Review of "Target for Tonight," directed by Henry Watt for the Crown Film Unit, distributed by the British Ministry of Information, 1941. Portraying a Royal Air Force bombing operation (what Americans would call "a mission") early in... more
Review of "Target for Tonight," directed by Henry Watt for the Crown Film Unit, distributed by the British Ministry of Information, 1941. Portraying a Royal Air Force bombing operation (what Americans would call "a mission") early in World War II, RAF aircrew and ground personnel play themselves, giving this film a realistic flavor different from Hollywood and British films made during or after the war. Film historians call this a semi-documentary. There were no actors, but scenes were staged for the film. Its "propaganda" or "morale" dimensions were low key,
The controversial paper explores Kenneth Clark's hostility and outspoken opposition to modern art in the 1930s; then his qualified support for several artists during the war years. Several direct attacks against modern art he made in the... more
The controversial paper explores Kenneth Clark's hostility and outspoken opposition to modern art in the 1930s; then his qualified support for several artists during the war years. Several direct attacks against modern art he made in the 1930s British media are cited and discussed.
Identifying specific artists, the paper shows who Clark railed against (including Nicholson & Mondrian) and how it affected their lives; and who he chose to promote, using his official position during the war to advance certain artists he was friendly with (Piper & Sutherland).
Turning to Henry Moore's underground shelter drawings made during the London Blitz, the article suggests how the artist coped with Clark's narrow views while trying not to compromise his own strengthening modernist work.
9pp.
