In a fast-growing and changing city such as Nairobi, some public buildings
and services have changed remarkably little over the decades. Such is the
case with the McMillan Memorial Library, built in 1931 and situated in
Nairobi’s Central Business District (CBD), but also of the less known public
libraries of Kaloleni and Makadara, two poorer areas of Nairobi. Ever since
their respective creations all three libraries, which are referred to collectively
as the ‘McMillan libraries’, have continuously delivered a much-needed
public service to a population thirsty for education and safe spaces to study,
in spite of a lack of investment and increasing state of decay. Book Bunk,
a small civil society organisation founded in 2017 by Angela Wachuka and
Wanjiru Koinange, two Kenyan book professionals, has resolved to address
the matter by setting up a partnership with Nairobi City County Government,
assessing needs (from an architectural, inventory and users’ perspective),
rehabilitating the buildings and exploring new ways in which they and their
historical and new contents might be explored, questioned and appropriated
by Nairobi’s population.
In this chapter, I first show that the libraries, through Book Bunk’s work on
them, have become the sites of an important reflection on the role libraries can
play in better representing and understanding Kenya’s colonial past, building
a more inclusive culture and offering a different public space and service.
In other words, Book Bunk’s work on the libraries is placing these three
outdated but tranquil refuges at the heart of crucial and heated public debates
about history, memory and collective imagination and representation. In the
remainder of the chapter, I discuss how Book Bunk is attempting to define a
fine line between discarding and preserving history with regard to the libraries’
buildings, books and purpose. In doing this, Book Bunk and the libraries are
offering their own answers to global debates about decolonising our public spaces, making history and memory accessible to all and offering a platform
to Kenya’s many, including female, voices.
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