Paper submitted to the 6
th
International Conference on Applied and Creative Arts, 17-18 August
2021 (caca_event@unimas.my)
POSITIONING OF THE RESEARCH PROBLEM IN CREATIVE ARTS THESIS
Su-Hie Ting (shting@unimas.my)
Saiful Bahari Mohamad Yusoff
Nancy Kissam
Universiti Malaysia Sarawak
Abstract
The content structuring of creative arts thesis is still evolving and has been mainly based on the
social science thesis structure. However, the diversity of creative works encompassing music
compositions, novels, art works, dance, and painting makes it difficult for the thesis to fit into the
conventional content structure. There is also the description of intellectual property and the final
product validation which are distinctly different components of creative arts research which need
to be documented. In addition, the impetus for the creative arts research may not arise from a gap
of knowledge in the field but from ergonomical problems of certain products or designs. The
present study examined the positioning of the research problem in creative arts theses. Eleven
creative arts theses written by undergraduate and postgraduate students in two Malaysian
universities were analysed to identify the impetus or entry point for the research. The results
indicate that the research problem in creative arts theses is inclined towards researcher
observation of ergonomic problems with existing products or designs although some students
strengthen their case by citing related research findings on the weaknesses of existing products or
design to carve a niche for their study. The study suggests that patent search offers useful
information that can be used to justify the novelty of innovations and inventions.
Keywords: research problem, creative arts, thesis, ergonomics, product design
Introduction
In Malaysia, creative arts was given recognition as a discipline by the Malaysian Qualifications
Agency (2011) a decade ago, and industrial design was categorised as a sub-discipline within the
creative arts discipline. In the larger context, creative arts research falls into the soft sciences,
along with the social sciences, and arts and humanities research. Applications for research grants
in creative arts offered by the Ministry of Higher Education are usually in the Arts and Applied
Arts (Sastera dan Sastera Ikhtisas) research domain but certain research proposals may fall into
the Natural and Cultural Heritage (Warisan Alam dan Budaya) research domain (Kementerian
Pengajian Tinggi, 2021). In this paper, the term “social science” will be used to refer to the soft
sciences, as opposed to the hard sciences (e.g., engineering, information technology, biological
sciences).
Generally, a research is deemed significant if the research problem is pertinent and still
not well understood due to the lack of research in the area. In other words, the value of the
research is argued based on the existing knowledge in the research area, and researchers need to
demonstrate familarity with available findings and theories in the research area to carve a niche
Paper submitted to the 6th International Conference on Applied and Creative Arts, 17-18 August
2021 (caca_event@unimas.my)
POSITIONING OF THE RESEARCH PROBLEM IN CREATIVE ARTS THESIS
Su-Hie Ting (shting@unimas.my)
Saiful Bahari Mohamad Yusoff
Nancy Kissam
Universiti Malaysia Sarawak
Abstract
The content structuring of creative arts thesis is still evolving and has been mainly based on the
social science thesis structure. However, the diversity of creative works encompassing music
compositions, novels, art works, dance, and painting makes it difficult for the thesis to fit into the
conventional content structure. There is also the description of intellectual property and the final
product validation which are distinctly different components of creative arts research which need
to be documented. In addition, the impetus for the creative arts research may not arise from a gap
of knowledge in the field but from ergonomical problems of certain products or designs. The
present study examined the positioning of the research problem in creative arts theses. Eleven
creative arts theses written by undergraduate and postgraduate students in two Malaysian
universities were analysed to identify the impetus or entry point for the research. The results
indicate that the research problem in creative arts theses is inclined towards researcher
observation of ergonomic problems with existing products or designs although some students
strengthen their case by citing related research findings on the weaknesses of existing products or
design to carve a niche for their study. The study suggests that patent search offers useful
information that can be used to justify the novelty of innovations and inventions.
Keywords: research problem, creative arts, thesis, ergonomics, product design
Introduction
In Malaysia, creative arts was given recognition as a discipline by the Malaysian Qualifications
Agency (2011) a decade ago, and industrial design was categorised as a sub-discipline within the
creative arts discipline. In the larger context, creative arts research falls into the soft sciences,
along with the social sciences, and arts and humanities research. Applications for research grants
in creative arts offered by the Ministry of Higher Education are usually in the Arts and Applied
Arts (Sastera dan Sastera Ikhtisas) research domain but certain research proposals may fall into
the Natural and Cultural Heritage (Warisan Alam dan Budaya) research domain (Kementerian
Pengajian Tinggi, 2021). In this paper, the term “social science” will be used to refer to the soft
sciences, as opposed to the hard sciences (e.g., engineering, information technology, biological
sciences).
Generally, a research is deemed significant if the research problem is pertinent and still
not well understood due to the lack of research in the area. In other words, the value of the
research is argued based on the existing knowledge in the research area, and researchers need to
demonstrate familarity with available findings and theories in the research area to carve a niche
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Adrián J. Sáez
Università Ca' Foscari Venezia
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Université Bordeaux-Montaigne
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Titika Dimitroulia
National and Kapodistrian University of Athens
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Manfred Malzahn
United Arab Emirates University
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