POLITICAL AESTHETICS OF URBAN ENCOUNTERS:
ON DIFFERENCE AND THE FEELING OF SAFETY
Henrik Pathirane
ABSTRACT
Aesthetics and politics are intertwined in our everyday encounters and even nonverbal encounters are negotiations of meanings,
values, and means of representation. The aesthetic political negotiation of urban encounters is politics beyond consensus and dissensus: an open-ended process of altered perception. Perception
of difference, a feeling of safety, and a form of distanciation are required for the political potential to be actualized. This article begins
by discussing urban encounters and the notion of politics. Politics
takes place in the public sphere and is actualized in political negotiations, which in ephemeral encounters take the form of pondering,
or hermeneutic understanding and judgment. The second section
discusses the prerequisites: safety, distance, and difference. Two
points are made. Firstly, the political encounter contains a practical-ethical demand for effort in our everyday life. Secondly, training
aesthetic sensibility assists in this pursuit. This article is an example
of an approach of inquiry that can be called political aesthetics.
KEYWORDS
Political aesthetics, Urban encounters, Judgment, Understanding,
Aesthetic sensibility, Urban aesthetics, Everyday interaction, Public
sphere
The Nordic Journal of Aesthetics, No. 63 (2022), pp. 64–82
64
INTRODUCTION
One lunch break, returning from the campus cafeteria in central
Helsinki, I passed a pile of electric scooters partly blocking
the sidewalk. I looked at them lying on the ground in a quite
unnerving, messy heap, and raised an eyebrow. I turned my eyes
back to where I was heading, met the eyes of a person coming from
the opposite direction, saw them see my reaction and the eyebrow
that I had raised. The face I saw was somewhat amused, a bit questioning— as if asking “aren’t you over-reacting a little?” The other
person then looked at the pile and made an almost blank face that
to this day remains indecipherable.
This article is about our everyday urban encounters such as the
one described above. I argue that urban encounters can be situations of aesthetic political negotiation. Behind my usage of the
term “political aesthetics” is the idea that aesthetic and political
judgment determine each other reciprocally and intertwine in our
interpretive perception. Put shortly, by political aesthetics, I refer
to a point of view of research that has at its centre (1) conversation
that (2) challenges and negotiates partitions and hierarchies of (3)
interpretative and evaluative perception, and its (4) relevance to
decisions concerning our life in common.
The article has two parts. The first focuses on urban encounters and their political potential, and the second discusses the
prerequisites for the potential to be actualized. The argument
goes thus: urban encounters are relatively anonymous, ephemeral,
and often nonverbal situations of face-to-face communication
between human agents and take place in urban space. This space
is characterized by the presence of strangers and a concentration of perceptible differences. In urban encounters, a feeling
of safety is required for an engaged but distanced perception of
difference, i.e. an openness towards otherness that is a prerequisite for an inclusive public sphere. Within this sphere, political
negotiation in the form of judgments and hermeneutic understanding of meanings, values, and means of representation
takes place. I propose that this article is an example of applying
a political aesthetics viewpoint to different everyday situations
and phenomena.
It all — aesthetics and politics, meanings and experiences,
life and being human — comes down to one feature: difference.
Difference in the sense that things change and the world is in
flux, and in the sense that people are different: we have (and are)
a plurality of perspectives, each with a unique appearance and
fusion of traditions. So, at the core of this paper is difference,
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Political aesthetics of urban encounters: on difference and the feeling of safety
difference in a dynamic and productive sense, as a space for
self-distanciation and learning. It does not refer to any idea of
static differences responsible for stereotypes, but difference that
enables change and seeing otherwise. Finally, at the core of this
paper is an open attitude towards difference and the negotiations
it makes possible.1
1. POLITICAL AESTHETICS AND URBAN ENCOUNTERS
The situation described at the beginning of the introduction
was an example of what is meant by an urban encounter in this
paper. Encounters are researched in several fields, but the concept
remains under-theorized.2 Helen F. Wilson’s conclusion from her
extensive meta-research on how encounters have been studied in
geography is that “encounters are meetings where difference is
somehow noteworthy.”3
In relation to the study of encounters, this paper is a typical
one. Here are some common qualities and views Wilson discovered, and that can also be found in this paper to some degree:
(1) there is, perhaps, a disproportionate interest in ephemeral
encounters, in the fleeting.4 (2) There is an emphasis on the multisensorily experienced affective qualities and somatic dimensions
of encounters —in this paper, exhibited by the focus on the atmosphere of trust or the feeling of safety.5 (3) Encounters happen at
borders, and create and dissolve them. Consequently, there is a
widely recognized potential for learning and politics in encounters: encounters enable the negotiation of new articulations of
power. (4) Relatedly, the accumulation of effects of encounters is
recognized in the literature, and through multiple encounters, our
values and behaviour can change in time. There is potential for
altered understanding and learning. (5) Lastly, a concern can be
found as to what is the macro-level impact of these micro-level
encounters and how the scaling up happens.6
The body of work that could be labelled “urban encounters”
stems from post-colonial studies. It focuses on social difference:
how it is created and negotiated in the encounters. The urban
chance encounters with different social classes or ethnicities in
streets, parks, and public transport have been at its core.7
By “urban encounters” I denote everyday situations of face-toface interaction between human agents who are strangers to each
other. Furthermore, and this must be emphasized, the focus is
on what could be described as minimal encounters, i.e. the most
common urban situations that last barely some seconds, where
the communication is likely to remain nonverbal: an exchange of
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looks, slight corrections of walking trajectories, micro-expressions and, perhaps involuntary bodily gestures and mediated
messages through clothes.
Clearly, we should not expect much from a single encounter
in respect of altered understanding, well-structured debate, or
clarity in the subject matter, argument, or response. The effects
and importance come from scaling-up, from repetition and
variation, from the temporalities involved, the slow soaking
in or random and rare instantly transformative moments made
possible by the sheer quantity of encounters. Rather than singular
situations, urban encounters and their potential should be considered in relation to the everyday urban life and the recurring daily
contact with strangers.
THE POLITICAL AESTHETICS OF URBAN ENCOUNTERS
The political is something fundamental, an existential— that is,
a defining— dimension of human life, and, like the social, as
Chantal Mouffe writes, “a necessary dimension of any societal
life.” For Mouffe, the political is inherently conflictual, and the
conflictuality thus resides on the ontological (as opposed to the
ontic) level.8 From the opposing end to Mouffe on the spectrum
of politics-as-antagonism and politics-as-action-in-concert,
Hannah Arendt positions plurality as the main principle and
prerequisite of politics, “of all political life.”9 The political is born
out of difference that defines humanity, the difference of circumstances, of bodies and viewpoints, the difference that makes
anyone other to anyone else. The difference, plurality, does not
necessarily imply conflict— even though it often does.
Bart Van Leeuwen compares agonism and cosmopolitanism as
dispositions towards cultural differences in daily urban life. Both
of the opposite views see it as important for the public sphere, or
the “civil modus,” to register differences in encounters in multicultural cities. The cosmopolitan form welcomes the encounter
with difference enthusiastically and as a chance to learn. For the
agonistic form, “the acknowledgement of difference ought to be
present in daily encounters not so much in order to enrich one’s
horizon, as to engage in passionate but civil debate concerning
stereotypes, value systems and ways of life.”10 In my understanding of political negotiation, agonism and cosmopolitanism
are equally important dimensions of the encounter. In other
words, my conception of politics encompasses both dissensus and
consensus, antagonism and cooperation.
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Political aesthetics of urban encounters: on difference and the feeling of safety
Like the agonistic disposition, I appreciate the negotiatory
dimension of our encounters. Equally, in line with the cosmopolitan form, I adhere to seeing something else than conflict taking
place in encounters with difference. It is the openness to otherness,
and the in-between of one’s former beliefs and what is to come,
a space of learning, forming, and transforming that defines the
political as an existential. Any political act of, say, demanding
equality, needs to be received and understood by others. Often, it
is about understanding something that was not understood before.
For politics, I initially give three prerequisites: (1) politics
takes place in the public sphere. The public sphere is further
defined by— even identical to —inclusivity and an attitude of
critical openness. (2) Politics is actualized in political negotiations (3) that have to do with our life in common. The third point
summons Jacque Rancière’s conception of politics.
When discussing Mouffe, Arendt, and Rancière in the same
article, one risks a confusion of terms. To clarify, I use the words
“politics” and “the political” throughout the paper as referring to
the informal public sphere and civic negotiations in contrast to
(what Rancière calls) “the police,” and to “institutional politics”
in the sense of politics as professional politicking, parliamentary
and legislative work, party politics, etc.
Put shortly, for Rancière, politics is located where the police
process meets the process of equality. Police or policing means
the law, the norms, the administration. It is “the set of procedures
whereby the aggregation and consent of collectivities is achieved,
the organization of powers, the distribution of places and roles,
and the systems for legitimizing this distribution.”11 The police
is the reigning system of hierarchies of valuations and meanings
that operates on the level of knowability and perceivability—
what can be seen, what is treated as understandable. 12 Politics
is in Rancière’s definition always something that questions and
breaks the existing partition of the sensible, the constitution of
the aisthêsis, the police order.13
It is on the level of preconceptions and pre-reflective interpretation that Rancièrian police order functions and is questioned
in politics or in the politics of aesthetics. Indeed, for Rancière
“[p]olitics revolves around what is seen and what can be said
about it, around who has the ability to see and the talent to speak,
around the properties of spaces and the possibilities of time.”14
Eventually, however, Rancière’s politics means disclosing created
inequality and the obfuscated equality of every human being, and
as such, it is rare and, arguably, getting rarer.15
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Let us widen Rancière’s “exceptionalist” conception of politics
then.16 Politics belongs to our everyday. It is part and a possibility
of our daily encounters. Margus Vihalem uses the term “common
sensorium” in his Rancière-informed proposition for political
aesthetics that is a discourse with our everyday interpretative
perception at its centre. The common sensorium is the always
already interpreted constitution of the aisthêsis understood in its
Rancièrian double meaning of “perceiving and partaking,” but
with a shift of focus to the politics of aesthetics of our everyday
environment and daily life. In Vihalem’s approach, “it is through
the realm of the everyday, through its most basic perceptions,
experiences and events that politics operates as aesthetics.” For
Vihalem, any perceivable act or choice, for example walking,
would be political for it contributes to or alters the common
sensorium.17 I would not go so far since I maintain that politics
takes place in negotiations in the public sphere. However, I agree
with Vihalem on the point that any perceivable act or choice has
political potential, i.e., has potential to become a statement, an
instigating impulse, or otherwise an active part of a negotiation.
Now, returning to my third prerequisite, that political negotiations are about our life in common: it seems that everything
relates to our common sensorium, either by altering perceivable
things or by altering how things are perceived. Hence, this is not
a real prerequisite. Politics takes place in negotiations within a
public sphere.
It should be clear that, since I focus on nonverbal communication of ephemeral duration, my conception of the public sphere is
something set apart from the institutions of state governance and
legislation. Rather, it is about being a citizen in a society, or in a
transnational, globalizing world. The public sphere means interacting with other people in a way characterized by inclusivity,
distance from the self and one’s own needs, and by acknowledgement, or experiencing, of diversity.18 They are prerequisites for
any conversation to be political and are also found in Arendt’s
conception of the public sphere.
The public sphere is one of three Arendtian spheres of human
life, the others being the private and its expansion, the social
sphere. The social is akin to the private sphere but on a wider
scale: it is the mass society of labourers and consumers and, as
such, it is antinomical to politics. The Arendtian public sphere is
reserved for the ephemeral human activities requiring the presence
of others: speech, action, and a later addition, judgment.19 For
Arendt, the public sphere is dependent on the shared space of
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Political aesthetics of urban encounters: on difference and the feeling of safety
appearance, i.e. reality constituted by multiple perspectives.20
Above all, public life is about the mutual opportunity for people
to be seen and heard in their particularity, as “who” they are, and
gains its significance from the uniqueness of every single viewpoint.21
“Wherever people gather together, it is potentially there, but
only potentially, not necessarily and not forever.” That is to say
that walkable cities where people inevitably constantly interact,
and other structures that bring strangers together, are the “most
important prerequisite” for a sustained public sphere.22 In the
contemporary world, the Arendtian public sphere is not bound
by any specific location in the city. It is defined only by absolute
inclusiveness.23
Like Rancière, Arendt is an exceptionalist. Politics is rare
and getting rarer because of the expansion of the social sphere
through “the emergence of mass society.” Instead of political
action, there is only conformist social behaviour.24 Ariella
Azoulay, while stressing the inclusivity principle of the public
sphere, argues against Arendt’s view of society as a non-political
expansion of the private sphere: where there are people, there can
be a relational space of politics.25 Herein lies the challenge for
urban communities, namely, to treat everyone in urban space as a
citizen, a participant in the public democratic process, as an agent
with a voice and a viewpoint. It is also to carry in one’s daily life
the comportment of moral cosmopolitanism: to treat everyone
across the national borders as subject to the same human rights —
to make urban space genuinely public.26
To reiterate the difference and relation between urban space
and the public sphere: the public sphere is an inclusive mode of
encounter, a mutual attitude of critical openness that can be actualized in urban space. Urban space is the space of everyday life
and experience that can be or can become a supporting context
for the public sphere.27 Now, the public sphere denotes inclusivity and urbanity connotes plurality and difference. To explore
this further I shall use an example to illustrate what is meant by
political negotiation within the urban public sphere occurring in
minimal urban encounters.
A person passes me by wearing a jacket on which is stitched a
patch with the anarchist symbol of a circled “A.” The first actualization of the encounter’s political potential is when I do not
recognize the symbol but start wondering what it means. I may
ask its meaning or nonverbally communicate puzzlement. In any
case, a longer hermeneutic process begins, during which I come to
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understand its meaning and thus anarchism as an ideology. I learn
such a perspective exists and this in itself alters my understanding
of the world and myself by enlarging the group of possible partitions of the real.
No political potential is actualized if I recognize the anarchist
“A” on the jacket but take it as self-evident, too familiar, or as
a cliché that no longer registers as a message. This is one level
where difference is required: to wake us up, to engage us.
If I recognize the anarchist “A” and become cognitively
engaged, there are at least three dimensions I might think about.
The first is the same I already discussed: I might try to understand the meaning of the symbol. Even though I recognized it, it
stands for a whole system of thought with multiple strands — and
no matter what the symbol, the work of understanding is never
finished. It is only useful to have some sort of preconception to
get started. The dialogical process of hermeneutic understanding
is endless.
The second dimension is the evaluation of the message. The
premises and consequences, credibility and ethics. The evaluation happens in some context and it is always a judgment of
a particular case. We do not abstractly and objectively judge
anarchism in these encounters but from the entangled webs of
everyday life, the environment, the whole perceptual situation. I
might evaluate the valuations and value hierarchies of anarchism
in relation to how I experience contemporary society and the
city. Here also, difference is required, and this is the Arendtian
multitude of viewpoints, which is eventually the same difference
that is the ground of hermeneutic understanding: to evaluate, or
rather, to pass a political judgment, is not purely subjective but
requires critical perspective-taking, acknowledging the plurality
of positions and human faiths.
The third dimension is the pondering of the act. This might
involve judgment or understanding or both. When I see the patch,
I may judge or try to understand the particular representational
situation, its context, or the sign vessel. Not the “what” or “why”
but the “how.” In this case, I might consider the act of sewing
a patch with a symbol to one’s clothes, or its appropriateness
to some context, etiquette, or some middle-class sense of tact
or taste. Through the encounter, I might come to question and
evaluate the context and middle-class sensibilities themselves.
Or, I might realize that wearing a patch or a pin is a strategy
not only for young people. I might realize that it is a real option
even for myself. Just as well, I might judge it to be not effective
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Political aesthetics of urban encounters: on difference and the feeling of safety
or appropriate for everyone. This is political negotiation of the
media, and its ways and forms of negotiation. This meta-negotiation has consequences for whose voice is heard, who can participate in public political discussion, and how inclusive the public
sphere is.
In any of the cases, I may react perceivably, nod, grunt or smile.
I may look perplexed or just visibly stare at the symbol. The other
person may notice this and begin considering my actions. Most
of the encounters do not get to this point and are called minimal
for a reason. The patch owner has, however, participated in the
dialogue already by wearing the patch and by being accommodating enough for me to see it. If the person was aggressively
closed from interaction, my focus would more likely be on the
hostility and the negative atmosphere rather than on ideology and
representation.
This last observation extends the notion of an interactive
encounter. It can also be between an individual and a crowd of
people, e.g., protesters — demonstrations taking place daily in
larger cities. In addition, as was the case with the electric scooters,
anything can become the subject matter of an urban encounter
between two people: the demonstration, a perceivable thing or
quality in the environment, a witnessed friendly or hostile interaction, or any act from tearing down statues to spitting on the street.28
In sum, I argue that the political potential of encounters is
actualized as pondering, comprising judgment and hermeneutic
understanding, and both involving an active stance towards one’s
preconceptions. Next, I will specify and contextualize my usage
of these concepts.
HERMENEUTIC UNDERSTANDING AND
JUDGMENT IN URBAN ENCOUNTERS
For Henrik Kaare Nielsen, the type of judgment relevant to
grounding a political community would be a composed entity
that unfolds in political practice and is “constituted by a rationally and factually qualified ability of estimation in respect to
the content dimension of political matters, including the reflection of both conflicts of interests and common concerns.”29 This
echoes the Habermasian public sphere of rational debate.30 The
urban public sphere, however, is not Habermasian. Rather, it is
a public sphere of aesthetics, impressions and nonverbal negotiations woven into the unremarkable everyday life taking place
amid strangers in urban space.31 Indeed, the Arendtian concept
of public sphere, relating to appearance, perception, and senses
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rather than to structured discourse and rationality, is aesthetic and
finds its basis in Kant’s judgment of taste.32 Hence, it is back to
Arendt we shall turn — and to Cecilia Sjöholm’s interpretation of
Arendt’s political aesthetics. She frames the Arendtian judgment
as the encroachment of others.33
Sjöholm points out that, for Arendt, judgment does not so
much denote an actual act of judging something but instead
“being able to perceive it at all.” Arendt expands the framework of
thinking politics to everyday life through the concept of judgment
in her lectures on Kant. For us, navigating the political and social
spheres and the natural and built environment in our daily life,
the episteme, the knowing of facts, is not as important or useful as
judgment. We base our decisions of behaviour on judgment. The
peculiarity of judgment is that, by always pertaining to particularity and not to universality or general law, “it introduces the idea
that social and political engagement negotiates another form of
shared knowledge.” Judgment, as it involves sensus communis,
implies that one does not judge from the position of subjective
likings and interests. Judging means taking the viewpoint of
others, the perspective of the community. In this sense of sharedness — the shared and communicable perception of the common
sensorium — the sensus communis is also the experience of
realness. This social nature of judgment is pervasive; judgment
never takes place in isolation. In the Arendtian judgment with the
accompanying enlarged thought, we are always encroached upon
by others, always affected by others to the point that Sjöholm
describes it as a form of submission. And it is the aesthetic
judgment that “defines the social nature of embodied subjectivity;
the way we are affected or disaffected, the way we conceive of
ourselves and of others, and the way we take part in or disavow
social contexts.”34
In judgment, the viewpoint of others is taken imaginatively and
critically, not merely empathetically.35 The Arendtian judgment
necessitates a capacity to imaginatively appropriate a perspective of “a different social position—another gender, culture, or
ethnic group”. It involves stepping out of the self. It is critical
and involves what Sjöholm calls reflective flexibility or “re-flexibility”: a readiness to be transformed. This re-flexibility does not
involve transcending differences but allowing an experience of
them to affect our experience of the real. That is also to say that
we do not actually imagine all the possible viewpoints. “Rather,
the existence of other viewpoints is something that informs our
perspective in such a way that we become disturbed and moved,
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Political aesthetics of urban encounters: on difference and the feeling of safety
perhaps pushed from a position that we hitherto have held to be
comfortable.” Finally, in order not to be overwhelmed— emotionally or otherwise — by the other’s position, judgment requires
distanciation from the very situation we are engaged in.36
Judgment and prejudice are negatively connected. Prejudices
in the sense of preconceptions are primordial for the functioning
of our daily life and through them we belong— to a certain place,
to a certain community. Our interpretative perception, the pre-reflective “seeing as,” is enabled and guided by preconceptions
pertaining to our particular historical and cultural horizon, to a
certain fusion of traditions. Arendt’s view of prejudice is negative
rather than neutral. This is because, as Sjöholm writes, “[i]t may
well falsify reality at an everyday level and make us avoid experience, new knowledge, and judgment proper.”37 Still, to maintain
the possibility of communication and our role and responsibilities as citizens, we can distantiate ourselves only partly from the
community and its preconceptions. We have to accept the difficult
task of simultaneously being part of and apart from our tradition
or community.38
Judgment is demanding. It requires stepping out of self but also
forces us to take this direction, to become open to altered understanding, to learning, seeing otherwise.39 Judgment is potentially
transformative. The Arendtian judgment as it is construed here
comes close to hermeneutic understanding. Indeed, in Arendt’s
politics, understanding and judgment are not separate.40
The Gadamerian hermeneutic understanding is an ethical
disposition. The cumulative and transformative hermeneutic
understanding is dialogical, always a conversation; it requires
difference and a space of in-betweenness, i.e., distance from
ourselves, granted by the other. Contrary to the pre-reflective
interpretative “seeing as” that is guided by our tradition, our
preconceptions, hermeneutic understanding is a directed activity,
in which the other’s voice is strengthened. Embedded in this reciprocity of understanding is the idea that we need each other; it is
always about mutual human growth encompassed by genuine care
for the other’s understanding— and thus directed not to oneself
but to our life in common.41
The type of “I–Thou” relationship that characterizes hermeneutic understanding is a certain attitude which, in return, is
learned through hermeneutic understanding. The hermeneutic
attitude of openness that is required from both interlocutors
consists of (1) encountering the other empathetically as an equal,
as another subject, (2) at least some minimal amount of respect
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towards the other that translates into a willingness to participate
in dialogue, and (3) a readiness to question one’s preconceptions,
i.e. acceptance that the other may change the way we perceive —
understand— the world and ourselves.42
In urban space, in city streets, encompassed by the mutual
critical-reflexive attitude of openness amplified by the unknowability of the other’s background, hermeneutic encounters are
instances of the inclusive public sphere. In ephemeral urban
encounters, meta-understanding is more likely than a conclusive understanding of some subject matter. This means understanding what understanding requires and learning to appreciate
and maintain the hermeneutic attitude. The negotiation of the
values and meanings also often takes place on a meta-level: “It is
about expanding the field of perceived possibilities of what and
how we even can discuss, what we possibly can value and how it
can show and be communicated.”43
A final addition to discussing judgment: in the political negotiation of urban encounters, the self-distanced viewpoint of the
community is important and applies also to the evaluative side
of judgment. We evaluate things incessantly, and when operating
according to the attitude of openness and the critical perspective-taking of the “enlarged thought,” we also evaluate the basis
of evaluation. We understand the multiplicity of hierarchies,
register something of the police order, the societal circumstances
creating and upholding the hierarchies, and come to judge them.
In the introduction of this article, I presented an argument that
for urban encounters to actualize their political potential, three
things are required: a feeling of safety, distance, and difference.
Now that I have explained what is meant by the claim that passing
encounters can be political, let us turn to these prerequisites —
beginning with the feeling of safety.
2. FROM THE FEELING OF SAFETY TO
DIFFERENCE AND AESTHETIC SENSIBILITY
Safety is a traditional subject in urban studies. Jane Jacobs, for
example, begins The Death and Life of Great American Cities with
this theme right after the introduction. For Jane Jacobs, the safety
of city streets and the feeling of safety—in their effects largely the
same — are key prerequisites for a functioning city. A high level
of usage at any time of the day is needed for a street to be safe for
strangers using it. There must be offices and homes, stores, bars
and cafés, a diversity of uses and users, and eyes on the street,
that is, people with interest in the area like residents, shopkeepers
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Political aesthetics of urban encounters: on difference and the feeling of safety
and a restaurant’s regulars looking out from windows. Jacobs also
demands “a clear demarcation between what is public space and
what is private space.”44 Jan Gehl might oppose the last point,
for he argues for soft edges — gradual and blurred lines between
public and private. In other respects, concerning what makes a
street safe, Gehl agrees with Jacobs. For him, pedestrians’ feeling
of safety is the key to a functioning city.45
Urban space is defined by the presence of strangers.46 Other
people are also one of the main attractions of cities.47 Richard
Sennett distinguishes between two types of strangers: the
stranger as an alien and the stranger as an unknown. The first
one is the case of cities with segregation by, for example, race or
language. This stranger as an outsider prevails where people have
assumed social identities on which a perceptual order marking
“who belongs and who does not” is based. On the other hand, the
stranger as an unknown can dominate “the perceptions of people
who are unclear about their own identities, losing traditional
images of themselves, or belonging to a new social group that as
yet has no clear label.”48 A contemporary example of the latter is
cities with a large number of self-employed people, the creative
classes and workers of the platform economy of food deliveries,
etc., all still searching for their place in society.
The urban encounter, where it is political, is with the stranger
as an unknown. This demands openness, setting aside the rule
book of social identities, and being present in the situation. Here
difference operates productively in the ways described in the
previous chapter. But it is the stranger as an alien by which we
often operate. According to Sara Ahmed, it is not about failing to
recognize a person but producing the figure of a strange stranger
in these very encounters by recognizing them as someone who
does not belong. Prejudices and discrimination are at play when
some are deemed strangers more easily than others.49 As I wrote
in relation to Wilson’s finds, as well as being dissolved, borders
and social difference are created in encounters.
Elijah Anderson, when discussing urban encounters from the
viewpoint of the consequences of prejudices against young black
males, makes it clear that our perception is conditioned by the
context and by our prejudices, so that the eyes on the streets are
not unbiased: “The time of day, the season of the year, the neighborhood’s social history—events of the past thirty years or of the
past few days—all affect the meaning this black man has for the
residents who watch and informally guard the streets and public
spaces.”50
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Here is an example of a failed encounter. I was leaving my
study at the university late one evening. The doors leading out to
the courtyard were already locked— as were the gates separating
the courtyard from the rest of the city. Simultaneously with me,
someone else was making their way out at the other end of the
corridor. The person left the building from another door, so that
for me to exit the court I had to walk towards them. They began
to make rapid glances behind their back at me. I walked determinedly but tried to smile and jingled my keys in my hand to
signify that I am not a threat, that I belong. Their walking turned
to running; they ran towards the gate still making panicked
glances. After I reached the gate and opened it with my keys, I
looked around to see if they were still running, if I could calm
them, or if I had just misunderstood the situation. The person was
quite far away, catching their breath in the safety of other street
users and looking at the gate, at me, when I located them.
No matter what the actual reason for the other’s terror, with
my experience of similar (non-) encounters, I explain the other’s
reaction by my brownish skin colour and my black beard. This is
only one culturally conditioned position and side of the encounter.
Still, the fear and prejudices I have encountered have conditioned
me to, for example, always have keys in my hand beforehand,
using them to pre-emptively calm everyone down, to produce a
clear image of my intentions and to neutralize my presence.51
Fear, often born out of socially learned racial prejudices, also
limits the movement of the feared.
A feeling of safety is a prerequisite for the encounter to be
political. Without it, there is no inclusivity, thus no public sphere.
This was not inclusive, considering all the prejudices and mechanisms affecting the dynamics of this situation.52 This was not a
political encounter but a situation that enforces the existing police
order; an enactment of a visual order relating to citizenship,
belonging, malevolence and violence, in which some register as
strangers and threats more easily than others; a visual order that
creates and upholds inequality. This was not an instantiation of
the Arendtian public sphere for there was no critical-empathetic
understanding, judgment, or “enlarged thought” acknowledging
the plurality of viewpoints and backgrounds; and the defining
feature was not the participants’ appearing as themselves but as
social identities. It was an instinctual reaction to stereotypes;
there was no distanciation from the self. Both of us were nailed to
our skins by fear, my appearance was shut behind the social identities of a criminal and an outsider, not only of a stranger but of a
77
Political aesthetics of urban encounters: on difference and the feeling of safety
strange stranger, a monstrous other. And I saw the other mainly
as an embodiment of fear; an affect-cum-flesh that bled into the
environment creating an absurd and suffocating atmosphere.
What was not lacking in the previous example though, was the
perception of difference, but it was in the register of “strangers
as aliens” rather than in the productive “strangers as unknown.”
Indeed, there are researchers sceptical about the potential of
encounters being the foundation of life in the urban multiculture
or a route to “politics of living with diversity based on engagement
and negotiation.”53 Sennett, for example, comparing his experience of Greenwich Village with Jacobs’s description from twenty
years back and observing growth in drug usage and the number of
homeless, notes that there great social differences and diversity
lead to indifference rather than interaction.54 Sophie Watson, on
the other hand, studying forms of sociality in traditional marketplaces, acknowledges minimal encounters, such as glances or
gazes, as having the potentiality to negotiate difference and to
sustain the public sphere. She finds empirical evidence to support
her argument that even sharing the same space with different others
can participate in challenging the racist strategies of othering.55
The acknowledgement of encounters as situations of learning was
also listed above, among Wilson’s finds of the common characteristics of encounter studies. Likewise, according to Gehl “[t]he city
is seen as serving a democratic function where people encounter
social diversity and gain a greater understanding of each other by
sharing the same city space.”56
Social diversity, however, is not enough. What is needed is an
open attitude towards difference. In addition to supporting urban
infrastructure, we need lifelong education, formal and informal,
on human rights and empathy, while taking critical perspective.
We also need education on the importance of openness, on how
to encounter others openly.
One dimension of this training is aesthetic education and
the education of aesthetic sensibility. As the political pertains
to sensory perception, Sjöholm locates aesthetic sensibility as
underlying all forms of political reflection; even judgment is a
function of sensibility.57 In the same vein, Carsten Friberg puts
aesthetic education — namely training the perceptual capacity
of discrimination and the sensorial cognition — to the core of
his suggestion for political aesthetics.58 Our interpretation of
ourselves and the world derives from our socially conditioned
and trained perception. In addition, Katya Mandoki, writing on
terrorism and aesthetic education, notes that since art education
Henrik Pathirane
78
and beauty can be used and abused to incite violence, it is the
“sensibility to or aesthesis for others,” i.e. the openness towards
otherness, that should be emphasized in aesthetic education.59 In
relation to the social nature of our formation, Friberg gives a task
to political aesthetics: “being strongly influenced is not the same
as saying we are determined. An essential step to take here is to
become aware of the mechanisms of the influences we are subject
to.”60 This same awareness —judgment—is required for resisting
terrorist brainwashing but is also needed in urban encounters.
It involves an awareness of the contingency and negotiability of
perceptual orders put forth by the other, and an awareness of one’s
own socially learned preconceptions.
Openness is made possible by trust among strangers and the
form of distance that the feeling of safety enables. Openness
can also be communicated, and an atmosphere of trust created
by small gestures. 61 The aesthetic dimensions of our behaviour
and body language affect the ethical character of deeds, as Yuriko
Saito has noted. In addition to what we do, it matters how we do it.
The aesthetic factors of our facial expressions, body movements,
and how we handle objects matter. 62 For example, when we make
room or open a door for someone, our body language should
make it clear that this action is no trouble.63 If we want to, we
can quite effortlessly influence the atmosphere of our encounters.
Thus conceived, social aesthetics necessarily leads to an “activist”-oriented aesthetics.64 That is, instead of disinterested spectators making aesthetic judgments, we are active agents taking
part in creating social situations.65 We can, and we should, pay
attention to how we do it.
The distance granted by an atmosphere of trust or the communicated openness required for political negotiations is a small
one — a sort of tranquillity of mind, an absence of threat or
stressful co-ordinational tasks: no open manholes, heavy rain or
ridiculously aggressive wind, no zigzagging in cross-currents of
crowds or vehicles. No active survival but dwelling in the region of
excess where there is time for curiosity and imagination, listening
to oneself and others. A kind of distance is necessary, but it must
be an engaged form of distance. We cannot remain untouched by
the other’s circumstances or be blind to our own participation and
responsibility in encounters. We need a feeling of safety to not
stay safely at a distance.66
79
Political aesthetics of urban encounters: on difference and the feeling of safety
CONCLUSION
From the case of the circled “A” of anarchism, we learned that
when the meaning, the message, the medium, or the context
come under consideration, i.e., become objects of thinking, the
situation is potentially political. To ponder comprises evaluation or judgment, as well as hermeneutic understanding. There
is no need to come to any solution or reach a consensus and it
does not matter whether the encounter is between adversaries or
allies. The political potential of the encounter is actualized not
when people agree or disagree or take action in cooperation or
against the other. What matters is that the other is heard and their
message considered.
The aesthetic political negotiation of urban encounters
described in this paper is a third option between aiming for
consensus and being adversaries. Within the inclusive public
sphere, political negotiation is characterized by critical-reflexive perspective-taking and an openness towards otherness. It
contains partial questioning of preconceptions, stopping to think
or paying attention, taking the viewpoint of the community, and
being present in and for the situation, and for the other. It can make
us see something our preconceptions have hidden or discover new
ways of participating in the public sphere and forming a common
world. The encounter is a negotiation of meanings and values,
of hierarchies and perceptual and conceptual partitions, a negotiation of the real, of the partition of the sensible, and of means
of negotiation and representation. It is politics beyond consensus
and dissensus: an open-ended process of altered perception, of
distance from the self, instigated by difference.67 The engaged
but distanced perception of difference requires trust and a feeling
of safety. The difference from self implies dependence on others.
In the end, as an acknowledgement of human plurality and our
dependence on it, the negotiation implies moral cosmopolitanism, an ethical disposition towards the borderless “we.”
This article is not only positive-descriptive but also normative.
By describing a valuable phenomenon often left unactualized
in our daily life, I urge more attention to be paid to it not only
philosophically but also in practice, in our encounters. We can
actively pay attention to others and we can actively reorganize the
common sensorium or make our values perceptible by communicative acts.
Henrik Pathirane
80
NOTES
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
81
I thank the anonymous reviewer for pointing out a need
for clarification in the usage of the term “difference.”
In addition, although writing about difference evokes
Derrida’s différance in many readers’ minds, this
paper does not actively relate to Derrida’s thought. See
Jacques Derrida, “Différance,” in Margins of Philosophy,
trans. by Alan Bass (New York: Harvester Wheatsheaf,
1982).
Anniken Førde, “Enhancing Urban Encounters:
The Transformative Powers of Creative Integration
Initiatives,” Urban Planning 4, no. 1 (January 2019): 45,
https://doi.org/10.17645/up.v4i1.1713.
Helen F. Wilson, “On Geography and Encounter:
Bodies, Borders, and Difference,” Progress in Human
Geography 41, no. 4 (August 2017): 464, https://doi.
org/10.1177/0309132516645958.
Wilson, “On Geography and Encounter,” 462. See also,
Peter Dirksmeier and Ilse Helbrecht, “Everyday Urban
Encounters as Stratification Practices: Analysing Affects
in Micro-Situations of Power Struggles,” City 19, no. 4
(July 2015): 486, https://doi.org/10.1080/1360481
3.2015.1051734. The tendency is shifting in current
empirical research.
Wilson, “On Geography and Encounter,” 459. Affectual
encounters engaging different senses have been studied
for example in geographies of tourism. See Chris Gibson,
“Geographies of Tourism: (Un)Ethical Encounters,”
Progress in Human Geography 34, no. 4 (August 2010):
521–27, https://doi.org/10.1177/0309132509348688.
Wilson, “On Geography and Encounter,” 457,
460–463. See also J.D. Dewsbury and David
Bissell, “Habit Geographies: The Perilous Zones
in the Life of the Individual,” Cultural Geographies
22, no. 1 (January 2015): 23, https://doi.
org/10.1177/1474474014561172. J. D. Dewsbury and
David Bissell propose that the ephemeral is sutured to
the long-term and the structural by habit. By studying the
dynamics of habit formation in relation to encounters,
we can better understand, for example, the temporal
dimensions of discrimination and “endemic forms of
inequality.”
Wilson, “On Geography and Encounter,” 453–454.
Chantal Mouffe, On the Political (London; New York:
Routledge, 2005), 17.
Hannah Arendt, The Human Condition, 2nd ed. (Chicago:
University of Chicago Press, 1998), 8–9.
Bart van Leeuwen, “Dealing with Urban Diversity:
Promises and Challenges of City Life for Intercultural
Citizenship,” Political Theory 38, no. 5 (October 2010):
637–38, https://doi.org/10.1177/0090591710372869.
Jacques Rancière, Disagreement: Politics and
Philosophy (Minneapolis: University of Minnesota Press,
1999), 28.
Rancière, Disagreement, 29.
Rancière, Disagreement; 26, 29.
Jacques Rancière, The Politics of Aesthetics: The
Distribution of the Sensible, trans. Gabriel Rockhill
(London; New York: Continuum, 2018), 8.
Rancière, Disagreement; 17, 139.
16 Facundo Vega, “Where Are We When We Litigiously
Judge? Politics and Aesthetics in Hannah Arendt and
Jacques Rancière,” Journal for Cultural Research 22, no.
4 (October 2018): 377, https://doi.org/10.1080/147975
85.2018.1598061.
17 Margus Vihalem, “Everyday Aesthetics and Jacques
Rancière: Reconfiguring the Common Field of Aesthetics
and Politics,” Journal of Aesthetics & Culture 10, no. 1
(January 2018): 2, 6–10, https://doi.org/10.1080/20004
214.2018.1506209.
18 Richard Sennett, The Fall of Public Man (New York: W.W.
Norton, 1986), 87. Sennett defines public behaviour
thus: “’Public’ behavior is a matter, first, of action at
a distance from the self, from its immediate history,
circumstances, and needs; second, this action involves
the experiencing of diversity.”
19 Hannah Arendt, Lectures on Kant’s Political Philosophy,
ed. Ronald Beiner (Chicago: University of Chicago Press,
1990). See also Arendt, The Human Condition.
20 Arendt, The Human Condition, 199.
21 Ibid., 57. Karin Fry, “The Role of Aesthetics in the Politics
of Hannah Arendt,” Philosophy Today 45 (2001): 46,
https://doi.org/10.5840/philtoday200145Supplement6.
22 Arendt, The Human Condition, 199–201.
23 Cecilia Sjöholm, Doing Aesthetics with Arendt: How to See
Things (New York: Columbia University Press, 2015), 7.
24 Arendt, The Human Condition, 40–41.
25 Ariella Azoulay, “Getting Rid of the Distinction between
the Aesthetic and the Political,” Theory, Culture &
Society 27, no. 7–8 (December 2010): 254–57, https://
doi.org/10.1177/0263276410384750.
26 See Bart van Leeuwen, “If We Are Flâneurs, Can We Be
Cosmopolitans?” Urban Studies 56, no. 2 (February
2019), https://doi.org/10.1177/0042098017724120 &
van Leeuwen, “Dealing with Urban Diversity.”
27 I thank the anonymous referee for suggesting this
clarification, and the clear way they formulated
the distinction: “Urban space as an overall framing
concept for the unfolding of differences in general, and
public sphere as a concept for a specific, reflective
and inclusive modality of interaction and negotiating
differences in urban space.”
28 In 2020, simultaneously with the corona pandemic, there
have been mass protests against police violence, racism
and discrimination in the US and other countries. The
Black Lives Matter movement has had global support
and visibility. In the US and several European countries,
statues of persons of note with racist background or ties
to the slave trade, have been decapitated, torn down, or
taken down by authorities.
29 Henrik Kaare Nielsen, “Aesthetic Judgement and
Political Judgement,” The Nordic Journal of Aesthetics
23, no. 43 (November 2012): 15, https://doi.
org/10.7146/nja.v23i43.7494.
30 Jürgen Habermas, The Structural Transformation of the
Public Sphere: An Inquiry into a Category of Bourgeois
Society, trans. Thomas Burger, reprinted (Cambridge:
Polity Press, 2008).
Political aesthetics of urban encounters: on difference and the feeling of safety
31 See e.g. Sophie Watson, “The Magic of the Marketplace:
Sociality in a Neglected Public Space,” Urban
Studies 46, no. 8 (July 2009): 1582, https://doi.
org/10.1177/0042098009105506.
32 Sjöholm, Doing Aesthetics with Arendt, 73.
33 See also Jim Josefson, Hannah Arendt’s Aesthetic
Politics: Freedom and the Beautiful (Palgrave Macmillan,
2019), 145. https://doi.org/10.1007/978-3-03018692-0. Josefson frames the Arendtian judgment
as making phenomena understandable for others i.e.
communicable.
34 Sjöholm, Doing Aesthetics with Arendt; 72-75, 79,
84–89, 100.
35 Arendt, Lectures on Kant’s Political Philosophy, 43.
36 Sjöholm, Doing Aesthetics with Arendt, 86–89.
37 Ibid., 87–88. See also Arendt, Lectures on Kant’s
Political Philosophy, 43.
38 Kimberley Curtis, Our Sense of the Real: Aesthetic
Experience and Arendtian Politics (Ithaca, NY: Cornell
University Press, 1999), 123.
39 Josefson, Hannah Arendt’s Aesthetic Politics, 142.
40 See Jakub Novák, “Understanding and Judging History:
Hannah Arendt and Philosophical Hermeneutics,” Meta
II, no. 2 (2010): 481–504.
41 Hans-Georg Gadamer, Truth and Method, trans. Joel
Weinsheimer and Donald G. Marshall, 2nd rev. ed.
(London; New York: Continuum, 2004). Monica Vilhauer,
Gadamer’s Ethics of Play: Hermeneutics and the Other
(Lanham, Md.: Lexington Books, 2010), 76–77, 83.
Nicholas Davey, Unquiet Understanding: Gadamer’s
Philosophical Hermeneutics (Albany: State University of
New York Press, 2006), 16.
42 Gadamer, Truth and Method, 355. See also HansHerbert Kögler, “Hermeneutic Cosmopolitanism, or:
Toward a Cosmopolitan Public Sphere” in The Ashgate
Research Companion to Cosmopolitanism, ed. Maria
Rovisco and Magdalena Nowicka (Burlington: Ashgate,
2011).
43 Henrik Pathirane, “Philosophical Hermeneutics
and Urban Encounters,” Open Philosophy 3, no. 1
(September 2020): 484, 486, 489–490, https://doi.
org/10.1515/opphil-2020-0136.
44 Jane Jacobs, The Death and Life of Great American
Cities (New York: Modern Library, 1993), chapter 2 and
43–44.
45 Jan Gehl, Cities for People (Washington, DC: Island
Press, 2010), 97–99.
46 Sennett, The Fall of Public Man, 128.
47 Gehl, Cities for People, 148.
48 Sennett, The Fall of Public Man, 60.
49 Sara Ahmed, Strange Encounters: Embodied Others in
Post-Coloniality (London; New York: Routledge, 2000); 3,
30–32.
50 Elijah Anderson, Streetwise: Race, Class, and Change
in an Urban Community (Chicago: University of Chicago
Press, 1997), 188.
51 Ibid., 167, for ways that strangeness is made safe or
neutralized in encounters.
Henrik Pathirane
52 For discrimination and campus encounters, see Johan
Andersson, Joanna Sadgrove, and Gill Valentine,
“Consuming Campus: Geographies of Encounter at a
British University,” Social & Cultural Geography 13, no. 5
(August 2012): 509, 512, https://doi.org/10.1080/1464
9365.2012.700725.
53 Dan Swanton, “Urban Encounters: Performance and
Making Urban Worlds,” Journal of Urban Cultural
Studies 5, no. 2 (June 2018): 4, https://doi.org/10.1386/
jucs.5.2.229_1. See also Gill Valentine, “Living with
Difference: Reflections on Geographies of Encounter,”
Progress in Human Geography 32, no. 3 (June 2008):
323–37, https://doi.org/10.1177/0309133308089372.
54 Richard Sennett, Flesh and Stone: The Body and the City
in Western Civilization (New York: W.W. Norton, 1994),
357–358.
55 Watson, “The Magic of the Marketplace,” 1581–1582,
1589–1590.
56 Gehl, Cities for People, 109.
57 Sjöholm, Doing Aesthetics with Arendt, x.
58 Carsten Friberg, “Political Aesthetics: A Philosophical
Reflection,” Popular Inquiry 4, no. 1 (2019), 9–11.
59 Katya Mandoki, “Letters on the Aesthetic Deformation
of Man,” Contemporary Aesthetics Special Volume 7
(2019).
60 Friberg, “Political Aesthetics,” 20.
61 Concerning first impressions and atmospheres, see
Tonino Griffero, Atmospheres: Aesthetics of Emotional
Spaces, trans. Sarah de Sanctis (Burlington: Ashgate,
2014), 29–30. See also Elisabetta di Stefano, “The
Power of the Gift: A Perspective of Political Aesthetics,”
Popular Inquiry 4, no. 1 (2019). In a recent proposal for a
field of study of political aesthetics, Elisabetta di Stefano
frames it as cooperative creation and negotiation of
atmospheres.
62 Yuriko Saito, “The Ethical Dimension of Aesthetic
Engagement,” Espes Vol 6, no. 2 (2017), 179.
63 Yuriko Saito, “Body Aesthetics and the Cultivation
of Moral Virtues,” in Body Aesthetics, ed. Sherri Irvin
(Oxford: Oxford University Press, 2016), 225–42.
See also Garcia Chambers, “The Aesthetics of Social
Situations: Encounters and Sensibilities of the Everyday
Life in Japan,” Contemporary Aesthetics 18 (2020),
section 2, https://contempaesthetics.org/newvolume/
pages/article.php?articleID=895.
64 For social aesthetics, see also Arnold Berleant, “On
Getting along Beautifully: Ideas for Social Aesthetics,”
in Aesthetics in the Human Environment, ed. Pauline von
Bonsdorf and Arto Haapala (Lahti: IIAA, 1999), 12–29.
Arnold Berleant, Sensibility and Sense: The Aesthetic
Transformation of the Human World (Exeter: Imprint
Academic, 2010), chapter eleven.
65 Saito, “Body Aesthetics,” 237.
66 See Ahmed, Strange Encounters, 157.
67 See Richard Sennett, Together: The Rituals, Pleasures
and Politics of Cooperation (New Haven: Yale University
Press, 2012); 14, 19. The open-endedness is not
unlike the Bakhtinian dialogics Sennett calls for in our
encounters.
82