Friday 20th May – Saturday 21st May 2022, Institute of Advanced Studies (IAS) University of Warwick, Coventry, UK (OC1.06 and online) Hosted by Schedule Friday, 20th May 2022 (Day 1) 09.15 – 10.00 Registration with Tea & Coffee 10.00 – 10.10 Introduction SESSION 1: “Going without” - lost Homer(s) 10.10 – 10.30 Alexandra Madela (University of St Andrews) “Why pretend to be Orpheus? The problematic author of the Orphic Argonautica.” 10.30 – 10.50 Jennifer Weintritt (Northwestern University) “Ex Ordine: A Serial Reading of Trojan War Epics.” 10.50 – 11.10 Robert A. Rohland (Trinity College, Cambridge) “No one's shipwreck: authors, anonymity, epigrams and the Odyssey.” 11.10 – 11.30 Q & A Session Chair: Alessandra Tafaro 11.30 – 11.40 Coffee break SESSION 2: Music and Muses: Authenticity, Authorship, and Artistry 11.40 – 12.00 Júlia Durand (NOVA University of Lisbon) and Toby Huelin (University of Leeds) [Online] “The ‘Hidden’ Life of Library Music Composers: Authorship and Anonymity in Contemporary Screen Music.” 12.00 – 12.20 Lou Aimes-Hill (University of Leeds) “‘You really made that your own…’ Exploring the currency of the cover version in an online world.” 12.20 – 12.40 Frances Myatt (University of Cambridge) “Authorial Identity and Classical Reception in Bob Dylan’s Mother of Muses.” 12.40 – 13.00 Q & A Session Chair: Richard Wallace 13.00 – 14.00 Lunch 1 14.00 – 15.00 KEYNOTE ADDRESS #1 Nicholas Thoburn (University of Manchester) “Riotous and Anti-Racist Anonymity in Post-Digital Publishing” Chair: TBC SESSION 3: Poetics of Appropriation - Poets and Artists Challenging their own Authorship 15.00 – 15.20 Felipe Cussen (Universidad de Santiago de Chile) [Online] “Degraded Collective Authoring.” 15.20 – 15.40 Julie Mcelhone (University of Sydney) “Portrait of a Lady's commonplace: A is for paraphrase.” 15.40 – 16.00 Simon Morris (Leeds Beckett University) “I would prefer not to.” 16.00 – 16.20 Q and A Session Chair: Leonello Bazzurro 16.20 – 16.30 Coffee break SESSION 4: Who owns the work? Property and Authorship issues in Modern Theater and Dance 16.30 – 16.50 Lara Barzon (University of Warwick) [Online] “Cannibal Authorship: a decolonial point of view.” 16.50 – 17.10 Matthias Rothe (University of Minnesota) [Online] “The Perseverance of Artistic Labor.” 17.10 – 17.30 Olivia Sabee (Swarthmore College) [Online] “Authorship and Dramaturgy in Eighteenth-Century France: D’Aubignac, Diderot, Marmontel and Noverre.” 17.30 – 17.50 Q & A Session Chair: TBC 17.50 – 18.00 Closing Remarks 18.00 – 19.00 Wine Reception 2 Saturday 21st May 2022 (Day 2) 10.00 – 10.10 Introduction 10.10 – 11.10 KEYNOTE ADDRESS #2 Tom Geue (University of St Andrews) “The Enslaved Muse: Apostrophe and Authorship in Latin Literature.” Chair: Elena Giusti SESSION 5: Sine [auctore]? Pseudepigraphical Art in Ancient Literature 11.10 – 11.30 Sherry (Chiayi) Lee (Princeton University) "Desiring the female author: The epigrams attributed to Sappho and Erinna." 11.30 – 11.50 Nicolò Campodonico (Scuola Normale Superiore, Pisa) “Pseudo-Virgil for sale. The Appendix Vergiliana and the Roman book market.” 11.50 – 12.10 Giulia Colli (University of Pisa) “Beyond Interpolations. The Advantages of Assessing 'Deliberate' Interpolations as Anonymous Textual Pieces.” 12.10 – 12.30 Q & A Session Chair: Alessandra Tafaro 12.30 – 13.30 Lunch SESSION 6: “What matters who is speaking, the philosopher said” Authorship in Philosophy and French Modern Literature. 13.30 – 13.50 Agis Sideras (Independent Scholar) “Martin Heidegger’s philosophy and the idea of authorship.” 13.50 – 14.10 Alexandre de Lima Castro Tranjan (University of Sao Paulo) “The schizophrenic cogito: a deleuze-guattarian concept of discourse.” 14.10 – 14.30 Niall Kennedy (Trinity College, Dublin) “Deleuze, Authorship and “Modern French Philosophy.” 14.30 – 14.50 Maureen A Ramsden (University of Hull) “Controversial Authorship in Marcel Proust’s Jean Santeuil and A la recherche du temps perdu.” 14.50 – 15.10 Q & A Session Chair: Leonello Bazzurro 15.10 – 15.20 Coffee Break 3 SESSION 7: “Traduttore, Traditore, Creatore” - The Translator as Author 15.20 – 15.40 Emily Di Dodo (Magdalen College, Oxford) “The Decameron De(Re)-Constructed: The Medieval Castilian Translation.” 15.40 – 16.00 Silvia Amarante (University of Copenhagen) “Twice-concealed authorship: Anonymity and Pseudotranslatioin Luigi Settembrini's I Neoplatonici”. 16.00 – 16.20 Daria Chernysheva (University College London) “‘False Translations’ and ‘Half-Poems’: the claim of poetic translators to authorship.” 16.20 – 16.40 Q & A Session Chair: TBC 16.40 – 16.50 Coffee break SESSION 8: Authorial Fragments: Distributed and Collective Practices 16.50 – 17.10 Markus Hafner (University of Graz) [Online] “Socrates auctor or artifex? Allelopoietic authorship and logographical collaboration in Plato's Menexen.” 17.10 – 17.30 Ryan Warwick (Johns Hopkins University) [Online] “Cicero's Lamp: The Scene of Writing and Edges of Authorship.” 17.30 – 17.50 Markus Kersten (University of Basel) [Online] “Overcoming the Diminutive. Ausonius' opuscula and as an instance of shared authorship.” 17.50 – 18.10 Q & A Session Chair: Lucrezia Sperindio 18.10 – 18.30 Closing Remarks END OF CONFERENCE! 4