The Ghosts of St. Grimald Priory: Ghosts and Tea, #1
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Prudence Honeysett is a wealthy, aging widow who's also quite done with the world. A hopeless curmudgeon, she withdraws from Victorian society by purchasing an old priory reputed to be haunted, convinced that her desire for peace and quiet would be perfectly met regardless. Fortune, however, has different plans for her, her hapless servants, and her trio of monstrous cats.
The sudden appearance of a heartbroken nephew at her doorstep stirs the ghostly waters even more after Frederick confesses to being a medium, and before Prudence knows it, the long-dead residents of St. Grimald priory emerge from the shadows. And they all come with garbled warnings of a murdered girl and the door to the underworld on its way to being torn down.
Through a collection of humorous journal entries and letters, the supernatural misadventures of Prudence and Frederick unfold—filled with sordid family drama, swoony romantic entanglements, dodgy attempts at questionable magic, and restless ghosts a-plenty.
Hayden Thorne
I’ve lived most of my life in the San Francisco Bay Area though I wasn’t born there (or, indeed, the USA). I’m married with no kids and three cats. I started off as a writer of gay young adult fiction, specializing in contemporary fantasy, historical fantasy, and historical genres. My books ranged from a superhero fantasy series to reworked and original folktales to Victorian ghost fiction. I’ve since expanded to gay New Adult fiction, which reflects similar themes as my YA books and varies considerably in terms of romantic and sexual content. While I’ve published with a small press in the past, I now self-publish my books. Please visit my site for exclusive sales and publishing updates.
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The Ghosts of St. Grimald Priory - Hayden Thorne
Author’s Note
Although the journal entries and the letters in this book are written by English characters, the spelling I used throughout is American.
Chapter 1
FELICITY SMEDLEY’S LETTER TO PRUDENCE HONEYSETT
I missed your departure, my dear! It will be a sore loss for the rest of the ladies in our League of Mandrake Fanciers, but please write back as soon as you’re settled into your new home in Hoary Plimpton. I shall miss our talks over tea and uniquely spiced cakes. But pray don’t be too hasty in writing back. Settle yourself down first before taking up your pen.
By the bye, I’ve heard about certain peculiarities unique to your chosen site. If it’s possible, do give me an account of the flora in and around your new home, Prudence. I think there’s wolfsbane there, growing plentifully I might imagine, judging from the death listings I’ve managed to acquire from a very obliging verger (money does make the world—or the corpse list in my case—go ‘round, indeed). It’s a remarkable record, you know, and I’m now shocked there are still people left in that rustic and obscure corner.
At any rate, I’m keen on cataloguing the more significant plants in your lovely new kingdom, and perhaps from there the ladies of the association can come up with an appropriate medicinal recipe for them.
I shall wait with much excitement for your letter. The others will surely mourn your absence, but at least I can keep them abreast of your new adventures.
I am, my dearest Prudence,
Your friend.
Felicity Smedley
*
PRUDENCE HONEYSETT’S JOURNAL
16 September—For better or for worse, I’ve just purchased some obscurely situated property everyone (the baker’s wife from a village ten miles away) has been warning me against. I was apprised of its haunted reputation; unfortunately for everyone, contrariness has its virtues, and simply picturing the looks of speechless dismay among the family once the word gets out feels devilishly satisfying. Let’s hope the tables don’t get turned, and I’ll be the one entertaining the lot with my own expressions of bug-eyed horror once a full and more accurate inventory of the priory’s interior is done.
I jest, of course. That happens rarely in these parts. But I am very much taken by the priory’s exterior and interior beauties (though I truly can’t recall everything about its interior at the moment besides the priory’s magnificent collection of windows). Its somewhat isolated situation between two villages is also an excellent point in its favor. The priory is still part of Hoary Plimpton and not Utter Blackburgh, though I can’t help but suspect it’s been fighting a centuries-old (losing) battle for independence from a couple of unhappily named villages.
I’ve only been inside once, and it was a very quick and brisk tour of the place, with me barking orders and demanding answers to my questions about—something. Everything, I think. I honestly can’t even remember. I suppose those questions ran more along the lines of What’s behind that door?
or How come that’s locked?
or Did previous servants do naughty things under that?
or How many bodies are buried in the grounds? Should I be worried about Mr. Brummell bringing mummified parts indoors and presenting them to me as appreciative tokens?
I should have considered whether or not Mr. Brummell would be amenable to sharing space with possible ghosts. But he’s a sturdy, brutish pirate of a cat. I daresay he’ll manage nicely. If the priory does get under his skin, I’d be happy to find him a partner. A surly cat the size of a mastiff would surely chase away all shadowy threats and offer him some measure of comfort and companionship. I know I’ll like it. I shall have to apply to Mrs. Outteredge (the baker’s wife who seemed thoroughly alarmed by my property purchase) and see if she’s willing to sell me one of her enormous gray tabby cats. I truly don’t know what she feeds those creatures, but considering their freakishly giant size, I’d wager on the corpses of her enemies.
Mr. Baskins will help me sort through the last of the papers tomorrow. It shouldn’t take us too long as the previous owner’s only too keen on tossing the priory onto someone else’s lap and wash his hands on the matter once and for all. Then I shall celebrate. Oh, Antigonus and Lucinda will simply choke on their tongues once they discover what I’ve been up to, but family being family, neither of that ghastly pair will see just how much of a role they’ve played in driving me to such extreme measures.
If anything, they ought to celebrate as well. I’ve managed to outdo them both by purchasing old and expansive property for an exceedingly cheap price. And it comes with its own magnificent oriel windows looking out onto the walled front courtyard as well as three life-sized statues of hooded monks littering the interior in random spots like grim reminders of the destiny awaiting the younger sons of the titled and penniless.
I’ve never lived in a house with lattice windows before, and in a priory like this, the effect within doors is truly very striking. Every window is tall and narrow, allowing light to spill inside and form symmetrical diamond patterns to flood the floors. The ceilings, moreover, are surprisingly high, both on the ground floor and the two upper levels. I suspect the servants will be thoroughly spoiled by heavenly glory (which is somewhat dirt-caked and needing a thorough washing at the moment).
I do believe I shall enjoy being a recluse. And tucked snugly away in an old, old priory named after some fellow (St. Grimald) whom ascetics clearly venerated enough to, well, erect a conventual house of sorts for whatever activities ascetics engaged in (very likely prayer, starvation, self-immolation, and perhaps a sampling of sauciness every now and then). I daresay Antigonus will expect me to be burned to a crisp one day from all the residual holiness that plagues such places.
I shan’t give him the satisfaction, brother or no brother.
*
PRUDENCE HONEYSETT’S JOURNAL
18 September—The keys to St. Grimald Priory are now mine. And so are two more cats. Mr. Brummell will now be the indulgent stepbrother to a pair of younger (yet far bigger) mousers: Nicodemus and Nero the Mad.
*
FREDERICK BISSET’S LETTER TO ADRIAN CASPAR
I can’t see you later. I’m in terrible trouble with Papa and Mamma, and I’m all but a prisoner in my own home. I have received your recent letter and the token you’ve seen fit to include, and I’m keeping both under lock and key. Mamma’s adamant that I surrender everything I have of yours—letters, gifts, what have you. As if I’m some blushing little girl in the throes of her first romance. But be assured that all of those are safe, and I intend to keep things that way. I truly don’t know where I’m finding the strength to continually defy my parents, weathering their anger, their disappointment, and their disapproval, but I manage somehow. Indeed, the more they subject me to lectures and threats of disinheritance, the more I stand firm though my heart aches awfully.
The ever-loyal Brody has strict instructions to place this letter in your hands. He also has strict instructions not to wait for a response. He’s already placed himself and his position as Papa’s stable boy in great danger by helping us in the capacity of messenger. Others might call him simple and stupid, but the fellow truly is blessed with a big heart. And he continues to be my only and dearest friend throughout my troubles.
Please be patient. I shall write you again as soon as my situation is resolved, and I’m certain it will be soon enough. Papa and Mamma would never find it in themselves to carry through with their threats, and I hope to continue my countering of their rage with gentle persuasion.
Always,
Your Frederick
*
PRUDENCE HONEYSETT’S JOURNAL
21 September—The priory is chilly, and it’s also proving to be a labyrinthine pain in one’s aging arse. Truly, I’ve never seen anything like it, and I’ve only scratched the surface. Mrs. Drummond, two of her nephews who’ve volunteered to help, three more of my servants, and the maid Saunders have attempted to determine the purpose of certain idiosyncrasies that seem to be a native feature of this remarkable place. Truly, whenever my attention was drawn to some peculiarity within doors (heaven knows what awaits me outside), I couldn’t but pinch my mouth and shake my head: What the devil were those ascetics thinking?
Let me add a confession. The tour on that glorious and oddly fateful day was brisk and quick, and I barked questions and orders, etc., for a very good reason, characteristic impatience aside.
I wasn’t paying much attention when the beauties of countless rooms were being extolled while I toured the priory. I couldn’t help it. I’d drunk much too much coffee prior to it and spent the time nearly cross-eyed from holding myself back, and while we must have passed a water closet or two, I was too enmeshed in my own troubles to realize it. By the time I’d declared myself satisfied with the property, I was mincing, not striding, alongside the house agents and nearly in raging tears for want of relief. But I digress.
St. Grimald Priory has a number of odd features. It’s a bit of a shock to discover these things, but I’m sure I’ll learn to live with them in time. There’s a particularly large mirror inside a particularly hideous and enormous frame hanging on the wall directly across a set of doors leading to the rear garden. It’s an odd placement for it, for nothing or no one could benefit from it being there unless they decide to pause and primp before carrying on with their task. The area is nothing more than a passageway between the kitchen and the servants’ stairway.
To be sure, I absolutely doubt it if any of the long-gone monks were that vain.
The interior is also marked with crude carvings in otherwise beautiful wood (the top ends of all doors) or even stone (the doorstep directly outside the rear double doors). The most predominant one is a double upside-down Vs, which, I understand, is the monogram for the Virgin Mary. I don’t know why previous residents—very likely the monks who lived here—felt the need to display their adoration of the lady in the most distressing way possible. Carving into wood? Vandalism! Weren’t prayers enough for that lot?
There are several—I truly can’t count how many, for insisting on utmost precision will only serve to ruin my taste for fine art—portraits of saints all but crowding the walls of the priory, upstairs and down. These portraits are all old, quite ancient, even, with the original paint long faded or turned to some awful shades of brown. But the most remarkable thing about them (and I use remarkable
exceedingly loosely) is the fact that someone or more than one someones through the years have decided to restore the original portraits by painting over the saints with consistently tragic results.
Indeed, rather than inspire awe, wonder, and even respect in the viewer, they all inspire a measure of dismay and shock, for each and every saint appears to have been improved upon
by a child recently freed of its swaddling blanket. Saints? No! Flat-faced, dead-eyed cow droppings, more like! Why hang on so desperately to old, degraded portraits and not invest in newer, more appealing depictions of godly suffering and death? Surely the priory had money to throw around. I know how these religious sorts worked (and still do, alas).
21 September (continued)—The cats seem to tolerate each other well enough. Mr. Brummell appears to be indifferent to his younger brothers, and all three aren’t intimidated by their new home. However, we haven’t lived here long enough yet, so it’s too early to say. I shall have to keep a close eye on those creatures and see if they’ll sound the alarm should a ghost dare show its misty face to them.
22 September—I’m beginning to wonder what on earth kind of protector St. Grimald was to his followers. I’ve already looked at every religious relic (if one were to call those ghastly, ill-conceived restorations
of saintly portraits that), and stars above, what an insult these attempts are to the priory’s patron saint. In several of them, the newly painted images include crudely inserted prayers of defiance against all manner of evil and especially persecution from the otherworld. Squeezed forcibly, even, into what blank space surrounds the saint, none of which are making any effort at all at smoothly blending into the background. And such fiery passion in those Latin rebukes of the wicked dead!
Perhaps St. Grimald was the patron saint of the supernaturally persecuted or perpetually morbid. Now I’m starting to wonder what happened to the monks who lived here unless the restorations were a more recent addition to the priory by eccentric radicals or an angry younger son resentful of taking up the cowl.
Chapter 2
FREDERICK BISSET’S LETTER TO ADRIAN CASPAR
I’m undone. This will be my final letter to you. Please carry on and find another. You deserve far more than what I can ever offer, and now, I have nothing. Poor grandmamma won’t have anyone to talk to anymore. I shall miss her visits and her affectionate smiles. She was always kind to me. Farewell.
Forever yours,
Frederick
*
PRUDENCE HONEYSETT’S LETTER TO JEREMIAH HILLIAM
Mr. Hilliam, I’m certain these particular matters involving the fixing up of my home would be of interest to you, though I’ve heard you refuse to venture within fifty feet of the priory unless armed with a blazing torch, a crucifix, and a sack of salt. I do assure you, sir, that there’s no need for any of such toys regardless of the priory’s reputation among its neighbors.
A blazing torch is superfluous when we’ve plenty of lamps for you to use. The priory, by its very nature and purpose, can be seen as one monstrously sized crucifix in wood and stone (and very majestic windows). Again, a crucifix hanging about your person will only be a needless and wasteful burden. And, finally, our kitchen is well-stocked with spices, thank you very much. We’ve no need for more salt, let alone a sack full of it. Indeed, I’m one for lightly seasoned fare, for my digestive organs aren’t what they used to be, when back in my youth, I could swallow ridiculously spicy food without turning to the water closet within a minute of my meal.
What I do need is a respectable gentleman (like you) who knows a great deal about masonry and statuary (like you) who can be prevailed upon to come by St. Grimald Priory in order to inspect a number of puzzling monk-ish statues that came with the property. I wouldn’t be so put off by them had they actually been situated more properly. Lurking about a churchyard would be appropriate, I daresay, but not in a lady’s newly acquired home. I can provide you with more particulars when you come, and, obviously, you’ll be able to observe them more completely by ignoring your purported mania for excessive light, redundant religious symbols, and an unhealthy obsession with food seasoning.
I will, of course, compensate you well for your troubles. Those statues aren’t the only things needing to be looked at, after all.
Respectfully yours,
Prudence Honeysett
*
PRUDENCE HONEYSETT’S LETTER TO ANTIGONUS BISSET
Of all the fool things only you can manage to do, Antigonus, misplacing your youngest child would top the perpetually lengthening list. Whatever on earth did you do to the boy? Did you frighten him out of his wits with an unexpected show of compassion? You’ve always been too hard on the poor creature if memory serves, and if it is serving me well, he’s the one who’s constantly threatening to marry a theatre actress or sire a dozen bastards by said actress because you refuse to increase his allowance.
Well, this remarkable reversal of fortune for you has been a long time coming, and I have seen neither hide nor hair of the boy. If he ran away, you ought to lay siege to every theatre in the country to find him. With any luck, you’ll get to him and drag him back home before he populates an entire village. Heaven knows, the world doesn’t need any more Bissets darkening its soul.
I am, sadly,
Your sister.
Prudence
P.S. May I also remind you that your children are all old enough to think for themselves? Unless you’ve stunted their development to such an extent as to render them quite useless in adulthood, which is becoming more and more plausible the longer I consider it.
*
ANTIGONUS BISSET’S LETTER TO PRUDENCE HONEYSETT
The missing boy is Frederick and not Trevelyan, you apoplectic harpy. If you deigned to visit your own nephews more often (if at all), you’d know who they are: Linford, Trevelyan, and Frederick. After our discovery of a certain disgraceful connection he’s made, he’s chosen exile and not a renunciation of his relationship. He most certainly is an adult who’s capable of deciding for himself, and where he gets his wretched, scandalous predilections, I wouldn’t have to look very far. I’m actually staring at your portrait still hanging in my study as I write this.
Let me just say, Prudence, that Frederick