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Long Chao is the son of a hedge mage — a heretic cultivator. He doesn’t cultivate for power, but to satisfy his endless curiosity. One fateful day, Xiao Huifen, a girl aiming to be the youngest Sky Realm cultivator in the Monolith continent’s history, crashes into his life. She’s from the world of top-ranked sects and strict cultivation methodologies. They share nothing in common except for the unquenchable desire to unlock heaven’s every mystery.

Soseki Natsume's comic masterpiece, I Am a Cat, satirizes the foolishness of upper-middle class Japanese society during the Meiji era. With acerbic wit and sardonic perspective, it follows the whimsical adventures of a world-weary stray kitten who comments on the follies and foibles of the people around him. A classic of Japanese literature, I Am a Cat is one of Soseki's best-known novels. Considered by many as the greatest writer in modern Japanese history, Soseki's I Am a Cat is a classic novel sure to be enjoyed for years to come.

Call it "Zen and the Art of Farming" or a "Little Green Book", Masanobu Fukuoka's manifesto about farming, eating, and the limits of human knowledge presents a radical challenge to the global systems we rely on for our food. At the same time, it is a spiritual memoir of a man whose innovative system of cultivating the earth reflects a deep faith in the wholeness and balance of the natural world. As Wendell Berry writes in his preface, the book "is valuable to us because it is at once practical and philosophical."

Father Zan insists Chao and Huifen venture north. Ancient ruins await. A divine spire there stands. Their identities must remain hidden. The Divine Flying Tiger Clan's Trials are in two short years.

For those looking for the real story behind the fictionalized movie account of the 47 Ronin story, this is the definitive, fascinating account of this unforgettable tale of a band of samurai who defied the Emperor to avenge the disgrace and death of their master, and faced certain death as a result. It led to one of the bloodiest episodes in Japanese history, and in the process, created a new set of heroes in Japan.

Portraying himself as a failure, the protagonist of Osamu Dazai’s NO LONGER HUMAN narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

Zero, Nyx, and the other Pathfinder colonists have adjusted to life on Kaguya. But Earth has built much faster starships-the Dreamcatcher arrives 10 years early, and the Stargazer arrives so early it actually got there before the Pathfinder did! Now the Stargazer is a lost shipwreck, and the race is on to find it, and who should show up looking for it but Nyx's dangerous family: Big Mama, Jim, and Kratt. Nyx and Zero will face kidnappers, pirates, shipwrecks, warlords, dragons, and maybe a new ally or two on their way to save the day once again.

Judge Dee Renjie, Empress Wu's newly appointed Imperial Circuit Supervisor for the Tang Empire, is visiting provinces surrounding the grand capital of Chang'an. One night a knife is thrown through his window with a cryptic note attached: "A high-flying dragon will have something to regret!"

A popular young girl disappears without a trace, her skeletal remains discovered three years later in the ashes of a burned-out house. There's a suspect and compelling circumstantial evidence of his guilt, but no concrete proof. When he isn't indicted, he returns to mock the girl's family. And this isn't the first time he's been suspected of the murder of a young girl; nearly 20 years ago, he was tried and released due to lack of evidence. Chief Inspector Kusanagi of the Homicide Division of the Tokyo Police worked both cases.

Zero is just one of 20,000 people aboard a spaceship bound for a new planet set to be colonized. The journey is over a century long but luckily, everyone is in stasis, so they’ll be safe and sound asleep during the trip. Everyone that is, except for Zero, whose pod has malfunctioned, waking him up a hundred years early. His initial excitement in roaming the ship alone quickly turns to a heart-stopping interstellar adventure when a family of space pirates show up, trying to hijack the ship and take the colonizers hostage.

As they do every year, a small group of acquaintances pay a visit to the remote castle-like Water Mill House, home to the reclusive Fujinuma Kiichi, son of a famous artist, who has lived his life behind a rubber mask ever since a disfiguring car accident. This year, however, the visit is disrupted by an impossible disappearance, the theft of a painting, and a series of baffling murders. The brilliant Kiyoshi Shimada arrives to investigate.

In this gloriously over-the-top tale, Aoyama, a widower who has lived alone with his son ever since his wife died seven years before, finally decides it is time to remarry. Since Aoyama is a bit rusty when it comes to dating, a filmmaker friend proposes that, in order to attract the perfect wife, they do a casting call for a movie they don't intend to produce. As the resumes pile up, only one of the applicants catches Aoyama's attention - Yamasaki Asami - a striking young former ballerina with a mysterious past. But she is a far cry from the innocent young woman he imagines her to be.

Every Falling Star, the first book to portray contemporary North Korea to a young audience, is the intense memoir of a North Korean boy named Sungju who is forced at age 12 to live on the streets and fend for himself. To survive, Sungju creates a gang and lives by thieving, fighting, begging, and stealing rides on cargo trains. Sungju richly recreates his scabrous story, depicting what it was like for a boy alone to create a new family with his gang, his "brothers".

Conceived over 30 years of painting and creating in his studio, this book is Makoto Fujimura's broad and deep exploration of creativity and the spiritual aspects of "making". What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise.

Shanghai, 2007: Fourteen-year-old Alva has always longed for more. Raised by her American expat mother, she’s never known her Chinese father, and is certain a better life awaits them in America. But when her mother announces her engagement to their wealthy Chinese landlord, Lu Fang, Alva’s hopes are dashed, and so she plots for the next best thing: the American School in Shanghai.

In his widely anticipated memoir, Ai Weiwei - one of the world's most famous artists and activists - tells a century-long epic tale of China through the story of his own extraordinary life and the legacy of his father, Ai Qing, the nation's most celebrated poet. Hailed as 'the most important artist working today' by the Financial Times and as 'an eloquent and unsilenceable voice of freedom' by the New York Times, Ai Weiwei has written a sweeping memoir that presents a remarkable history of China over the last 100 years while illuminating his artistic process.

In his 1992 best-selling book The End of History and the Last Man, American political scientist Francis Fukuyama argued that the dominance of liberal democracy marked the end of humanity's political and ideological development. Thirty years later, with populism on the rise and the number of liberal democracies decreasing worldwide, Fukuyama revisits his classic thesis. A series of in-depth interviews between Fukuyama and editor Mathilde Fasting, After the End of History offers a wide-ranging analysis of liberal democracy today.

Former chief inspector Chen faces a tricky serial murderer case at the height of the Covid pandemic—and risks everything he has to expose the deadly effects of the Chinese Communist Party's so-called zero Covid policy to the world.

No longer a chief inspector, Chen Cao finds himself as director of the Shanghai Judicial System Reform Office. To outsiders, it’s a promotion, but Chen knows he’s being removed from the spotlight as he’s immediately placed on involuntary "convalescence leave" to stop him interfering with any cases. However, with various high-profile crimes making headlines and fears escalating over vigilante reprisals, Chen’s superiors know he must at least appear active.

Writing in response to the growing anti-Chinese sentiment and alarmed by the threat of war, Dr. David Daokui Li pulls from his wealth of firsthand experience to demystify contemporary Chinese society and advocate for understanding between China and the West. In this urgently needed and fascinating book, he explains the inner workings of a rising superpower to help the world understand how it works-and how to work with it.