Notes Toward (Inhabiting) the Black Messianic in
Afro-Pessimism's Apocalyptic Thought
Andrew Santana Kaplan
The Comparatist, Volume 43, October 2019, pp. 68-89 (Article)
Published by The University of North Carolina Press
For additional information about this article
https://muse.jhu.edu/article/739698
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Andrew SAntAnA KAplAn
Notes Toward (Inhabiting) the Black Messianic
in Afro-Pessimism’s Apocalyptic Thought
There will be no peace in America until whites begin to hate their whiteness,
asking from the depths of their being: “How can we become black?”
James H. Cone,1 A Black Theology of Liberation
[To] allow[] the notion of freedom to attain the ethical purity of its
ontological status [i.e., as gratuitous rather than contingent], one would
have to lose one’s Human coordinates and become Black. Which is to say
one would have to die.
Frank B. Wilderson III, Red, White & Black
What shall we say then? Should we persist in sin so that grace might
abound? Let it not be! We who have died to sin, how shall we live in it? Or
are you unaware that we—as many as were baptized into the Messiah,2
Jesus—were baptized into his death? . . . For the one who has died is
absolved from sin. And, if we died with the Messiah, . . . [we] are not under
Law, but rather under grace. . . . And having been liberated from sin [we]
were enslaved to righteousness.
Paul the Apostle, Letter to the Romans
Argument
This essay aspires3 to put in contact two contemporary movements in radical political thought. The first is Afro-pessimism, coined by political theorist Frank B.
Wilderson III to name a set of thinkers who theorize the Middle Passage as modernity’s (ongoing) singular event, which invented anti-/Black positionality as the
World’s constitutive structure of antagonism. The second is the contemporary
turn to Paul by continental philosophers/theorists who attempt a modern reinterpretation of the Apostle’s apocalyptic announcement of the messianic event as a
paradigm for radical politics. This essay will argue that, on the one hand, Paul’s
apocalyptic-messianic framework can both elucidate and situate how Afropessimism uncompromisingly inhabits its antagonistic nonrelation to the World
as such. On the other hand, Afro-pessimism can show how Blackness, as Sai68
diya V. Hartman puts it, is “the position of the unthought” (185) that contemporary Paulinism is unconsciously parasitic upon—circumscribing its theorists’ attempt to radically formulate apocalyptic-messianic fidelity in the modern World.
The motivation for staging this encounter lies in their shared conviction that true
justice demands the end of the World.4 My essay aspires to dialogically elucidate this
shared conviction by constellating their homologous theses. Put explicitly in the
context of this special issue on pessimism: if it is still possible, in the wake of the
Middle Passage, to hear the Apostle’s summons to messianic life (Welborn 2015) and
outlaw justice (Jennings 2013), then, in modernity, Afro-pessimism is its singular
mode of fidelity. Accordingly, anything less than an unflinching fidelity to Afropessimism’s demand for the end of the World is, in the final analysis, complicit
with the katechontic-restraining-power-of-anti-Blackness.
methodology
This essay begins with an extended methodology on three concepts that will scaffold my approach to reading Afro-pessimism with contemporary Paulinism (and
vice versa). The methodology draws on: 1) Feuerbach’s notion of the capacity to
develop another’s idea, which will suggest how I intend to arrive at “the Black
messianic” through the aforementioned discourses; 2) Agamben’s theses on the
paradigm, which will elaborate the significance of maintaining the logic of singularity belonging to (the analysis of) anti-/Blackness; and 3) Calvin Warren’s notion
of Black being, which will establish how modernity constitutes itself through the
metaphysical invention of Blackness as (the incarnation of) nothingness. This
methodological scaffolding then gives way to subsequent sections constellating
concepts from Afro-pessimism and contemporary Paulinism. They will show how
the former’s apocalyptic thought tacitly gestures to the logic of the messianic, and
how the latter’s messianic thought tacitly gestures to the paradigmatic singularity
of Blackness—together yielding the paradigm of the Black messianic. Space does
not allow for me to be exhaustive; this includes neither doing justice to the range
of contributions to each area of thought nor teasing out all the conceptual nuances
in tension both within and across them; this essay is but a gesture toward a line of
thought I aspire to continue elaborating.
FeuerbAch ’ S EntwicklungsfähigkigkEit
In the introduction to Agamben’s Philosophical Lineage (2017), Adam Kotsko and
Carlo Salzani include a section on Feuerbach’s notion of Entwicklungsfähigkigkeit
[“capacity for elaboration”] as the last of four key concepts (including tradition,
study, and citation) for understanding “Agamben as a reader.” In the preface to
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69
his 1837 book on Leibniz’s philosophy, Feuerbach “called the ‘essential’ task of philosophy that of ‘immanent elaboration,’ which makes the ‘capacity for elaboration
the very mark of what philosophy is’” (Kotsko and Salzani 9). It is in the spirit
of this philosophical task that I pursue the immanent elaboration of the “unsaid”
in Afro-pessimism and contemporary Paulinism. As Kotsko and Salzani explain:
“This ‘germ’ is the ‘potentiality’ of a work that, while present, remains unstated
and undeveloped, and thus is left for others to unveil and elaborate in different
ways.” I aspire to show how Blackness is the undeveloped potentiality in contemporary continental Paulinism and how the messianic is the unstated idea in Afropessimism’s apocalyptic thought. Yet, this pursuit inherently risks taking the undeveloped potentiality of the Black messianic—the singular dialectical image that
flashes in the constellation of these discourses5—in “directions unforeseen[,] and
perhaps undesired[,] by the author[s], and thus transform[s] into something no
longer attributable to them” (Kotsko and Salzani 10). On this note, Agamben suggests that it “is precisely when one follows [Feuerbach’s] principle that the difference between what belongs to the author of a work and what is attributable to the
interpreter becomes as essential as it is difficult to grasp” (Signature 8). I follow such
a principle in constellating Afro-pessimism and contemporary Paulinism because,
as Feuerbach emphasizes, “critique lies in elaboration itself ” insofar as critique “is
possible only through the separation of the essential from the accidental” (qtd. in
Kotsko and Salzani 10). Accordingly, I argue that what is essential for hearing and
attending to Paul’s apocalyptic-messianic announcement in modernity is the paradigm of anti-/Blackness.
AgAmben ’ S theSeS on the pArAdigm
Agamben opens “What is a Paradigm?” (2009) by noting a decisive methodological
misunderstanding of his Homo Sacer project by readers who presume it to be primarily historiographical. Though his figures “are all actual historical phenomena,”
he clarifies that “I nonetheless treated them as paradigms whose role was to constitute and make intelligible a broader historical-problematic context” (Signature 9).
Agamben posits six theses defining the paradigm. First, a “paradigm is a form of
knowledge that is neither inductive” (i.e., that moves from the particular to the
general) “nor deductive” (i.e., that moves from the general to the particular) “but
analogical,” which “moves from singularity to singularity” (31). The paradigm is not
merely a particular phenomenon, nor is it a universal, but is rather “a singular case
that is isolated from its context only insofar as, by exhibiting its own singularity, it
makes intelligible a new ensemble” (18). Thus, the paradigm is an analogical6 figure
that, by standing “beside” the set of phenomena it “exhibits” (para-deiknynai), does
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not exactly belong to the set, but remains singular in its immanent constitution of
the new ensemble’s intelligibility.
Agamben’s second thesis on the paradigm claims that it supplants the “dichotomous logic” of universal/particular “with a bipolar analogical model” (Signature
31). As an example, consider Warren’s study of Ontological Terror (2018), where
he situates the antebellum free Black “alongside metaphysical violence to illumine
the paradigm of black nothingness” (20). Following standard dichotomous logic,
Humans think of racial-chattel-slavery as a particular historical phenomenon, with
Being as the universal register of Humanity (to which the Black presumptively belongs). But the analogical model posed by the free-Black paradigmatically exhibits
the bipolar structure of modernity—Human-Freedom and Black-Slavery—insofar
as the former-pole constitutively excludes the latter-pole by policing its threshold
with ontological terror. That is, the free-Black paradoxically illuminates Blackness’s
metaphysical nothingness in that its emancipation is structurally met with the
gratuitous violence characteristic of racial-chattel-slavery. This is the case because
Blackness is ontologically synonymous with (modern) Slavery, which makes the
singular analogical figuration of the free-Black a metaphysical impossibility (i.e.,
Black nothingness) within modernity’s bipolar field. And such an understanding is
foreclosed by the World’s dichotomous logic of universal/particular.
Warren’s example gives way to Agamben’s third thesis, where the “paradigmatic case becomes such by suspending and, at the same time, exposing its belonging to the group, so that it is never possible to separate its exemplarity from
its singularity.” Warren suspends the exemplary case of the antebellum “free” Black
from its historical context to expose Blackness’s singular position of ontological enslavement. Likewise, Afro-pessimism’s paradigmatic analysis suspends the exemplary impossibility of Black testimony—since anti-Blackness is the very grammar
that makes Human testimony possible in the World—to expose Blackness’s singular condition of ontological muteness (see Wilderson, “The Vengeance of Vertigo:
Aphasia and Abjection in the Political Trials of Black Insurgents” [2011]). Agamben’s fourth thesis further illuminates this dynamic: “The paradigmatic group is
never presupposed by the paradigms; rather, it is immanent in them.” For Afropessimism, Blackness cannot be presupposed because it is constitutively foreclosed
by the grammar providing presuppositions’ intelligibility; thus, Black nothingness can only realize (a semblance of) “intelligibility” immanent in its paradigmatic analysis. This is possible because, as Agamben’s fifth thesis claims, in the
paradigm “every phenomenon is the origin [archē],” which accounts (in part) for
why Afro-pessimism insists on modernity’s foundation in anti-Blackness. Without
such a claim, an analysis of anti-Blackness at best regresses to a politics of coalition
positing the Black as a possible participant in the World; whereas Afro-pessimism
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demands the World’s end in the name of Blackness’s singular ontological foreclosure. Finally, the foundational claim immanent in Afro-pessimism’s paradigmatic
analysis is elucidated by Agamben’s sixth thesis: “The historicity of the paradigm
lies neither in diachrony nor in synchrony but in a crossing of the two” (Signature 31). Afro-pessimism’s analysis of anti-Blackness is reducible neither to the historical development of “a single carceral continuum” (Wacquant 52) nor to the specific phenomenon of racial-chattel-slavery; it is instead “a crossing of the two” that
renders intelligible modernity’s constitutive grammar of gratuitous violence, which
structurally positions Blackness in and as non-Being.
As I hope to have shown, I believe Agamben’s theses help elaborate the function/logic of Afro-pessimism’s paradigmatic analysis—as well as lay the groundwork for my hypothesis of the Black messianic as the Pauline paradigm for inhabiting Afro-pessimism’s apocalyptic thought.
wArren ’ S blAcK being
Modernity invented Blackness to function as the paradigm of metaphysical nothingness in the World, with the Black as its existential incarnation. The paradigmatic form Black Being takes in the World is the anti-Human Slave. As such, the
Black is not simply contiguous with the slave of antiquity, who remains Human
(see Aristotle, Politics 8 [book I, chapter 5]; Agamben, Use of Bodies 78–79); the
modern Slave is racialized livestock. While anthropogenesis—the becomingHuman of the Human—once maintained its zone of indistinction between
Human and Animal through the paradigm of the slave of antiquity, its threshold
of indistinction in modernity is catastrophically collapsed, reified, and forgotten
in racial-chattel-slavery. As Fanon observes, the Slave “is reduced to the state of an
animal” (Wretched 7). Constituted as racialized livestock in modern Slavery, the
Black is ontologically dead in the World. Hartman poignantly describes this phenomenon through its perverse logic of resurrection: “Slavery annulled lives, transforming men and women into dead matter, and then resuscitated them for servitude. Toiling away in the aftermath of death could only be a curse, not a miracle”
(Lose Your Mother 68).
Afro-pessimism takes up Orlando Patterson’s sociological conception of social
death (vis-à-vis civil society) by way of Fanon’s phenomenological and psychoanalytic conception of the zone of non-Being (vis-à-vis the World) to theorize the
Black/Slave’s politico-ontological death. Warren’s conception of Black being elaborates these contributions through a rigorous engagement with fundamental ontology. I draw on his Black nihilist7 thought because I contend that any account
of the political in modernity can only be properly theorized as always already
grounded in the metaphysics of fundamental ontology. Such an understanding re72
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veals the significance of the apocalyptic-messianic for any truly radical thought
since the real task of radical politics is to destroy the ontological order—the structure and horizon of the World—so as to transvalue all values through, following
Fanon, the introduction of invention into existence.
Warren starts to build a way to ask “the question of Black being” by observing
that it “opens us onto a horizon of representational and conceptual crisis.” Given
that modernity is founded on the simultaneous invention and foreclosure of Blackness from Being-in-the-World, such a question is literally impossible to think
within the horizon of anti-Blackness we are thrown into. As Warren explains: “the
proliferation and permanence of necropolitical agendas” demands “an address”
that “seems impossible” because “the discursive material we use to formulate an
answer is also called into question” (26). Warren lays out three propositions to
address the metaphysical function of Black being. The first two have been previously established in this essay: 1) the Black incarnates and performs the ontological
function of nothingness “that a metaphysical world tries tirelessly to eradicate”;
2) Blackness is invented in modernity’s “ontometaphysical holocaust that destroys
the coordinates of African existence.” Warren calls the “condition of this permanent severing between black being and Being,” the execration of Being—and he
calls the ontological murder that results from it, onticide. This is how “Being curses
black being by creating an entity unintelligible within the field of ontology.” Warren’s third proposition emerges from his paradigm of the “free” Black. It lays out
the stakes of a requisite—while paradoxically impossible—ontological account of
Blackness in order to build a way toward theorizing the conditions for Black liberation. He writes: 3) “The terms free and black do not just present political problems
of citizenship, rights, and inclusion, but also serious ontological problems, since
the boundaries of ontology—between human and property and freedom and unfreedom—are thrown into crisis with the presence of the free black” (27). The fundamental ontological problems that the “free” Black presents leads Warren to make
a decisive distinction: between emancipation and freedom. The conflation of this
juridical term with this ontological term is mistaken insofar as the Black’s emancipation from slavery in no way yields access to Human freedom. This is why the
Worldly privileging of citizenship, rights, and inclusion fundamentally reinforces
our constitutive forgetfulness of the question of Black being.
Warren uses Heidegger as a guide through the problem of metaphysics and
the question of Being, but ultimately departs from him given Heidegger’s investment in a project that constitutively requires anti-Blackness. He argues that if Black
being “constitutes the problem at the center of ontometaphysics,” then “Heidegger’s Destrukution [of metaphysics] relies on the indestructibility of antiblackness
in modernity.” Warren elaborates this internal limitation of Heidegger’s project
with the tacit invocation (and condemnation) of Derrida’s deconstructive insight:
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Heidegger’s conception of “destruction depends on the kernel of indestructability
at its core”; and anti-Blackness is “the name of this indestructible element because
black being’s function within metaphysics is to inhabit this void of relationality” constitutive of Being in modernity (32). Incarnating modernity’s metaphysical void,
Blackness’s “pure function” is to preserve the anthropogenic segregation of Human
and Animal that provides the grammar for asking the question of Being. In order
to thus preserve its metaphysical void, the modern World
systematically murders [black] relationality, so that to be born black within modernity is to have always already been the material effect of an ontological murder.
In other words, antiblackness is the systematic and global death of this primordial
relation [to the Being], and whether the Negro attempts to write him/herself into
existence or not, this death has already occurred. (41)
Yet, if the Black is dead on arrival in the World, then perhaps Paul’s apocalypticmessianic model of inhabiting ontological death can help build a way to “stay in
the hold of the [Slave] ship” (Wilderson, Red, White & Black xi).
critchley ’ S pAuline meontology &
FAnon ’ S tAbulA rASA
Warren’s Black nihilism could be conceived as a meontology of Blackness, providing a starting point for this essay’s constellational aspirations. Simon Critchley’s
The Faith of the Faithless (2012) includes a section on Paul’s singular notion of hos
me [“as not”], which Critchley describes as “a meontology, an account of things
that are not.” Critchley notes that Paul’s is in fact a “double meontology:” the
Apostle announces simultaneously the passing figure of this World and the “becoming nothing” of Worldly entities (178). As Paul writes in 1 Corinthians: “God
has chosen the things that are not (ta me onta) in order to bring to nought those
that are (ta onta)” (1:28; qtd. in Critchley 178). Paul’s meontology is fundamentally
antagonistic to, and thus indiscernible in, Being. Drawing on Badiou, Critchley
notes that “Paul is announcing . . . an event which is not,” and an event is “indiscernible in the situation”—whether the situation be the Roman Empire or modernity.
Though Critchley does not name the Black’s singular incarnation of nothingness
in the modern World, he unconsciously invokes the paradigm of Blackness when
noting that Paul’s meontology announces “why we must become the filth of the
world” (178).
Critchley proceeds to ask: “How does one live in a world that is trash when one
has declared oneself the trash of the world?” This is where Paul’s notion of as not is
decisive—and the modern condition of Blackness perversely incarnates its paradigmatic function. For instance, one finds Critchley’s Pauline question to rever74
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berate in Christina Sharpe’s contemplation of being in the wake of the Middle Passage: “What, then, are the ongoing coordinates and effects of the wake, and what
does it mean to inhabit that Fanonian ‘zone of non-Being’ within and after slavery’s
denial of Black humanity?” (20). Critchley responds by claiming one lives in fidelity
to “an anguished community, an abased community, an ecclesia [“church”] of the
wretched of the earth, living in the world” as not “by attending to a call or demand
that is not of this world” (178–79). Following these allusions to Fanon, I would
suggest that, contrary to Agamben’s notion that the “Theses on the Philosophy of
History” (1968) show Benjamin to be Paul’s modern inheritor, The Wretched of the
Earth (2004) has a stronger claim to the Apostle’s meontological signature (providing, in lieu of its postcolonial discourse, one abides by Wilderson’s paradigmatic
privileging of Black Skin, White Masks [1994], which is instead “predicated on [the
Slave’s singular] need to put the Human out of the picture”; Red, White & Black
122). One can hear this meontological signature when Fanon writes on the first
page that “decolonization is quite simply the substitution of one ‘species’ of mankind by another.” He apocalyptically adds that this “substitution is unconditional,
absolute, total, and seamless.” Accordingly, Fanon’s meontological revelation goes
on to “describe the kind of tabula rasa which from the outset defines any decolonization.” And it is decisive that the apocalyptic-messianic announcement “starts
from the very first day with the basic claims” of the Slave because the only “proof of
success lies in a social fabric that has been changed inside out” (Wretched 1). To attend to the Black messianic call that is not of this World8 is thus “clearly an agenda
for total disorder” (2)—which is how I conceive the Black meontological as not.
ŽiŽeK ’ S trAumAtic meSSiAnic Kernel &
wilderSon ’ S end oF redemption
I will now show how the Black messianic inhabitation of nothingness is, decisively,
beyond redemption. To begin, in The Fragile Absolute (2009), Žižek questions the
Foucauldian thesis that psychoanalysis is the teleological culmination of Christianity’s confessionary mode of discourse. Instead, he situates psychoanalysis in
its “originary Jewish attitude” toward tradition’s irreducible spectral presence. This
specter, Žižek argues, “entails the acceptance and admission that all of our discursive
formations are forever haunted by some ‘indivisible remainder’ . . . that resists ‘confession’” and, accordingly, “in Christian terms, can never be redeemed-delivered.”
Though Žižek does not consider modernity’s paradigm for this “traumatic kernel
which persists as the obscene/monstrous ‘undead’ remainder” that “keeps the discursive universe ‘alive’” (98), he does provide an apt description of the condition/
function of Black being. In this way, he helps build a way for psychoanalysis (and
the messianic) to become a “black art and science” (Sexton and Barber). Žižek’s
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unknowing contribution to a Black (messianic) psychoanalysis hinges on his point
that it entails “the acceptance of the very fact that our lives involve a traumatic
kernel beyond redemption, that there is a dimension of our being which forever
resists redemption-deliverance” (98). But is Žižek’s Judeo-psychoanalytic insight
thus incompatible with a Pauline messianic discourse? Here, his Hegelian reading
of Christianity’s immanent sublation of Judaism can speak to the place of the messianic remnant beyond redemption.
In The Puppet and the Dwarf (2003), Žižek argues that while Judaism preserves
the transcendence of its spectral trauma in an ineffably distant God (e.g. consider
the Book of Job), in Christianity, this traumatic distance becomes immanent in the
event of the Messiah’s crucifixion. More precisely, this transformation occurs in
Jesus’s being forsaken on the Cross: “We are one with God only when God is no
longer one with Himself, but abandons Himself, ‘internalizes’ the radical distance
which separates us from Him. . . . [O]nly when I experience the infinite pain of
separation from God do I share an experience with God Himself (Christ on the
Cross)” (91). The Messiah is subtracted from transcendence once God’s separation becomes-immanent in the World through the event of crucifixion. In modernity, the paradigm for this traumatic kernel of immanent-separation is Blackness.
As James Cone argues, the modern-day cross is the lynching tree (The Cross and the
Lynching Tree [2011]). And the lynching tree’s infinite pain of separation—repeated
through all of its contemporary necropolitical modalities—is but a reiteration of its
evental precedent in racial-chattel-slavery that forecloses redemption to Blackness.
Wilderson’s analysis of anti-Blackness poignantly dovetails with Žižek’s claim
regarding the necessary function of the irredeemable for cohering the symbolic
universe of redemption. In “Afro-pessimism and the End of Redemption” (2017),
Wilderson argues that Blackness is “both barred from the denouement of redemption and, simultaneously, needed if redemption is to attain any form of coherence.” Blackness marks the end of redemption because its ontological death,
its metaphysical nothingness, is fundamentally aporetic to (and thus haunts) the
discursive-symbolic universe of Humanist narratology—which provides the very
grammar for historical redemption in modernity. Black being is necessary for the
redemption of degraded Humanity insofar as Blackness’s “[a]bject inhumanity
stabilizes the redemption of [Whites] who do not need it, just as it mobilizes the
narrative project of [non-Blacks] who strive to be re-redeemed.” Most explicitly
significant for my idiosyncratic understanding of the Black messianic (in contradistinction to standard Paulinism), Wilderson confronts us with the devastating
fact that the narratological form of historical redemption “exposes redemption as
an anti-Black modality.” Accordingly, I propose that it is essential to reconceive the
messianic subtracted from the narratology of redemption (and thus, importantly,
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also from eschatology9): instead, the Black messianic’s “real leap consists in introducing invention into existence” (Fanon, Black Skin 229).
Paired with his theorization of the irredeemable kernel, Žižek’s discussion of the
Pauline remnant can help elaborate Afro-pessimism’s tacit Black messianic politics
beyond redemption. Žižek argues that “the singular agent of radical universality
is the Remainder itself, that which has no proper place in the ‘official’ universality
[of redemption] grounded in [the Black state of] exception” (Puppet 109). Because
Black being lacks “any specific difference” in the World’s universal set of particular
identities, it singularly “stands for the absolute difference” between Human and
anti-Human—which is to say “for pure Difference as such.” This pure Difference,
Žižek claims, marks “Pauline universality” as “a ‘struggling universality,’ a universality the actual existence of which is a radical division which cuts through the
entire particular content” of the World (109). However, since anti-Blackness is constitutive of any grammar of the universal in modernity, I will instead proceed by
considering Agamben’s logic of the messianic remnant that refuses universalism
(cf. Badiou, Saint Paul: The Foundation of Universalism [2003]). Doing so will lead
me to Hortense Spillers’s theorization of the ungendered captive flesh as, I suggest,
modernity’s singular biopolitical remnant in the wake of the Middle Passage.
AgAmben ’ S meSSiAnic remnAnt &
SpillerS ’ S cAptive FleSh
Before constellating Agamben’s commentary on the messianic remnant with Spillers’s theorization of the captive flesh, it would be useful to begin with his emphasis
at the start of The Time that Remains (2005) on Paul’s self-proclaimed status of
being a slave to the Messiah. As Agamben notes: “Even before he presents himself as
an apostle, Paul chooses to present himself to the Romans as a slave,” which “refers
to a profane juridical condition and at the same time refers to the transformation
that this condition undergoes in its relation to the messianic event” (12). What Paul
seeks to exhibit in this equivocal self-presentation is “the neutralization that the
divisions of the law and all juridical and social conditions in general undergo” in
the aftermath of the messianic event (13). Though it is important to observe that
this neutralization does not occur as a matter of “fact” within the empirical and
hermeneutic horizon of the World, I contend that it amounts to a radical libidinal
and (quasi-)ontological neutralization. As such, it clears a path for inhabiting the
World as not, yielding the conditions for a fidelity to total disorder. Accordingly,
Paul’s in-vocation of the slave as his paradigm for neutralization can be constellated with Afro-pessimism’s affirmation of the Slave as the singular revolutionary
position in modernity.
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Blackness, I contend, is the messianic remnant of modernity. This means that
following Paul’s model of being a slave to the Messiah today calls for contemplating
the unthinkable: “being” a slave to Blackness—that is, “being” a slave to the Slave of
modernity. This does not amount to raising the Black to a sovereign position, but
instead entails “abolishing sovereignty” altogether (Sexton 9). Here, the logic of the
remnant’s singularity is important in contrast to the logic of a “struggling universality.” The relation between the latter and the hegemonic universal too easily accommodates the people’s (or the multitude’s) struggle for sovereignty (even if it is
in the diffused form of the Commons [see Wilderson, Red, White & Black 247–83]).
Instead, Paul’s announcement is a singular division of Worldly divisions: “I will call
my own people a non-people” (Rom. 9:25; qtd. in Agamben, Time 50).10 According
to Agamben, this “messianic division introduces a remnant into the law’s overall
division of the people,” rendering all peoples, chosen and otherwise, “constitutively
‘not all’” (50). Agamben’s elaboration of the remnant as the messianic division of
Worldly divisions implicitly operates through a paradigmatic, rather than dichotomous, logic. So rather than having a dialectic between the particular “struggling
universality” and the general hegemonic universal, that dichotomy is neutralized
in the singular remnant as non-non-universal. Thus, while the Black is categorically suspended from the Human under modernity’s constitutive Law—collapsing
the slave-threshold of anthropogenesis’s biopolar field with its Animal-pole—
Afro-pessimism’s affirmation of Black being gestures toward a “suspension of the
[Law’s] suspension.” Such a paradigmatic gesture, I argue, (re)opens the messianic
threshold at the heart of anthropogenesis by demanding we “risk ourselves in this
emptiness” of Blackness’s total disorder (Agamben, The Open 92). And this Black
messianic logic of paradigmatic singularity is of the utmost significance for nonBlacks insofar as it offers a means of fidelity to Blackness11—without mistaking an
equivalency. Instead, the Black messianic remnant marks “the impossibility of the
part [e.g. the Black] and the all [e.g. the Human] to coincide with themselves or
with each other” (Agamben, Time 55). Therefore, the Black messianic ultimately
coincides with neither Blackness nor the Human, but is rather the antagonistic
contact between them—void of representation—that Afro-pessimism demands
Blacks to affirm and non-Blacks to inhabit in fidelity to the end of the World.
Agamben goes on to situate the messianic remnant’s logic as the zero-degree
signifier that is irreducible to the discursive universe(-as-World). Alluding to LéviStrauss’s work, Agamben writes: “According to this theory, signification always exceeds the signifieds that could match up with it.” Thus, the “gap between the two
then translates into the existence of free or floating signifiers in themselves void
of meaning, yet with the sole function of conveying the gap between signifier and
signified” (102). If the World represents a relational-totality of signified-positions,
then Blackness is modernity’s zero-degree signifier conveying the gap between that
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totality(-as-transcendence) and its disavowed excess(-as-immanence).12 This is the
ingenious insight of Spillers’s “Mama’s Baby, Papa’s Maybe: An American Grammar
Book” (1987). Likely drawing on Lévi-Strauss, she introduces the following distinction decisive for Afro-pessimism: “I would make a distinction in this case between
‘body’ and ‘flesh’ and impose that distinction as the central one between captive
and liberated subject-positions. In that sense, before the ‘body’ there is the ‘flesh,’
that zero degree of social conceptualization that does not escape under the brush of
discourse” (67). As the zero degree of social conceptualization, the captive flesh signifies the metaphysical nothingness that Being forecloses as the condition of possibility for (cohering) civil society’s (ontologically) liberated bodies. The Middle
Passage, Spillers continues, “create[s] the distance between . . . a cultural vestibularity and the culture” (67). That is, civil society’s modern free individual (of nation, gender, and class) is created through its metaphysical distance—maintained
through policing and incarceration, both figurative and literal—from the Middle
Passage’s “materialized scene of unprotected female flesh . . . ‘ungendered’” (68).13
Accordingly, as the “pre-view” of modernity (67), Spillers argues that the ungendered captive flesh “offers a praxis and a theory, a text for living and for dying, and
a method for reading both through their diverse mediations” (68). And following
in her radical Black feminist path, Sharpe powerfully elaborates Spillers’s offering
through her notion of wake work—which exemplifies my understanding of the
Black messianic (cf. Welborn, Paul’s Summons to Messianic Life: Political Theology
and the Coming Awakening [2015]):
If . . . we think the metaphor of the wake in the entirety of its meanings (the
keeping watch with the dead, the path of a ship, a consequence of something,
in the line of flight and/or sight, awakening, and consciousness) and we join
the wake with work in order that we might make the wake and wake work our
analytic, we might continue to imagine new ways to live in the wake of slavery,
in slavery’s afterlives, to survive (and more) the afterlife of property. In short, I
mean wake work to be a mode of inhabiting and rupturing this episteme with
our known lived and un/imaginable lives. With that analytic we might imagine
otherwise from what we know now in the wake of slavery. (17–18)
While Agamben constellates the messianic remnant with the biopolitical remnants of the Holocaust to contemplate the biopolitical machine’s (im)potential inoperativity (see Remnants of Auschwitz [2009]), he is blind to the more fundamental constellation with the ungendered captive flesh’s metaphysical holocaust.
Thus, contrary to Agamben and following Spillers, I argue that, in the wake of
the Middle Passage, modernity’s singular biopolitical remnant—the ungendered
captive flesh—offers a praxis, theory, text, and method for Black-messianic-wakework.
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79
tAubeS ’ S ApocAlypticiSm And wilderSon ’ S AntAgoniSm
The Black messianic end of the World entails a fundamentally apocalyptic valence,
which Afro-pessimism unequivocally invokes. In The Political Theology of Paul
(2003), Jacob Taubes approaches Paul’s apocalyptic orientation by way of Benjamin,
suggesting that nihilism “is the guiding thread of the hos me [as not] in Corinthians
and Romans,” which works “toward the destruction of the Roman Empire” (72).
While this is a fruitful line of thought to pursue—especially in light of its conceptual resonances with the previous discussions of Warren’s Black nihilism and
Fanon’s meontological disorder—Taubes has a more explicit and relevant discussion of the apocalyptic in Occidental Eschatology (2009).
Before directly drawing on Taubes’s reflections, it would be useful for my discussion to make note of his intellectual context. Translator David Ratmoko situates Taubes alongside his contemporaries Carl Schmitt and Karl Löwith because
political theology (Schmitt) and philosophy of history (Löwith) are the pillars of
Taubes’s study. Yet, Ratmoko notes that “only Taubes endorses the eschatological
tradition”—that is, the Judeo-Christian concern with the end of history—“from
the view of the oppressed.” Though Schmitt “shares an eschatological view of history,” he notably “advocates translatio imperii [i.e., the succession of empire qua the
state] . . . along with the retarding force of the katechon, described in The Nomos
of the Earth as ‘the restrainer [that] holds back the end of the world.’” In the context of anti-Black modernity, I argue that the katechon is civil society—that is, the
World as such. The articulation of civil society and the World lies in the fact that
the former is the locus of Human value(s) establishing the hermeneutic horizon
of the latter in modernity—for which the state (like God) functions as the guarantor of their shared anti-Black structure. (This is why Warren observes that Heidegger’s Destruktion of metaphysics relies on the indestructibility of anti-Blackness
as that which preserves the sanctity of Being, since the Human’s ability to ask the
question of Being in modernity always already entails Being-in-the-[anti-Black-]
World.) In this light, returning to Ratmoko’s discussion, one can hear the resonances of his distinction between Schmitt and Taubes with my study: “Schmitt’s
view of history can thus be said to be katechontic, seeking divine legitimation of
power, while Taubes’s is emphatically apocalyptic, seeking ‘a theological delegitimation of political power as a whole’” (Occidental Eschatology xvi). Given Enlightenment modernity’s divination of the World as such—significantly facilitated by the
mechanisms of secularization—I argue that all politics invested in the preservation
of civil society are fundamentally katechontic. In the wake of radical Black feminist
theory, Afro-pessimism dis-closes the alternative to such katechontic politics in
the singular insurgent ground of the ungendered female flesh. As Spillers shows, with
the Black’s pre-dis-position toward the “power of ‘yes’ to the ‘female’ within”—the
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female that “stands in the flesh [as] both mother and mother-dispossessed” (80)—
such immanent affirmation of the flesh becomes a pure means of delegitimizing
civil society. In other words, as the byproduct of the “human and social irreparability [of the] high crimes against the flesh” (67), the Black’s power to say yes to
the mother/-dispossessed within, when affirmed, delegitimizes the (desire for the)
World as a whole.
Though the apocalyptic is commonly associated with the end of the World, etymologically, it primarily means to un-cover, which is precisely how Paul uses it.
For Paul, apo-kalupsis names the un-veiling of the messianic event and the passing
figure of this World. Therefore, the popular association of the apocalyptic with the
destruction of the World neglects the fundamental function of revelation, which
shows that the World needs to end because it is cast in error. Taubes emphasizes as
much when he writes: “if this error which holds sway throughout the world is experienced for what it is, then the way to avoid it becomes clear. Knowledge of error,
as error, is the pathway to escaping from error on the way to the revelation of truth”
(Occidental Eschatology 6). Accordingly, Afro-pessimism’s apocalyptic thought is
not reducible to its demand for the end of the World. Rather, this demand emanates from its paradigmatic analysis, which reveals modernity’s project of peace
and freedom to be erroneous insofar as it is a priori grounded in the gratuitous violence positioning Blackness in ontometaphysical enslavement.
To reduce the apocalyptic to apolitical destruction, as is often the case in popular
culture, symptomatically mystifies its revolutionary function. On this note, Taubes
goes on to further nuance the concept in ways that are pertinent to receiving Afropessimism’s apocalyptic thought:
Apocalypticism is at first not concerned with changing [i.e., reforming] the
structure of society, but directs its gaze away from this world. If revolution were
to mean only replacing an existing society [i.e., the World] with a better one,
then the connection between apocalypticism and revolution is not evident. But
if revolution means opposing the totality of this world with a new totality that
comprehensively founds anew in the way that it negates, namely, in terms of the
basic foundations, then apocalypticism is by nature revolutionary. (9)
In Taubes’s analysis, one can hear Fanon’s apocalyptic-revolutionary substitution
of Humanity that is unconditional, absolute, total, and seamless. While Taubes is
arguing for a necessarily revolutionary understanding of the apocalyptic, I suggest that Afro-pessimism’s paradigmatic analysis demonstrates the necessity for an
apocalyptic understanding of revolution. This is the case because the apocalyptic,
along with the messianic, is an intervention in the very Law of Being. Warren suggests as much when claiming that Black nihilism (and Afro-pessimism) demands
“an ontological revolution, one that will destroy the world and its institutions . . .
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81
since the metaphysical holocaust will continue as long as the world exists.” Further, he emphasizes the fact that “such a revolution will destroy all life—far from
the freedom dreams of the political idealists or the sobriety of the pragmatists” because “the antiblack world is irredeemable” (Ontological Terror 171). That is, there is
nothing to save of civil society that would not be parasitic on centuries of onticide:
modernity’s essential murder of Black being.
When considered in opposition to Schmitt’s World-preserving katechontic political theory of antagonism, Taubes can be read as developing a World-destroying
apocalyptic-messianic political theory of antagonism. But the centrality of antagonism toward the World in apocalyptic thought comes into sharper relief in Wilderson’s analysis—radicalizing Taubes’s Humanist grammar. For instance, on the one
hand, Taubes notes that the “theme of self-alienation is to be heard for the first time
in the context of apocalypticism,” because “[a]lienness or exile [die Fremde] is [its]
first great base word” (Occidental Eschatology 26). Without disputing this claim, on
the other hand, Wilderson’s analysis shows that the grammar of alienation is insufficiently apocalyptic in the wake of the racial-chattel-slavery. If alienation is the first
great base word of apocalypticism, then Afro-pessimism tacitly argues that modernity’s apocalyptic base words “are not exploitation and alienation but accumulation and fungibility (as Hartman puts it): [Blackness’s ontological] condition of
being owned and traded” (Wilderson, Red, White & Black 14). The Human’s alienation belongs to “the rubric of conflict (i.e., a rubric of problems that can be posed
and conceptually solved).” But the Black’s accumulation/fungibility belongs to “the
rubric of antagonism (an irreconcilable struggle between entities, or positions, the
resolution of which is not dialectical but entails the obliteration of one of the positions)” (5). The conflicts of alienation can be solved in this World because they
are legible to civil society, and thus cannot truly claim revolutionary-apocalypticantagonism toward the World. But Blackness is antagonistic because civil society is
constituted on the accumulation/fungibility of its ungendered captive flesh, leaving
the only path for redress in the apocalyptic laying hold of gratuitous violence in the
name of gratuitous messianic freedom. As Fanon puts it: “this same [gratuitous] violence will be vindicated14 and appropriated when . . . the [enslaved] swarm into the
forbidden [World]” and bury “it deep within the earth” (Wretched 6).
AgAmben ’ S meSSiAnic time And wArren ’ S blAcK time
Key to inhabiting the Black messianic is an attunement to temporality fundamentally heterogeneous to the World. This section elaborates on such an attunement by
first attending to Agamben’s distinction between apocalyptic and messianic time,
and then considering Warren’s notion of Black time. Before proceeding, one can
initially gauge the isomorphic comportments of messianic time and Black nihilism
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from the following passages. First, Agamben writes that “Paul decomposes the
messianic event into two times.” From this “issues the paradoxical tension between
an already and a not yet” where the “messianic event has already happened,” but
“in order to be truly fulfilled, this implies an additional time” that awaits the end of
the World (Time 69). Second, Warren writes that “Black nihilism must rest in the
crevice between the impossibility of transforming the world” in modernity “and
the dynamic enduring power of the spirit.” I contend that Black messianic time inhabits “a phenomenology of black spirit” (Ontological Terror 171) between the “already” of the Middle Passage and the “not yet” of Black messianic justice.
Before Agamben distinguishes the apocalyptic from the messianic, he addresses
the difference between the prophet and the apostle. While the prophet is oriented
toward the future “coming of the Messiah,” the apostle “speaks forth from the arrival of the Messiah” (Time 61). However, “the apostle must be distinguished from
another figure, with whom he is often confused, just as [in a related manner] messianic time is confused with eschatological time.” According to Agamben, even
worse than confusing the messianic announcement with prophecy is mistaking it
for apocalypse: where the latter concerns the eschatological end of time, the messianic concerns “the time of the end.” The apostle inhabits “the time that contracts
itself and begins to end”; that is, “the time that remains between time and its end”
(62). If the time of the World follows the narratological structure of past/present/
future, the messianic event contracts the Worldly divisions of time through a singular division between time and its end—engendering the now time as its remnant.
Thus, the messianic time of the now is not to be confused either with the Worldly
present or with the apocalyptic-eschatological end of time, but is instead the now
of the messianic event that is simultaneously heterogeneous to and immanent in the
World.
Warren’s theorization of Black time can be taken under consideration as a
potential elaboration and understanding of messianic time in modernity. In “Black
Time: Slavery, Metaphysics, and the Logic of Wellness” (2016), Warren exposes
“the fetishization of progress narratives” as complicit with the metaphysics of antiBlackness in seeking “to enter a temporality beyond slavery—to inhabit the [historical] present” (53). Warren’s primary intervention is to situate racial-chattelslavery as a metaphysical “event-horizon” that structures the World. Accordingly,
it is thus irreducible to the “historical object” that nominally ends with emancipation. He elaborates by noting that Black “slavery exceeds the frame of the historical
event that we are so eager to get over and indeed provides the condition of possibility for the liberal grammar of humanism that undergirds the compulsion to get
over it in the first place” (54). In contrast, Black time “is the black hole of time that
resists linear narrativity” (65). It is a result of “the violent metaphysical process of
objectifying time” that places Blackness “outside the horizon of time that defines
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83
the human and into [Black being’s] indistinct zone of temporality” (61). Extending
the constellation of the messianic remnant with the captive flesh, I propose that to
inhabit the now time of modernity is to inhabit Blackness’s singular “time without
duration” (54).15 That is, Black time names the singular division of Humanism’s
narratological past/present/future that contracts into the now time of Slavery—
immanently heterogeneous to the historical present. Thus, the Black messianic
names the inhabitation of this now time without duration that exists in the crevice
between the time of the World and its end.
concluSion: on the SAyAbility oF Anti- blAcKneSS
And the Function oF blAcK FAith
The question is: how to become/remain attuned to Black now time and the
apocalyptic-unveiling of the World’s katechontic grammar? This question is all the
more vexing since, drawing on Benveniste’s insight, Wilderson observes that “our
grammar goes unspoken” and “is assumed” because it “is the structure through
which the labor of speech is possible” (Red, White & Black 5). As Agamben notes:
“This is the insurmountable opposition between semiotic and semantic where Benveniste’s extreme thought foundered” (What is Philosophy? 9). Hence, intelligibly
testifying to the World’s anti-Black grammar presents a structural impossibility
within its horizon. However, Agamben idiosyncratically proposes that philosophy,
or what Warren distinguishes as Black thinking, is the “thought that wants to risk
itself in this experience” of impossibility in “the gap—or contact—between” our
grammar and speech (28). Elaborating on this endeavor, Agamben claims that the
“unsayable is in fact nothing else than a presupposition of language” and, “as such,
it can only be eliminated in language” (35). Afro-pessimism thus aspires, I contend,
to eliminate the presupposition of the World’s grammar through the “impossible”
performance of its sayability in the unflinching demand for the end of the World.16
Inhabiting Black now time coincides with perceiving Afro-pessimism’s gesture.
Just as the former entails a different experience of time, the latter calls for a different
experience of the word. These challenges dovetailed for Paul concerning his apostolic announcement. Paul emphasizes that hearing the apocalyptic-messianic word
demands faith.17 According to Agamben, “the word of faith enacts its meaning
through its utterance” because “revelation is always and above all a revelation of
language itself, an experience of the pure event of the word that exceeds every signification” (Time 131, 134). As such, faith—or, more precisely, Black faith—can materialize the apo-kalupsis of Black now time and the World’s anti-Black grammar.
Warren implies as much when he writes: “either we will continue this degrading
quest for human rights and incorporation or we will take a leap of faith . . . and reject the terms through which we organize our existence” (Ontological Terror 170).
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Black faith, I am suggesting, is the real leap that enables one to inhabit the Blackmessianic-wake-work of Afro-pessimism’s apocalyptic thought: what Sharpe suggests is to “reimagine and transform spaces for and practices of an ethics of care
(as in repair, maintenance, attention), an ethics of seeing, and of being in the wake
as consciousness” (131). In this spirit, one can receive perhaps the Apostle’s word
as follows: “I died to Law so that I might live to [Blackness]. I have been crucified
along with the [Black]. And I live no longer, but the [Black] lives within me; and
the life I now live in the flesh I live by the faithfulness that is of [Blackness]” (Gal.
2:19–20). To play on Heidegger’s parsing of this passage, “[Black] Faith: is dying
with [Blackness]” (90). Therefore, in the final analysis: do I die with Blackness, or do
I remain invested in the katechontic-power-of-the-anti-Black-World?
Emory University
noteS
1 Cone notably expresses reservations concerning the use of Paul to contemplate
Blackness given how he was (fraudulently) invoked to legitimize obedience to SlaveMasters. However, in contrast to “white theologians [who] have done almost nothing
to liberate [Paul] or themselves from white supremacy,” my project aspires to as much
(Cone, “Wrestling” 221). See Jennings 189–92 for a commentary on how Romans 13
is isolated from its messianic context; and Welborn 70, 123–24 on the possibility that
Romans 13:1–7 is interpolated by a later writer.
2 Translation modified; though using The New Testament: A Translation, which translates Christos literally as “Anointed,” I opt for the Anglicized Hebrew word “Messiah”
to retain its “family resemblance” to the messianic; relatedly, see N. T. Wright’s gloss of
Paul’s usage: “‘the Messiah’ is not only Jesus, but above all those who are ‘in the Messiah.’ It is an incorporative term” (283).
3 In using this word here and throughout the essay, I intend and attempt fidelity to
Christina Sharpe’s invocation at the start of her “Coda” to In the Wake: On Blackness
and Being (2016): “Aspiration. Aspiration is the word that I arrived at for keeping and
putting breath in the Black Body” (130).
4 See Wright’s clarification: “It has been fashionable in modern times to imagine that
the early Christians saw the coming judgment as the literal . . . collapse and destruction of the planet. . . .” However, “what sounds to us like ‘end-of-the-world’ language
is used to denote and refer to . . . major sociopolitical upheavals” and “to invest those
events with their inner, God-related significance” (223–24).
5 “It’s not that what is past casts its light on what is present, or what is present [casts] its
light on what is past; rather, [a dialectical] image is that wherein what has been comes
together in a flash with the now to form a constellation. In other words, image is dialectics at a standstill” (Benjamin 462).
6 Space does not suffice to elaborate the nuanced distinction, but I suggest that Agamben’s idiosyncratic deployment of analogy through the paradigm is not equivalent
to what Wilderson calls as the “ruse of analogy” made between Blackness and other
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85
7
8
9
10
11
12
13
14
15
86
positions in the World (see Red, White & Black 35–53). Agamben would attribute the
ruse’s performative condition to dichotomous logic: “Only from the point of view of
dichotomy can analogy (or paradigm) appear as tertium comparationis” (i.e., comparison through a common denominator). Instead, for paradigmatic analysis, the
paradigm (e.g. Blackness) is an “analogical third” term that manifests “through the
disidentification and neutralization of the first two” terms (e.g. Human and Animal),
“not to take them up into a higher synthesis,” but as what remains once they “become
indiscernible. The third [term] is this indiscernibility” (Signature 20).
Though it would be hasty to presume a relationship of identity between Afropessimism and Black nihilism, space does not suffice to tease out their subtle differences; accordingly, this essay will use the terms interchangeably.
While not of this World, the Black messianic call does not transcend it. Rather, as
Daniel Colucciello Barber argues: “What is transcendent is the world. This is to say
that [the] immanence [of Blackness] is . . . a matter of turning away from . . . the world
by turning toward (a terminally unthought) nowhere” (“World-Making” 593).
Accordingly, I want to clarify that the Black messianic does not imply the Middle Passage is part of “God’s plan.”
It is noteworthy that Rom. 9:25 serves as the epigraph to Toni Morrison’s novel, Beloved (1987)—and that it was published the same year as Spillers’s seminal essay,
“Mama’s Baby, Papa’s Maybe: An American Grammar Book.”
The example of Paul is instructive here as he persecuted messianic communities prior
to becoming their apostle.
See Barber on Blackness as the material “zero-point of immanence”: “it is the point
of indistinction between the incapacity to be something—the incapacity to be positioned in terms of the divisions and relations between things—and the operative
immanence that antagonizes the total configuration of positions.” He adds that this
“zero-point of material—as the point of indistinction between incapacity for and antagonism toward relationality—is metarelational.” This “metarelation remains nonrelational, but it differs from nonrelationality in that it emphasizes construction, or
names material’s excessive demand for the construction of no” to the World (“Nonrelation and Metarelation” 18).
“Ungendered” because in “becoming being for the captor,” i.e., chattel, “we lose at least
gender difference in the outcome, and the female body and the male body become a
territory of cultural and political maneuver, not at all gender-related, gender-specific”
(Spillers 67). Cf. Boyarin’s commentary on Paul’s ungendering of the messianic community (180–200).
See Romans 3:28: “For we reckon a man as vindicated by faithfulness, apart from observances of Law.” As Hart explains: “the verb δικαιόω (dikaioō) [. . .] can be translated
as ‘make just,’ ‘make right,’ ‘rectify,’ ‘correct,’ or alternatively, as ‘prove just,’ ‘show to be
right,’ ‘vindicate’; . . . I believe [Paul] used the word in both senses” (557–58).
Also, see Sharpe’s notion of “residence time” as the time of the wake: “These are questions of temporality, the longue durée, the residence and hold time of the wake. At
stake, then is to stay in this wake time toward inhabiting a blackened consciousness
that would rupture the structural silences produced and facilitated by, and that produce and facilitate, Black social and physical death” (22). “We, Black people, exist in
the compArAtiSt 43 : 2019
the residence time of the wake, a time in which ‘everything is now. It is all now’ (Morrison, 198)” (41).
16 See Agamben’s discussion of the concept of demand and its implications for the categories of modality—possibility, impossibility, contingency, necessity—in The Use of
Bodies (2016): “A rethinking of the categories of modality is not possible without a
definition of the concept of demand. Not only existence but also possibility and contingency are transformed and modified through demand. . . . [H]ow are we to think
existence, if it is nothing other than demand? And what if demand is more original
than the very distinction between essence and existence, potential and act?” According to Agamben, demand can be thought of as more original than this distinction
because it “corresponds neither to language nor to the world, neither to thought nor to
the real,” neither to potential nor to the act, “but to their articulation.” That is, if “language and world stand opposite one another without any [a priori] articulation, what
happens between them is a pure demand—namely, a pure sayability” (168–70).
17 Hart notes that while “the noun πίστις (pistis) [is] often rendered as ‘faith,’” it “can
mean both ‘trust’ in something and the ‘trust-worthiness’ of something,” as well “as
‘fidelity’ or ‘faithfulness.’” As a verb, though “often rendered as ‘to believe’ or ‘to have
faith,’” it “does not really mean ‘to believe’ in an impartial and merely intellectual way,
but ‘to vest faith in’ or ‘to have trust in’ something or someone, and sometimes even
‘to entrust’ [. . .] oneself . . . to another” (558).
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