This article seeks to (re)position Bama's Karukku and Sangati as autoethnographies from a Tamil Dalit perspective. Drawing on the combined tradition of Bakhtin's thought and feminist dialogics, the author engages in a transdisciplinary... more
This article seeks to (re)position Bama's Karukku and Sangati as autoethnographies from a Tamil Dalit perspective. Drawing on the combined tradition of Bakhtin's thought and feminist dialogics, the author engages in a transdisciplinary analysis of theoretical debates of Dalit autoethnographic narratives in order to understand the creation of dialogic spaces as spaces that both subordinate and subvert. https://www.tandfonline.com/doi/full/10.1080/08989575.2015.1086952
