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The Burglar: A Novel
The Burglar: A Novel
The Burglar: A Novel
Ebook354 pages

The Burglar: A Novel

Rating: 3.5 out of 5 stars

3.5/5

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About this ebook

A cunning thief is on the run for her life in a breakneck thriller from the New York Times–bestselling “master of nail-biting suspense” (Los Angeles Times).
 
Elle Stowell is a young woman with an unconventional profession: burglary. But Elle is no petty thief—with just the right combination of smarts, looks, and skills, she can easily stroll through ritzy Bel Air neighborhoods and pick out the perfect home for plucking the most valuable items. This is how Elle has always gotten by—she is good at it, and she thrives on the thrill. But after stumbling upon a grisly triple homicide while stealing from the home of a wealthy art dealer, Elle discovers that she is no longer the only one sneaking around. Somebody is searching for her.
 
As Elle realizes that her knowledge of the high-profile murder has made her a target, she races to solve the case before becoming the next casualty, using her breaking-and-entering skills to uncover the truth about exactly who the victims were and why someone might have wanted them dead. With high-stakes action and shocking revelations, The Burglar will keep readers on the edge of their seats as they barrel towards the heart-racing conclusion.
 
“The fact is, there are probably only half a dozen suspense writers now alive who can be depended upon to deliver high voltage shocks . . . Thomas Perry is one of them.” —Stephen King
LanguageEnglish
Release dateJan 8, 2019
ISBN9780802146793
Author

Thomas Perry

Thomas Perry is the New York Times bestselling author of nearly thirty novels, including the critically acclaimed Jane Whitefield series, The Old Man, and The Butcher's Boy, which won the Edgar Award. He lives in Southern California. Follow Thomas on Facebook at @ThomasPerryAuthor.

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Rating: 3.5606060606060606 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5
    "The Burglar," a thriller by the prolific Thomas Perry, is the story of twenty-four-old Elle Stowell, a petite, athletic, and careful thief. Since her relatives abandoned her when she was fourteen, she has chosen to make a living by sneaking into the homes of wealthy Californians and stealing their cash, jewelry, and weapons. She is small (five-foot-one and one hundred and five pounds), alert, fit, calm, and good with her hands. She can squeeze into small spaces with ease, climb gracefully (she was once proficient in gymnastics), has studied construction and electronics, and knows how to pick locks, spot surveillance cameras, and disable alarms. To stay in shape, Elle runs, swims, lifts weights, and does pull-ups. Occasionally, she will take a vacation, but she is careful to live within her means.

    Even the savviest criminal risks getting arrested or killed. After she enters the house of an art connoisseur, Elle is shocked to find three homicide victims. Although she had nothing to do with this triple murder, she soon finds herself in the crosshairs of unidentified individuals who want her dead. She decides to investigate the matter, find the perpetrators herself, and ascertain their motive. Thomas Perry writes crisp and witty dialogue, and his understated prose is clear, unadorned, and briskly-paced. We cannot help but root for this diminutive but formidable heroine, in spite of her larcenous ways, since she is smart, generally good-hearted, and courageous. There is a particularly memorable scene in which someone Elle trusts catches her off-guard. This usually unflappable woman suddenly faces a foe with lethal intentions who is stronger, taller, and more experienced in hand-to-hand combat.

    "The Burglar," unfortunately, is too implaubible to earn an enthusiastic recommendation. The police are, for unexplained reasons, missing in action while Elle does their job for them. In addition, Elle's virtuosity at everything she undertakes requires a huge suspension of disbelief. Her skill set includes: entering and exiting a house undetected; knowing how and where to search for the things she wants; understanding human nature as well as a PhD in psychology; and unraveling the details of a far-fetched scheme that has led to a great deal of bloodshed. The villains are one-dimensional and uninteresting thugs, and the conclusion is flat and anticlimactic. Although "The Burglar" has humorous passages and, initially, many unanswered questions that pique our curiosity, it lacks the visceral impact of Perry's more impressive works of fiction.
  • Rating: 2 out of 5 stars
    2/5
    I love Thomas Perry. I was looking forward to this book for months. It was really disappointing.It took half the book for Elle (The Burglar) to realize she was a target because she had discovered a triple murder. Her moves went from brilliant to amateurish to childish and back. I found the writing pedantic and slow.Many Thomas Perry books were stay up all night, I have to finish this. This one was, I've struggled with this for a week. It's time to stop.
  • Rating: 4 out of 5 stars
    4/5
    Good character and alot of great detail.
  • Rating: 3 out of 5 stars
    3/5
    BOTTOM-LINE:Love Perry but this is not his best work.PLOT OR PREMISE:Elle is an old-fashioned cat burglar with updated methods to tell her when houses with valuables are likely to be sitting empty. And she happily liberates them, feeling no remorse because the people are rich and she mainly takes things that are insured. Cash, jewels, guns. Which is all fun and games until she walks into the master bedroom at an empty house and finds three dead people sharing a bed after sharing each other..WHAT I LIKED:The initial premise is strong, and watching her case, enter and rob houses is exciting. The initial twist is that the murders were accidentally recorded on a nearby camera, and Elle has to steal it to wipe the memory of her entrance. Her sense of ethics requires her to edit the footage to remove herself and then return the camera before the police find the bodies. But somehow the killers are looking for her, they know she was there and maybe saw too much..WHAT I DIDN'T LIKE:Elle is supposed to be young, hip, and in the criminal underworld…and then spends more than half the book thinking the rough crowd in suits following her are probably cops, even after it is clear there is only one group looking for her, not two, and somebody killed her friend and the friend's boyfriend. Everything about them screams mercenaries / ex-military even down to their office location, but nope, she keeps thinking they might be cops. Right up until she sees them shoot two people. A little slow on the uptake. In the middle of the "case", a hit man comes after her, but rather than kill her as he is supposed to do, he plays with her for days trying to get her alone. Which he could have done by force ANY day and moved on. Whatever. She then turns into super sleuth to ferret out who they are, document all the evidence she'll need to turn over to the police (i.e., days of surveillance and note-taking). At the end, the entire motive for everything is revealed in page after page of exposition, just dumped on the page by the bad guy which she conveniently records. And then it ends with only the barest of explanations of what happens to people, and her looking for work after getting out of the burglary game. Like maybe being a private investigator in a sequel, perhaps? While dating a new boyfriend she didn't even really like. .DISCLOSURE:I received no compensation, not even a free copy, in exchange for this review. I am not personal friends with the author, nor do I follow him on social media.
  • Rating: 5 out of 5 stars
    5/5
    A rather fun and quick read with a lot of twists and turns, The Burglar takes a different view by following a crime by another criminal. Being knowledgeable of the other side of crime, Elle investigates a murder showing what she would do differently than law enforcement. I rather enjoyed this part of the story. She's never safe throughout the story...always looking over her shoulder. The only thing I will say i would change are her thoughts of the past or side stories. Would rather see these as separate chapters. Instead, in some cases, the past stories blend so much into the present that it's difficult to discern one from the other until a paragraph or 2 later. Other than that, i loved the story.
  • Rating: 4 out of 5 stars
    4/5
    I really liked the storyline and the action was exciting. I think Thomas Perry is a good story teller and weaves intricate plots. Elle is a twenty something girl who has been fending for herself since her mid-teens. She supports herself by burgaling houses of the wealthy and pawning the goods. She seems to be an expert in everything and even though she gets into dangerous predicaments she is able to miraculously escape without too much difficulty. She is in the middle of robbing a house when she stumbes upon a triple homicide and becomes a target. She must work to solve the case before she becomes a victim herself. Although I liked the story, I had problems with the writing style. Mr. Perry provides lots of superfluous information, like the brand type and ammo type of guns she finds in her robberies and the streets she drives on. These details are not necessary to the story. The characters are interesting but they lack any warmth or humanity. The dialogue is stilted and the characters are just not that likeable. I could give a list of incongruities in the story but will not so as to avoid spoilers. Overall, I liked the story but it could be improved by paring down the details, making the dialogue more natural and by adding some more warmth and personality to the characters. I give this story 3.5 stars. Thank you to NetGalley and the publishers for providing an ARC in exchange for a fair and honest review. All opinions expressed are my own.
  • Rating: 5 out of 5 stars
    5/5
    The Burglar by Thomas Perry introduces the reader to Elle Stowell, a twenty-something female burglar who jogs on the streets of high-end neighborhoods in Los Angeles, while casing for possible targets. She travels light before and after her break-ins: she steals cash and jewelry that can easily be sold for a percentage of the value. While breaking into a gallery owner's mansion, Elle stumbles upon three dead bodies. Who are they and why were they all shot? She soon realizes that someone is looking for her and that it has to do with the murders. She does not know if they are friend or foe. Why is she being followed? Elle will need all of her burglary skills to get to the bottom of this mystery and to save herself. This novel excels at the cat-and-mouse thriller genre. The tension builds throughout and this is a most enjoyable read. Thomas Perry never disappoints. Thank you to Grove Atlantic and NetGalley for the e-ARC in exchange for an honest review.
  • Rating: 3 out of 5 stars
    3/5
    Single POV not the best view for Perry's Hunt-and-Evade styleReview of the Audible Audio edition narrated by Christina Delaine2.5 rounded up to 3.0I'm certain that I've raved about Thomas Perry's mastery of the "chase & hide"/"hunt & evade" suspense thriller in more than several reviews. Much of this mastery has been through the back and forth effect of him pivoting from those being chased to those doing the chasing and building the tension by manipulating the reader's expectations through the different points of view."The Burglar" takes a different route and tells the entire story from sneak burglar Elle Stowell's point-of-view only. This does serve to build up suspense as you don't know what the villains are up to or even why they are doing it for the larger part of the book. It does then require a manipulation to have that all explained in the end in a way that Elle Stowell can hear it. All of this becomes just a bit too unbelievable though. There are still some exciting set-pieces throughout the book but it just didn't quite satisfy in the way that I have come to expect with Thomas Perry. I am happy that he sets himself new challenges though in order to keep his material fresh.I enjoyed Christina Delaine's audiobook narration which was well voiced in all the character roles.
  • Rating: 4 out of 5 stars
    4/5
    Vintage Perry. A young woman tries to stay a step beyond the bad guys who wish her harm.
  • Rating: 4 out of 5 stars
    4/5
    Elle Stowell is young, pretty, and just what you’d expect to see jogging through the upper-class neighborhoods of Los Angeles. This is part of what makes her such a good thief in The Burglar by Thomas Perry. While she is robbing the home of a wealthy financial services executive, she discovers him naked and dead in his bedroom. Next to him are two wealthy women, neither his wife, all of them shot through the head. To top it all off, she finds a running digital camera which has recorded everything, from seduction to sex to murder, as well as Elle’s entrance.Now Elle has a dilemma on her hands She intends to remove her own image from the recording and send it to the police. Elle soon discovers that either the murderers or the cops know about her and she makes plans to leave town. Before that can happen, she discovers that the killers are after her. Now leaving town and waiting for the police to solve the crime isn’t an option. Elle is going to have to solve it herself if she wants to keep breathing.Thomas Perry has written an exciting mystery/thriller with a compelling character in Elle Stowell. The early part of the book, as Elle describes in detail her methods of casing targets, breaking into them and selling the proceeds is illuminating. Her brushes with danger and a rising body count as the killers see Elle as a loose end to tie up add to the thrills. This momentum carries the book through about two-thirds of the story. The final act, as Elle becomes the pursuer instead of the pursued lacks some of the punch of the early part of the story but still carries enough thrills to make for a satisfying read.I was provided a copy of this book by the publisher.
  • Rating: 2 out of 5 stars
    2/5
    I am a big fan of Thomas Perry's Jane Whitefield mysteries in which Jane helps people disappear. Reading passages in those books makes readers feel as though they're reading a textbook on how to leave your old life behind and start all over again. You get that same textbook feeling reading The Burglar, but the reading enjoyment was much lower for me. The repetition is deadly in this book. We are told over and over how pretty Elle is. How smart she is. How good she is at being a burglar. We are told over and over of her wardrobe changes and her rental car trade-ins. Over and over, world without end... This might have worked-- I might not have noticed all the repetition-- if Elle's voice hadn't been so dispassionate. As if everything she says must be taken as fact and it's useless to argue with her because she could care less what you think.But I do insist on arguing with her. She may be pretty, and she may know how to trade in rental cars and choose just the right outfit for each occasion, but she's not nearly as smart as she likes to think she is. She knows someone is following her, someone who committed a triple homicide. What does she do? Go to a friend's house to stay. In another instance-- having even more proof that she's being followed-- she attends a funeral and is surprised by what happens there. There are even more examples of Elle being Too Stupid To Live, but there's no need to list them all. Seasoned crime fiction readers will know what I mean. This character was driving me insane.The only thing that kept me going was the fact that I insisted on knowing what was going on, why it was going on, and how it would all be wrapped up. That was interesting, and it helped that the point of view at the end switched from the smug, flat-voiced Elle. My ear needed a rest from her, and the different point of view helps readers see how everything fit together.At the end of The Burglar, I was happy to know how everything turned out and even more thrilled in the knowledge that I'd never have to spend any more time with Elle Stowell. If you've wanted to read Thomas Perry-- and you should-- it's better to stick to a standalone like The Butcher's Boy or his Jane Whitefield series. This is not one of his better books.
  • Rating: 4 out of 5 stars
    4/5
    I have always been a fan of Perry's work and his latest did not disappoint me. If you want a well-crafted thriller, Perry is your author. The plot did have me wondering where I'd seen/read it before. It seems quite standard: the burglar who stumbles on a murder and then becomes prey for the murderer. Or so it would seem.I'll give this one 3.5 stars rounded up to 4, because there was something that felt a bit off about this book. Perhaps it was the convoluted plot involving a sophisticated art scam, or perhaps it was the improbable way Elle manages to plant devices and discover information, or perhaps she's just the luckiest creature around. Still, Perry is a master at driving the story and the reader's interest along.My thanks to the publisher and Net Galley for the advance copy in return for my honest opinion.
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed this book from the start. I thought the characters were understandable and real. The story line was good from the beginning and kept getting better! This held true all through the book. You can read the premise of the book on the synopsis, but there are things that will keep you reading beyond just what is said there. The writing is great, the book is full of adventure, and there will be a character or two you will relate to. it was, for me, a good old-fashioned mystery, with all the excellent writing skill that entails.Loved the ending. If you love a mystery or a well-written book, read this. You will enjoy it also.I received a copy of this book from NetGalley, so thank you to them, the publisher and the writer!
  • Rating: 5 out of 5 stars
    5/5
    Elle Stowell, a twenty-something young woman who makes her living as a burglar, stumbles upon a triple murder and becomes the unidentified killer’s next target. While Elle’s chosen career may be a bit off-putting for readers in the beginning, this smart, clever young woman is certain to change readers’ minds as, in order to find justice for the murdered and save her own life, she embarks on a compelling mission to identify the killer. Her backstory, woven into the narrative, provides depth and helps readers understand and connect with the character. Interesting characters, a smart, well-developed plot, unexpected reveals, and enough twists and turns in this cat-and-mouse adventure to keep the suspense ratcheted up, readers will find it difficult to set this book aside before reaching its perfect ending.Highly recommended.I received a free copy of this eBook from Grove Atlantic and NetGalley #TheBurglar #NetGalley
  • Rating: 5 out of 5 stars
    5/5
    Elle Stowell is a burglar. And she’s very good at it. She loves it. Nothing small-time for her. She targets only high-dollar neighborhoods, the homes of the very wealthy and Hollywood elite. Her criminal life is good, all is going according to plan, right up until it isn’t. While pilfering from the home of a well-known art dealer, she comes face to face with a triple murder, a fact that puts a target on her back. But who is after her? Why were the three victims killed? These are questions Elle must answer before she becomes the next victim. To do so, she employs all her stealthy skills, knowing she must find the killer before he finds her. A great story, well-written, and filled with twists and turns. And a protagonist readers will love. Highly recommended.DP Lyle, award-winning author of the Jake Longly thriller series
  • Rating: 5 out of 5 stars
    5/5
    There is just something so compelling about any Thomas Perry story. One word just takes you to the other til you get to the end. This one was particularly good. A female burglar finds a murder scene and works to unravel it. Towards the end, the story took some weird/not practical turns but by then I was sucked in way too far to care.
  • Rating: 1 out of 5 stars
    1/5
    Truthfully, I would have stopped reading this, but by the time I had made that decision, I was over halfway done. It’s a quick read. But a slow plot, with a main character that bored me. Lots of long descriptions of her breaking into place and slowly, very, very, slowly, going through the place. So slowly. And the 'scheme' that people were killed for? So very, very lame. Now that I finished the book, I'm sorry that I didn't stop when I should have. Boo.
  • Rating: 2 out of 5 stars
    2/5
    This was a difficult book for me. The plot forced me to accept things that were difficult leaps. I enjoyed, Elle, the main character, an enterprising burglar who gets caught up in a messy multiple murder. However, I wasn't ready to go with her on some of her travels as she unraveled the solution to the murders. Perry always writes books with solid dialog and well-defined characters. The story here just didn't capture me the way his books have in the past.

Book preview

The Burglar - Thomas Perry

1

A young blond woman ran along a quiet tree-lined Bel-Air street at dusk. She kept her head up and her steps even and strong. The street was in the flat part of Bel-Air just north of Sunset, a neighborhood with big old houses built as mansions by movie and television people in the 1950s and ’60s. Mansions still occupied giant parcels sectioned into lawns and gardens, but over time the old owners had died, and the new owners had noticed that the houses were not the newest styles and not as large as a house might be. For years they had been in the process of demolishing the old homes to build new ones that looked to them like clearer embodiments of wealth and potency.

The runner’s name was Elle Stowell. She wore a dark blue T-shirt that said YALE on it and black running shorts. On her feet was a pair of distinctive running shoes of a brand worn by female runners who lived in neighborhoods like this one. They cost hundreds of dollars and were superbly made, but their real purpose was to give their wearer an edge that was more sociological than athletic. They were a credential, proof that the runner belonged here.

Elle was small, an inch over five feet tall. Her size and her pretty face made her seem younger. She was very fit, her body thinner and more long-muscled than an Olympic gymnast’s because her daily routines relied more on running and swimming than on jumping and upper-body work.

Elle Stowell needed to be physically exceptional but needed not to look physically exceptional. She had to be able to show up in neighborhoods like this one looking like the daughter of the couple down the street. She often put on a shirt with the name of a university so she would appear to be a student home for a visit and running near her parents’ house.

She had a light complexion and blue eyes, and she spent lots of money on styling and dyeing her hair to duplicate the golden look of the daughters of the rich. She acknowledged that she did not compare with her best friend, Sharon, who could walk into a restaurant and cause the conversations at tables to trail off, or her friend Ricki, who was a model and appeared to be an elongated ink drawing of a goddess. If pressed, Elle might have admitted she was cute.

A week ago she had driven through this neighborhood looking for the right house, and then three days later, she had walked her friend Elizabeth’s little white French bulldog through here on a leash. At each house where a dog lived, the dog would charge to the fence and bark at the French bulldog, warning it to stay away forever or face dire consequences. When she had finished the walk, the bulldog felt flattered by the attention, and Elle knew where there were dogs and where there weren’t. At the place she was going there weren’t.

Elle needed money right now, but she didn’t like working after dark, when the danger increased. Her work required her to look rich and be where rich people lived, but she was careful to tone down her appearance to avoid being kidnapper bait—no sparkly jewelry, no watch or rings, no daydreaming, particularly at night. She never let her alertness lapse, and she listened for cars overtaking her from behind. Even if there was nothing to be afraid of, no attention was welcome. Her only accessory was at her waist: a black fanny pack which contained a few small tools and a lot of empty space.

She reached the block she had chosen and ran straight to a house that was undergoing a thorough renovation. She was sure that, when completed, it would look a lot like an old gray stone bank. It had a long front porch with four pillars that appeared to hold up the front end of the roof but were only ornaments. At this stage of construction the house was surrounded by scaffolds: three levels of steel piping with walkways consisting of two ten-inch-wide boards laid side by side every three or four yards.

Elle veered in front of the building, already pulling on her surgical gloves, and hoisted herself up on the temporary chain-link fence, stepped on the chain and padlock that held the gate shut, and jumped to the ground inside the fence. She went to the scaffold on the side of the house, pulled herself up onto the first level about six feet up, and walked along the scaffolding, feeling a slight springy bounce of the boards under her feet. It occurred to her that if her 105 pounds made the boards bow a little and rebound upward, a carpenter who weighed twice as much must have a pretty bouncy walk.

She kept turning her head to look over the tall concrete fence a few feet from the scaffold. She kept looking in the windows of the house next door and seeing things that pleased her. There were no lights on in the rooms she passed. In the kitchen, the timers on the oven and the microwave, and the lighted green dots showing that the refrigerator was working, were the only signs that the power was on.

When she reached the back end of the board walkway, she shinnied up a vertical pipe of the scaffold. She was hot from running, and the coolness of the metal felt good on her legs, which were doing most of the work of pushing her body upward. She reached the second level and kept going to the third. The top level of the scaffold jutted about two feet above the eaves of the house, so she had an unobstructed view of this side of the peaked roof, a bit of the terrain beyond, and the tree canopy that shaded the quiet street for a distance on both sides. Dusk had now faded to darkness, and she could see strings of streetlights going on throughout the neighborhood.

She spent a few more minutes looking at the house next door. That house was not under renovation. She could see enough of it to verify that it was still in pristine shape from its own rebuilding a year or two ago. She could also see that the swimming pools—one big irregular-shaped pool and a long strip of water near it for swimming laps—were covered with black plastic sheeting. The nets were off the tennis courts. Days ago she had already verified that no dog was present, the cars were locked in the garage, and the newspapers and mail had been stopped.

Elle knew a lot about houses and about the ways people in rich neighborhoods thought about them. At the moment when the people living next door had learned that the house on the lot where she was standing right now was going to be razed and this monstrous building erected in its place, they had undoubtedly begun to make plane reservations. They had gone somewhere to wait out the long period of construction. If they were rich enough to afford a massive house in Bel-Air, they didn’t have to sit in it and listen to the sounds of bulldozers, saws, cement trucks, nail guns, and foremen shouting at their crews in Spanish. They had, as rich people could do, sidestepped the unpleasantness. Right now they might be in the South of France or on the New England coast or touring Iceland.

Elle bent down, picked up the end of one of the boards forming the walkway of the scaffold, propped it on the scaffold’s railing, and eased it across the empty space to rest on the railing of the balcony extending from the house next door. She wiggled the board to be sure that it was solidly and evenly resting on the two railings. Then she opened her fanny pack to take out a bungee cord, wrapped it around the board twice, and used the two metal hooks to secure it to the scaffold so the board would not move.

She lifted herself to the level of the railing, set a foot onto the board, and then began to walk. For Elle, walking on narrow footholds at great heights was not a pleasure, but she had learned to do it as a teenager in gymnastics. A ten-inch board was much wider than a ten-centimeter balance beam, and she wasn’t expected to do any tricks on it. She kept her attention on the board and walked over it without allowing her mind to interfere.

She got over the railing to the balcony and looked in the French doors. The view was limited because of gauzy white curtains and the lack of light, but she could see this was a bedroom with an empty bed, a dresser with nothing on the surface, and an open empty closet. The ceilings were at least twelve feet high, and when she looked back at the scaffolding she had just left, she estimated that the level of the French doors where she stood was nearly thirty feet above the ground. She took out her small flashlight to look for signs of an alarm but spotted none in the bedroom. Most contractors didn’t think doors and windows at that height were worth wiring.

She examined the lock on the French doors, then selected the right bump key for the lock on her key ring, inserted it and turned it just far enough to get the pins under pressure, hit the door with her shoulder, and turned the key farther as the pins jumped. The door swung inward.

The room was big and luxurious, but it wasn’t the one she wanted. This was a room a family might keep immaculate and waiting for grandparents or other guests—close to the rest of the family but far enough away from them to preserve everyone’s nerves. It had a bathroom with a telephone—an indication the intended visitor was elderly—its own balcony, a good television set. She went through the doorway to hunt for the master suite.

When she got to the master suite she found the door locked, as she had expected. This room took a different bump key, but when she stepped inside she felt hope. She had been putting off working for a while, so she was experiencing a shortage of cash. The picture of a woman on the man’s tall dresser caught her eye. The woman was dark-haired, wearing a dark blue strapless evening gown and a necklace. She was very attractive. She seemed to be in her late thirties at the time of the sitting, so she was now probably in her fifties. The necklace was exquisite. It was a chain studded with diamonds, made to suspend a circular sapphire cradled in a nest of diamonds. There had been wealth here. Maybe it was still around.

Elle considered. She had been hoping to find a bit of cash for her immediate needs and then move on. When people went away, they often left some so they could replenish their wallets with American money without having to go to a bank when they got home. But if a woman had serious jewelry, she would not have taken it with her to Europe or Asia. She would have left it locked up in a safe-deposit box at a bank or in a hiding place at home.

Elle had to make a quick choice: look for the envelope of cash inside a book or taped under something, or look for the jewelry in false containers and safes. She had to move. She had seen nothing to worry about yet, but she knew that it was best to do things rapidly in case there were security devices installed that she had not seen.

People were not always very smart about hiding things. It had astounded her at times that people still hid things between the mattress and the box springs of a bed, but they did, so she had to look there before she moved on. What she found this time was a Colt Commander pistol. She released the heavy mattress and let it cover the gun and went on. She found the safe in the man’s walk-in closet. The space was big enough for a drive-in closet if the owner could have driven a car up the stairs. The safe was built into the wall behind the row of suits, but it was not a very formidable one.

The safe reminded her of the safes in hotel rooms. Its display had only four lighted squares for the numbers. She sat down, made herself comfortable, and began to work the combination. To a novice, ten thousand possible digits would have seemed a daunting number, but Elle was optimistic. She was a rapid typist, and her decision to go after the jewelry was final.

There were some combinations that were more likely than others. She hit four 0s, four 1s, four 2s, all the way through 9. She hit 1234, 4321. The address of the house was 1477. If the owner used birthdays, the final two numbers would be the year, which had to be 99 or less, and because there were only four digits, the first pair had to be a single-digit month and a single-digit day. Colored stones were often given because they were birthstones. A sapphire was the birthstone for September, so maybe the first digit was 9.

She set the second digit as 1, then went upward on the final pair of numbers from 1 to 99. When nothing happened she made the second digit 2 and repeated the process. When she made the second digit 4 and then ran the final two up to 70, there was a click, then an electronic sound like something spinning, and the safe popped open. The sight made her draw in a breath. She opened the blue velvet case and recognized the sapphire necklace from the picture. Behind the blue velvet case was a black velvet case, and when she opened it she saw a sparkle of diamonds. She turned on her flashlight. Yellow diamonds. She put both necklaces into her fanny pack, then looked farther inside the safe. There were papers that might be worth something, but not to her. She turned off the flashlight. She had done enough, and she sensed it was time to go. As she closed the safe, she saw that the four numbers were blinking on and off. She didn’t want the owner to come into his closet and instantly see that his safe had been opened and his wife’s necklaces stolen. Any delay in discovery was good for Elle.

Elle decided that the blinking probably meant that the safe had been opened but not reset. She pushed the door shut and then hit reset, then 0000. The blinking stopped, but she had an uneasy feeling.

Elle went back along the empty hallway to the guest room with the French doors and stepped out to the balcony. From here she could see for a distance. Far down the street she could see a pair of cars. They were black-and-white with numbers painted on their roofs, and the lights above the windshields were spinning red and blue. They were moving fast, but she heard no sirens. They were on their way to a crime in progress.

Elle grasped the board on the balcony railing with both hands and hoisted herself up so her knees were on it. She didn’t have anything to hold on to to rise to her feet, so she crawled quickly along the board to the scaffold on the other house, where she eased herself down to the board walkway. She unfastened the bungee cord and put it in her fanny pack, then dragged the heavy board back from the balcony to the scaffold. Before the police arrived she had just enough time to slide it into place where she had found it.

The flashing red and blue lights were gone, but Elle could hear the cars pull up at the front of the house. Doors opened and slammed, and there were metallic voices squawking from radios and heavy footsteps running up to the gate of the chain-link fence. Elle didn’t have time to find an open window to climb inside the half-finished house. All she could do was lie down on her side with her arms straight, pull her body back toward the house so it was all on one ten-inch board, and stay still.

The beams of powerful flashlights swept the ground in front of the house, then moved along the sides, throwing shadows of the scaffolding onto the gray wall beside her. Now and then one of the beams would unexpectedly jump upward to shine in a window. Only a couple of times did Elle see a beam shine upward as far as the third level of the scaffold, and from ground level all it could do was shine on the underside of the board walkway.

She saw the flashlight beams moving along below her, flitting from side to side. Now and then one of them would switch off for a few seconds and then switch back on as though to fool someone who would think the police had gone away. At least two cops reached the rear of the building. They spent some time sneaking up on a tall pile of lumber, with guns drawn, but nobody was hiding there. Next they moved to the house and she heard them doing the predictable thing, which was to try the doors and the first-floor windows to be sure none of them was unlocked or broken.

There was more radio traffic, and then she heard two of the cops moving past the scaffold. When she could, she looked through the crack between the boards of her scaffold and saw the cops prowling around the house next door, checking its doors and windows too. She could see that they were not just going through the motions because they were here anyway. Somehow they had come to know that the house was either at risk or already being hit.

Time passed, and she had to let it pass. One of the best strategies for hide-and-seek was to outlast the opponent, to simply remain silent and motionless longer than he thought you would. She didn’t like it much. It occurred to her that she also had a date tonight. She was supposed to go to dinner with a guy who wasn’t exactly fascinating, but she believed in keeping her word and being fair to men who asked her out. She didn’t want somebody with a legitimate grievance going around repeating it to every other guy and making her seem horrible. She had gone out with this one three times, so he would probably be madder if she stood him up now, because it would seem personal.

The police should have left by now, and she was beginning to get uneasy. She had never been arrested for anything, and the prospect of arrest terrified her. If she got caught with a set of bump keys, a big razor-sharp knife, a lockpick, a tension wrench, and what looked like half a million bucks in jewelry, she would be in prison until she was ninety.

And then one of the cops found a way in. She could see the beams of their flashlights inside the house next door. In a few minutes they’d be upstairs. That meant they’d be able to look out the window and see her up here on the scaffold.

Elle grasped the vertical pipe frame of the scaffold, held on loosely, and slid downward to the second level. She heard a radio voice again, and this time it seemed to be coming from two places at once. Then she heard footsteps, this time running, and she went down on her belly on the second level and froze. She saw the other two policemen running across the driveway to the house next door, the one she had robbed. She held on to the vertical support and slid to the ground.

As soon as her feet touched, she ran toward the street. She turned the corner of the house to the gate, lifted herself up, stepped on the chain and padlock, and slipped between the sides. Two cop cars were parked at angles so their snouts nearly touched at the gate, so she could barely get down without touching them. As she passed the open driver’s-side door of one, she heard the sound of the car’s engine, a quiet reassuring purr.

In an instant she sensed this was the way. It was as though she were on a circus platform and a trapeze was swinging through the air toward her. If she jumped for it and caught it, she could swing to the other side. If she waited, thought, and decided, the trapeze would swing away from her, and the next time it swung back it would be out of her reach and her jump would propel her into the empty air and death.

She slid onto the seat, shifted into reverse, grasped the steering wheel, and tugged the door toward her. She knew enough not to slam the door and enough not to drive past the house she had robbed. She swung the car around and gradually accelerated up the street. She turned the first corner, accelerated some more, and then made the next left. She parked the car at the curb near the third corner, turned it off, and took the keys. She ran around the corner to the street where she had left her own car. She had not wanted to drive right up to it and let the cop car’s automatic plate reader record her license plate, or let whatever dashboard device it might have see her or her car. She got out and never looked back, just ran as fast as she could to her car.

As she drove, she noticed that she was breathing heavily. She wasn’t winded, and she wasn’t tired. As soon as she was a mile or so away, she began to shiver, and it lasted until she was home with her car in the garage and the doors locked. It took her over an hour before she felt calm enough to shower and dress for her date.

At dawn the next morning, Elle Stowell was out running again. She had been dumped last night, and the guy wasn’t even her boyfriend. She had gone out with him three times—four if you included the breakup date. That part was astounding when she thought about it. While she had still looked like a prospect to him, he’d acted so broke that she’d wanted to pay for herself, him, a limo for each of them, and some food for whatever starving relatives and pets he had at home. But on the night he dumped her, he bought her a fancy dinner. Was she supposed to go home and console herself with the thought that she had been let down and cast off, but at least she’d ingested four thousand calories doing it?

This one had been handsome but dense. She had spent three evenings listening for any indication that something was going on behind his eyes. Nothing ever peeked out. And his farewell speech was a variation on the theme that the problem wasn’t her—meaning the shape of her body and the features of her face—but him. He just didn’t feel he understood women.

It was interesting to her how often men said they didn’t understand women. They were right that they didn’t, but it wasn’t because women were uncommunicative. Plenty of women she knew talked almost continuously. The problem was that men thought of themselves as being more similar to anything else on the planet—male horses or wildebeests or chipmunks—than to female human beings. Women were their opposite. To them, a thirty-two-year-old male physicist was more similar to a billy goat than to a thirty-two-year-old female physicist.

Not that Elle was thirty-two or a physicist. She was twenty-four and a burglar, a sneak thief. This wasn’t a fact that she ever brought up with men, so it hadn’t been a factor in her rejection, but it was an important part of her existence, since it was the part that paid the bills. So once again she was running. She was jogging along a beautiful road south of Sunset that wound around in Beverly Hills and offered the occasional view of the Los Angeles Basin, and her purpose wasn’t to burn the calories from her valedictory dinner. She was casing houses along the route, looking for her next score.

There was esoteric knowledge involved in being a burglar—broad areas that took some thought and skill. There was choosing the house, entering the house, and finding the items that were worth taking. Elle Stowell was good at all three.

Elle was strong but small, so she couldn’t carry a seven-foot television out of a house if she’d wanted to. It didn’t matter because the real prizes were all small and dense—money, watches, jewelry, gold, guns, and collections—and usually they were to be found in or near the master bedroom suite. Some of the things she found in bedroom hiding places that fitted this description were revealing but not for her to take: secret cell phones for calling lovers, second sets of identification, bugout kits, or drugs.

Her small size helped her. She looked like a person who would be out running at dawn in a rich neighborhood, so she didn’t worry people who saw her. There was a certain irony in this, because the same qualities made her a fearsome burglar. She could enter a house in dozens of ways that were impossible for a large man. She could easily crawl into a house through a dog door or take the glass slats out of a louvered window and slither inside. Both openings were common and neither was ever wired for an alarm.

Elle had seen practically everything that made homes vulnerable. Spare keys were hidden in or under pots, on top of lintels, inside hollow imitation stones, or hanging on small-headed nails on the sides of two-by-fours in garages or outbuildings. These were good places to look anyway, because if there was no key, there would still be tools that would get her into a house. She always looked to see where these buildings were and whether they were easy to enter.

She was also cautious. Before she committed herself she looked for a small, cheap car or two near the house, because these belonged to maids and nannies. Pickup trucks belonged to pool men and gardeners.

Elle knew that a burglar was a sorry, selfish thing to be, but she had gotten started at a time when she was too young to be on her own and had to eat. She had known even then that burglary deprived rich people of stuff their insurance companies would pay to replace. It also shook their confidence and made them feel violated. That was bad, but it also made the act a little bit sexual, which all the most tempting crimes were. A burglar saw everything they’d hidden and learned a great many of their secrets, and even when Elle didn’t have time to accomplish that, they thought she had. They knew they had been exposed and, in a way, used for someone’s pleasure.

Rich people felt the humiliation and loss more keenly than poor people did, because all those possessions and luxuries were dear to them, in some cases were them. Poor people had already been ripped off a thousand times and knew their possessions were crap. They had never invested anything useful in them, like their self-esteem or their souls. By adulthood the poor had been beaten into wisdom and detachment. Elle had known all about being poor by the time she was ten. Everything ever provided to her was cheap, worn, mismatched, and inferior. Even the name Elle had been a handicap.

She wasn’t really sure why her mother named her Elle. She had once hoped it had been a naive feminist gesture, but suspected she was probably just named after the magazine or a person in a movie. When most people heard her name they asked her what the L stood for. Usually she just made something up—Lilith, Lorelei, Lamia.

Elle had spent her childhood in South Pasadena, in an old house that was teeming with cousins. Her grandmother had raised three daughters and then raised their children too. Her mother had been the middle one, the girl who had been universally recognized as the most beautiful of three beautiful girls, but also the stupidest. Elle’s grandmother had admitted this freely in front of Elle. She had said, Like a little china doll, and her head was just as hollow. Elle gathered over time that her mother had been in a car with a boyfriend when he had driven the car into a concrete viaduct. Nobody had ever told her whether the boyfriend was her father, which led her to believe he wasn’t. No other candidates were ever mentioned to Elle.

Growing up in the big old house didn’t take her as long as it took the others. She was out on her own at fourteen. Now and then she had brought back sums of money for her aunts and grandmother. For a time she had the notion that she would come back one day and live with the family again, bringing with

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