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SHS Web of Conferences
This study aims to foster the spirit of nationalism and or national insight in students at MTs Miftahul Ulum, Gowa Regency through Indonesian genre films. Film is a medium that is easily understood and digested by students compared to other media that tend to be conventional. The method used is watching Indonesian genre films. Through watching this film, students gain an aspect of consciousness, so that after watching the film, students feel and bring up in their minds the importance of protecting and loving Indonesia, both as a homeland and as a nation. The results showed that after they finished watching several films such as: Denias, Senandung di Atas Awan and Tanah Surga “Katanya”, it showed that they were able to have knowledge and understanding that nationalism and national insight were not only about fighting the colonialists (Dutch and Japanese Colonial). They have an understanding that nationalism can be expressed in different forms according to the context of the era. Stud...
Humaniora, 2023
Andrea T. Durian & Patrick Rosye Soriano, 2024
The study delves into the significance of social film dramas, particularly in countries like the Philippines and the United States, aiming to analyze their ability to reflect and influence societal perspectives. By comparing Filipino and Hollywood social film dramas, the research examines their evolution. The Related Literature explores social film dramas' exploration of contemporary societal issues, highlighting Filipino films' vivid portrayal of real experiences and Western films' emphasis on character development. The research discusses a variety of techniques for films. Moreover, it examines the evolution of social film dramas over time, reflecting changes in storytelling techniques, cultural influences, and societal contexts. The study incorporates key theories in media studies, including the Entertainment Education Theory and the Framing Theory, to analyze how media shapes audience perceptions and addresses social concerns. The conceptual framework underscores the role of mass media, particularly television and films, in broadening perspectives on society and promoting societal change. The research employs a qualitative research design, specifically a Historical/Narrative Approach, to analyze 20 films from both regions, focusing on cinematography, subject positioning, and symbolism to understand their reflection of societal concerns. Overall, the study seeks to provide insights into the evolution and representation of social film dramas, shedding light on how these films engage with contemporary societal issues and cultural contexts while promoting empathy and advocacy for change.
Journal for the Study of Education and Development / Infancia y Aprendizaje, 2020
Historians increasingly acknowledge that popular media representing violent pasts reach large audiences, which in itself is a phenomenon worth investigating. Schoolteachers in particular experience on a daily basis the impact of popular genres on their students’ ideas of history. Young people read graphic historical novels, watch quiz shows on television or on YouTube, play (video) games, post selfies on Instagram or participate in living history activities. The way they gather and process information about the past is increasingly built on popular representations they encounter outside the classroom. The articles in this special issue seek to question how popular media represent sensitive issues from violent pasts in modern history — e.g., decolonization processes, civil wars, World War I/II, the Holocaust — and under what conditions these popular media can contribute to critical historical thinking. After all, while historians and educators wonder if and how historical violence should be represented, the fact is that many popular media — particularly commercial films and video games — actually place heroic battles and wars at the centre of their representations. Consequently, there is a likely risk of sanitizing and romanticizing violence and atrocities. Los historiadores reconocen cada vez más que los medios populares que representan pasados violentos llegan a grandes audiencias, y esto en sí constituye un fenómeno merecedor de estudio. En particular, los educadores son testigos a diario del impacto que los géneros populares tienen sobre las ideas del alumnado acerca de la historia. Los jóvenes leen novelas históricas gráficas, ven concursos televisivos o en YouTube, juegan videojuegos, publican selfis en Instagram o participan en actividades de historia viva. La manera en que recopilan y procesan información sobre el pasado se basa cada vez más en representaciones populares fuera del aula. Los artículos de este número especial intentan cuestionar cómo los medios populares representan en la historia moderna temas delicados de los pasados violentos — e.g., los procesos de descolonización, las guerras civiles, la Primera y Segunda Guerra Mundial, el Holocausto — y en qué condiciones pueden contribuir estos medios populares a un razonamiento histórico crítico. Después de todo, mientras los historiadores y educadores se preguntan si debe representarse la violencia histórica y, en su caso, cómo, el hecho es que muchos de los medios populares — en particular las películas comerciales y los videojuegos — centran sus representaciones en batallas y guerras heroicas. Como resultado, es probable el riesgo de blanquear e idealizar la violencia y las atrocidades.
Academia, 2023
Many individuals are not aware and misinformed about our country’s history or even ignorant with the true value of its morale, they say it by words but never came to action, they celebrate independence without acknowledging the ‘true’ definition of independence. With these films, I would encourage and suggest these mindsets to others as well as serve as a wake-up message that we face a greater threat than other countries seeking to dominate us, and that is ourselves. We must not only watch, but reflect our actions itself, on how these heroic mass trusted one another till death, like soldiers a mission should be accomplished successfully, and we Filipinos are in the process of the mission towards independence, ans one must ask by how?, just look how mindset and eagerness Luna and Sakay acted, they did not bow to any country except for the Philippines. Yes, a true heart of a Filipino.
Journal of Business and Social Review in Emerging Economies, 2020
Journal of Arts and Humanities, 2016
Watching popular films can help students take certain arguments in the theory of knowledge more seriously. Such claims bring to fore what the postmodernist critic Frederic Jameson (1998) refers to as the erosion of distinction between high culture (as represented by philosophy and the act of philosophizing) and popular culture (embodied by popular films) as when these products of mass culture are used as texts for philosophical and literary studies. The present study was designed to analyze popular Filipino films as text, in order to achieve the researcher's aims: one is to prove that movies can truly be philosophic and literary, by highlighting the dominant features of postmodernist fiction discernible in the selected contemporary films, and how these features were related to the overall narrative structure, characterization, and thematic content. More importantly, the paper underscores the relevance of Filipino traditional traces still present in the Filipino post modern.
Journal for the Study of Education and Development
Asian Journal of Media and Communication
Many scholars have alarmed the rise of new extreme nationalism in many countries which is actively promoted by some important national and international leaders. This paper examines the discourses of nationalism in popular culture and compares them with the nationalism ideas as promoted by those political leaders. Assuming that popular culture represents the bedrock belief of the society, this study has investigated the ideology of nationalism in 10 American and 10 Indonesian films applying the discourse historical approach from Ruth Wodak and Martin Reisigl. This study has identified nine features of nationalism in American films, i.e. us against them, saving life of Americans versus taking life of enemies, individual versus institutional hero, hero as common people, anti war narratives, individual versus national interest, absence of governmental supports, white as the dominant, and superpower. While six main features of nationalism in Indonesian films are against poverty, again...
M. A. Oliveira da Silva & M. F. Silva coords., Heródoto e a invenção do Outro. Confrontos e conflitos culturais, Coimbra, Imprensa da Universidade de Coimbra, 2024, 171-182., 2024
Critical Hermeneutics, 7 (2), 2023
Journal of Constructional Steel Research, 2019
Kullabygden: naturrikedom och kulturtradition, 2023
DergiPark (Istanbul University), 2008
Slovak Journal of Animal Science, 2019
Nutrition and Health, 2022
Acta Materialia, 2013
Confini. Arte, letteratura, storia e cultura della Romagna antica e contemporanea, 2023
PLOS ONE, 2023
Clinical Chemistry, 1999
arXiv (Cornell University), 2024