This article aims to analyze comic books' use as vehicles for political communication. Employing socio-semiotic methodology, we describe the discursive operations utilized to disseminate governmental propaganda (a particular type of... more
This article aims to analyze comic books' use as vehicles for political communication. Employing socio-semiotic methodology, we describe the discursive operations utilized to disseminate governmental propaganda (a particular type of political communication) in mexican popular culture. Our corpus comprises institutionally commissioned comic inserts in one of the most iconic magazines of contemporary mexico: El Libro Vaquero ['The Cowboy Book']. According to our findings, these comics tend to make citizens primarily responsible for implementing public policy, ignore the structural causes of the social problems they represent, reducing them to a sum of individual issues, and, finally, downplay state responsibilities while painting a positive image of the different State institutions. Consequently, we should take these comics as a type of institutional propaganda rather than as social marketing.
Nombre del autor: Jossalberto Briceño Sáenz Nombre del dibujante: Eduardo González Cómic 漫画 Éste es el primer cómic elaborado por extranjeros que viven en China. El cómic contiene historias con temáticas culturales chinas, las historias... more
Nombre del autor: Jossalberto Briceño Sáenz Nombre del dibujante: Eduardo González Cómic 漫画 Éste es el primer cómic elaborado por extranjeros que viven en China. El cómic contiene historias con temáticas culturales chinas, las historias tienen un punto de vista que es desarrollado por los extranjeros que hablan chino y conocen la cultura China. Desde el 2005 se ha presentado en China el proyecto MoKa Mi Mejor Amigo.