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Life is a Dream
Life is a Dream
Life is a Dream
Ebook107 pages54 minutes

Life is a Dream

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Life is a Dream is a philosophical allegory regarding the human situation and the mystery of life. Focusing on Segismundo, Prince of Poland, the central argument is the conflict between free will and fate. The play remains one of Calderûn's best-known and most studied works.
LanguageEnglish
Release dateDec 28, 2012
ISBN9781625584441
Life is a Dream

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    Book preview

    Life is a Dream - Pedro Calderon de Barca

    Act I

    Scene I—A pass of rocks, over which a storm is rolling away,

    and the sun setting: in the foreground, half-way down, a fortress

    (Enter first from the topmost rock Rosaura, as from horseback, in man’s attire; and, after her, Fife.)

    ROSAURA.

    There, four-footed Fury, blast

    Engender’d brute, without the wit

    Of brute, or mouth to match the bit

    Of man—art satisfied at last?

    Who, when thunder roll’d aloof,

    Tow’rd the spheres of fire your ears

    Pricking, and the granite kicking

    Into lightning with your hoof,

    Among the tempest-shatter’d crags

    Shattering your luckless rider

    Back into the tempest pass’d?

    There then lie to starve and die,

    Or find another Phaeton

    Mad-mettled as yourself; for I,

    Wearied, worried, and for-done,

    Alone will down the mountain try,

    That knits his brows against the sun.

    FIFE (as to his mule).

    There, thou mis-begotten thing,

    Long-ear’d lightning, tail’d tornado,

    Griffin-hoof-in hurricano,

    (I might swear till I were almost

    Hoarse with roaring Asonante)

    Who forsooth because our betters

    Would begin to kick and fling

    You forthwith your noble mind

    Must prove, and kick me off behind,

    Tow’rd the very centre whither

    Gravity was most inclined.

    There where you have made your bed

    In it lie; for, wet or dry,

    Let what will for me betide you,

    Burning, blowing, freezing, hailing;

    Famine waste you: devil ride you:

    Tempest baste you black and blue:

    (To Rosaura.)

    There! I think in downright railing

    I can hold my own with you.

    ROS.

    Ah, my good Fife, whose merry loyal pipe,

    Come weal, come woe, is never out of tune

    What, you in the same plight too?

    FIFE.

    Ay; And madam—sir—hereby desire,

    When you your own adventures sing

    Another time in lofty rhyme,

    You don’t forget the trusty squire

    Who went with you Don-quixoting.

    ROS.

    Well, my good fellow—to leave Pegasus

    Who scarce can serve us than our horses worse—

    They say no one should rob another of

    The single satisfaction he has left

    Of singing his own sorrows; one so great,

    So says some great philosopher, that trouble

    Were worth encount’ring only for the sake

    Of weeping over—what perhaps you know

    Some poet calls the ‘luxury of woe.’

    FIFE.

    Had I the poet or philosopher

    In the place of her that kick’d me off to ride,

    I’d test his theory upon his hide.

    But no bones broken, madam—sir, I mean?—

    ROS.

    A scratch here that a handkerchief will heal—

    And you?—

    FIFE.

    A scratch in quiddity, or kind:

    But not in ‘quo’—my wounds are all behind.

    But, as you say, to stop this strain,

    Which, somehow, once one’s in the vein,

    Comes clattering after—there again!—

    What are we twain—deuce take’t!—we two,

    I mean, to do—drench’d through and through—

    Oh, I shall choke of rhymes, which I believe

    Are all that we shall have to live on here.

    ROS.

    What, is our victual gone too?—

    FIFE.

    Ay, that brute

    Has carried all we had away with her,

    Clothing, and cate, and all.

    ROS.

    And now the sun,

    Our only friend and guide, about to sink

    Under the stage of earth.

    FIFE.

    And enter Night,

    With Capa y Espada—and—pray heaven!

    With but her lanthorn also.

    ROS.

    Ah, I doubt

    To-night, if any, with a dark one—or

    Almost burnt out after a month’s consumption.

    Well! well or ill, on horseback or afoot,

    This is the gate that lets me into Poland;

    And, sorry welcome as she gives a guest

    Who writes his own arrival on her rocks

    In his own blood—

    Yet better on her stony threshold die,

    Than live on unrevenged in Muscovy.

    FIFE.

    Oh, what a soul some women have—I mean

    Some men—

    ROS.

    Oh, Fife, Fife, as you love me, Fife,

    Make yourself perfect in that little part,

    Or all will go to ruin!

    FIFE.

    Oh, I will,

    Please God we find some one to try it on.

    But, truly, would not any one believe

    Some fairy had exchanged us as we lay

    Two tiny foster-children in one cradle?

    ROS.

    Well, be that as it may, Fife, it reminds me

    Of what perhaps I should have thought before,

    But better late than never—You know I love you,

    As you, I know, love me, and loyally

    Have follow’d me thus far in my wild venture.

    Well! now then—having seen me safe thus far

    Safe if not wholly sound—over the rocks

    Into the country where my business lies

    Why should not you return the way we came,

    The storm all clear’d away, and, leaving me

    (Who now shall want you, though not thank you, less,

    Now that our horses gone) this side the ridge,

    Find your way back to dear old home again;

    While I—Come, come!—

    What, weeping my poor fellow?

    FIFE.

    Leave you here

    Alone—my Lady—Lord! I mean my Lord—

    In a strange country—among savages—

    Oh, now I know—you would be rid of me

    For fear my stumbling speech—

    ROS.

    Oh, no, no, no!—

    I want you with me for a thousand sakes

    To which that is as nothing—I myself

    More apt to let the secret out myself

    Without your help at all—Come, come, cheer up!

    And if you sing again, ‘Come weal, come woe,’

    Let it be that; for we will never part

    Until you give the signal.

    FIFE.

    ‘Tis a bargain.

    ROS.

    Now

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