Under the umbrella of the SEE/B/0016/4.3/X Project SAGITTARIUS a new cultural heritage infrastructure has been introduced in South East Europe. The main aim is to facilitate cognitive-emotional experiences in cultural heritage environments by effectively communicating cultural values to non-captives audiences. A 3-component Roving Museum (RM) is operated in seven countries (GR, BG, HR, HU, IT, RO). The RM adapts to visitor needs in a constantly changing knowledge ecosystem implementing new ways of recreational learning and visitor satisfaction. It includes a QRC-driven portable exhibition with 110 cultural heritage narratives, accessible via QRCs in the territory, an app for iOS and Android, and a social media driven participatory space, to support contextual co-creation and participatory learning. A cognitive driven communication pattern has been developed and adapted to the conditions regulating the recreational learning environment. The pattern employs interrelated content segments in order to free the working memory (WM) from irrelevant cognitive loads, enabling new cognitive content to relate to prior knowledge. The design presupposes a limited WM capacity to deal with visual, auditory and verbal material, and an almost unlimited long-term memory (LTM), able to hold mental representations that vary in their degree of automation. It considers WM constraints, element interactivity and 3 types of cognitive loads (CL). Cognitive accessibility is ensured through provision of novelty and variety, surprise and exploration, strictly avoiding engagement in complex cognitive procedures.

The Palace of the Hungarian Academy of Sciences is one of the defining public buildings of Budapest. Built in 1862-1865 from designs by the Berlin architect Friedrich August Stüler, it was a ground-breaking and significant example of the neo-Renaissance style that went on to influence the architectural development of the capital itself. The elegant arrangement of the interior and the sculptural and painted decoration of the major rooms are in keeping with the importance of the building’s function.

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Abstract: The study tries to offer new pieces of information regarding the oil painting in the 19th century. It offers for analysis the votive painting representing Queen Elisabeth of the Princely Church of Buşteni. In the first part, the paper makes draws a short historical presentation of the “Birth of the Holy Theotokos” Church, founded by the royal family on the Crown Estate near to Peleş Castle; then is presented the worship place from the artistic and architectural point of view, and, in the end, the study shall dwell on the votive painting – a dynamic element in the iconographic program of an Orthodox church. Considering the preserving status of the Queen Elisabeth painting, after having gained new date offered by restoration , it can be opened a new chapter of discussions concerning regarding the technical novelties brought by a foreign artist – Aage Exner of Denmark – summoned by the royal family in order to embellish the Princely Church, who also performed the church painting, also concerning the collective mentality of the 19th century, being well-known that by portrait “it is underlined the strength of character, the model’s dignity and the social rank”, as well as the historical significance of the traditional elements. The analysis of the artistic and technical ways of expression offers extra information for a historical period which witnesses a dynamic and a diversity hardly equalled by another stage. So that, within this time interval, we find in the Romanian artistic expressions related or related to the Post-Byzantine Art blended with new elements brought by the Western wave and in which can be observed as well local ideas and motives. It is interesting to see which are the elements specific to these artistic lines, in order to better understand each contribution and the ability of the native painters to blend and transpose them in works of art, which ultimately make up a Romanian style. Keywords: Princely’ Church of Buşteni, wall painting, preservation status, chromatic, canvas, frame.