwelt life is
missing from the latter. As we will see, later adaptations
of his ideas rejected this split between authentic (dwelt)
life and inauthentic (detached) life yet retained the
central idea of being-in-the-world.
Post-Heideggerian Dwelling.
Temporalities, Landscapes, Taskscapes,
and Politics
Heidegger’s ideas have been hugely important in (re)shaping ontologies of life and in understandings of how
life is lived in space, place, and landscapes as they have
been carried forward in various disciplines. Significant
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developments in anthropology, archaeology, and sociology have been underpinned by the work of Tim Ingold,
Barbra Bender, and others. Ingold’s influential work on
dwelling is set out in two main articles ‘The temporality
of the landscape’ and ‘Building, dwelling, and living’, and
four other related articles, all now collected together
under the heading ‘Dwelling’ in a collection of his published works.
Ingold takes Heidegger’s notion of dwelling and
combines it with the related phenomenology of MerleauPonty, elements of ecological physiology, and Bordieu’s
theory of practice. For Ingold, dwelling is a perspective
that treats ‘‘the immersion of the organism-person in an
environment or life-world as an inescapable condition of
existence.’’ The world continually comes into being with
and around the inhabitant, and its constituents take on
significance through their incorporation into a regular
pattern of life activity. There is an overt continuation of
Heidegger’s dwelling, but there is also an important
difference. In Heidegger, dwelt life was considered to be
eroded to the point of extinction by modernity. For
Ingold, ‘‘dwelling is the inevitable form of life. All living
things dwell, thus it becomes universally applicable to
human and nonhuman life.’’
The qualities of each dwelt life might be markedly
different, but it is not a case of dwelt or undwelt life. All
of life and its skills and practices stem from an ecology of
action which is emergent, relational, and extended
through ‘hybrid’ articulations of bodies/materials/practices. Life and its spacings are always unfolding. We grow
up in the world and inevitably it enters us. Ingold
describes how human children, like the young of many
other species, grow up in environments furnished by the
Figure 2 The Harvesters; Pieter Bruegel the Elder.
work of previous generations, and as they do so they
come to carry the forms of their dwellings in their
bodies – in specific skills, sensibilities, and dispositions.
Ingold’s primary concern has been to move understandings in archaeology and sociocultural anthropology
from the ‘building perspective’ to the ‘dwelling perspective’. To do this, Ingold considers the buildings/
architecture of humans and nonhumans as extensions of
Von Uexku+ll’s life-worlds, which suggest that each life
form dwells in a distinctive way and from this, practices
and forms (of whatever kind) stem. In doing so, the gulf
between human and nonhuman life, for example in terms
of architectures, is erased. Both emerge out of lived life
and are ongoing processes (albeit articulated in solid
material form).
As it is centered on ongoing emergence and its residues, dwelling inevitably brings temporality and process
to the center of considerations of places and landscapes
which are most obviously understood as spatial formations. Only by engaging with the temporal dimension
of practice can one begin to understand the natures of
current landscapes and how they are immanent to their
emergence rather than expressions of some fixed preformation. Specifically situated practice is all there, and
there is no generality apart from that.
Ingold illustrates his arguments with an analysis of
Pieter Bruegel the Elder’s painting The Harvesters
(Figure 2).
In the foreground of the painting is a pear tree.
Around it some people are harvesting a field of grain,
while others eat and rest in its shade, or are moving to
and fro along a path. A church stands half-concealed in
the background. A vista of landscape stretches away from
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the high-on-a-hill vantage point. Other distant churches
(markers of villages), fields, and woods can be seen.
Ingold considers the painting from the perspectives of
time, actions (repeated), and the specificity and the relational agency of the actors (human and nonhuman)
depicted. In effect, Ingold treats the landscape in the
same way that Heidegger considers the peasant house in
the Black Forest, thinking about how (dwelt) life flows in
and through the elements in the scene.
Agency is distributed between the humans and nonhumans depicted. There is an ongoing interplay of relations between elements, bodies, and time. The people
make the landscape through their bodies, treading the
path by repeated walking. The landscape marks them and
their practices, such as their walk being shaped by the
pull or push of the hill as they move to and fro, or the
actions of swinging a scythe. The shape of one moment of
the social that the painting depicts – the seated group
eating – is defined by the pool of shade made by the
relationship of the earth, the tree, and the sun.
Although life is emergent, a becoming in the ever
ongoing moment of the present, this takes place within
the (material, emotional, cultural) accretions of past
moments thickened and made enduring in various ways.
The emergent life of the tree is mapped in the precise
configuration of its branches. Like the churches in the
background, the tree not only embodies and marks
the temporal depth of the landscapes, it makes or gathers
the place/space around it. Dwelt life is thus both in the
now and in deep(er) time where past and present are
blurred together, not least through materiality, memory,
and (habitual) embodied practice.
Heidegger’s example of a peasant house and then
Ingold’s use of this picture has seemingly rendered dwelling as an expression of authentic rustic (past) life. This has
obscured its relevance to other forms of life which, on the
face of it, seem markedly different (e.g., contemporary
urban life which is addressed later in this article).
To capture the relational, emergent, creation of
landscape, Ingold coins the term ‘taskscape’, where the
spatiotemporal patterns of the environment take settled
physical form. But this is to make the point that all
landscapes (and places) are taskscapes (both human and
nonhuman) – the distinction between them (landscape
and taskscape) is ultimately dissolved. Cities, countrysides, wildernesses, etc., are all ‘hybrid’ taskscapes where
human and nonhuman are bound into specific relational,
dwelt, spatiotemporal patterns.
Recent eminent sociological approaches to nature
and landscape have made this post-Heideggerian form of
dwelling the theoretical hub of understanding of nature–
society relations as articulated in contested landscapes;
Macnaghten and Urry suggest that dwelling helps overcome the conflicts between ‘realist’ and ‘idealist’ approaches to nature and environment. They emphasize
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that it is specific, dwelt, social practices which produce
and transform different natures and different values.
These are spatially and temporally distributed tasks; the
past is continually redefined in terms of the present and
landscapes are never completed but are always subject to
contestation and renegotiation.
This highlights the important point that although
Heidegger and Ingold illustrate ideas of dwelling in apparently harmonious, authentic, rural settings, this does
not mean that power, contestation, economy are necessarily excluded. A political-economy analysis is also
possible of the Bruegel painting, and obvious questions of
power, ownership, unjust labor conditions might well
arise, but these do not negate the relationships that
Ingold highlights; however, these questions might make
them more complex, multiple, and contested. Ingold has
recently acknowledged that his development of dwelling
lacked overt political analysis and seeks to address this in
more recent articles.
Drawing upon Macnaghten and Urry’s work, Adrian
Franklin places dwelling at the heart of a new anthropology of nature which breaks through obstacles in
structuralist approaches to nature which ignored practice, practical knowledge, things, technologies, and embodied sensual experience. Franklin seeks to push
dwelling toward a more animated, turbulent vision of the
world unfolding in a burgeoning, far-reaching (in time
and space) interfolding of processes. He stresses the
material and the technological as woven into ‘social’
fabrics and concludes that the world looks different this
way and to see it and sense it requires a more active study
of engagement with the world.
The basic building blocks of this new anthropology
are unmediated perceptual knowledge, practical experience and knowledge of the world, the technologies that
link humans and nonhumans, the aesthetic and sensual
composition of experience, and the cultural choices
that are made in reference to these. These kinds of
interpretations and uses of dwelling link into current
interests in geography in affect, performativity, and
nonrepresentation which are considered below.
So, through the deployment of dwelling, nature and
the social (understood in an embodied, affective sense)
are refolded into relational co-constituting patternings
where the emergent territorializations become places
which are physically manifest topographical patterns,
but which remain open to the surrounding world and to
culture, politics, and economy.
As we have seen, ideas of Heideggerian and postHeideggerian dwelling have often been discussed and
illustrated through and in relation to ideas of rural
landscapes, home, nature, localness, and rootedness.
This sits uneasily with the apparently mobile, speededup, stretched-out urbanized nature of much of contemporary life. But in such life, embodied emersion in an
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environment, and time/space-deepened experience remains inevitable. New forms of repeated practices and
encounters still abound, such as commuting to work,
which may be seen as urban taskscapes. Examples of life
without place(s) (home, work, cities), rhythm, and repetition are rare or non-existent in large part because of the
very nature of our nature. Ideas of human and nonhuman
dwelling which center on the life-worlds made by bodyin-environment seem to be applicable to contemporary
urban life as anywhere else.
Dwelling and Geography
Heideggerian and post-Heideggerian dwelling has influenced various strands of human geography over the last
half-century or so. The former has been deployed in
ongoing streams of phenomenological and humanist
geographies; both in more recent geographies seeking
to develop posthuman geographies informed by poststructuralism, ANT, relationality, nonrepresentation emotion, and affect. Both these streams are seeking to establish
alternative ontologies and epistemologies of being on
which geographical understandings of life are based. In
addition to this, and more specifically, Heideggerian and
post-Heideggerian dwelling have offered very different
approaches to landscape to those within mid–late twentieth-century geography, but now, in conjunction with the
above, these are coming together in exciting new accounts
of landscape as described below.
Humanistic Geography and Phenomenology
From the 1970s onwards, humanistic geography sought to
develop understandings of social life embedded in subjectivity, space, place, and everyday life. In part, this was
to counter the prevailing geometric paradigm with its
concerns for abstract spatial relations which largely ignored subjective human experience and the emergent
nature of knowledge/practice. Some geographers, for
example John Pickles, turned to phenomenology to
underpin the approach, drawing particularly on the work
of Husserl, while others turned to Merleau-Ponty
and elements of existentialism. This shared much with
Heidegger’s approach centered on being-in-the-world
and focused very much upon how the world makes itself
known, and how it can be made known through study.
There are differences between Husserl’s and Heidegger’s
positions and some geographers sought to base
their phenomenological approaches more directly on
Heidegger, suspicious of the desire to reveal a universal
and a priori nature of the life-world, in the former.
Place became a central focus of some key expressions of
phenomenological and humanist geographies. Seamon
and Mugerauer’s Dwelling, place and environment published
in 1989, refers back to Heidegger, Bachelard, the
phenomenologist architecture of Christian NorbergSchulz, and pioneering geographers in this field – Yi-Fu
Tuan, Anne Buttimer, and Edward Relph for whom nature,
place, and architecture were key experiential milieu of
human life. Within these broad aims, various foci were to
be found: Seamon sought to understand the experiential
and contingent character of place through movement
(anticipating the movement in Ingold’s account of taskscape); Relph deployed Heidegger’s dwelling to escape from
crude notions of place as location; Tuan’s highly influential
work explored distinctions between space and place and
notions of ‘topophilia’ – the affective bond between people
and place which shared much with Heidegger’s idea of
dwelt life. These, and other, approaches of place have been
usefully summarized by Tim Creswell.
Geography and Landscape
Heideggerian and post-Heideggerian dwelling shares
some traits with the Sauerian approaches to landscape
which were prominent in mid-twentieth-century geography in that both are interested in interrelations between humans and the environment. However, whereas
Sauer developed an approach aimed at scientific mapping
of the transformation of natural landscapes into cultural
landscapes, dwelling sees the production of landscape as
more thoroughly relational, and not on some unidirectional trajectory of nature to culture. This is a
dualism in which dwelling does not even acknowledge.
Later cultural geographies of landscape, which ‘read’
landscapes as constructed texts and expressions of power
(colonial, gender, economic, ideological), differ from
dwelling in that they do not focus on the emergent
coming-into-beingness of landscape in which the properties, vitalities, agencies, trajectories, and velocities of
humans and nonhumans (rocks, weather patterns, plants,
animals, people, technologies) combine to produce a
unique chemistry out of which particular patterns of
landscape, place, and life form.
In recent works, new geographical approaches to
landscape and place have merged with wider ontological
and epistemological questions which have adopted
dwelling as part of their theoretical armory. This is because the latter are interested in bodies in place/space
and bodies in ongoing relational action ‘as central
elements of being’ and thus have often been discussed in
the context of rethinking landscape and place.
Ecologies of Places and Landscapes
Dwelling is being deployed within poststructuralist and
posthumanist geographies to counter, or develop, cultural
approaches which were deemed too constructionist and
too centered on the narrowly defined social. In some
cases, these deployments of dwelling have harked directly
back to the work of Heidegger, but they have also drawn
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upon post-Heideggerian dwelling, notably that of Ingold.
There has been a good deal of exchange between geography, sociology, and landscape studies as these new
configurations have developed.
Nigel Thrift and others frequently return to dwelling
to remind us of the basic principle of life being an embodied, embedded, relational unfolding process. This
manoeuvre is included in recent attempts to rejuvenate
ideas of place in geography in which a move from the
building perspective to the dwelling perspective is central. Thrift discusses ecologies of place, where places are
performed inter-being/material processes which coalesce
into known/knowable spatial forms but remain fully
wired into the flux of the wider world. Dwelling also
brings the past, memory, ‘hauntings’, and the contingencies of shared life into understandings of everyday
life/space, which more topological approaches, such as
ANT, find hard to pick up. For David Harvey the importance of Heidegger’s notion of dwelling is that it reminds us of how places are constructed in our memories
and affections through repeated encounters and complex
associations, and how place experiences are necessarily
time-deepened and memory-qualified. These new directions are important because the very idea of place has
come under critical scrutiny in some poststructuralist/
ANT-based geographical thinking and under pressure
from ideas of globalized flows, and yet, they remain a
critical aspect of everyday life, not least because of the
way in which life is dwelt life.
Geographies based upon Heideggerian dwelling (e.g.,
David Seamon and Robert Mugerauer) tried to show that
dwelling can deal with interconnection and flows in and
out of ‘place’ as well as connections within place, and the
newer deployments of dwelling continue in this vein. In
work on places and landscapes where trees are present,
Cloke and Jones address a number of questions within the
dwelling perspective. First, they problematize the dwelt/
authentic–undwelt inauthentic life dualism which is
present in Heidegger and, to some extent, subsequent
accounts of dwelling, by showing that the taskscape of an
orchard is a highly complex, hybrid assemblage of old
and new practices/technologies, material, and imaginative presences. Second, they problematize the dualism
between bounded space and network, by showing how
the orchard is simultaneously articulated in both senses
and could only be understood as such. Third, they
challenge the idea of landscape as a fixed/framed view
by placing the embodied (moving) witness within the
ever-changing landscape of movement, sound, light, and
smell. Dwelling implies being-in-the-landscape and once
that is allowed, then there is all the business of the moment to consider; for example, the dynamics of weather
and light, as well as the inevitable momentum of the past,
and this goes for all who experience the landscape –
visitors, workers, owners, and researchers.
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Performativity and Nonrepresentation
Dwelling has much affinity with artistic, poetic, and literary mappings of being-in-place/landscape, as the writer Jonathan Bate shows, and thus will be of interest in
relation to the increasingly evident intersections of
geographical and artistic interests. Recently some geographers have developed a more performative account of
dwelling. David Crouch, referring to Ingold’s practical
ontology in the world, feels that understandings of the
production of nature (in the form of gardening) need to
focus more strongly on the performative practice of
doing. More emphasis is placed on the moment of
emergence rather than on the field of emergence.
John Wylie suggests that Ingold’s approach offers a
potentially fruitful means of reconfiguring cultural
geographies of landscape within the ambit of embodied
practice and performativity but that it needs adjusting in
three ways.
First, the temporal aspects of dwelling need to take
more account of fleeting and mobile experiences, as well
as stressing known, habitual landscapes. He suggests that
dwelling as a form of phenomenological ontology should
be the milieu for material cultures and ways of being that
are productive of multiple spatialities and temporalities,
longstanding and momentary, rural and urban, fixed and
mobile, coherent and imaginary. In particular, it must
enable the register of the transient and the fleeting as well
as the enduring.
Second, attempts to move away from the visual as the
way of engaging with/reading the landscape need to be
tempered with the idea that the visual – the gaze – is
itself an embodied practice.
Third, geography needs to develop methods appropriate to a scripting and interrogation of embodied experiences. These developments, along with Harrison’s recent
exploration of Levinas’s view of dwelling with a concern
for its ethical resonances, mean that ideas of dwelling
within geography have again a renewed momentum.
Nonhuman Dwelling
One very interesting and important development in notions of dwelling is the use of the concept to consider
the lives of nonhumans. These often draw upon Von
Uexku+ll’s idea of life-world to stress the ‘intelligences’ of
dwelt animal life, how they are markedly various, and
how they intersect; all this with the view of understanding human dwelling. Sarah Whatmore and Steve
Hinchcliffe in their work on cities which are ‘habitable’
(for humans and nonhumans alike) consider animals and
their urban dwellings as more-than-human agents exercising unbidden, improvised, and sometimes, disruptive
energies.
A recognition of dwelt animal life-worlds has significant implications for understanding the being of animals.
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Dwelling
As the philosopher Raimond Gaita points out, an animal’s intelligence is entirely active, its understanding
entirely practical. In other words, animals practice embodied, practical, enacted knowledges – as self, being,
and ‘voice’. This challenges anthropocentrism and anthropomorphism. We all dwell, and there are commonalities which can be considered. It also links directly to
questions of animal welfare. It is of note that organizations such as Compassion in World Farming see the
Cartesian architecture of modern knowledge as culpable
for denying animal rights. The appeal for domesticated,
zoo, and companion animals to be able to express their
natural behavior as much as possible is, in effect, an
appeal to let them dwell in their environment, and thus
create their life-worlds and practice their enacted being.
Such arguments have been developed by Jones as a way
of countering ANT ideas of symmetry and purely relational identity in which the dwelt becomings of animals
might get lost.
Final Points
It is the recognition in dwelling of the rich, intimate,
creative ongoing togetherness of beings and things, the
recognition of agency other than human, the recognition
of time-deepened processes, embodied experience, the
experience of rootedness, the richness of things together
over time, and the recognition of specificity, which makes
it such a potent approach in posthumanist geography.
Dwelling is one conceptualization amongst others at
work in human geography that together are trying to
build a fuller account of the complex processes of life,
which does not divide off and privilege the ‘social’ in
narrow terms, and see the social just in reflexive, rational,
language-based terms. Doreen Massey is critical of
Heidegger’s notion of place as being too rooted but, she
adds that in principle his reformulation of space as place
seems to point in the right direction.
See also: Actor-Network Theory/Network Geographies;
Affect; Becoming; Ecology; Emotional Geographies;
Humanism/Humanistic Geography; Hybridity; Landscape;
Non-Representational Theory/Non-Representational
Geographies; Performativity; Phenomenology/
Phenomenological Geography; Place; Posthumanism/
Posthumanistic Geographies.
Further Reading
Bate, J. (2001). The Song of the Earth. London: Picador.
Buttimer, A. (1976). Grasping the dynamism of the life-worlds. Annals of
the Association of American Geographers 66, 277--292.
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Relevant Website
http://pegasus.cc.ucf.edu
Place and Space in Geography, Environment, Environmental Ethics,
Ecology, Research on Place and Space; Pegasus, University of
Central Florida.