2. Expect student resistance, fear,
and anxiety. This is good. This
is where the growth happens. As
one CEO told me this week, “To
be forced into [being creative]
was sort of scary. . . . I picked
people who I knew were more
creative than I was to support me.” She doubted her own
abilities to work and think in a
nontraditional manner, but she
came to understand the value
of finding a team that could
encourage innovation. This
justified my entire reason for
creating the project.
3. Students need permission to
be creative, to be taught Ü
to be creative, and to be taught
why creativity is a virtue and
a “cultural imperative.” Sadly,
students don’t know how to
brainstorm effectively, nor do
they enjoy having their work
critiqued and being forced to
work on something with sustained focus, delaying their
gratification. This is a function
of their age, their busyness as
students, and their experience of
“doing school.” Again, it’s all the
more reason why they should be
invited to play. n
Join the conversation:
@slamminteacher
References
Brown, T. (2008, May). />iÃÊvÊVÀi>ÌÛÌÞÊ
>`Ê«>Þ [Video file]. Retrieved from
http://www.ted.com/talks/tim_brown_
on_creativity_and_play/.
IDEO LLC. (2012). iÃ}ÊÌÌÊvÀÊ
i`ÕV>ÌÀÃ [PDF]. Retrieved from http://
www.designthinkingforeducators.com/
toolkit/.
Robinson, K. (2006, February). ÜÊ
ÃV ÃÊÊVÀi>ÌÛÌÞ [Video file].
Retrieved from http://www.ted.com/
talks/ken_robinson_says_schools_kill_
creativity.
Stanger, M., & Giang, V. (2014, January
29). The 16 most creative resumes
we’ve seen. Retrieved June 11, 2014,
from Business Insider at http://
www.businessinsider.com/creative-andunconventional-resumes-2014-1?op=1/.
Curriculum-in-Action: Cultivating Literacy, Community,
and Creativity in Urban Contexts
Limarys Caraballo, Queens College of the City University of New York, and Meredith Hill, Columbia Secondary School for Math, Science,
& Engineering
Ê>}Õ>}iÊViÃÊÌÊiÝÃÌiViÊLÞÊ
i>ÃÊvÊLÀÕÌ>ÊiViÃÃÌÞ]Ê>`ÊÌ iÊ
ÀÕiÃÊvÊ>}Õ>}iÊ>ÀiÊ`VÌ>Ìi`ÊLÞÊÜ >ÌÊ
Ì iÊ>}Õ>}iÊÕÃÌÊVÛiÞ°
—James Baldwin, 1979
O
ver 30 years ago, in his essay about the authenticity of
Black English, James Baldwin
argued that a language is shaped
by what it must convey. This notion
remains just as relevant today as our
contested cultural and technological
contexts define and demand an everexpanding set of language rules, and
their complexity urges us to redefine
what literacy looks like in classrooms.
While recent Common Core State
Standards (CCSS; National Governors Association Center for Best Practices & Council of Chief State School
Officers, 2010) work backwards from
the ultimate goal of college readiness
to outline a list of rules for literacy
instruction, embedding Standardsbased learning in the context of
students’ own experiences and in a
greater cultural and global relevance
builds active learning toward literacies that transcend classroom walls
and incite social action. We argue
here that creative liberty with the
Standards is a ÀiµÕÀiiÌ] not just
an option, of literacy instruction for
social justice. If we want to engage
students in rules of language that
cultivate creativity, community, and
authenticity, we must breathe these
values into our content and approach
to literacies.
In the wake of the Ê `ÊivÌÊ
i `ÊVÌÊ(NCLB) and Race to the
Top (RTT), where reforms such as
the CCSS presume to provide all
students with a high-quality education, the growing standardization
of curriculum and assessment often
magnifies the inequities that such
policies were meant to address
(Darling-Hammond, 2004; Tanner,
2013) and exacerbates the disconnect
between a predominantly White and
monolingual teaching force (Zumwalt
& Craig, 2008) and an increasingly
diverse, multicultural, and multilingual student population (Aud et al.,
2012). In light of these interrelated issues, we consider what it might mean
to work toward powerful English
curriculum and pedagogies (Morrell
& Scherff, 2014) in classrooms and
communities by reflecting on some
instances in which students’ engagement with social issues has shaped
our research and practice and led to
authentic investments in multiple
literacies. We echo Baldwin’s urgency
in challenging ourselves to consider
the future of language and literacy
education by engaging with content
and contexts that create spaces for
authentic literacy in order to enact
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truly powerful English (Cantrill,
et al., 2014; Morrell, 2005). When
we consider the profound impact of
popular culture, social media, and
digital modes in shaping and disseminating the perspectives, voices, and
literacies of teachers and students
(Morrell, Dueñas, Garcia, & Lopez,
2013), we gain renewed conviction in
the need to create literacy education
that authentically responds to current contexts and engages students in
culturally sustaining literacy experiences (Paris, 2012).
Situated in New York City’s urban
environments, we explore how to
engage students in multiple literacies that lead them not only to college
readiness, but to the ability to think
creatively and actively as citizens in
their communities and beyond. Across
educational contexts, our work is
united in the aim of creating spaces
where students can cultivate their
own voices and perspectives, drawing
upon multiple literacies to become
agents of change.
Students as Critical
Researchers: Literacy, Research,
and Activism >ÀÞî
As a professor of English education
in an urban teacher preparation
program in New York City, my work
encourages the co-construction of
critical knowledges that support multiple identities and literacies. In the
educational context described above,
there are students whose identities
and experiences are excluded from
the curriculum, leading to increased
disengagement and marginalization
among many of the students that
these policies are meant to “not leave
behind.” For example, Manuel, a
Latino middle school student I interviewed for a previous study, summarized his eighth-grade ELA experience
as follows: “ELA is usually about
writing and like being yourself and
like expressing yourself. And I don’t
feel like we get to express ourselves in
there.”
By contrast, collaborative projects
with youth, such as those framed by
Youth Participatory Action Research
6
YPAR projects consist
of inquiries designed,
conducted, reported, and
acted upon by the youth
who are most affected by
the problems they investigate.
(YPAR), have been shown to offer
students the rigor demanded by the
CCSS via students’ critical engagement with issues that are relevant to
them and their communities (Morrell,
2004; Rubin & Jones, 2007). YPAR is
a critical approach that privileges the
firsthand experiences and knowledge
production of youth as agents of social
change (Fine et al., 2004; Morrell,
2008). Giving students the opportunity to work collaboratively with school
and community members, YPAR
projects consist of inquiries designed,
conducted, reported, and acted upon
by the youth who are most affected by
the problems they investigate.
While YPAR presents great pedagogical possibilities in general (Cammarota & Fine, 2008), giving urban
youth access to YPAR experiences
is particularly significant. A YPAR
framework can work within and
across existing affordances and constraints in the discipline of English
language arts. Specifically, some of
the affordances stem from the fact
that English lends itself well to the
examination of varied perspectives
and the development of literacies;
the constraints can often be traced
to the ways in which “critical” thinking is taught as a skill, a “neutral”
and “higher order” thinking activity
devoid of context. However, criticality
is never neutral. All curricula have
an agenda, and every agenda privileges some interests and marginalizes
others. A YPAR framework disrupts
some of the normalizing discourses
in academic contexts while engaging
students in critical praxis.
Since 2012, I have collaborated
with Jamila Lyiscott, a doctoral
research fellow at The Institute of Urban and Minority Education (IUME)
at Teachers College, Columbia University, in developing an after-school
research seminar in which students
use spoken word, hip-hop, and digital literacies, as well as traditional
academic modes (such as PowerPoint
presentations and reports, etc.), to
present their research and engage
others in social action. Along with
preservice teacher co-facilitators,
students meet weekly during the
academic year, then participate in an
annual, IUME-sponsored youth summit, Þ« iÀÃÊvÀÊÕÃÌViÊ(CFJ).
Building upon this work, my research focuses on the ways in which
a YPAR-based curriculum engages
these students’ multiple identities
and literacies, and how students’
experiences as researchers can
help preservice teachers to imagine
more powerful ELA curricula. Using
qualitative methods, I document how
students’ engagement leads to powerful literacy experiences. The study
is grounded in the assumption that
identities and literacies are multiple
and contextual, and are always being negotiated in particular cultural
words. A practice theory approach
(Holland, Lachicotte, Skinner, &
Cain, 1998) conceptualizes individuals as actors operating among the
cultural forces that inform the construction and positioning of the self in
a given context. Examining identities
in the context of practice contributes
to a nuanced and multifaceted conceptualization of how multiple factors
intersect and interact with students’
literacy practices (Street, 1984).
The data collected for the study
consists of ethnographic field notes;
YPAR curriculum materials; student
work in the seminar, including images and artifacts of their research
and presentations; school documents,
demographic data, and student
achievement reports; individual
interviews with students; and focus
group interviews with students. All of
the data are analyzed using narrative
methods (Wertz et al., 2011), where
written and oral texts are considered
units of analysis. As illustrated in the
example below, my ongoing analysis
suggests 1) that YPAR projects meet
and exceed Common Core writing,
speaking, and listening standards
(CCSS Writing Standards 4–9; Speaking and Listening Standards 2–6)
while cultivating cultural literacies
and creativity among students, and 2)
that engaging in YPAR work informs
preservice teachers’ conceptions about
curriculum and pedagogy as they
enter the field.
Identities and Literacies-inAction: Rosalia’s Sustainability
Project
As part of the YPAR research seminar, students read about critical
social theory and participatory action research methods. We engage
in workshops on different rhetorical
modes (beyond the typical academic
research formats) that students can
use to communicate their research
and ideas. One eleventh-grade student, Rosalia, had a long-standing
interest in issues of environmental
sustainability. When we began the
seminar, Rosalia expressed frustration about recycling and assumed
that such efforts failed in her school
and community because people did
not care about the environment. In an
interview at the end of the semester,
she reflects on how the concept of
positionality informed her approach
to the problem:
The day that we were talking about
positionality . . . really helped me a
lot because it kinda makes you realize what your position in the problem
that you are trying to deal with is, so it
makes you think about what you have
to do—not what other people have to
do to fix the problem, but what ÞÕ
have to do.
As Bautista and colleagues explain
(Bautista, Bertrand, Morrell, Scorza,
& Matthews, 2013), positionality is
key to conceptualizing problems in education and society; as with research
about youth, which is often framed by
deficit perspectives, sometimes fram-
ing the problem is the problem itself.
For Rosalia, understanding positionality led to a deeper analysis
of the problem and broadened her
understanding of the role of literacies
in social action. For her presentation at CFJ, Rosalia and her partner
presented an empirical research plan
that culminated in a social media
campaign to increase awareness
about sustainability. In addition to
their traditionally “academic” PowerPoint presentation, Rosalia also wrote
and performed a spoken word poem
about how she and others in her community might work together toward
sustainable practices. Reflecting her
understanding of positionality and
its role in enacting change, Rosalia’s
experiences with YPAR illustrate the
interrelatedness of leveraging multiple literacies toward engagement in
critical social action.
Implications: Creativity and
Engagement in Preservice
Teacher Education
In addition to the impact of YPAR
on the students in the course, the
experiences of preservice teachers
who participate in the project are also
transformative. According to Jazmine,
one of the preservice teachers who
co-facilitated a YPAR seminar, the
experience informed her ideas about
curriculum and made [her] “aware
of how important it is to incorporate
different literacies into the classroom
and to allow students to express what
they’ve learned using different methods” (Interview). The interactions in
the YPAR seminar engage students’
as well as teachers’ multiple identi-
Engaging youth in using
literacy to become change
agents in their worlds is
not a separate notion from
the English classroom.
ties and literacies in interrogating,
reframing, and constructing academic knowledge(s). In her interview,
Jazmine continued:
I see how important it is for students
to partake in things that are of interest
to them, and for them to participate
in their own education by being able
to reflect on what they’re learning and
why . . . . [I also see that] how they
identify with a teacher has a great impact on their learning, [and recall that]
students voiced how there were some
teachers they felt simply didn’t get it,
while there were others who always
engaged them and made them want to
do well.
Such reframing has a broad impact
by building capacity among preservice
teachers to draw from critical youth
research projects (Kinloch, 2012;
McIntyre, 2000) and by developing
culturally sustaining (Paris 2012)
educational spaces in the interest of
equity and social justice. While the
YPAR project described above is situated in an after-school context, there
are similar sites of possibility for
powerful English in classroom-based
ELA. Engaging youth in using literacy to become change agents in their
worlds is not a separate notion from
the English classroom, but can be
used in tandem with the CCSS “rules”
for literacy skills instruction.
Cultivating Literacy and
Activism in the Classroom and
Community iÀi`Ì ®
I began teaching sixth-grade English
at Columbia Secondary School for
Math, Science, and Engineering
(CSS), a screened STEM public school
in South Harlem, New York City, in
2007. The students accepted to CSS,
who come from four upper-Manhattan
districts for middle school and from
throughout the city for high school,
reflect the diversity of the city in a
way that is unique among the city’s
STEM-focused screened-admissions
schools. My initial curriculum was
built around themes of identity and
social justice, inciting students to consider what their unique voices could
bring to our overall understanding of
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Writing exercises in
the garden helped them
to brainstorm their own
descriptive language and
gave them a context for understanding Fleishman’s
story.
English and the world. Around the
same time, there was a push in education trends to get students unplugged
and outdoors, as spurred by Richard
Louv’s >ÃÌÊ `ÊÊÌ iÊ7`ÃÊ(2008),
which warns of the troubles of an
impending “Nature Deficit Disorder.”
The realities of this soon became clear
when I brought a group of students
to a nearby park and invited them to
sit down on the grass for a discussion.
Cries of revolt met my enthusiastic
invitation as students declared that
“sitting on the floor” would get their
pants dirty and then grumbled that
the bugs were waiting to bite them.
I realized then that my urban students were worlds away from my own
barefoot, muddy, nature-exploring
childhood and they saw the natural
world as some sort of enemy out to get
them. Yet our school’s curricular offerings, which included expeditionary
learning experiences out of the city,
excited the students with true curiosity and wonder. Encouraged by their
interest and eager to find nature in
the city itself, I began a school gar-
den. The garden—and complimentary
elective classes that invited students
to explore their food system from seed
to plate—was a source of true excitement. There, fears of dirt and bugs
gave way to a deep love of the mysteries of this space, where the notion
that food just came from the grocery
store was challenged by seeds planted
and lunches harvested.
As a literacy teacher, the garden
became a place for writing, too. Pieces
ranging from letters to NYC officials
advocating for discretionary funding
in support of school gardens to Fresh!
a full-length magazine on food and
sustainability (an online edition is
available at http://issuu.com/prof
.hill/docs/fresh.2012) were woven into
the garden curriculum. Students who
were hesitant writers in English class
delved wholeheartedly into compositions on behalf of a project to which
they felt deeply attached. Finally,
at the end of a particularly invested
food and sustainability class, one of
my students asked why they couldn’t
do this kind of writing in my regular
English class.
I decided to make a shift in my
English curriculum, moving to a new
theme of “From the Ground Up.” The
units that emerged were based in
the skills and understandings of the
Common Core, while bringing students to delve into urban agriculture
and food-systems-related content. In
an introductory unit, students read
Paul Fleischman’s -ii`vÃ, a series
of short vignettes told from different
characters’ perspectives that come
together to tell the story of a com-
munity garden in Cleveland Heights.
As they explored the stories and
storytelling of the -ii`vÃÊcharacters, they began to develop their
own narrative writing (CCSS Writing
Standard 3), first adopting the voices
of the book’s characters, and later
expanding to the development of their
own characters. Writing exercises in
the garden helped them to brainstorm
their own descriptive language and
gave them a context for understanding Fleishman’s story.
Following this, we read the Young
Readers Edition of / iÊ"ÛÀi½ÃÊ
i> by Michael Pollan. After
considering the problems and possibilities of agriculture and Pollan’s
argument in the text, students took
on roles of real-life stakeholders in a
fictional debate about the future of
a piece of farmland in make-believe
Farmytown, Iowa. Claims and counterclaims were built into lessons
about debate technique, and students
fervently researched their company to
fully understand its values and position. The culminating writing piece
was an argumentative essay exploring the future of America’s farmland
(CCSS Writing Standard 1). After the
tensions and dramas that grew out
of the classroom debate, the essays
were enthusiastic, and students used
compelling reasons and evidence to
back up claims.
Units previously woven into the
identity theme (centered around Ann
Jaramillo’s La Linea, and Naomi
Shihab Nye’s >LL) found their way
into “From the Ground Up,” too. We
considered how farming and the econ-
2015 Call for CEL Award for Exemplary Leadership
This award is given annually to an NCTE member who is an outstanding English language arts educator and leader.
Please nominate an exceptional leader who has had an impact on the profession through one or more of the following: 1)
work that has focused on exceptional teaching and/or leadership practices (e.g., building an effective department, grade
level, or building team; developing curricula or processes for practicing English language arts educators; or mentoring);
2) contributions to the profession through involvement at both the local and national levels; 3) publications that have
had a major impact. Your award nominee submission must include a nomination letter, the nominee’s curriculum vita,
and no more than three additional letters of support from various colleagues. Send by February 1, 2015, to: Rebecca
Sipe, 8140 Huron River Drive, Dexter, MI 48130. Or email submission to Rebecca.sipe@emich.edu (Subject:
CEL Exemplary Leader).
8
omy play a central role in immigration patterns, particularly in current
events, and explored how current and
historical conflicts are often the result
of a shortage of natural resources. Expository writing characterized both of
these units (CCSS Writing Standard
2) as students furthered their ability
to embed text-based sources to their
sixth-grade essays.
As all of this played out in the
English classroom, students exercised
their power as urban gardeners, too.
Their enthusiasm for the garden
convinced me to culminate the year
with a new adventure for the English
classroom: students tested their research skills and reflective writing in
the process of raising pullets, or baby
chickens. Unlike the classic incubator project, which tends to conclude
once the chickens are hatched and
promptly returned to a nearby farm,
we fostered baby chickens for a NYC
compost organization and returned
them when they were old enough to
join their existing flock. The level
of my students’ inspiration far surpassed my expectations as all 96 of
my students fell in love with the tiny
birds. They wrote poems and stories
on our class blog and chose pieces
to publish and share live as part of
a chicken exhibition they organized
in partnership with the sponsoring
organization. As our six chicks grew,
so did students’ writing.
While I’m not sure that my urban
students emerged with a future eye
to farm life, I feel confident that they
at least gained some perspective. As
a STEM school aiming to raise future
leaders in a world thirsting for environmental technology, it only makes
sense to add ecological literacy to the
technological literacies so rampant
among this generation’s interests
(Orr, 2005; Stone & Center for Ecological Literacy, 2009; Duailibi, 2006).
In the process of learning to analyze
a text and write an argument, they
picked up some tools for taking action
in their world, too. This resonates
with the tenets of the Center for
Ecoliteracy, who advocate that stu-
Students need to see the
technological power of
humanity, but also the
humility of human limits.
dents’ learning is maximized when
the work and their actions have authentic meaning (Stone & Center for
Ecologial Literacy, 2009). The garden
provides an outlet through which the
social justice they experience in the
classroom can take root in students’
own worlds.
Though some might argue that
engaging youth in agriculture feels
backwards when we are racing to get
the newest iPads and SmartBoards
into students’ hands, I believe that
cultivating truly aware global citizens
requires a balance. Students need to
see the technological power of humanity, but also the humility of human
limits. The literacy classroom presents a space for students to reflect on
both ends and forge a connection to
both the possibilities of technological
progress and the need for ecological
care. Learning becomes grounded in
relevance, as students not only learn
to be critical readers and writers, but
to do so in a context that connects
them to the issues in their world.
Toward a Curriculum-in-Action
Stance
Creating spaces in which students
may develop their perspectives on
key social issues while cultivating
multiple literacies promotes critical
curricular and pedagogical stances.
Building on, and certainly beyond, the
CCSS and other accountability measures, such stances disrupt dominant
understandings of what it takes to
achieve academically and encourage
the co-construction of critical knowl-
edges and pedagogies that recognize
and sustain the multiple identities
and literacies of all students (LadsonBillings, 1994; Paris & Alim, 2014),
particularly those who have been historically marginalized. Future directions for our work include continuing
to engage students’ as well as teachers’ multiple identities and literacies in interrogating, reframing, and
constructing academic knowledge(s),
and to explore how we might continue
to work together in participatory and
collaborative ways in which students
as well as teachers find spaces to reflect on their own narratives of identity and experience, as well as social
issues, within and beyond the English
curriculum. n
Join the conversation: http://
qc-cuny.academia.edu/Limarys
Caraballo; @LimarysC
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February 2015 ELQ Call for Manuscripts:
Leading through Change
In his motivational parable 7 ÊÛi`ÊÞÊ iiÃi\ÊÊ>â}Ê7>ÞÊÌÊ i>Ê
ÜÌ Ê >}iÊÊ9ÕÀÊ7ÀÊ>`ÊÊ9ÕÀÊvi] Spencer Johnson (1998, Putman)
writes that “change happens when the pain of holding on becomes greater
than the fear of letting go,” a statement that can apply to both institutions and
individuals. What has changed lately in your ELA classrooms, departments,
and school cultures? What have you, colleagues, and students feared letting
go? How have we coached ourselves, our colleagues, and our students through
changes over which we have no control? What intentional changes have we
made? We also welcome manuscripts addressing changes brought about by
PARCC, new teacher evaluation systems, curriculum revisions, CCSS, and
more. Email manuscripts or share as a document in Google Drive: abramselq@
gmail.com. Deadline: October 15, 2014.