This paper aims to present the notion of aural micro-space, an area whose aural architecture is not accessible unless it is mediated by recording technology and discuss the exploration of this concept in compositional practice. The author... more
This paper aims to present the notion of aural micro-space, an area whose aural architecture is not accessible unless it is mediated by recording technology and discuss the exploration of this concept in compositional practice. The author analyses the characteristics of acoustic space from a spectromorphological, cultural and technical perspective , with a focus on auditory intimacy and is proposing novel ways for working in this domain with references to two multichannel acousmatic works, Topophilia and Karst Grotto.
A short article overview of the future of cinematic language, originally published through animationstudies 2.0 (online journal), June 2013, http://blog.animationstudies.org
