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2016, micro
1. O firma aflata pe piata perfect concurentiala urmareste maximizarea profitului obtinut din productia bunului X. Pretul pietei este de 50 u.m. iar functia costului total este data de relatia CT = 15+5Q2. Productia optima (Q) si nivelul profitului (Pr) afferent acesteia sunt: d) Q = 5 buc. si Pr = 110 u.m. 2. Cererea pentru bunul X este elastica, iar pretul inregistreaza o scadere. Ca rezultat, venitul total obtinut de vanzator: a. Creste 3. Un individ are un venit disponibil de 400 RON. El poate achizitiona camasi la pretul unitar de 200 RON/bucata si pantaloni la pretul de 400 RON/bucata. Costul de oportunitate al achizitionarii unei perechi de pantaloni este: c) 2 camasi 4. O firm ace opereaza pe o piata cu concurenta perfecta observa ca produce la un nivel la care venitul marginal este inferior costului marginal. Pentru a-si maximiza profitul (sau reduce pierderile) firma ar trebui sa: e) reduca productia 5. Cantitatea ceruta de CD-uri la momentul t0 era de 40 buc. la un pret unitary de 50 u.m. Care este coeficientul elasticitatii cererii in raport de pret daca la momentul t1 cantitatea ceruta devine 30 buc, la pretul de 75 u.m.?: b. Ecp = 1/2 6. Atunci cand functia costului total este CT = 15+2Q: c. costul marginal este mai mic decat costul fix total
Market economy is characterized at a time, among others, by the existence of two partners, so that one has some money, a certain amount of capital, and one needs money. The first has money and wants to capitalize on them as possible, and the second wants to enter into possession of a capital base which is to put up a new business or develop an existing. We can say that in this context we are facing a certain demand and a supply of capital. Meeting supply and demand of the said capital shall be carried out in an organized framework, namely the capital market. Investors as owners of capital seeking to invest capital so advantageous that they must choose from several investment on the one that best suits his or her interests. In the choice between several investment options investor must thoroughly know the subject of its investment capital, form of revenue will occur when they occur, what time is immobilized the capital and the risks of its investment capital.
Editura Universitară Ion Mincu eBooks, 2022
Studii și cercetări lingvistice
This article is a proposal to standardize a punctuation mark – the semicolon –, and describe the situations of use and the communication implications of the sign: prosodic, pragma-semantic and stylistic functions. The relationships between the semicolon and other punctuation marks, as well as recommendations for use in writing practice are also considered. Semicolon is less and less known and used nowadays; its use depends on the author’s preferences. Among the stylistic varieties, the semicolon is used most frequently in the scientific and argumentative style. It is recommended to use semicolon in enumerative series, especially vertically, in constructions containing parallelisms, or in long and complex statements that also contain other internal punctuation marks.
2007
Scopul proiectarii durabile este gasirea solutiilor constructive, care se reflecta in caracteristicile constructiilor, care sa garanteze pe de o parte bunastarea si pe de alta parte coexistenta celor trei grupuri care alcatuiesc ecosistemul global (elementele anorganice, organismele vii si oamenii). Atingerea scopului proiectarii durabile se face prin educarea intr-un cadru conceptual care are trei niveluri : principii, strategii si metode.
2019
This paragraph examines the impact of Creangă' narrative modelon Paul Goma's prose. The relationship between the character and the author, the narrative figures, the stylistic dominants of the story "Amintiri din copilărie" by Ion Creangă and the novel "Din calidor"by Paul Goma are analysed. It examines the dialogical poetics of the novel, the dialectical relations of the bivoc word, the hybrid construction, plurilingvism, the instinctive genius sense of the language, the intrinsec elements of the narrative model in the line of the Creangă-Sadoveanu tradition.
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