Learning from Fascism

Annali d'Italianistica 41 , 2023

1999

Constellations, 2008

2009

Theatre Symposium, 2020

Annali d'Italianistica 41 2023

In the following article we will illustrate some of the most actual and fertile tendencies in the study of Italian fascism and of its relationship to culture. We will start off from the viewpoint that fascism in Italy succeeded in obtaining a high degree of popular support. Following Renzo De Felice, it could be argued that mass consenso (consensus) was crucial to Mussolini’s survival. Presenting itself as the only choice for the new Italy, fascism did thus in a very real sense reach a certain degree of –albeit unstable- gramscian egemonia (hegemony). The latter was in its turn the consequence not only of the use of force, but also of a careful orchestration of public life and, on a higher level, of aesthetics, of culture. Hence, in a second part of our study, we will turn to some of the most interesting, so-called ‘culturalist’, studies of fascist, mostly visual, culture. We will conclude with an analysis of Italian fascism as a form of secular myth, as a political religion in which the mentioned fascist aesthetics also played a crucial role.