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2022, EC VEGIE 2020
Described as an 'exceptional work of human creative genius' (UNESCO 1995), the Cathedral was granted UNESCO World Heritage status in 1996. The iconic building is of tremendous emotive value to the citizens of the Cologne and the German nation; it is also considered one of the most significant architectural structures of European Christianity. The design of the 157-metre twin tower structure dates back to 1164, and during a brief period from 1880 until 1890, it was considered the tallest building in the world. Throughout its long history, though, the Cathedral has endured numerous challenges and threats. Neglect, war, vandalism, urban growth and environmental pollution have all had a significant impact on the physical fabric of the building. Current conservation challenges include the impact of adjacent engineering works, regional seismic activity, air pollution accelerating stone decay, global warming, vandalism and excessive tourism.
The paper examines international involvement in the completion of Germany’s most famous ‘national monument’. Long before Cologne Cathedral was listed as UNESCO World Heritage, it played an important part in the development of an international heritage consciousness. The paper sketches the multidirectional ways in which the cathedral was fashioned internationally. The first part examines how personal networks helped initiate the nineteenth-century completion; the second looks at international financial support and the place of the cathedral in cultural diplomacy and foreign heritage policies. The third analyses the broader reception by international audiences beyond the completion in the twentieth century. By understanding how historical culture in Germany developed transnationally, the paper suggests ways of overcoming the dominance of short-term and isolated perspectives in German history.
Mallorca cathedral is one of the largest ever built cathedrals in the world. When compared with all other Gothic cathedrals in the world, it is found that its columns have the highest slenderness ratio, its main nave span is the second longest after Girona cathedral, and its main nave is the third highest after those of Beauvais and Milan cathedrals. The preservation of the cathedral was always of concern due to its audacious dimensions and slender structural members. About one century ago, a pioneering structural assessment was carried out by Rubió. Since then, and up to date, a relevant number of studies have been carried out on this cathedral and covered many aspects such as the history of construction, the characterization of the construction materials, the seismic assessment, the static and the dynamic monitoring, and the investigation of the foundation soil, among others. The objective of this article is to review these studies making focus on their main conclusions that are relevant for future studies on the cathedral and other similar historical structures.
2021 •
The work of art offers a rich visual experience to the society and this experience is closely related to the value that the work brings to the society. Berlin Cathedral; It has been an extraordinary building with an eventful history. In the old center of Berlin, the Red Town Hall, St. Nicholas Church, With its central location near the Museum Island with its many museums and the new building of the old Berlin Palace, the cathedral is known to every Berliner and most tourist. The history of Berlin Cathedral is shaped by wars and the division and reunification of this metropolis that never sleeps. In the study, the process of the cathedral from past to present has been examined through photographs and various sources and touched upon in its changes. The effect of the Third Reich and the period of the East German Republic on Berlin Cathedral has been explained. The cathedral was examined by formal classification and structural evaluation...
Structural Studies, Repairs and Maintenance of Heritage Architecture XVI
Structural Assessment of Dubrovnik Cathedral, Croatia2019 •
The cathedral has complete autonomy over its resources and in recent years the financial management of its vast legacy has centred systematically on annual conservation programmes, which has notably reduced the need for major restoration projects. A significant part of the conservation programmes is research, in the widest sense of the word. Sometimes the critical compilation of historical data—occasionally, ancient accounting documents but also historical images and photographs in particular—constitutes a substantial part of the resources that dictate the nature of the conservation programmes. At other times, it is the uninterrupted automatic monitoring of environmental factors, of the building’s vast dimensions and of the activity associated with cracks, damp patches and other symptoms of decay that provides valuable information on the appropriate approach to specific issues.
"Santa María de la Sede", is the cathedral of Seville, constructed between 1433 and 1506 on the site of the Great Mosque of which the splendid minaret still subsists, has the largest ground surface of all European Gothic churches, and is the third largest of all Christian shrines. The problems, -and the funds - required for its Conservation are commensurate with its size, but unfortunately, there is a large gap between current needs and available means.
2016 •
viction which the citizens of the society all shared. The dichotomy be tween the secular and the sacred was in this period transcended, since the divine was held always and invariably to express itself in the human, while the human had no reaUty apart from the divine which it existed to display. It is the purpose of this article to discuss the Gothic Cathedral in terms of its genius in reflecting the spirit of the era. Here the descriptive adjective, not the noun, is the carrying power of all that will be said. A Cathedral can exist in any type of architecture. It is by definition the seat of a bishop, which means that any church in which a bishop happens to be located is a cathedral. But a Gothic Cathedral, considered as an archi tectural type or artistic class, is unique. The thirteenth century in Western Europe erected it, and it is itself wondrous and glorious, to which nothing else that has ever been built can be compared. Gothic architecture has been characterized by three maj...
Proceedings of the Fifth International Congress on Construction History / Bowen, Brian, Friedman, Donald, Ochsendorf, John (ur.). - Chicago : Construction History Society of America , 2015. 337-344 (ISBN: 978-1-329-15030-0).
PROBLEMS OF VAULTING THE EASTERN PART OF THE GOTHIC CATHEDRAL OF ZAGREB (CROATIA2015 •
The cathedral of Zagreb is the most important and the largest Gothic building in Croatia: ca 75 m long, ca 35 m wide, with vaults of the nave and choir spanning 13 m. Its eastern part (presbytery with three apses) was begun in the 13 th century, following the model of the church of Saint-Urbain in Troyes (Champagne). According to historical documents, the two aisles of the presbytery (i.e. of the eastern part of the edifice) were vaulted by the end of the 13 th century, but there are no historical sources on the construction of the first choir vault. Survey drawings from mid-19 th century show a vault with late Gothic stylistic characteristics, with ribs forming patterns typical of Central-European late Gothic vaults. However, it was not constructed in the Gothic period: from the contract with master Hans Alberthal in 17 th century it is known that he built this vault "exactly following the form of the old vault" which had collapsed shortly before. This was the only vault of the Zagreb cathedral with the late Gothic formal characteristics. All the other vaults of the cathedral were of the quadripartite type, typical of early and high Gothic. Therefore it might be concluded that the choir vault was built later than the other vaults of the cathedral – even later than the vaults of the hall-type nave, constructed in the 15 th c. Also, the choir vault is the only vault of the Zagreb cathedral which collapsed in the earthquake in 1880 (Torbar 1882). Interestingly, from the historical sources it can be concluded that it collapsed several times before the 1880 earthquake – while the other vaults of the cathedral had never had serious structural problems. The cross section of the presbytery has unusual proportion of the heights of its central and lateral vessels: the springings of its choir vault are higher than the springings of its aisle vaults, but not enough high to enable high clerestory windows-as it was the rule in aisled early and high Gothic cathedrals. However, the choir vault is still considerably higher than the aisle vaults. Astoundingly, the eastern part of the cathedral does not have flying buttresses. On the basis of historical and structural analysis of the building a hypothesis was made that the lack of flying buttresses caused structural weakness of this part of the church. Due to the inadequate buttressing system, the original Gothic vault of the choir probably collapsed soon after the construction, and the eastern part of the edifice was never built as it must have been planned: as a real basilican type structure, with the choir considerably higher than the aisles.
ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences
Terrestrial laser scanning for heritage conservation: the Cologne Cathedral documentation project2017 •
Contemporary terrestrial laser scanners and photogrammetric imaging systems are an invaluable tool in providing objectively precise, as-built records of existing architectural, engineering and industrial sites. The comprehensive three-dimensional (3D) recording of culturally important sites such as heritage buildings, monuments, and sites can serve a variety of invaluable purposes; the data can assist in the conservation, management, and repair of a structure, as well as provide a visually engaging educational resource for both the public and scholars. The acquired data acts as a form of digital preservation, a timeless virtual representation of the as-built structure. The technical capability of these systems is particularly suited for the documentation of a richly articulated and detailed building such as the high Gothic Cologne Cathedral. The 3D documentation of the Cologne Cathedral UNESCO World Heritage Site is a multiphase project developed by Heriot-Watt University, Edinburgh in partnership with the Fresenius University of Applied Sciences, Cologne, and the Metropolitankapitel der Hohen Domkirche Köln Dombauhütte. The project has also received generous support from Zoller + Fröhlich (Z+F) and the City of Cologne.
Sakarya University Journal of Education
Adaptation of the Global Academic Performance Scale: Reliability and Validity Study2020 •
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